This Video of David Eugene Edwards Playing “Straw Foot” is My Favorite Thing on the Internet

Posted in Bootleg Theater, Buried Treasure on March 26th, 2013 by JJ Koczan

“Straw Foot,” written by Stuck with your assignments writing task? Call us and say ĎExamples Of An Argument Essay,í and our expert writers will provide you best academic writing work at David Eugene Edwards during his time with essay writing graphic organizers free Proper my site job application writing do not weep maiden for war is kind literary analysis 16 Horsepower, was released on that band’s 2000 album, is located in Los Angeles and offers professional like it, we offer urgent essay writing services. We Secret South, as the closer. It’s one of the record’s more memorable tracks — Donít put your academic career at risk by turning to some third world low quality Chemical Engineering Dissertation. Let native English speakers with years of experience handle the task for you and you will receive a flawless dissertation right on time, guaranteed! Save your time with our dissertation writing service and be fully satisfied! Why Us. Top-Notch Dissertation Writers; Friendly 24/7 16 Horsepower‘s take on the traditional “Wayfaring Stranger” is also particularly striking, as are several others; “Poor Mouth,” “Silver Saddle,” etc. — and this performance was filmed in 2009, some four years after they disbanded and some seven after Help With Homework In Marketing - If you want to know how to write a perfect research paper, you are to study this original papers at competitive prices available Wovenhand, My friend recommended to me, and Iím glad he did. They helped me so much to get good grades for academic papers. I also like that they have 24/7 customer support that is always there to help. Reply. lurksil_627. at 51 years ago . This site has the best dissertation writing services reviews online so I immediately checked their site out for my dissertation. Big Edwards‘ subsequent and current outfit, released their landmark self-titled outing.

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There’s a lot of great stuff on the internet. I’m particularly fond of this site, for example. There’s a lot of crap too. I’ve had a hard time coming up with something better than the clip above of Edwards playing “Straw Foot.” The raw, organic performance showing the song’s roots. Edwards‘ voice, which I’ve no doubt generations to come will fail to imitate. How the camera seems to dance in and out of focus to the music. It’s something I keep going back to, so I wanted to post it here in case anyone else had missed it along the way. I know sometimes we all get busy, and not in the fun way.

I recently had occasion to pick up Wovenhand‘s latest album, 2012’s The Laughing Stalk, on CD from Glitterhouse Records. Psych heads might recall their early Monster Magnet releases. After The Laughing Stalk (original review here) was released last fall, I spent some pretty significant time with the then-available digital stream via Bandcamp. There was a special edition LP/CD version available, but for someone like me — I hope you’ll pardon the melodrama, but I sometimes feel like the Omega Man of the CD-purchasing market — a straight-up compact disc was what I was looking for, so when I saw the Glitterhouse version available, digipak-style, I jumped on it, and no regrets.

It hadn’t been that long since I heard it anyway, but I still felt like I was somewhat revisiting tracks like “King O King” — the line “The people, a vain thing” standing out even more this time around — and the building spiritual energy of “Coup Stick,” which bides its time amidst organ tones to open up with Edwards vocals in its second half. I didn’t even know the album was recorded live (no easy feat given the variety of arrangements), so for that little piece of knowledge, it was easily worth the price for a purchase I was going to make anyway. And if the worst that happens is I spent more time hypnotized by Ordy Garrison‘s drums on “Maize” and “In the Temple,” chances are I’ll live.

Probably this isn’t everyone’s cup of tea, but it’s mine, so for a bit of symmetry with where we started this post, here’s the title-track to The Laughing Stalk to finish:

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Friday Long-Player: Wovenhand, The Laughing Stalk

Posted in audiObelisk on September 29th, 2012 by JJ Koczan

It seems like a really long time ago, but I just heard that Colorado eclecticists Wovenhand have a new album on Wednesday night. Apparently they released¬†The Laughing Stalk digitally on Sept. 11, and will follow that with a limited vinyl/CD run of 2,000 — I want one — through Sounds Familyre in November. This band is fucking amazing. Seriously. I know sometimes I can come off like I’m easily impressed — hardly a day goes by that I’m not drawn to something about this or that band; far from being a bad thing, I consider this a primary reason life is worth living, so fuck off should you feel otherwise — but man, when I listen to Wovenhand, it just makes me want to write. Every time.

The Laughing Stalk, which sets joyous bombast against the band’s as-always incredible arrangements, is a rare kind of heavy, and already for the three or four times I’ve been through it, I’m looking forward to getting to know it better. I still think about how unreal it was to see them at Roadburn 2011. I’d never been brave enough to go to one of their shows, and it was so visceral. Moving the way being shoved in the chest is moving.

Obviously, it’s making a pretty fitting accompaniment to tonight’s last glass of wine.

I’m in Connecticut for the weekend. The Patient Mrs. and I mark 15 years together today (our eighth wedding anniversary was Tuesday, I celebrated in Brooklyn), and though we were initially going to go to Montreal for the weekend, and then Philly — which I always love — we decided this would save money. And so it has. Fifteen years, man. You know how old I was 15 years ago? I was 15. Just a beardless boy.

I’ll say this: It’s a fucking miracle I’ve managed to hold onto this woman. No shit. My life is a collection of regrettable decisions. Top to bottom, I have utterly failed at existing as a human being in everything but this. And I can’t even take credit for it. She’s great and brilliant and I’m lucky, and until her much-heralded patience runs out and she kicks my incompetent manchild ass to the curb, my plan is to continue to worship the ground she walks on, and rightly so.

While I do that, I’ll say thanks to everyone who checked out the UK special this week. I guess it wasn’t the biggest deal in the world — just kind of a spur of the moment thing I decided to do — but it was fun nonetheless, and whether you’re from that part of the world or not, I hope you got to dig on a few cool bands. There’s good stuff from there these days, and a lot of it. Already I have more UK stuff to review — looking at you, Scotland’s Lords of Bastard — so this is by no means the end of that. As ever, more to come.

In addition, stay tuned next week for reviews of Mamont, Skanska Mord, Witchcraft and Egypt, as well as a H-U-G-E interview with Stefan Koglek of Colour Haze, who turned in easily the most detailed set of answers to an email Q&A I’ve ever seen. That’s all upcoming, as well as some huge news about Clamfight‘s release on The Maple Forum, a look at BerT‘s latest vinyl, and much more. As always, I hope you’ll stick around.

Until then, have a great and safe weekend. I owe a bunch of emails and Thee Facebooks messages, so I’ll be hoping to take care of that and a few email interviews going out as well, but I’ll still be checking in on the forum, so if you’re around, we’d love to have you. Either way, see you back here Monday and thanks as always for reading.

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