Riffolution Festival 2021 Announces Lineup

Posted in Whathaveyou on March 9th, 2021 by JJ Koczan

riffolution festival logo

The UK being the hotbed that it has been for heavy acts over the last, say, 50 years, I guess you can do this kind of two-day festival there comprised mostly if not entirely of homegrown outfits and still have it be both a show well worth seeing — think the borders will be open by September? — and the kind of thing where you could easily add another day of bands. I don’t know what social-distancing regulations will be in place in Manchester come end of summer, and to be perfectly honest with you, I don’t care. Elephant Tree and Conan headlining a two-dayer after live music has been on pause for a year and a half? That’s a gig worth watching if the floor’s made of lava, never mind whether or not you’ve been vaccinated.

People gonna be d-r-u-n-k.

I probably don’t need to tell you how refreshing I find it to see a list of logos and band names on a poster, even one with a cartoon butt. Again, I don’t care. I’ll take what I can get at this point.

Friggin’ SigiriyaChubby Thunderous? It’d be like five years’ worth of the UK-based bands I’d love to see all piled onto one bill.

Alas:

riffolution festival 2021 poster

Finally the day has come to release the line-up we’ve been so eager to share with you all.

We know it was a great disappointment not to be able to host shows in 2020, but this is set to be such a monster of a weekend to make up for it.

Special thanks to the support from our partners in Lizard King Promotions / Stonebaked Promotions / The Sophie Festival

Event page: https://www.facebook.com/events/192423792629484/

Tickets and other goodies can be found here: https://riffolutionpromotions.bigcartel.com/

Here’s our line-up:
Conan / Elephant Tree / Telepathy / OHHMS / Ten Foot Wizard / Desert Storm / Witchrider / Pijn / Tuskar / Under / Ritual King / Cybernetic Witch Cult / Chubby Thunderous Bad Kush Masters / Sigiriya / Lacertilia / Morass Of Molasses / Everest Queen / Duskwood / Deltanaut / Orbital Junction / Mother Vulture / Trevor’s Head / SODEN / Son Of Boar / Pelugion / Torus

https://www.facebook.com/events/192423792629484/
https://www.facebook.com/Riffolution/
https://riffolutionpromotions.bigcartel.com/

Elephant Tree, Live at Buffalo Studio & The Preservation Room

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Quarterly Review: Emma Ruth Rundle & Thou, Spaceslug, Malsten, Sun Crow, Honeybadger, Monte Luna, Hombrehumano, Veljet, Witchrider, Devil Worshipper

Posted in Reviews on December 28th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

New week, same Quarterly Review. Today is the next-to-last round for this time, though once again, I look at the folders of albums on my desktop and the CDs and LPs that have come in and I realize it could easily go longer. I never really caught up from the last QR. I guess it’s been that kind of year. In any case, more good stuff today, so sit tight and enjoy. If you didn’t find anything last week that stuck out to you, maybe today’s your day.

Quarterly Review #51-60:

Emma Ruth Rundle & Thou, May Our Chambers Be Full

emma ruth rundle thou may our chambers be full

Sure, there’s poise and plunder amid torrents of emotion and weighted tonality, but what’s really astonishing about May Our Chambers Be Full, the first collaboration between Louisville’s Emma Ruth Rundle (Red Sparowes‘ third LP, the Nocturnes, Marriages, etc.) and New Orleans’ sludgers Thou is that it feels so much more substantial than its 36 minutes. That’s not to say it drags, though it does when it wants to in terms of tempo, but just that its impact both in songs where Rundle and Thou‘s Bryan Funck trade off like “Ancestral Recall” or when they come together as on opener “Killing Floor” is such that it feels longer. Atmosphere is certainly a factor, but May Our Chambers Be Full is so striking because of its blend of extremity and melody, emotion and sheer catharsis, and the breadth that seems to accompany its consuming crush. In a couple years, there are going to be an awful lot of bands putting out debut albums that sound very much like this. Follow-up EP out soon.

Emma Ruth Rundle on Thee Facebooks

Thou on Instagram

Sacred Bones Records website

 

Spaceslug, Leftovers

spaceslug leftovers

Produced by the band and Piotr Grzegorowski — who also guests on synth and guitar — during the plague-addled Spring of 2020, Spaceslug‘s Leftovers EP represents a branching out in terms of style to incorporate a sense of melancholy alongside their established sprawling psychedelics. The 21-minute five-tracker is less a follow-up to 2019’s Reign of the Orion (review here) than a standalone sidestep, but in the acoustic/synth rollout of “From Behind the Glass” and in the especially-stripped-down-feeling centerpiece “The Birds are Loudest in May” it lives up to the challenge of blending an organic atmosphere with the otherworldly sensibilities Spaceslug have honed so well throughout their tenure. Having started with its longest and synthiest track in “Wasted Illusion,” Leftovers caps with the shorter and more active “Place to Turn” and its title-track, which adds a spindly layer of electric guitar (or something that sounds like it) for an experimentalist vibe. Very 2020, but no less welcome for that. The question is whether these impulses show up in Spaceslug‘s work from here on out, and if so, how.

Spaceslug on Thee Facebooks

Spaceslug on Bandcamp

 

Malsten, The Haunting of Silvåkra Mill

malsten The Haunting of Silvakra Mill

Malmö-based four-piece Malsten make their full-length debut on Interstellar Smoke Records with the four-song/44-minute The Haunting of Silvåkra Mill, and in so doing show an immediate command of post-Pallbearer spaciousness and melodic-doom traditionalism. Their lumber is prevalent and engrossing tonally on opener “Torsion” (10:36), uses silence effectively on “Immolation” (10:24), and seems to find a place between Warning and Lord Vicar on “Grinder” (9:02) ahead of the epic-on-top-of-epics summary in closer “Compunction” (13:54), which finds Malsten having reserved another level of heavy to keep as their final statement. So be it. Very heavy and worthy of as much volume as you can give it, The Haunting of Silvåkra Mill is an accomplished beginning and heralds significant potential on the part of what’s to come from Malsten. I’d watch this band do a live stream playing this record front-to-back. Just saying.

Malsten on Thee Facebooks

Interstellar Smoke Records webstore

 

Sun Crow, Quest for Oblivion

Sun Crow Quest for Oblivion

A significant undertaking of progressive heavy and noise rock, Sun Crow‘s Quest for Oblivion is among the most ambitious debut albums I’ve heard in 2020, but there’s nothing it sets for itself in terms of goals that it doesn’t accomplish, as vocalist Charles Wilson flips between clean melodies and effective screams atop the riffs of guitarist Ben Nechanicky, the bass of Brian Steel and Keith Hastreiter‘s drums. Somebody’s gonna sign these guys. Even at 70 minutes, Quest for Oblivion, from its post-apocalyptic standpoint, aesthetic cohesion, fluid songcraft and accomplished performance, is simply too good to leave without a proper 2LP release. Individualized in atmosphere though working with familiar-enough elements, it is an album that makes it joyously difficult to pick apart influences, unleashing an initial burst of four longer tracks before giving way (albeit momentarily) to “Fear” and the outlying, brazenly Motörheady “Nothing Behind” before returning to cosmic heavy in “Hypersonic” and the 11-minute “Titans,” which uses its time just as well as everything else that surrounds. Ironic that a record that seems to be about a wasteland should bring so much hope for the future.

Sun Crow on Thee Facebooks

Sun Crow on Bandcamp

 

Honeybadger, Pleasure Delayer

honeybadger pleasure delayer

It doesn’t take Honeybadger long to land their first effective punch on their debut LP, Pleasure Delayer, as the hook of opener/longest track (immediate points) “The Wolf” hits square on the jaw and precedes an atmospheric guitar outro that leads into the rest of the album as a closer might otherwise lead the way out. A product of Athens’ heavy rock boom, the four-piece distinguish themselves in fuzzy tones and an approach that comes right to the edge of burl and doesn’t quite tip over, thankfully and gracefully staving off chestbeating in favor of quality songcraft on “The Well” and the engagingly bass-led “Crazy Ride,” from which the initially slower, bluesier “Good for Nothing” picks up with some Truckfighters, some 1000mods and a whole lot of fun. Side B’s hooks are no less satisfyingly straightforward. “That Feel” feels born for the stage, while “Laura Palmer” makes a memorable chorus out of that Twin Peaks character’s slaying, the penultimate “Holler” feels indeed like the work of a band trying to stand themselves out from a crowded pack and “Truth in the Lie” caps mirroring the energy of “Good for Nothing” but resounding in a cold finish. Efficient, hooky, smoothly executed. There’s nothing one might reasonably ask of Pleasure Delayer that it doesn’t deliver.

Honeybadger on Thee Facebooks

Honeybadger on Bandcamp

 

Monte Luna, Mind Control Broadcast

monte luna mind control broadcast

Released name-your-price as a benefit for the venue The Lost Well in Monte Luna‘s hometown of Austin and derived from a CvltNation-sponsored livestream, the three-song Mind Control Broadcast follows 2019’s Drowners’ Wives (review here) and is intended as a glimpse at their impending third LP, likely due in 2021. That record will be one to look forward to, but it’ll be hard to trade out the raw bludgeon of “Blackstar” — the leadoff here — for another, maybe-not-live-recorded version. True, the setting doesn’t necessarily allow for the band to bring in guests like they did last time around or to flesh out melodies in the same way, but the sound is brash and thrilling and lets “Rust Goliath” live up to its name in largesse, while saving its nastiest for last in “Fear the Sun,” the glorious bassline of which it feels like a spoiler even mentioning for someone who hasn’t heard it yet. 22 of the sludgiest minutes you’re likely to spend today.

Monte Luna on Thee Facebooks

Monte Luna BigCartel store

 

Hombrehumano, Crepuscular

hombrehumano crepuscular

As satisfying as the laid-back-heavy desert rock flow of “Rolito” is, and as well done as what surrounds on Hombrehumano‘s 2019 debut album, Crepuscular, turns out to be in its 53-minute run, it’s in the longer pieces like the Western “Puerto Gris” or the post-Brant Bjork “Metamorfosis” that they really shine. That’s not to take away from the opening instrumental “Nomada” that establishes the tones and sets the atmosphere in which the rest of the record takes place, or the nod of “Primaveras de Olvido,” and certainly the fuzz-boogie and percussion of “Ouroboro” shine in a manner worthy of being depicted on the cover, but the Argentinian four-piece do well with the extra time to flesh out their material. But, either way you go, you go. Hombrehumano craft sweet fuzz and spaciousness on “Puerto Gris” and answer it back later in “Zombakice” and add twists of percussion and acoustics and vocal effects — never mind the birdsong — on closer “Del Ensueño.” Es un ejemplo más de lo que le falta a la cultura gringo al no adorar fuertemente a los sudamericanos.

Hombrehumano on Thee Facebooks

Hombrehumano on Bandcamp

 

Veljet, Viva El Diablo

veljet viva el diablo

Even my non-Spanish-speaking ass can translate Viva el Diablo, the title of Mexican instrumentalist three-piece Veljet‘s debut album. Initially released by the band in March 2020, it was subsequently reissued for physical pressing with a seventh track, “Leviatan,” added, bringing the runtime to a vinyl-ready 37 minutes. The apparently-devil-worshiping title-cut is still the longest at a doomly eight minutes, but though the production is fairly raw, Veljet‘s material taps into a few different impulses within the heavy rock sphere, offsetting willfully repetitive riffing in “El Día de las Manos” with scorching solo work while “Jay Adams” — presumably named in homage to the Dogtown skater — pulls some trad-metal riffing into its second half. “Cutlass” is short at 2:36, but makes the record as a whole feel less predictable for that, and the add-on “Leviatan” embodies its great sea beast with a nod up front that opens to later cacophony. The vibe throughout is you’re-in-the-room live jams, and Veljet have well enough chemistry to carry the songs across in that setting.

Veljet on Thee Facebooks

The Swamp Records website

 

Witchrider, Electrical Storm

witchrider electrical storm

Smoothly produced and executed, not lacking energy but produced for a very studio-style fullness, Witchrider‘s second LP arrives via Fuzzorama Records in answer to 2014’s Unmountable Stairs with a pro-shop feel for its 50-minute duration. Songs are sharply hooked and energetic, beefing up Queens of the Stone Age-style desert rock early on “Shadows” and “You Lied” before the guitars introduce a broader palette with the title-track. The chorus of “Mess Creator” and the big finish in closer “The Weatherman” are highlights, but songs like “Keep Me out of It” and “Come Back” feel built for a commercial infrastructure that — at least in radio-free America — doesn’t exist anymore. I’m not sure what it takes to attract the attention of picky algorithms, but if it’s grounded songwriting, varied material and crisp performance like it was when there was a cable channel playing music videos, then Witchrider are ready to roll. As it stands, the Austrian outfit seem underserved by the inability to even get on a festival stage and play this material live to win converts in that manner. They’re hardly alone in that, but with material that seems so poised specifically toward audience engagement, it comes through all the more, which of course is a testament to the quality of the work itself.

Witchrider on Thee Facebooks

Fuzzorama Records website

 

Devil Worshipper, 3

devil worshipper 3

Opening with its longest track (immediate points) in the 10-minute “Silver Dagger” and presented with the burning red eyes of Christopher Lee’s Dracula on the front, the 33-minute 3 tape from Seattle’s Devil Worshipper maintains the weirdo-experimental spirit of the outfit’s 2015 self-titled debut (review here), finding a kind of Butthole Surfers-into-a-cassette-recorder, anything-goes-until-it-sucks, dark ’90s psychedelia they call “garage metal.” Fair enough. Apparently more efficient than anything I can come up with for it, though what doesn’t necessarily account for is the way the 3 challenges the listener, the remastered versions of “Into Radiation Wave” and “Chem Rails” from the first album, or the horror atmospherics of “Drinking Blood.” It’s like it’s too weird for this planet so it finally made one for itself. Well earned.

Devil Worshipper on Thee Facebooks

Puppy Mill Recordings on Bandcamp

 

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Skraeckoedlan, Witchrider, Parasol Caravan & Electric Hydra Added to Truckfighters’ Fuzz Festival #1

Posted in Whathaveyou on June 12th, 2019 by JJ Koczan

fuzz festival logo

As the initial promise was eight bands and there are now eight bands confirmed, I’m going to hazard the guess that the lineup for Truckfighters‘ Fuzz Festival #1 this December in Stockholm is complete. The second round of adds includes SkraeckoedlanWitchriderParasol Caravan and Electric Hydra, following up on the initiaL announcement, which included Truckfighters — obviously — GreenleafDeville and Motorowl. I think I noted last time around that I had been kicking around the idea of doing an Obelisk All-Dayer in Sweden, and indeed, Debaser Strand was a venue I had been looking at. This pretty much kills that idea. I was thinking June, not December, but how many festivals does one venue in Stockholm hold when there haven’t really been any there before? You see my point.

I’ll go back to the drawing board and figure something out, and maybe do something somewhere else. We’ll see.

And in the meantime, good for Truckfighters, not only doing the reunion thing after a shortlived hiatus, but coming back with something new on offer as well.

Dig it:

fuzz festival 1 poster

New bands announced for Truckfighters Fuzz Festival in Stockholm

We are happy to announce:

SKRAECKOEDLAN – Sweden. Norrköpings, finest stoner rock band. Recently released the stunning album ‘Eorþe’ they will deliver an experience out of the ordinary.
https://www.facebook.com/SKRAECKOEDLAN/

WITCHRIDER – Austria. The occult stoner sound from Graz will sound in Stockholm. Can not be anything but good music since these guys are born in the same town as Arnold Schwarzenegger.
https://www.facebook.com/witchriderband/

PARASOL CARAVAN – Austria. Classic stoner sound with a magic groove all the way from Linz. Yeah not just one but two bands from the country famous for the mountains and the stoner rock ;)
https://www.facebook.com/parasolcaravan/

ELECTRIC HYDRA – Sweden. Energetic garage style stoner rock. A great reason to show up early on the night of the festival!
https://www.facebook.com/electrichydra666/

With previously announced acts TRUCKFIGHTERS, GREENLEAF, DEVILLE and MOTOROWL the line up is now complete. Not time enough for more bands in one night. It’s gonna be a super rad evening as we guarantee every band on the bill is stellar. We intend to make this an annual event so grab your ticket and support the fuzzy scene. The sooner we sell out the bigger the plans for 2020 editions will become.

https://www.facebook.com/events/2228095327452231/
http://www.truckfighters.com/festival

Skraeckoedlan, “Creature of Doggerland” official video

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audiObelisk Transmission 040

Posted in Podcasts on September 26th, 2014 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

This one’s beamed in from a universe of all good times. I don’t want to walk around tooting my own horn like I actually did anything, but you’ll pardon me if I say that once you get on board here, you might not want to jump back off. The flow is up and down, alternately drawn out and rushing, and right up to the last song which is a bit of a return to earth, the second hour is the most spaced out it’s ever been around these parts. I’m way into it. I hope you’re way into it.

Like last time, I tried to get a mix of excellent stuff upcoming with other recent items you might’ve missed. One of these days I’m gonna do another one of these where I talk, but this is straight-up track into track the whole way through and I think it moves really well that way. Please feel free to grab a download or hit the stream and dig in and enjoy.

First Hour:
The Melvins, “Sesame Street Meat” from Hold it In (2014)
Fever Dog, “One Thousand Centuries” from Second Wind (2014)
Lo-Pan, “Eastern Seas” from Colossus (2014)
Witchrider, “Black” from Unmountable Stairs (2014)
Alunah, “Awakening the Forest” from Awakening the Forest (2014)
Craang, “Magnolia” from To the Estimated Size of the Universe (2014)
Slow Season, “Shake” from Mountains (2014)
Lucifer in the Sky with Diamonds, “Guillotine” from The Shining One (2014)
The Proselyte, “Irish Goodbye” from Our Vessel’s in Need (2014)
Flood, “Lake Nyos” from Oak (2014)
Lord, “Golgotha” from Alive in Golgotha (2014)

Second Hour:
My Brother the Wind, “Garden of Delights” from Once There was a Time When Time and Space were One (2014)
Spidergawd, “Empty Rooms” from Spidergawd (2014)
The Myrrors, “Whirling Mountain Blues” from Solar Collector (2014)
Witch Mountain, “Your Corrupt Ways (Sour the Hymn)” from Mobile of Angels (2014)

Total running time: 1:54:28

 

Thank you for listening.

Download audiObelisk Transmission 040

 

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Truckfighters Premiere “Dig You Down” from Return of the Fuzzsplit

Posted in audiObelisk on September 15th, 2014 by JJ Koczan

truckfighters

It’s worth noting that of all the bands Truckfighters have brought into the fold of their label, Fuzzorama Records — from Dexter Jones Circus Orchestra, to Asteroid, to Valley of the Sun — Austrian four-piece Witchrider are the first with whom the Örebro fuzzlords have actually teamed up for a release. Dubbed The Return of the Fuzzsplit with the heading of Truckfighters vs. Witchrider, the new 12″ is available now from Fuzzorama and hearkens back to the very first release on the imprint, “fuzz CD001,” 2003’s Fuzzsplit of the Century between Truckfigthers vs. Firestone.

That split (review here) marked a transition point for Truckfighters, since it would be the last thing bassist Oskar “Ozo” Cedermalm would release with his former band (i.e. Firestone) and, as noted, the first Truckfighters outing through their own label. 11 years later, the fuzzsplit’s return finds Truckfighters in a much different situation. Four albums out, including this year’s Universe (review here), a documentary in their honor, truckfighters vs witchrider the return of the fuzzsplitand more tours and photos of them jumping up and down than I think even they could be bothered to count at this point, Truckfighters are among the foremost purveyors of fuzz the world over. They’ve busted their collective ass and a few drummers along the way to get there — the role is currently filled by Axel “Enzo” Larsson alongside Cedermalm on bass/vocals and guitarist Niklas “Dango” Källgren — but especially live, they’re undeniable. Their slogan at this point has become “Quite Possibly the Best Band in the World,” and they play like it every night out.

Whether they’re reviving the Fuzzsplit in order to introduce Witchrider to their built-in, increasing, and loyal fanbase or just to have something to take with them on their upcoming European tour together, the endorsement speaks volumes and provides yet another example of Truckfighters‘ unwavering work ethic. The three-piece’s contribution to The Return of the Fuzzsplit is called “Dig You Down,” and I have the pleasure of premiering the audio of the track for your streaming pleasure. They’ve also got a brand new video for the song that you can find snuck in down below the dates for the impending run, which begins Oct. 10 at DesertFest Belgium and unfolds from there for the rest of the month until Truckfighters hit the UK in November.

Dig, and enjoy:

Here is the Music Player. You need to installl flash player to show this cool thing!

truckfighters euro tour

We will once again bring our friends in White Miles and the new Fuzzorama Records signing Witchrider!
Check out these bands if you have not already!

Please share to make sure your friends do not miss out.
You will find ticket links at http://www.truckfighters.com/dates-2/

Complete list of dates:
Sep 18 Close Up Båten, Stockholm, Sweden
Sep 20 Reeperbahn Festival Hamburg, Germany
Oct 10 Trix (Desertfest) Antwerp, Belgium
Oct 13 Tivoli Utrecht, Netherlands
Oct 14 Effenaar Eindhoven, Netherlands
Oct 15 Die Pumpe Kiel, Germany
Oct 16 Kleine Freiheit Osnabruck, Germany
Oct 17 FZW Dortmund, Germany
Oct 18 Conne Island Leipzig, Germany
Oct 19 Kantine Augsburg, Germany
Oct 21 Keller Klub Stuttgart, Germany
Oct 22 ZOOM Frankfurt Frankfurt Am Main, Germany
Oct 23 Bei Chez Heinz Hannover, Germany
Oct 24 Kulturzentrum Lagerhaus Bremen, Germany
Oct 25 Minoga Poznan, Poland
Oct 26 Hydrozagadka Warsaw, Poland
Oct 28 Club 007 Prague, Czech Republic
Oct 29 Szene Vienna, Austria
Oct 30 Conrad Sohm Dornbirn, Austria
Oct 31 Bad Bonn Dudingen, Switzerland
Nov 01 Kiff Aarau, Switzerland
Nov 10 Brudenell Leeds, United Kingdom
Nov 11 Sound Control Manchester, United Kingdom
Nov 12 King Tuts Wah Wah Hut Glasgow, United Kingdom
Nov 13 The Basement Nottingham, United Kingdom
Nov 14 O2 Academy Islington London, United Kingdom
Nov 15 Hard Rock Hell Pwllheli, United Kingdom
Nov 16 Oobleck Birmingham, United Kingdom

Truckfighters, “Dig You Down” official video

Truckfighters on Thee Facebooks

Truckfighters vs. Witchrider at Fuzzorama Records

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Witchrider to Release Unmountable Stairs on Nov. 3

Posted in Whathaveyou on August 27th, 2014 by JJ Koczan

Fuzzorama Records has been touting the virtues of Austrian rockers Witchrider for most of this year — even before they picked up the band for an EP release this Spring, and when it comes to fuzz, there are few parties worldwide who know what they’re talking about as well as the guys from Truckfighters, so yeah, I’ve had the name on my mind for a while. We’ll finally get to find out what Witchrider are all about this fall when their debut LP, Unmountable Stairs, is released by the label.

Not surprisingly, Truckfighters will take Witchrider out on tour around the time of the album’s release — you’d almost think these things were planned in advance — and you can find those dates and more about the release below, as well as “Black” from their EP, which will also appear on the debut.

To the PR wire:

WITCHRIDER DEBUT ALBUM AND EUROPEAN TOUR ANNOUNCED!

Fast rising Euro stone rocksters ‘Witchrider’ release ‘Unmountable Stairs’ on Monday 3rd November through Fuzzorama Records/Code7/PHD, and tour throughout Europe with Truckfighters.

When listening to Witchrider, you can not help but be drawn in by their magnetism. They have a haunting beauty that proves to engulf and ignite. As frontman Daniel Dorninger says, “the thing about making music is, there are no boundaries. It’s like a spirit of emotions that eventually passes through your body…you never know what you’re gonna’ end up with”.

Formed in 2012 and hailing from Graz, Austria, Portsmouth, Witchrider sport a mutual love for the quirky riffage of heavyweights QOTSA and Eagles Of Death Metal, as well as an affection for the dark elements of Soundgarden. Siphoning fuel from these powerhouses, Witchrider offer a genuinely refreshing take on their own brand of stripped down, fuzzed up alternative rock.

Living and breathing their music is crucial to the four-piece, and as such, they are constantly writing and honing their craft. “Being able to work on music all the time is essential for all of us. That’s why we record most of our stuff at home if we can. There’s even a freakin’ drum kit next to my bed!”, states drummer Michael Hirschmugl.

Although the songs work with each other as a collective piece of work, Witchrider’s music is diverse and has an array of influences. “I always found musical style not really that important. What counts the most is whether you can identify yourself with the music or not. I know I can and I am happy about every person who can as well. I think that’s what makes music ‘cool’”, says Hans-Peter.

As well as basking in the writing process, the band are supremely dedicated to playing live and fans will have ample opportunity to see the quintet as they hit the road this autumn supporting label mates ‘Truckfighters’. For a complete list of all European shows, check out www.facebook.com/witchriderband

In early 2014, Witchrider signed to Truckfighters’ Fuzzorama Records and they now release their new album ‘Unmountable Stairs’ on Monday 3rd November. With eleven killer cuts of low-strung scuzzy alt-rock, the record contorts and burrows itself deep into your skull. Look out for new single ‘I’m Outta Breath’, and don’t miss the band on tour throughout October and November.

WITCHRIDER LIVE (as main support to Truckfighters):
Nov 10 – Brudenell LEEDS
Nov 11 – Sound Control MANCHESTER
Nov 12 – King Tuts Wah Wah Hut GLASGOW
Nov 13 – The Basement NOTTINGHAM
Nov 14 – O2 Academy Islington LONDON
Nov 15 Hard Rock Hell – PWLLHELI
Nov 16 – Oobleck BIRMINGHAM

www.facebook.com/witchriderband
https://twitter.com/Witchriderband

Witchrider, “Black”

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Witchrider Post New Video for “Shedevil”; EP Out Tomorrow

Posted in Bootleg Theater on May 1st, 2014 by JJ Koczan

Two things about the new “Shedevil” video from Austrian Fuzzorama Records signees Witchrider. Okay, maybe three. First, it’s creative. Second, it looks incredibly time consuming. Third, it probably has a better plot than most of the action movies that will come out this year. And it’s not a remake. The four-piece will make their debut on Fuzzorama with a self-titled EP that’s due out tomorrow, and the song from the clip — which I’ve taken to calling “shed evil” in honor of Arthur “Two Sheds” Jackson even though I know that’s not how it’s pronounced or whom the track is about — leaves little to wonder about why the label helmed by the fuzzdudes from Truckfighters would’ve wanted to pick Witchrider up. In short. It’s fuzzy.

And catchy. And it plays out with an early-Queens of the Stone Age kind of laid back vibe, engaging falsetto and uptempo chugging riff and all. This is my first exposure to the band (I think; it’s hard to keep track sometimes), but between the touch of grunge in the repetition of “she said” à la Nirvana‘s “Breed,” a welcome touch however many decades later, and the obvious dedication and effort put into making the thing in the tongue-in-cheek manner they did, “Shedevil” bodes well for Witchrider‘s debut long-player, which is apparently set to release on Fuzzorama this October.

You can get a load of the thing yourself below and follow the link to preorder the EP, though after tomorrow, it’ll just be the regular kind of ordering.

Witchrider, “Shedevil” official video

Our new signing Witchrider from Graz, Austria just put out a video to their powerful song “Shedevil!” And even more good news: their EP will be digitally available on friday 2nd may including “Shedevil.”

Their debut album will be launched in October!

Check out their Video on the left!

Click here to preorder the EP: https://itunes.apple.com/us/album/witchride-ep/id868795910?ign-mpt=uo%3D4

Witchrider on Thee Facebooks

Fuzzorama Records

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