The Obelisk Radio Add of the Week: Nonsun, Sun Blind Me

The crux of Nonsun‘s Sun Blind Me is set early on, as the Ukrainian duo of Goatooth (vocals/guitar/bass) and Alpha (drums) unfold the first of their latest release’s four massive tracks with an ultra-patient, ultra-dark droning atmosphere. That song, “Rain Have Mercy,” is the longest at 11:57 (immediate points), but consistent in its sprawl and intent with the rest of Sun Blind Me, having been extended from a prior version included on the Lviv twosome’s last outing, 2012’s Good Old Evil, which was dubbed an EP though it ranged close to 50 minutes. Sun Blind Me follows this ethic as well, and between “Rain Have Mercy” and the subsequent “Forgotten is What Never Was” (11:22) is comprised half of older material and half of newer — the latter two cuts, “Alphomega (Part I: Sunlit Darkness)” and “Alphomega (Part II: Upward Blindness)” taking the drone and the darkly metallic plod that offsets it to even more inhuman-sounding aesthetic cohesion.

Nearly everything I’ve seen from Nonsun in terms of press quotes marks them out as a sludge band, and indeed they do themselves as well, but I disagree, at least if you’re looking at sludge in the sense of acts like EyeHateGod or Iron Monkey. Where chaos is part of the appeal in the work of those outfits, Nonsun¬†come across as much more complex, the “Alphomega” two-parter taking its time even more than the first two songs on Sun Blind Me in moving between a mounting static noise of the first part to the emergence of an overlaying guitar part over the more minimalist second. At first, it seemed strange to me that Nonsun would open with older songs before moving into newer ones, but with the last half of Sun Blind Me being instrumental and even more broiled in its droning morass, it ultimately makes sense. That’s not to say “Rain Have Mercy” or “Forgotten is What Never Was” are particularly accessible, but at least there are vocals, and it shows that whatever Goatooth and Alpha might bring to their newest outing, they’re not willing yet to give up completely the methodologies they proffered on their debut.

As for those, I’d mark them more in league with a droned-out take on Euro-doom than sludge, though that influence may well be at work as well. There’s a sense of a plan at work throughout Sun Blind Me, though, and that remains so even as “Alphomega (Part II: Upward Blindess)” moves into the Earth-style sparseness of its second half, sounding mechanical while even for being plenty brutal in their own right, “Rain Have Mercy” and “Forgotten is What Never Was” eventually come around to the human element of vocals, growled and lurching though those vocals may be. Whatever sphere they’re working in and however drone-heavy that sphere might wind up being, Nonsun present a caustic but hypnotic take on tonal weight and a vague industrial influence without coming off as trying to reside in one genre or another. Their sound is clearly still in development, as indicated by the progress in approach from the first offering to the next, but they seem to be heading in a fascinating direction and I’ll look forward to finding out where it might go from here when and if they embark on an official full-length debut or subsequent EP or single.

Listen to Sun Blind Me as part of the playlist in regular rotation on The Obelisk Radio now. Already distributed digitally by¬†Drowning, Nonsun will issue a tape of Sun Blind Me through Breathe Plastic that’s due out soon. You can also listen to it on the Bandcamp player below:

Nonsun, Sun Blind Me (2013)

Nonsun on Thee Facebooks

Breathe Plastic

Drowning

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One Response to “The Obelisk Radio Add of the Week: Nonsun, Sun Blind Me

  1. […] Blind Me has also been add of the week on Obelisk Radio, was featured on the weekly radio show Mari’s Cauldron and seems to have been played on the […]

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