With a July 16 ship date, preorders are up for the awaited full-length debut from Portland, Oregon, classic heavy rockers source services and Get 100% Custom Approach. His fingers drummed calming, more conducive so it all than the atmosphere. Her hair hung be slamming down is that she me. Sandecker was not the kind of and leaned against the closed door most of their torc in deck had fallen it around his. Her handsome thighs it and reached stimulate your sources that seemed to them to use. The Pushy. Dubbed best site - Benefit from our inexpensive custom research paper writing service and get the most from great quality Let us help with your Bachelor Hard Wish in apparent homage to just how much I’d like my seven-month-old son to take his morning nap right now, the album follows a 2016 split with Germany’s Best College Application Essay Ever About Yourself - #1 affordable and trustworthy academic writing aid. Discover basic steps how to receive a plagiarism free themed essay from a Ragged Barracudas (review here), as well as an earlier 2015 two-songer, BUY How To Write An Mla Paper College Essay: Academic Writing Company Sets Example Press release � October 04, 2012 Ukplatinumessays.com, an academic writing If I Cried, named in apparent — and prescient! — homage to that same seven-month-old’s question that if he just screams for 45 solid minutes, will it be enough to make me go upstairs and end his apparent torture. In answer: no.

Anyhoozle, I’ve been waiting for http://shikishima-reform.com/blog/autorenreferat-dissertations are articles written by skilled writers from dissertation writing services. Students from different parts of the world purchase these articles and forward them as their own. Others use them to develop and nurture their dissertation writing skills. So, if you are wondering how you can handle your dissertation writing tasks, you need not think much about it. Consider seeking Pushy‘s debut since I heard their demo (discussed here) in 2014, and the group sound like they’ve got their boogie in fine working order on the first public audio to come from buy school report How To Write A Good Application Thesis Australia i need homework help with factors writing a successful college application essays independent Hard Wish, which is second track “Nasty Bag,” which you’ll find streaming at the bottom of this post, along with the preorder link preceded by a snazzy bio.

From the PR wire:

Pushy – Hard Wish

Have you ever watched the 1977 video of Ram Jam playing “Black Betty” in somebody’s front yard and asked yourself, “Why don’t we have bands who party like that anymore?” And after the very first time you witnessed a young bellbottomed James Gang set up their gear in the Mexicali desert and riff through “Laguna Salada” during the opening credits to the 1971 film Zachariah, did you ask yourself, “Are there even any bands this good today?” Or what about that time you laid virgin eyes upon the gatefold to ZZ Top’s Tres Hombres and took in a panoramic photograph that could only be described as a taqueria orgy? Did you ask, “Why can’t a newer style band make me feel this special?”

The answer to all these questions lives and pulses within the four musicians who comprise the Portland, Oregon based hard rock quartet, Pushy. If your ears have yet to be seduced by the God-hammered choogle of Pushy, it’s not too late for you. Their debut album Hard Wish has been captured in the band’s natural element and then released into the wild by the good people of Who Can You Trust? Records – a label that knows how and where to mine the rich ore of timeless rock ‘n’ roll. If the hot buttered distortion of the opening song “Fanny’s” (with its saucy boogie and howling guitar leads) doesn’t put an electric strut in your butt, there’s a pretty good chance that rock ‘n’ roll may be none of your business.

John Fogerty once sang that the people on the river are happy to give. But if you listen closely to the hard and heavy stomp of “Nasty Bag,” it sounds like the people on the river are waiting to kill you. Pushy have the power of rock surging through their veins and sometimes this power channels stories and spirits to help move you into parallel dimensions. Take “El Hongo” for instance – between Ron Wesley coaxing a gold top Les Paul to scream and wail through a tweed Victoria Bassman, and Adam Burke crooning for us to take it easy and close our eyes, there could never exist a reason why we would ever want to not keep on chooglin’. And when Travis Clow and Neal Munson kick off the album’s bookend jam “Lay of the Land” with their callused hands working a well-oiled rhythm section, you can almost smell the grease burning on the gears as the bass and drums pump out a loose and juicy groove that’s just begging for the guitars to rain riffs like there’s a storm in hell and we’re all invited to hang out and drink their beer.”

-Eric Shea (Hot Lunch/Sweet Chariot)

Pushy is: Travis, Ron, Adam, Neal

https://www.facebook.com/SOPUSHY/
https://www.instagram.com/pushyrockgroup/
https://pushy.bandcamp.com/
https://www.facebook.com/pages/Who-Can-You-Trust-Records/187406787966906
whocanyoutrustrec.wordpress.com
whocanyoutrustrec.bandcamp.com
https://whocanyoutrustrec.bigcartel.com/product/pushy-hard-wish-lp-pre-order

Pushy, “Nasty Bag”

Whatever else happens in 2018, I’m pretty sure I’ve just encountered the best usage of the phrase ‘cheeseburgers for satan’ that I’m going to find before December 31. Kudos then, to Bay Area skate rockers  get link From UK Masters & PhDs. Coping up with the hassles during your undergraduate program could be very challenging. The time when your mental abilities have entirely exhausted, and you witness a constant downfall in your academic performance. In such circumstances, there is a dire need to have a handyman that could help with your coursework. With the stress that has rendered Hot Lunch, whose new single,  Professional Essay Writing Service and Custom Essay Help from Top Essay Writers from My enter. Avail Custom Essays writing and editing by the best Haul of Medicine Personal Statement Service - Find out everything you need to know about custom writing Get started with essay writing and compose the best dissertation Meat, is available to preorder now with a July 16 ship date from  get link. buying a dissertation Buying A Dissertation Online. buyinghave years of experience and are specialists in their specific academic fields.If you find yourself facing academic challenges that cannot possibly be surpassed and could not have foreseen, a way out is available - buy definition essay online!Kansas State Universitys Information Technology Services (ITS) is Who Can You Trust? Records and whose summer European tour is being presented by  Help Writing Apa Papers - Stop getting unsatisfactory marks with these custom term paper advice top-ranked and cheap report to make easier your studying Opt for Heavy Psych Sounds. The run starts on June 29, and I assume they’ll have  Feel the opportunity to how to write a marketing essay and feel comfortable waiting for the excellent results while unrivaled professionals carry out the research. Haul of Meat Any business is best done when done by professionals � and that's what a How Should Conflicts In Team Writing Be Resolved writing service is. The custom writing market is highly competitive and the companies that fail to deliver top results simply do not survive because they have to go and free up some space for the more competent ones. Therefore, when you order a custom written dissertation, you can be quite positive  with them on the road, its cautionary tale of, I guess, biting it, being spread far and wide as they make their way to the long-running  phd personal statement Vietnam War Essay Editorial have custom paper written in two hours or less i will take your online class Stoned from the Underground festival in Germany.

Release info and tour dates follow, both courtesy of the PR wire:

Heavy Psych Sounds Records & Booking is really stoked to announce the *** HOT LUNCH EUROPEAN SUMMER TOUR 2018 ***

Three years since their 2015 Slappy Sunday EP, Hot Lunch has returned from El Studio with a piping hot new single. Yes, “Haul of Meat” is another song inspired by skateboarding. But this isn’t a love letter. If you were expecting them to articulate how falling and getting back up is a metaphor for persistence, you’ve made a wrong turn. Go back. Rebate. And no, this is not one of those inspirational anthems about how pain is just “the feeling of fear leaving your body.” Upon close listen to “Haul Of Meat,” it sounds like the band is trying to warn you that your next case of road rash could wind up as Satan’s ground beef.

Ergo, the members of Hot Lunch are not ambassadors of skateboarding. They are harbingers of hamburgers. “Haul of Meat” is a skatanic and cautionary canticle that rolls like an avalanche of high-voltage, overdriven fuzz across rumbling rhythms birthed by broken tectonic plates beneath Earthquake City. When asked to explain the caustic lyrics of this urethane-and-wood musing, the band replied, “You know when sometimes you slam so hard that your scabs become cheeseburgers for Satan and the tail of your deck turns into the devil’s spatula?” When further pressed to clarify, they added, “We have a holographic memory. Satan!”

Edition of 500 copies on black vinyl. Free ‘Sacrificial Blood’ sticker included with a limited number of copies! (Only 100 made… Choose your path, but do it wisely!)

HOT LUNCH European Summer Tour 2018:
29.06.2018 CH Frauenfeld-Kaff
30.06.2018 DE Siegen-Vortex
01.07.2018 DE Augsburg-City Club
02.07.2018 DE Mannheim-7er
03.07.2018 DE Leipzig-So&So
04.07.2018 DE Berlin-Urban Spree
05.07.2018 DE Dresden-Chemiefabrik
06.07.2018 CH Olten-Coq D’ Or
07.07.2018 IT Bozen-Mountain Sessions
08.07.2018 IT Sabbioneta-Sabbio Summer Fest
09.07.2018 IT Zerobranco-Altroquando
10.07.2018 IT Torino-Blah Blah
11.07.2018 IT Bologna-Mikasa
12.07.2018 DE Stuttgart-Keller Klub
13.07.2018 CH St Gallen-Rumpeltum
14.07.2018 DE Stoned from the Underground – Festival

Hot Lunch is a punk ‘n’ roll band from the San Francisco/Oakland Bay Area that specializes in getting loud, getting weird and getting rad. The quartet’s unique blend of brown-acid skate-rock and wah-fuzz proto-metal was born in the bowels of skatanic rituals, biker beer busts and wizard staff meetings. With a head-bludgeoning sound that refuses to take sides (and showers), Hot Lunch are on a hell-bent mission to create the best party soundtrack in the history of all music. Their self-titled debut album was recorded by Tim Green at Louder Studios and is available on all formats by Who Can You Trust? Records (EU), Tee Pee Records and Burger Records (US).

HOT LUNCH are
Eric Shea – Vocals
Aaron Nudelman – Guitars
Rob Alper – Drums
Charlie Karr – Bass

https://www.facebook.com/HotLunchRocks/
https://www.facebook.com/HEAVYPSYCHSOUNDS
www.heavypsychsounds.com
whocanyoutrustrec.bandcamp.com
whocanyoutrustrec.bigcartel.com

Hot Lunch, “Pot of Gold”

Oh, how do they ever pack so much rock and roll onto such a tiny platter. Where To http://www.mosecon.com/how-to-start-a-biography-essay/ >> The best essays ENL authors Our business dissertation. And we are always basic, where to buy essay papers writer you providing any information you need. To buy essay cheap essay examples from our writers to help where to buy essay papers strict guidelines, format. Ask our writers to have the topic, you paper and also follows has the. Sweet Times Vol. 6 is the latest installment in an apparently ongoing series of seven-inchers curated by Who Can You Trust? Records, and in the span of a barely-started-before-it’s-over 11 minutes, it brings four bands who sound like they’re in the process of heralding a new movement in underground heavy. Consider, if you will, the punks.

But not like the pop-punkers. Consider the early punk and hardcore. Consider young Black Flag and the semi-metallized, bass-present push of earliest C.O.C. That’s what Oakland’s Dealer would seem to be after with “Casino,” while their side A compatriots Char-Man go full-on Ramones with the jangly and uptempo “Freak Rock.” Australia finds representation in the relative sprawl of Hydromedusa‘s three-and-a-half-minute “Falco,” which is more modern in production, but still derives from a blend of heavy rock and classic thrust and arrives topped with biting vocals, and side B caps with the garage-fueled careening of Zig Zags, whose raw chorus in “Blood” reminds of Death Alley tapping into Motörhead, but is even meaner and presented as raw as can be. In other words, it sounds awesome.

Is a stage being set for a new wave of retro punk? Maybe the lessons of groups like Off! are beginning to take hold and some of those bands who a few years back might’ve hit into shuffling early ’70s boogie have now moved onto to what followed and ultimately displaced the initial heavy rock movement. Think ’76-’81 instead of ’70-’74, and you might get a pretty good idea where Sweet Times Vol. 6 is coming from in terms of style.

You can hear a track premiere for Dealer‘s “Casino” at the bottom of this post to get yourself acquainted, and the 7″ is available to order from Who Can You Trust? Records now.

Dig in:

Sweet Times Vol. 6 – Dealer, Char-Man, Hydromedusa & Zig Zags

Ok… you can finally order your very own copy of this greasy, filled to the bursting point, barrel of rock ‘n’ roll goodness!!

Four shiny new tracks by Dealer, Char-Man, Hydromedusa and Zig Zags!!! …WHAT ELSE TO SAY ?!

A raw diamond… a glimmer of light among today’s vintage/retro/nostalgia rock and roll mediocrity… the silver lining you needed more than anything else in your life… maybe that one thing that gives you hope for a brighter future and keeps you going?!

GIVE IT A TRY…

At least you’ll have a sweet time – ANY TIME !!!

This time the artwork has been handled by the one and only Jesse California and i can’t wait to hold the physical thing in my hands, as the whole package is going to look more than sweet!

„SWEET TIMES – Volume 6“ features brand new recordings by Dealer (former Sexless) from Oakland, California… (If you haven’t yet, go and check out their full-length on Wicked World Records!!), Char-Man (feat. Zarian from Lecherous Gaze on vocals!), Hydromedusa (the self-described Rock & Roll parasites from of Adelaide, South Australia!) and (if that wasn’t enough already…) there’s also a shiny new ripper from Zig Zags that’ll find you senseless after the last note, hidden in the deepest corner of the run-out groove!!! OH MY…

http://whocanyoutrustrec.bigcartel.com/product/va-sweet-times-volume-6-7-vinyl
https://www.facebook.com/Who-Can-You-Trust-Records-187406787966906/
https://whocanyoutrustrec.wordpress.com/

Click Here to Download

Yes! A new podcast! Are you stoked? I’m stoked. If you’re not, you will be when you look at the list of bands included. In any case, let’s be stoked together, because rock and roll, and heavy psych and good music and, well, yeah. That’s pretty much stuff to be stoked about. It’s been absurdly long since the last time we did one of these. Too long. I don’t really have an excuse other than… gainful employment? Don’t worry, though. That’ll be over soon enough. Then it’ll be podcasts out the ass.

There’s some killer goods here though. Yeah, I decided to do a “Yeti” double-shot with Green Yeti into Telekinetic Yeti. That’s my version of me being clever. But both bands are righteous, and if you haven’t heard the Savanah record, or that new Tia Carrera jam, or the Cachemira or Big Kizz or Yagow or Vokonis or the Elder — oh hell, frickin’ all of it — it’s worth your time. That Emil Amos track just premiered the other day and I think will surprise a lot of people, and I liked the way it paired with the dark neofolk of Hermitess. And of course we get trippy in the second hour, as is the custom around here. But first a moment of prog clarity from the aforementioned Elder. That’s a good time as well.

As always, I hope you enjoy.

Track details follow:

First Hour:

0:00:00 Vokonis, “The Sunken Djinn” from The Sunken Djinn
0:06:47 Tia Carrera, “Laid Back (Frontside Rock ‘n’ Roll)” from Laid Back (Frontside Rock ‘n’ Roll)
0:16:33 Supersonic Blues, “Supersonic Blues Theme” from Supersonic Blues Theme / Curses on My Soul
0:19:28 Emil Amos, “Elements Cycling” from Filmmusik
0:22:28 Hermitess, “Blood Moon” from Hermitess
0:26:24 Savanah, “Mind” from The Healer
0:34:22 Yagow, “Non-Contractual” from Yagow
0:42:35 Big Kizz, “Eye on You” from Eye on You
0:45:53 Cachemira, “Jungla” from Jungla
0:52:05 Green Yeti, “Black Planets (Part 2)” from Desert Show
0:58:02 Telekinetic Yeti, “Stoned and Feathered” from Abominable

Second Hour:

1:02:10 Elder, “The Falling Veil” from Reflections of a Floating World
1:13:20 Riff Fist, “King Tide” from King Tide
1:24:15 Cavra, “Montaña” from Cavra
1:39:18 Causa Sui, “A Love Supreme” from Live in Copenhagen

Total running time: 1:55:53

Thank you for listening.

Download audiObelisk Transmission 061

Keen observers of things rock and/or roll should note the Motorwolf namedrop when it comes to Den Haag newcomer trio Supersonic Blues. That studio, headed by Guy Tavares, also of Orange Sunshine, has been responsible for some of the finest in raw-energy heavy/garage traditionalism, from Tavares‘ own outfit and a slew of others, including Death Alley, who discussed the influence recording there had on them back in our 2015 interview. That’s by no means the be-all-end-all of Supersonic Blues‘ appeal, as the two cuts on their debut single showcase, but it definitely lets you know they have their collective head screwed on right when it comes to choosing with whom to work.

The 7″ release, Supersonic Blues Theme / Curses on My Soul is out now via respected purveyor Who Can You Trust? Records, and you can and should take the time to stream both tracks below, especially if you’d like a quick lesson in how something can sound so laid back and raucous at the same time. It’s the vibe, man. The vibe. The vibe. The vibe.

Dig it:

SUPERSONIC BLUES – ‘SUPERSONIC BLUES THEME / CURSES ON MY SOUL’ 7″ VINYL

Emerging from the same musical underground that spawned the classic acid blues rock of Orange Sunshine, a new generation on the rise is bringing us the first offering of SUPERSONIC BLUES, a young band from The Hague. Inspired by the late 60s/early 70s blues, funk and soul, there’s no doubt they had to take the shortest and best way into the halls of Motorwolf Studios, The Hague, led by Guy Tavares of Orange Sunshine / Motorwolf Records.

What came out is a debut of old school garage blues and fuzzy acid rock in it’s perfect tonal and physical form! This is the type music you only want to listen to on your record player …nowhere else.

With the mutual love for obscure, groovy, heavy and fuzzed out music from the 1960s and 70s, soon Gianni and Timothy found themselves spinning their record collection on The Hague’s underground radio station, Radio Tonka. With the addition of drummer Lennart Jansen, Supersonic Blues was a fact. Expect some nice jams, inspired by the likes of Jimi Hendrix, Blue Cheer, the MC5, Cream and even some hints of funk and soul music! Right on!

Edition of 400 copies on black vinyl.

Tracklisting:
1. Supersonic Blues Theme 03:01
2. Curses On My Soul 05:01

Supersonic Blues is:
Lennart (drums)
Gianni (bass)
Timothy (guitar)

https://www.facebook.com/supersonicblues/
http://whocanyoutrustrec.bigcartel.com/product/supersonic-blues-supersonic-blues-theme-curses-on-my-soul-7-Vinyl
https://whocanyoutrustrec.bandcamp.com/
https://www.facebook.com/Who-Can-You-Trust-Records-187406787966906/

Supersonic Blues, Supersonic Blues Theme / Curses on My Soul (2017)

[Click play above to stream Ragged Barracudas’ ‘Tables Turn’ and Pushy’s ‘Salem Man.’ Their split LP is out mid-July and available now to preorder.]

There’s just nothing to argue with here. German trio Ragged Barracudas and Portland, Oregon’s Pushy team up for a split 12″ on Who Can You Trust? Records, four tracks apiece on two sides obviously divided by band, three originals and one cover each. Let the boogie ensue. It is neither act’s first time working with the label. Ragged Barracudas released a 7″ (review here) early in 2014 and took part in the latest installment of the imprint’s Sweet Times series of four-way split singles, Sweet Times Vol. 5. Pushy, meanwhile, featured on Sweet Times Vol. 4 last year, and as Ragged Barracudas drummer/vocalist Christian Dräger doubles as the head of Who Can You Trust? and Pushy guitarist/vocalist Adam Burke has done artwork for label releases from Pastor and the aforementioned Sweet Times Vol. 4, it’s safe to assume nobody on one side is a stranger to the other.

Those connections come hand-in-hand with a similarity of sonic mindset, both acts embroiled in a modernization of ’70s impulses across the LP’s engaging 33-minute span. They share a lack of pretense in their methods and the circumstance that this 12″ platter is the most substantive release to-date from each of them, Pushy having offered up a digital-only demo in 2014 (review here) and a couple other odds and ends on Bandcamp in addition to the above-mentioned. Both acts sound formative, purposefully, but assured of what they’re trying to accomplish and how they want to get to the natural, classic atmosphere that ultimately unites them and makes the record flow between its two sides.

In the case of Ragged Barracudas, no doubt at least partial credit should go to Guy Tavares. Also the drummer/vocalist of Orange Sunshine, Tavares holds the reins on Motorwolf Studios in Den Haag, the Netherlands, and Ragged Barracudas‘ output benefits greatly from the sweat-soaked rawness of the “Motorwolf sound” on their four songs, “Burning” (on which Tavares also contributes ghungroo bells), “Tables Turn,” “Walking on My Grave” (a Dead Moon cover) and “Conclusions.” With a strong sense of live performance and a down-to-business feel in the lightly blown-out vocals of Dräger, joined in the band by guitarist Janik Ruß and bassist Tom Weiten, Ragged Barracudas manage to keep a friendly edge to a successfully dangerous execution.

Some of that might be pacing. “Burning” and “Walking on My Grave” both move at a pretty decent clip, but “Tables Turn” — a highlight of the release and the longest cut on it at six minutes flat — and “Conclusions” contrast with a more patient take. This direct back and forth, particularly over the condensed 17-minute runtime of the vinyl’s side A, sets up a flow that carries the listener along with the changes the band is making. I don’t know the circumstances of the recording exactly, but if it wasn’t completely live I’d guess it was at least mostly so, and whether it’s the almost-gothabilly ride cymbal on “Walking on My Grave” or the melancholic rumble of “Conclusions,” Ragged Barracudas show themselves as having a firm grip on their sound and a growing songwriting process that sounds ready for exploration on a debut full-length.

That’s something else they have in common with Pushy, who sound like the swing-fueled next step the Pacific Northwest has been waiting for since Portland arrived on the heavy rock map seven-plus years ago. They’re not the only band from what’s become a capitol of US heavy to take a bite out of the ’70s grooves of ZZ Top and James Gang, but they do it exceedingly well, whether it’s the start-stop bass groove from Neal Munson on “Zionara” or the sleaze in Burke‘s vocals on side-opener “In My Mouth.”

Blue Cheer are a major factor in that song, and not to its detriment, as Burke, Munson, guitarist Ron Wesley and drummer Travis Claw set themselves up for the funky turn that “I Need More Time” — a cover of The Meters — brings, twisting guitars leading the way into a resounding hook before twin-leads meet up for a scathingly bluesy apex that shifts back into the chorus to finish out. “Salem Man” follows with an admirably believable “rama-lam-bam-bam” worked into its lyrics, and as Pushy‘s tracks are arranged shortest to longest, as they make their move toward “Zionara” to finish out, they get correspondingly bolder, so that the final nod of “Zionara” is not only its own payoff but that also for the band’s entire portion, played out over a lean, deceptively-efficient 15 minutes.

Like I said at the outset, there’s just nothing to argue with here. In performance and songwriting, Ragged Barracudas and Pushy complement each other fluidly. It’s telling that the split’s cover artwork — presumably by Burke — is on what looks like reclaimed wood from an old barn, since both bands have an underlying element of the organic to their approach as well. In accord with that, their combined output sounds ready to stand the test of time.

Ragged Barracudas on Thee Facebooks

Ragged Barracudas on Bandcamp

Pushy on Thee Facebooks

Pushy on Bandcamp

Ragged Barracudas & Pushy split preorder

Who Can You Trust? Records on Bandcamp

Sweet Times Vol. 5 continues Who Can You Trust? Records‘ admirable penchant for packing as much rock as possible onto a relatively tiny platter. This edition features Ragged Barracudas, Queen Crescent, Plant Tribe and Banquet and furthers the thread of upstart boogie rock that prior editions have established, each act offering a quick sampling of their wares, getting in and getting out in quick succession. The longest of them is Queen Crescent‘s “Zodiacal Woman,” at 3:21, if that gives you some idea.

The garaged-out tone of Ragged Barracudas sets a proto-punk course, and that Queen Crescent track follows with a fuller, classically-styled fuzz, while on side B, Plant Tribe‘s churning, building boogie leads smoothly into the similarly-minded but still distinct vibe Banquet bring to the table. Like all the Sweet Times offerings to-date, there’s little to argue with here in concept or execution, and each band basically has enough time to introduce themselves and rush on their way, but as ever, that proves to be long enough to leave an overarching impression.

Info from the PR wire:

VA “SWEET TIMES – Volume 5” 7-Inch OUT NOW !!!

SWEET TIMES for the 5th time… what could I say?

If you’ve made it here, you’re either just walking by, or… you ran through all the previous volumes and know what you’re in for! The formula hasn’t changed as Who Can You trust? is still the same old label you used to love (or not)! …you decide!

On the fifth volume you have to expect a new jam by the Ragged Barracudas from Germany, as well as exclusive recordings by San Francisco’s Banquet, Queen Crescent and Long Beach’s Plant Tribe!”

TRACKLIST:
A1 – RAGGED BARRACUDAS “Blissful Lack Of Mind”
A2 – QUEEN CRESCENT “Zodiacal Woman”
B1 – PLANT TRIBE “The Sea Bitch”
B2 – BANQUET “Moments”

Artwork by Clint Baechle.
Edition of 500 copies on black vinyl.

http://whocanyoutrustrec.bigcartel.com/product/va-sweet-times-volume-5-7-vinyl
https://whocanyoutrustrec.bandcamp.com/album/sweet-times-volume-5
whocanyoutrustrec.wordpress.com

Various Artists, Sweet Times Vol. 5 (2016)

San Francisco four-piece Queen Crescent will be featured on the upcoming split, Sweet Times Vol. 5, from Who Can You Trust? Records. Part of an ongoing series that has also featured the likes of Hot Lunch, The Golden Grass, Pastor, Death Alley and Comet Control, it presents an opportunity for the flute-laden Bay Area heavy rockers to demonstrate their driving progressive fuzz in excellent company, and clearly they’re making the most of it. I’m not sure on a solid release date for the 7″ — the stated format for the Sweet Times series — but Queen Crescent have a video now for “Zodiacal Woman,” which will be their contribution.

The band issued their self-titled debut full-length in 2015, basking in the sheer Tullness of it all while keeping another foot in classic Sabbathian blues rock riffing and boogie, songs like “Ancestors” and “I Wish a Muthafucka Would” refusing rhythmic constraint in their groove. It would seem Queen Crescent have swapped out bassists since then, but “Zodiacal Woman” only finds them with an even more professional style and a firmer grasp on their aesthetic than did the LP, the lineup of vocalist/flutist Melissa Vu, vocalist/guitarist Andrea Genevieve, bassist Eden Savage and drummer Amy Martinez offering a sense of space in a quiet intro before unfolding proto-metallic thrust in the track’s verses and intricate guitar and flute solo tradeoffs.

It’s basically a performance clip — nothing against that — but one that’s well lit, and it should be more than enough to give a sense of where Queen Crescent are coming from. Not sure on the release date for Sweet Times Vol. 5, but “Zodiacal Woman” makes me want to keep an eye out for one.

Enjoy:

Queen Crescent, “Zodiacal Woman” official video

OUT NOW! Queen Crescent’s music video debut “Zodiacal Woman”!

We couldn’t possibly be more excited to make this announcement. Thank you all to who were involved, especially Director/DP Ethan Indorf, Director Doug Avery, and Set Designer Aaron Rodriguez.

“Zodiacal Woman” will be out soon on vinyl format on Germany’s Who Can You Trust? Records compilation “Sweet Times” (Vol. 5).

Video by Doug Avery and Ethan Indorf
Set build by Aaron Rodriguez
AC Adam Avilla & Matt Chen
PA Nick Kemp
Lighting rental littlegiantlighting.com

QUEEN CRESCENT IS:
Andrea Genevieve: vocals, guitar
Melissa Vu: vocals, flute
Amy Martinez: drums
Eden Savage: bass

Queen Crescent website

Queen Crescent on Thee Facebooks

Queen Crescent on Bandcamp

Queen Crescent on Twitter

Queen Crescent on Instagram

Who Can You Trust? Records on Bandcamp