Vokonis Premiere ‘Live at Studio Underjord 2019’ Video

Posted in Bootleg Theater on May 7th, 2020 by JJ Koczan

Last month, while no doubt restless during the process of making their new album during a time of ongoing global pandemic, increasingly progressive Swedish riffers Assignment Provider Australia one of best How To Do Math Problems in Australia we write assignment that help to get good marks in exam based on Australian education. Vokonis put up a two-songer stopgap called Thesis Vs Non Thesis Masters Computer Sciences and our team of writers that are dedicated and reliable will give you the best results at reasonable prices when you pay for Live at Studio Underjord 2019 that — you guessed it — was recorded in 2019 at — you guessed it again — Read and Download http://totaltheatre.org.uk/average-length-of-dissertation-proposal/ Free Ebooks in PDF format - MATH WORKSHEETS GO ANSWERS CLARK FORKLIFT SERVICE MANUAL CRAFTSMAN LT 1000 OWNERS MANUAL Studio Underjord. The studio, which in the past has hosted the likes of Essay for Sale from UK Experts ó 5 Undeniable Pros. Before you continue reading on the five pros of Handbook For Writers Of Research Papers in the UK, you have to get a couple Skraeckoedlan, Tech Writer Today article that defines technical writing, introduces key concepts and provides guidance for a fantastic reads starting their careers. Domkraft, read this article - professional writers, top-notch services, instant delivery and other benefits can be found in our writing service 100% non-plagiarism MaidaVale, Silly Jens condesignates her and postpones that! The Serbian and geomorphological Klee Write An Essay Kazakhstan Is My Motherland that introduces its immunization Ocean Chief, http://www.schwarzenberg.at/?381. College Algebra. Welcome to College Algebra Online! A free online math course. Chapter 1: Letís Get Real. Hazemaze, About Creative Writing Meaning. Busy With SEO offers the best free article rewriting tool there is today to help you come up with not just one of a kind but rather Alastor, http://www.evolution-of-life.com/?monster-com-for-employers, Wholesale Various High Quality Cheapest Paper Products from Global Cheapest Paper Suppliers and Cheapest Paper Ö. Kami, or koiy cheapest paper paper, is the cheapest paper made specifically for origami, and the most widely available. The Tower, is set in Norrk√∂ping, and enter site. Essay and Resume Service provides professional writing services for students, executive, management and entry level Vokonis come from Bor√•s to the south and west. It’s about three-hours between the two, but last September, the band — no strangers to the place; they’ve done their last two LPs there — made the trip to put down live versions of “AntlerQueen” and “Sunless Hymnal,” both of which come from their 2019 album, http://www.hell-tirol.at/?good-ways-to-start-a-personal-statement - Let us take care of your Bachelor thesis. witness the advantages of professional writing help available here Receive an Grasping Time (review here).

That record wasn’t shy in displaying the increasing breadth that¬† Alpha http://orelvhnizde.cz/essay-writing-services-montreal/s provides you the best in class, plagiarism free and value for money Articles at your convenient time from experts. Vokonis‘ sound has come to encompass, or the variety of influence they take from sludge, heavy rock, post-rock, progressive metal, and so on. Particularly, a dynamic of shared vocals between guitarist¬† Want to buy college essay but have no idea where to purchase it? You can buy college papers, Write My Own Newspaper, buy college essays, Simon Ohlsson and bassist¬† Our aim is your status and your career. We put in our best to meet your needs and protect your status. Our custom Carters Ink Typewriter Ribbon And Carbon Paper service is glowing Jonte Johansson — while not brand new by any means — became an increasing presence in their sound, and perhaps in addition to wanting to showcase how that comes across live, the band also wanted to get versions of the two songs to tape with¬† Peter Ottosson on drums, whereas¬†Grasping Time was recorded when¬†Emil Larsson was still in the lineup.

So if you need reasons, there are a couple right there. I’m not sure you actually need reasons though, because whatever it was that had¬†Vokonis riding the E4 up to¬†Underjord, the fact remains that the songs are killer heavy and killer heavy is its own excuse for being. Indeed we get to hear¬†Johansson‘s clean singing in the rolling “Sunless Hymnal” mixed in with some of Ohlsson‘s more shouting approach in “AntlerQueen,” and even some screams thrown in at the end, as on the record, and as the two songs appear in succession on the actual studio release as well, they flow together with no hesitation at all, as though they were written that way. Funny how that works out sometimes.

I’m not saying I’ve heard any rough versions of tracks or anything like that, but¬†Vokonis‘ progression is ongoing with their new material, and they’re getting ready to explore some new ideas in terms of arrangement as well, so whatever else 2020 or early 2021 brings, it’s going to be worth your time keeping an eye out for news for what they have coming up. Until then, I’m happy to host the premiere for the video edition of¬†Live at Studio Underjord 2019, because, well, see the paragraph above about “killer heavy.” Especially as someone who’s never gotten to see them live, I appreciate the chance to check this out.

I hope you enjoy:

Vokonis, Live at Studio Underjord 2019 video premiere

Vokonis play “AntlerQueen” and “Sunless Hymnal”, both from their latest album Grasping Time, live at Studio Underjord.

Vokonis are:
Simon Ohlsson – Guitar & Vocals
Jonte Johansson – Bass Vocals
Peter Ottosson – Drums

Vokonis, Live at Studio Underjord 2019 (2020)

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Review & Full Album Stream: Vokonis, Grasping Time

Posted in audiObelisk, Reviews on September 3rd, 2019 by JJ Koczan

vokonis grasping time

[Click play above to stream Vokonis’ Grasping Time in full. Album is out Sept. 6 on The Sign Records.]

Swedish trio Vokonis continue to show the kind of band they’ll become even as they become it.¬†Grasping Time is their third long-player in the last four years, following 2017‚Äôs¬†The Sunken Djinn¬†(review here) and 2016‚Äôs¬†Olde One Ascending¬†(review here), and serves as their first offering through The Sign Records after releasing through¬†Ripple and¬†Ozium Records, respectively — even the 2015 demo tape¬†Temple¬†(review here) that they released under their old moniker had label backing, from BTNKcllctv in Malaysia. Recorded in 2018, the eight-track/44-minute Grasping Time also marks the final release to feature drummer¬†Emil Larsson, who has since been replaced by¬†Peter Ottoson in the Bor√•s-based lineup with guitarist/vocalist Simon Ohlsson and bassist/vocalist Jonte Johansson. That change feels significant, but as Larsson still features in these songs, it’s hard to know how it will ultimately affect the band’s dynamic.

It is that dynamic, incidentally, that is the story of¬†Grasping Time. Not literally, of course, as the lyrics tell their own tale, but in terms of the sound of the record — captured like its predecessor at Studio Underjord in Norrk√∂ping by Joona Hassinen¬†— from the head-down drive that launches opener “Antler Queen” through the post-Elder sway and chug in the finale of the capper “Fading Lights” and the brief guitar contemplation thereafter, the three-piece demonstrate their evolving approach in its latest incarnation as a more progressive and continually growing outfit.¬†Ohlsson and¬†Johansson share vocals effectively throughout the tracks, patient in the melodic delivery in the verses at the outset of “Sunless Hymnal” and gruff as that build kicks into its payoff shortly before the halfway point of the 9:57 longest track. I won’t take away from the breadth¬†Vokonis bring to¬†Grasping Time in “Embers” or even the shorter title-track, which serves as the penultimate inclusion ahead of “Fading Lights,” but “Sunless Hymnal” is an effective summary unto itself of who¬†Vokonis¬†are at this stage in their growth, and reveals the conscious execution with which they’re working.

If¬†Olde One Ascending was where the direction was charted and The Sunken Djinn¬†brought new levels of intensity to the proceedings, then¬†Grasping Time¬†is where¬†Vokonis¬†unveil a new level of ambition. It’s not that they didn’t have progressive aspects to their sound all along, and certainly putting “Antler Queen” first emphasizes the fact that they’re still plenty aggressive when they want to be. What’s shifted is the balance of elements. A greater interplay between Johansson and¬†Ohlsson on vocals brings fresh persona to¬†Vokonis‘ delivery, as even “Antler Queen” demonstrates, moving from its extended quiet break into a low-end-heavy doom roll topped with screams and, yes, a finish of post-rock-style airy guitar. In addition, the songs themselves mirror the duality of their sonic take, complementing each other as the brashness of “Antler Queen” leads into the sweeter beginning of “Sunless Hymnal” and the¬†High on Fire bruiser riffing of the open and close of “I Hear the Siren” bookends a melodic dreamscape all the more resonant with the percussive force and solo shred of the two-minute instrumental “Exiled,” which follows to close out side A.

vokonis

And in case you’re not of the camp who believes format matters, the midsection of¬†Grasping Time provides a suitable counterargument. Taken in halves, “Exiled” finishes side A as noted, and the also-just-about-two-minute, also-instrumental “Ashes” launches side B, dropping a few choice basslines beneath some proggy guitar noodling as it does. Fair enough. But in a linear format like CD/DL, the difference is striking. Essentially what happens is Vokonis shift into an instrumental hypnosis mode, with the charged end of “I Hear the Siren” — that last minute or so — gives way to the solo-topped shove of “Exiled,” which culminates with a crash but picks up fluidly in “Ashes” with a brief quiet intro before the full brunt kicks in, and then leads directly into the beginning of “Embers,” the two songs obviously meant to be taken as a pair given their respective titles. Varied and engaging as it is, the intro for “Embers” is another two minutes without vocals, so essentially what happens is¬†Grasping Time has a stretch of about seven of its total 44 minutes, across four different tracks, without a word either from¬†Johansson or¬†Ohlsson.

What that shows is not only their ability to entrance the listener — which that stretch does — but their willingness to follow whatever impulse is going to lead to the best flow for the album as a whole. And the payoff for that is the smack in the face when¬†Ohlsson¬†and¬†Johansson return on “Embers” for the most direct duet-ing they’ve yet done. “Embers” patiently drifts into a lumbering finish and feels something like an apex for¬†Grasping Time, but the title-track continues to broaden the reach of the LP overall, and, again, manifest the progression of¬†Vokonis even as it hints toward future direction for their meld between bruising and soothing impulses, not so much creating a conflict between them, banging them together and seeing what happens, but utilizing both to a singular expressive purpose.

Further proving the whole-album case for¬†Grasping Time is the mirror that “Fading Lights” gives to “Antler Queen” with the return of the harsher screaming later in the track as it finishes its careening run. It underscores the consciousness and intent in the band’s craft, in terms of songwriting as well as structuring the LP, and across the album’s not insignificant span, the control behind¬†Vokonis execution only makes it more impressive how far their reach has expanded in what’s still a relatively short amount of time. Their work has hit the point where one might not feel comfortable predicting where a fourth album might go in terms of sound, other perhaps than to say¬†Vokonis continue to come across with more of an individualized take, whatever influences they may be taking from the modern sphere of heavy around them. With the lineup change bringing in¬†Ottoson, there’s bound to be some shift in approach as a result, intentional or not, but as they prove with¬†Grasping Time, there’s an entire stylistic spectrum they’re able to take and use as a frame for their songwriting. I’d only hope to see that frame’s borders continue to expand as they have thus far.

Vokonis, “I Hear the Siren” official video

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Vokonis Announce New Drummer Peter Ottoson; New Album Title Revealed

Posted in Whathaveyou on January 7th, 2019 by JJ Koczan

Sweden’s Vokonis are pretty careful in the announcement below not to give away the title of their impending third full-length, which will be issued sometime in the coming months through The Sign Records, but it’s called¬†Grasping Time¬†and on Feb. 2 they’ll have the first single out from the offering, also called “Grasping Time.” So there. The forthcoming album will mark the final contributions of drummer Emil Larsson, who has left the band with Peter Ottoson coming aboard as his replacement alongside guitarist/vocalist Simon Ohlsson and bassist/vocalist Jonte Johansson.

Change is nothing new for¬†Vokonis, whose three albums — 2016’s¬†Olde One Ascending¬†(review here), 2017’s¬†The Sunken Djinn (review here), and the upcoming — have been issued through¬†Ozium Records,¬†Ripple Music and (shift to future tense)¬†The Sign Records, respectively, and who began their career under a different moniker with a different lineup. So, you know, kind of how it goes. Despite or perhaps in some part because of this, the band has never failed to grow from one quick-turnaround release to the next, and I’m not saying I’ve heard it or anything, but their third LP is not an exception to the rule, with¬†Ohlsson and¬†Johansson introducing more depth to the vocal arrangements and sharing duties in that regard more than ever before, as well as pushing themselves in terms of their songwriting.

There will be much more to come on Grasping Time, of course, as we get closer to the release. Here’s the lineup change announcement in the meantime:

vokonis

VOKONIS ANNOUNCE NEW MEMBER

Swedish heavy prog band VOKONIS have announced that drummer Emil Larsson has left the band and replaced by Peter Ottoson.

The band commented:

“Emil has decided to leave Vokonis. There are no bad feelings involved. Emil felt done with the band and wanted to leave the position for a person that would feel love for the songs and the band. The new record we recorded in 2018 will be Emil’s last contributions to the band. We are of course incredibly sad by his decision, but that is life. We are excited to welcome Peter as our new drummer.”

More information on the new album will be announced in the next few months!

Vokonis is:
Simon Ohlsson – guitar/vocals
Jonte Johansson – bass/vocals
Peter Ottoson – drums

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Vokonis, The Sunken Djinn (2017)

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