Doom experimentalists Insect Ark — now a duo after putting together their full-length debut, Portal/Well (review here), under the sole guidance of multi-instrumentalist Dana Schechter — are getting ready to head out on the road next month alongside Chicago’s Locrian. The tour begins in Washington Aug. 14 and ends in Portland on Aug. 22 and runs down and back up the West Coast in the interim, the Brooklyn-based outfit having West Coast roots in both Schechter and Portland-based drummer Ashley Spungin.

As my brain has turned into goo, I’ll turn it over directly to the PR wire, which puts it thusly:

ExperiMetal Doom outfit Insect Ark touring with Locrian

Insect Ark will celebrate the release of it debut full-length album, Portal/Well with a series of North American dates opening for Locrian. The new album is the result of one years’ work in composer/ multi-instrumentalist Dana Schechter’s Brooklyn studio. Exploring themes of corruption of the natural world and facing oblivion, Portal/Well continues the wordless existential narratives already established on 2013’s Long Arms EP and 2012’s “Collapsar” 7″ single. Autumnsongs Records released Portal/Well, on CD in June 9, 2015.

Insect Ark began in late 2011, as the one-woman solo project of bassist and multi-instrumentalist Schechter. As an analog-electronic hybrid with a heavy focus on live performance, Insect Ark has been building a following in the experimental doom scene via consistent touring in the U.S. and abroad.

Dana Schechter, a California native, spent her teens in the San Francisco metal scene, where her love of heavy music gained its foothold. She moved to NYC in 1997; in 1999 she began working as a recording and touring bassist with Swans leader Michael Gira’s Angels of Light and she founded her own band, Bee and Flower, as well. In 2004 Bee and Flower relocated to Berlin, its new base for touring and recording.

By 2008 Schechter had finally found her way back to NYC. There, she formed Insect Ark as an effort to write and tour continuously without the complexities of a band and to reconnect with the darker, heavier, and more abstract sounds of her youth.

In 2015 Insect Ark gained a second member, drummer and electronics operator Ashley Spungin, who is known for her work with the Portland-based band Taurus. While Schechter appreciated the freedom of working alone, she ultimately decided that live drums would be a powerful addition to the project’s releases and shows. The new duo incarnation of Insect Ark began recording and touring in spring 2015.

Insect Ark Opening for Locrian
Fri 8/14 Bellingham, WA – The Shakedown
Sat 8/15 Seattle, WA – Highline
Sun 8/16 Boise, ID – Crazy Horse
Mon 8/17 Salt Lake City, UT – Urban Lounge
Tue 8/18 Las Vegas, NV – Bunkhouse
Wed 8/19 Los Angeles, CA – Complex
Thur 8/20 San Francisco, CA – Elbo Room
Fri 8/21 Sacramento, CA – Starlight Lounge
Sat 8/22 Portland, OR – Panic Room

http://insectark.com/
https://www.facebook.com/InsectArk
http://insectark.bandcamp.com/

Insect Ark, “The Collector”

Insect Ark‘s debut album, Portal/Well, is the kind of record that, when it’s over, makes you notice sounds around you that you might otherwise have missed. Birds somewhere across a yard. A car driving past. People talking in the distance. Running water. The nuance that drives Portal/Well — out June 8 on Autumnsongs Records — seems to bleed into the real world, the atmospheres and foreboding rumble captured by bassist/programmer/lap steel guitarist Dana Schechter (ex-Angels of Light, Bee and Flower) playing out in ethereal drones, volume swells and an at times crushing ambience.

Whether it’s a steady roller like the opening title-track, which seems to cast out guitar chords and feedback hum over a kind of slower-Godflesh beat, or the cinematic soundscaping of the later “Parallel Twin” and its minimalist counterpart, the closer “Low Moon,” Portal/Well retains a central focus on ambience. Since its recording, Schechter has brought West Coast-based drummer Ashley Spungin (Taurus) into the lineup, making what was once a solo-project into a duo, but the album carries across its solitary spirit in a lonely undercurrent of malevolence, as though something is just around the next corner of “Octavia,” or the horror-style synth work of “The Collector,” waiting to be bumped into in the dark. “The Collector” also arguably boasts Portal/Well‘s most fervent crash, setting up the droning spaciousness of “Lowlands” and “Octavia”‘s encompassing, doomed push.

An entirely instrumental 42 minutes, there’s plenty of Insect Ark‘s dense ambience to get lost in, but even though she’s working here by herself, Schechter dynamically plays minimal spaces off sonic fullness and heft, and the result across Portal/Well‘s span is an album that’s tense at times but never fails to bring the listener along its periodically grueling path. The fluidity with which Schechter constructs layers one on top of the other and the natural ease with which the mix presents them allow even more for someone taking it on to be consumed by its diverse approach and consistent and pervasive gloom.

I’m thrilled today to host the churning “The Collector” for streaming ahead of the June 8 album release. More background on the record follows the song, which you can find on the player below and which I hope you enjoy:

Insect Ark’s debut full-length album, Portal/Well is the result of one years’ work in composer/multi-instrumentalist Dana Schechter’s Brooklyn studio. Exploring themes of corruption of the natural world and facing oblivion, Portal/Well continues the wordless existential narratives already established on 2013’s Long Arms EP and 2012’s “Collapsar” 7″ single. Autumnsongs Records will Portal/Well, on CD on June 8, 2015.

Portal/Well finds its voice in the sound of elements burning and crushing into each other: in the haunting groans and swells of the lap steel guitar, the stalking bass, the insistent drum programming, and the deep oscillations of synthesizers. From this morass songs are born, deeply melodic, dense, austere, and wildly unhinged. Creating a personal soundtrack to the underbelly of the human psyche, Insect Ark weaves a brooding, textural landscape–a starless night spiked with light and flash. The music braids together delay-drenched lap steel, programmed and real drums, distorted bass, and synths to create a sonic mural both uncomfortably intimate and icy cold. To say that Portal/Well is a dark album would be a grave understatement – Insect Ark is often called “Experimental/Doom” – but there are moments infused with bright shards of light and respite to breathe clear air, before submerging the listener once again into a deep cavern of lustrous shadow.

Over the course of a year, Schechter wrote and recorded all these tracks alone, at all hours of the day and night. The album was built with careful attention to immaculate detail, but also takes chances, pushing beyond personal barriers. Without the external influence of collaborators, it is the product of a journey into composition and sonic exploration using a small but dynamic palette of instruments and a singular compositional voice.

Insect Ark’s website

Insect Ark on Thee Facebooks

Autumnsongs Records