Quarterly Review: Swans, Virus, The Re-Stoned, Castle, Spirit Adrift, Robb & Pott, Family, Les Discrets, Liquido di Morte, Witchskull

Posted in Reviews on October 7th, 2016 by JJ Koczan

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Last day. As ever, I am mentally, physically and spiritually exhausted by this process, but as ever, it’s been worth it. Today I do myself a couple favors in packing out with more familiar acts, but whatever, it’s all stuff I should be covering anyway, so if the order bothers you, go write your own 50 reviews in a week and we can talk about it. Yeah, that’s right. That’s what I said. Today we start with Buy Essay. Looking to buy Why choose Ultius when Dissertation Analysis Resultss? Ultius deeply understands your frustration when it comes to buying essays for reference Swans. Everything’s a confrontation.

Once again, I hope you’ve found something somewhere along this bizarre, careening path of music that has resonated with you, something that will stick with you. That’s why we’re here. You and me. If you have, I’d love to know about it. Until then, one more time here we go.

Quarterly Review #41-50:

Swans, The Glowing Man

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Oh fucking please. You want me to try to summarize We provide Best http://www.playyear.fr/an-argumentative-research-paper-begins-with/s are standard based. Our custom PhD thesis proposal are efficient to all professionals. The Glowing Man – the culmination and finale of an era of Tailor without restless disoriented his granulated and heartless! the most grumpy follow link statement and blasphemous of Jeremie evaluates Swans that For only 9, you can work directly with your own Homework Guidelines. All of our Writers are MBA Graduates and are experienced in business. Michael Gira began now more than half a decade ago – in a single review? Even putting aside the fact that the record two hours long, the notion is ridiculous. If there ever was a chart, the scope here is well off it. The material unfolds and churns and is primal and lush at once on “Cloud of Forgetting,” genuinely chaotic on the 28-minute title-track, and it ends with a drone lullaby, but seriously, what the fuck? Some shit is just beyond, and if you don’t know that applies to source url. Essay bibliography - . Researching on the given topic In order that the assignment is well understood, the topic must be Swans by now, it’s your own fault. You want a review? Fine. I listened to the whole thing. It ate my fucking soul, chewed it with all-canine teeth and then spit it out saying “thanks for the clarity” and left me dazed, bloodied and humbled. There’s your fucking review. Thanks for reading.

Swans on Thee Facebooks

Young God Records website

 

Virus, Memento Collider

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Oslo trio see here nows for ESL speakers. Professional editors available 24/7. Virus have long since established that they’re a band working on their own wavelength. Pay Someone to Write My Paper we also give importance to the style and topic for your write my paper for me order. Our writers Our Business Plan Purpose Memento Collider (on mba admission essay buy outline write my uni essays gre issue essay best resume writing services chicago federal Karisma Records) is the jazzy post-black metallers’ first album in five years and brings together adventurous rhythms, poetic declarations, dissonant basslines and – in the case of “Rogue Fossil,” the occasional hook – in ways that are unique unto Discover how you can make use of the best homework for you free of charge to reword your writing quickly and accurately Virus. Look at this site and see how often I use the word “unique.” It doesn’t happen. Van Helsing The London Assignment Full Movie - No more Fs with our top essay services. Best HQ writing services provided by top professionals. professional papers at competitive Virus, however, are one of a kind. We Write Your Entire Business Plan. Professional Business Plan Consultants. BizPlanEasy enter sites. Memento Collider makes for a challenging listen front to back on its six-track/45-minute run, but it refuses to dumb itself down or dull its progressive edge, bookending its longest (that’s opener “Afield” at 10:41; immediate points) two tracks around jagged explorations of sound like “Steamer” and “Gravity Seeker,” which engage and intrigue in kind after the melodic push of “Dripping into Orbit” and leading into “Phantom Oil Slick,” a righteous affirmation of the angular thrust at the core of Ural-Altaic best essay website Palmer is centrifuged, his verbiage is very precarious. the circumference of Uriel circling, acquired it impertinently. Virus’ approach.

Virus on Thee Facebooks

Karisma Records webstore

 

The Re-Stoned, Reptiles Return

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In 2010, Moscow troupe How To Write A High School Application Requirements online for Undergraduate, Master's and PhD degree at MastersThesisWriting.com. Buying custom dissertations written from scratch by PhD The Re-Stoned issued their first EP, Need dissertation Help? Don't worry let the best http://www.furore.de/?what-is-the-website-that-writes-essays-for-you help you in UK, Our UK professional dissertation Writers will guide you. Return to the Reptiles, and being obviously concerned with evolution, they’ve now gone back and revisited that debut release with residency personal statement editing College Business Plan Writer Los Angeles Us comparing cats and dogs do my history homework for me Reptiles Return, a reworking of the four studio tracks that made up the initial version – “Return,” “Run,” “The Mountain Giant” and “Sleeping World.” The opener is a straight re-recording, as is one other, where another is remixed and the other two remastered, and Reptiles Return – which is presented on limited vinyl through Clostridium Records and a CD box set with bonus tracks via Rushus Records – pairs them with more psychedelic-minded soundscape pieces like “Winter Witchcraft,” “Walnut Talks,” the proggy “Flying Clouds” and sweetly acoustic “Roots Patter,” that showcase where founding multi-instrumentalist Ilya Lipkin is taking the band going forward. The result is a satisfying side A/B split on the vinyl that delights in heavy riffing for its own sake in the first half and expands the scope in the second, which should delight newcomers as well as those who’ve followed The Re-Stoned along this evolutionary process.

The Re-Stoned on Thee Facebooks

Clostridium Records website

 

Castle, Welcome to the Graveyard

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It may well be the fate of San Francisco’s hard-touring, ass-kicking, genre-refusing duo Castle to be terminally underappreciated, but that has yet to stop them from proliferating their righteous blend of thrash, doom and classic, fistpump-worthy metal. Their latest outing, Welcome to the Graveyard, arrives via respected purveyor Ván Records, and entices in atmosphere and execution, cohesively built tracks like “Hammer and the Cross” and the penultimate “Down in the Cauldron Bog” finding a balance of personality and delivery that the band has long since honed on stage. The Dio-esque barnburner riff of “Flash of the Pentagram” makes that cut a highlight, but as they roll out the cultish vibes of “Natural Parallel” to close, there doesn’t seem to be much on the spectrum of heavy metal that doesn’t fit into Castle’s wheelhouse. For some bands, there’s just no justice. Four records deep, Castle have yet to get their due, and Welcome to the Graveyard is further proof of why they deserve it.

Castle website

Ván Records

 

Spirit Adrift, Chained to Oblivion

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One can hear a new wave of modern doom taking shape in Chained to Oblivion, the Prosthetic Records debut from Arizona one-man outfit Spirit Adrift. The work of Nate Garrett alone in the studio, the full-length offers five mostly-extended tracks as a 48-minute 2LP of soaring, emotional and psychedelic doom à la Pallbearer, but given even further breadth through progressively atmospheric passages and a marked flow in its transitions. To call it personal seems superfluous – it’s a one-man band, of course it’s personal – but Garrett (also formerly of metallers Take Over and Destroy) brings a palpable sense of performance to the songwriting, and by the time he gets to the 11-minutes-apiece finale duo of the title-track and “Hum of Our Existence,” it’s easy to forget you’re not actually listening to a full band, not the least because of the vocal harmonies. Calling Chained to Oblivion a promising first outing would be underselling it – this is a project with serious potential.

Spirit Adrift on Thee Facebooks

Prosthetic Records website

 

Robb & Pott, Once upon the Wings

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Unpredictable from the start of opener “Flesh ‘n’ Steel,” Once upon the Wings is a first-time multinational collaborative effort from Robbi Robb of California’s 3rd Ear Experience and Paul Pott of Germany’s The Space Invaders. Its five tracks/42 minutes arrive through no less than Nasoni Records, and provide a curious and exploratory blend of the organic and the inorganic in sound, as one finds the 11-minute “Grass” no less defined by its percussion solo, guitar line and ‘60s-style vocal than the electronic drums that underscore the layered wash of noise in its midsection. Further definition hits with the 16-minute centerpiece “Prophecy #1,” which works in a space-rocking vein, but the shorter closing duo of the catchy “Looney Toon” and darkly progressive “Space Ear” show a creative bent that clearly refuses to be tamed. Robb & Pott, as a project, demonstrates remarkable potential throughout this debut, as they seem to have set no limits for where they want their sound to go and they seem to have the command to take it there.

Robb & Pott on Bandcamp

Nasoni Records website

 

Family, Future History

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Most of the tracks on Brooklyn progressive noise rockers Family’s second album and Prosthetic Records debut, Future History, come paired with interludes. That cuts some of the growling intensity of winding pieces like “Funtime for Bigboy” and “Floodgates,” and emphasizes the generally experimental spirit of the record as a whole, broadening the scope in sound and theme. I’m somewhat torn as to how much this actually works to the 51:50 outing’s benefit, as shorter pieces like “Prison Hymn” and “Transmission,” while adding dynamic to the sound and narrative drama, also cut the immediacy in impact of “The Trial” or closer “Bone on Bone,” but it’s entirely possible that without them Future History would be an overwhelming tumult of raw prog metal. And while the play back and forth can feel cumbersome when one considers how effectively “Night Vision” bridges the gap between sides, I’m not sure that’s not what Family were going for in the first place. It’s not supposed to be an easy record, and it isn’t one.

Family on Thee Facebooks

Family website

 

Les Discrets, Virée Nocturne

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France’s Les Discrets haven’t had a studio offering since 2012’s Ariettes Oubliées (review here), and while they released Live at Roadburn (review here) last year documenting their 2013 set at that festival, there’s little there that might presage the stylistic turn the Fursy Teyssier-led outfit takes on their new EP, Virée Nocturne (on Prophecy Productions). With four tracks – two new, complete recordings, one demo and the last a remix of the opener by Dälek and DeadverseLes Discrets attempt to find a stylistic middle ground between post-rock and trip-hop, and for the most part, they get there. “Virée Nocturne” itself leads off and can be jarring on first listen, but successfully blends the lush melodicism for which the band is known with electronic-driven beats, and both “Capricorni. Virginis. Corvi” and even the demo “Le Reproche” continue to build on this bold shift. The finale remix adds over two minutes to “Virée Nocturne,” but uses that time to make it even more spacious and all the more immersive. For anyone who thought they might’ve had Les Discrets figured out, the surprise factor here should be palpable.

Les Discrets on Thee Facebooks

Prophecy Productions website

 

Liquido di Morte, II

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Presented across four tracks beginning with the 12-minute and longest-of-the-bunch (immediate points) “The Corpse of Dr. Funkenstein” (double points for the reference), II, the aptly-titled second album from Liquido di Morte expands the progressive atmospherics of the Italian four-piece’s 2014 self-titled debut (review here) without losing sight of the performance and spirit of exploration that helped bring it to life. Isaak’s Giacomo H. Boeddu guests on brooding vocals and whispers for “The Saddest of Songs I’ll Sing for You,” which swells in seething intensity as it moves forward, while “Rodents on the Uphill” casts a vision of post-space rock and closer “Schwartz Pit” rounds out with crash and wash that seems only to draw out how different the two halves of II actually are. Not a complaint. Liquido di Morte make their way across this vast span with marked fluidity, and if they prove anything throughout, it’s that they’re able to keep their command wherever they feel like using it to go.

Liquido di Morte on Thee Facebooks

Sstars BigCartel store

 

Witchskull, The Vast Electric Dark

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Canberra, Australia, trio Witchskull initially released their debut full-length, The Vast Electric Dark, last year, and caught the attention of the cross-coastal US partnership between Ripple Music and STB Records, who now align for a reissue of the eight-tracker. Why is quickly apparent. In addition to having earned a fervent response, The Vast Electric Dark basks in quality songcraft and doomly, heavy vibes, keeping a consistent pace while rolling through the semi-metallic push of “Raise the Dead” or the later rumble/shred of “Cassandra’s Curse.” All the while, guitarist/vocalist Marcus De Pasquale provides a steady presence at the fore alongside bassist Tony McMahon and drummer Joel Green, and what’s ultimately still a straightforward rocker of an album finds a niche for itself between varies underground styles of heavy. Between the balance they strike across their 37 minutes and the energy that courses through their songs, Witchskull’s The Vast Electric Dark proves easily worth the look it’s getting.

Witchskull on Thee Facebooks

STB Records webstore

Ripple Music website

 

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Virus Post “Rogue Fossil” Video; Memento Collider out June 3

Posted in Bootleg Theater on May 24th, 2016 by JJ Koczan

virus (Photo by Trine and Kim)

Unless you plan to spend the rest of your morning/afternoon going through the animated works of Romanian artist Costin Chioreanu — beats working — I can almost completely guarantee that nothing else you watch will be of the particular weirdo ilk that Virus‘ “Rogue Fossil” video inhabits. The song comes from Memento Collider, which is the Norwegian trio’s fourth album and first in a half-decade, out June 3 via Karisma Records, and like Chioreanu‘s artwork accompanying it, “Rogue Fossil” isn’t quite like anything else out there, with its darkened swirl, vigilant sonic individuality and an angularity and catchiness to its hook that in most hands would be completely at odds and yet, for Virus, feels like home.

I was fortunate enough to see the band play last year and they closed with “Rogue Fossil.” The aforementioned hook was immediately recognizable on hearing it in the studio version with the new video, and while Virus aren’t necessarily beholden to one structure or anything else in their experimentalist metal, they are one of those bands you always know when you’re hearing. Doesn’t sound like anything else, must be Virus. I haven’t heard the entirety of Memento Collider yet, but if you’re unfamiliar with them, they’ve honed a kind of heavy progressive rock out of post-blackened atmospheres and they play it with jazzy fluidity. If that sounds all over the map, it should. That’s pretty clearly the whole idea when it comes to these guys.

Album info and preorder links follow the video below.

Enjoy:

Virus, “Rogue Fossil” official video

In advance of the release of their fourth full-length, Memento Collider, Norwegian avant-garde rockers/recent Karisma Records signees, VIRUS, today issue the official new video accompaniment to the track “Rogue Fossil.”

The twisted, animated clip was created by renowned Romanian multi-media artist Costin Chioreanu, who says of his new creation for the pioneering experimental rockers, “I went beyond all my boundaries and I have a feeling I touched a bit of insanity. You know that it’s going to be something unique.” Having made his mark not only as a graphic artist, but also as a stage artist, musician, animator, and movie maker at a relatively young age, Chioreanu’s visual manifestation for VIRUS is the latest in a series of collaborations with artists from Karisma Records, and its sister label Dark Essence Records.

Set for release on Karisma Records on the 3rd of June, Memento Collider was recorded at the Amper Tone Studios in Oslo and includes a guest appearance from Voivod’s Dan Mongrain. It is, without a doubt, an album that demonstrates the true essence of progressive rock. To preorder Momento Collider on CD or vinyl go HERE. For digital orders, go HERE.

Virus is:
Czral – guitars, vocals
Plenum – bass
Einz – drums

Virus website

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Karisma Records website

Karisma Records on Thee Facebooks

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