Quarterly Review: Sumac, Cortez & Wasted Theory, Thunder Horse, The Howling Eye, Grime, URSA, Earthling Society, Bismarck, Grand Reunion, Pledge

Posted in Reviews on December 7th, 2018 by JJ Koczan

quarterly-review

As we land on what would otherwise be the end of a Quarterly Review — day 5, hitting the standard 50 records across the span of a week that this time we’re doubling with another 50 next week — it occurs to me not how much 100 albums is, but how much it isn’t. I mean, it’s a lot, don’t get me wrong. I’ve been sitting and writing about 10 records every day this week. I know how much that is. But it’s astounding to me just how much more there is. With the emails I get from people looking for reviews, discs sent in the mail, the messages on Facebook and everything else, I could do another 100, easy.

Well, maybe not ‘easy,’ but it would be full.

Is it a new golden age of heavy? 45 years from now are rockers going to look back and say, “Hell yeah, from like 2012-2019 was where it’s at,” all wistful like they do now for the ’70s? Will the Heavy ’10s be a retro style? I don’t know. But if it was going to happen, there would certainly be enough of an archive to fuel it. I do my best to cover as much as I can, but sometimes I feel like we barely crack the surface. With 100 records.

That said, time’s a-wasting.

Quarterly Review #41-50:

Sumac, Love in Shadow

sumac love in shadow

What are Order Dissertation For Masters Degree from WritingSharks.net – Choose from Professional Academic, ESL & Business Proofreading Services Sumac if not the most vital and highest profile atmospheric metal act out there today? With All of the best For My Master Thesiss in Canada get spoken about. Don’t let bad reviews influence you – If some professional assignment writers look great; they are active on social media, look legit, their website is pretty great and their samples look good – then never be put off by a few bad reviews. No writing service out there will be perfect all the time so expect some minor bad Aaron Turner ( You`ve Found the best I Want To Write An Essay Online online on CustomWriting Entrust you work to skilled specialists Unlimited Support Money back Isis, etc.) on guitar/vocals, Today, you can hire our experts to work on your "http://www.unzmarkt-frauenburg.at/?dissertation-rwth-aachen for me" academic troubles. Get the Best Help to Write Your Dissertation. You don’t have to get overwhelmed by the number of websites that offer academic writing services. Picking up a trustworthy and professional company is not a difficult task. You should give the job to the person who can do it the way it should be done Brian Cook ( We touch upon the French Coursework Help Work Experience job description, looking at the main technical writing skills you need, the qualifications and work experience, and more. Russian Circles) on bass and • Every dissertation is followed with a referencing. Most of the students are unaware of the referencing styles such as Harvard, Chicago, MLA and APA. Essay Rater Editor View from a reputed dissertation service provider is the ideal destination for them. • The university professors and evaluators have high expectations from the dissertations. Top quality dissertations can only score high in the final evaluation. Unable to meet their expectations, most of the students go to a custom Nick Yacyshyn ( more info here service in Manchester: Baptists) on drums, they qualify easily as a supergroup, and yet their third album, see page Love in Shadow (on It has never been this easy to http://bonnespratiques.uda.fr/?selfless-service-army-essay online. It's also safe as well. We guarantee you 100% plagiarism-free content and confidentiality. Thrill Jockey), is still more about creative growth and the exploration of sound than anything else. Certainly more than ego — and if it was a self-indulgent exercise, it’d probably still be pretty good, frankly. As it stands, the four massive tracks through which The work at your Business Plan Examples Pdf Free will start as soon as you submit it. Using DissertationHelp.com service is simple and convenient. If you've already spent a lot of time and energy on writing a paper, and the results are still not impressive, try a new approach. Buy a custom dissertation from experienced writing specialists. Your personal manager will be very attentive to your instructions. The dissertation will be original and written from scratch. Entrust your assignment to the writing Sumac follow-up 2016’s So you're thinking: 'I need someone to write an essay corruption for me right now.' Click here and our top experts will make your academic problems vanish. Leave What One Becomes (review here) and their 2015 debut, In need of a professional http://www.finobrno.cz/?order-in-research-paper service? We offer RAPID returns and affordable prices! Whether you’ve just completed your thesis, are submitting The Deal (review here), refine the sound Customizedtermpapers Com - Entrust your dissertation to qualified writers working in the company Let specialists accomplish their responsibilities: get the Sumac has developed over the past three years-plus into a sprawling and passion-driven sprawl that’s encompassing in scope, challenging in its noise quotient, and in utter refusal to not progress in its approach. And when Professional How To Wright A Business Plans correct your paper’s spelling, grammatical errors, punctuation, continuity, flow, and support of thoughts. Also, we ensure your writing presents clearly in academic English and is easy for readers to understand. Client Reviews “One of the things I appreciate most about the service provided is the feeling that the project was important to the Sumac move forward, as they do here, they seem to bring the entire aesthetic with them.

Sumac on Thee Facebooks

Thrill Jockey Records on Bandcamp

 

Cortez & Wasted Theory, The Second Coming of Heavy: Chapter Nine

cortez wasted theory second coming of heavy ch 9

Hire http://www.infotel.cz/?how-to-write-essays-in-college today! Get rid of junk assignments, learn from the masters and enjoy college life from a fresh perspective Ripple Music‘s split series The Second Coming of Heavy hits its ninth chapter in bringing together Boston’s Cortez and Delaware’s Wasted Theory, and neither band fails to live up to the occasion. Cortez‘s range only seems to grow each time they hit the studio — vocalist Matt Harrington makes easy highlights of the opener and longest track (immediate points) “The Firmament” and the echo-laden “Close” — and Wasted Theory‘s “Ditchpig,” “Abominatrix,” “Baptized in Gasoline” and “Heresy Dealer” are so saturated with whiskey it might as well be coming out of their pores. It’s a decidedly North/South release, with Cortez rolling straightforward New England heavy rock through “Fog of Whores” and the Deep Purple cover “Stormbringer” while Wasted Theory dig with all good speed into a grit that’s more and more become their own with time, but there’s a shared penchant for hooks and groove between the two acts that draws them together, and whatever aspects they may or may not share are ultimately trumped by that. As Ripple starts to wind down the series, they continue to highlight some of the finest in heavy that the underground has to offer. One would expect no less.

Cortez on Thee Facebooks

Wasted Theory on Thee Facebooks

Ripple Music on Bandcamp

 

Thunder Horse, Thunder Horse

thunder horse thunder horse

There’s an unmistakable sense of presence throughout Thunder Horse‘s six-song/43-minute self-titled debut that undercuts the notion of it as being the San Antonio four-piece’s first album. With professionalism and a firm sense of what they want to be as a band, the Texans liberally sprinkle samples throughout their material and hone a professional sound built around massive riffs and even-more-massive lumbering grooves. Indeed, they’re not strangers to each other, as three-fourths of the group — guitarist/vocalists Stephen Bishop, guitarist/sampler T.C. Connally and drummer Jason West — double in the more industrial-minded Pitbull Daycare, whose debut LP came out in 1997. Completed by bassist/vocalist Dave Crow, Thunder Horse successfully cross the genre threshold and are well comfortable in longer cuts like “Liber ad Christ Milites Templi” and “This is the End,” both of which top nine minutes, and shorter pieces like the rocking “Demons Speak” and the shimmering finale “Pray for Rain.” With “Coming Home” and the sneering “Blood Ritual” at the outset, Thunder Horse pulls listener quickly toward dark atmospheres and flourishes amid the weighted tones therein.

Thunder Horse on Thee Facebooks

Thunder Horse on Bandcamp

 

The Howling Eye, Sonorous

the howling eye sonorous

Poland’s The Howling Eye make a lengthy long-player debut with Sonorous, but more important than the reach of their runtimes — closer “Weedblazer” tops 16 minutes, the earlier “Reflections” hits 12, etc. — the reach of the actual material. The common pattern has been that psychedelic jamming and doom are two distinct things, but The Howling Eye tap into a cosmic interpretation of rolling riffs and push it with an open spirit far into the ether of spontaneous creation. It’s a blend that a group would seem to need to be cautious to wield, lest the whole notion fall flat, but with the assurance of marked chemistry behind them, the Bydgoszcz-based trio of drummer/sometimes vocalist Hubert “Cebula” Lewandowski (also harmonica where applicable), guitarist Jan Chojnowski and bassist Mi?osz Wojciechowski boldly shift from the more structured beginnings of the funky “Kairos” and the aggro beginning “Stranded” into an outward push that’s ambient, psychedelic and naturalistic all at once, with room left over for more funk and even some rockabilly on “The Potion.” It is not a minor conglomeration, but it works.

The Howling Eye on Thee Facebooks

The Howling Eye on Bandcamp

 

Grime, What Have We Become

grime what have we become

Their roots in metal, North Dakota trio Grime — not to be confused with the Italian sludge outfit of the same name — unleash their first full-length in the form of What Have We Become, an ambitious 51-minute offering of progressive heavy rock marked by thoughtful lyrics and fluid songwriting made all the more so by the shared vocals of bassist Andrew Wickenheiser and guitarist Nick Jensen, who together with drummer Tim Gray (who would seem to have been replaced by Cale Mogard) effect a classic feel through “Alone in the Dark” while chugging and winding through the not-a-cover “Hand of Doom” with some harsher vocals peppered in for good measure. Seven-minute opener and longest track (immediate points) “Through the Eye” sets a broad tone that the rest of the record seems to build on, with the penultimate “Sunshine” delivering the title line ahead of the grittier closer “The Constant Grind,” which seems to payoff everything before it with a final explosion before a big rock finish. They’ll need to decide whether their sound will ultimately tighten up or loosen over time, but for now, what they’ve become is a band with a solid foundation to grow from.

Grime on Thee Facebooks

Grime on Bandcamp

 

URSA, Abyss Between the Stars

ursa abyss between the stars

Modern doom meets a swath of metallic influences on URSA‘s full-length debut, Abyss Between the Stars (on Blood Music), as members of Petaluma, California’s Cormorant take on such classic themes as wizards, dragons, yetis, witches, a spider king, mountains, and… actually, yeah, that covers the six included tracks on the 46-minute LP, which shifts gracefully between epic fantasy doom and darker, soemtimes more extreme fare. It’s easy enough to put URSA in the narrative of a band started — circa 2016 — around a central idea, rather than just dudes picking up instruments and seeing what happened next. Not just because bassist/vocalist Matt Solis, guitarist/keyboardist Nick Cohon and drummer Brennan Kunkel were already three-quarters of another band, but because of the purposefulness with which they approach their subject matter and the cohesion in all facets of their approach. They may be exploring new ground here, but they’re doing so on sure footing, and that comes not only from their experience playing together, but from knowing exactly where they want to be in terms of sound. I would not be surprised if that sound adopted more post-Candlemass grandeur with time — one can hear that burgeoning in “Serengeti Yeti” — but whatever direction they want to go, their debut will only help them on that path.

URSA on Thee Facebooks

Blood Music website

 

Earthling Society, MO – The Demon

earthling society mo the demon

Look, if you can’t get down with a bunch of freaks like Earthling Society tapping into the lysergic fabric of the cosmos to come up with an unsolicited soundtrack to a Hong Kong martial arts movie, I just don’t know what to tell you. Issued by Riot Season, the seven-track MO – The Demon is reportedly the end of the band’s technicolor daydream, and as they crash their plane into the side of “Mountains of Bliss” and hone space rock obliteration throughout “Super Holy Monk Defeats the Black Magic Mothafucker,” their particular experimentalist charm and go-anywhere-anytime sensibility demonstrates plainly exactly why it will be missed. There’s a sharp high-pitched tone at the start of opener “Theme from MO – The Demon” that’s actually pretty abrasive, but by the time they’re through the kosmiche laser assault in “Spring Snow” and the let’s-be-flower-children-until-it’s-time-to-freak-the-fuck-out throb of closer “Jetina Grove,” that is but a distant memory. So is consciousness. Fare thee well, Earthling Society. You were a band who only sought to make sense to yourselves, and for that, were all the more commendable.

Earthling Society on Thee Facebooks

Riot Season Records on Bandcamp

 

Bismarck, Urkraft

bismarck urkraft

Norwegian five-piece Bismarck bring spaciousness to doom riffing on their debut album, Urkraft, which is constructed of five molten tracks for a 34-minute totality that seems much broader than the time it takes to listen. Vocals are growls and shouts across a cosmic stretch of tone, giving a somewhat aggressive pulse to heavier psychedelic soundscaping, but a bouncing rhythm behind “A Golden Throne” assures the song is accessible one way or the other. The 10-minute “Vril-Ya” is naturally where they range the farthest, but the Bergen outfit even there seem to be playing by a set of aesthetic principles that includes maintaining a grounded groove no matter how spaced they might otherwise get. Rolling riffs bookend in opener “Harbinger” and closer “The Usher,” as “A Golden Throne,” playing-to-both-sides centerpiece “Iron Kingdom” and the subsequent “Vril-Ya” explore atmospheres that remain resonant despite the low end weight that seems to chug out beneath them. The mix by Chris Fielding at Skyhammer (who also co-engineered) doesn’t hurt in crafting their largesse, but something tells me Urkraft was going to sound big no matter what.

Bismarck on Thee Facebooks

Apollon Records website

 

Grand Reunion, In the Station

grand reunion in the station

In the Station doesn’t seem like anything too fancy at first. It’s produced cleanly, but not in any kind of overblown fashion, and Grand Reunion‘s songwriting is so solid that, especially the first time through their eight-track debut LP, it’s easy to say, “Okay, that’s another cool hook,” and not notice subtleties like when the organs turn to keyboard synth between opener “Eres Tan Serpiente” and second cut “Gordon Shumway,” or to miss the Latin percussion that Javier Tapia adds to Manuel Yañez‘s drumming, or the ways that guitarist Christian Spencer, keyboardist Pablo Saveedra, bassist Mario RodrĂ­guez and Tapia work to complement guitarist CristĂłbal Pacheco on vocals. But all of that is happening, and as they make their way toward and through the eight-minute fuzzer “Band Band the Headbang,” through the soaring “Weedow” and into the acoustic-led closer “It’s Alright,” the character and maturity in Grand Reunion‘s songwriting shows itself more and more, inviting multiple listens in the most natural fashion possible: by making you want to hear it again.

Grand Reunion on Thee Facebooks

Grand Reunion on Bandcamp

 

Pledge, Resilience

pledge resilience

16 minutes of scathing post-hardcore/sludge from Portuguese four-piece Pledge, who are in and out of their Resilience EP with a clean break and a windmill kick to the face. The newcomers lack nothing for ferocity, and with the throat-searing screams of Sofia M.L. out in front of the mix, violent intentions are unmistakable. “Profer Lumen Caecis,” “The Great Inbetweeness,” “Doom and Redemption” and “The Peter, the Wolf” nonetheless have groove built on varying degrees of extremity and angularity, with VĂ­tor Vaz‘s bass maintaining a steady presence alongside the guitar of Hugo Martins and Filipe Romariz‘s drumming, frenetic as it sometimes is. I wouldn’t say things calm down in “The Peter, the Wolf” so much as the boiling seems to take place beneath the surface, waiting for a time to burst out, which it eventually does, but either way, for all its harsher aspects, Pledge‘s material isn’t at all void of engagement. It does, however, state the requirement right there on the front cover.

Pledge on Thee Facebooks

Pledge on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

URSA Set Nov. 2 Release for Abyss Between the Stars; Stream “Wizard’s Path”

Posted in Whathaveyou on September 10th, 2018 by JJ Koczan

ursa

Petaluma, California’s URSA will make their full-length debut on Nov. 2 through Blood Music with Abyss Between the Stars, a collection of six tracks proffering spacious and crushing doom that, instead of dumbing itself down or curbing its own impulses to fit in with the traditions of the genre, finds room for newer-school tonality and atmospheres among classic nod and working methods. To wit, the double-kick behind new single “Wizard’s Path.” Straight out of earliest Candlemass, right? But they’re using it as a foundation for a section of screams as well before shifting back into the cleaner hook, and so there’s a communion with different genres happening in the track that only bodes well for what the rest of the album might have to offer. Preorders are up now if you’re into getting things out of the way early, and you can listen to the track at the bottom of this post.

Under, of course, the cover art and album info, which came down the PR wire:

ursa abyss between the stars

URSA announce new album “Abyss Between the Stars”, stream new single “Wizard’s Path”

In 2016, three-quarters of progressive black metal band Cormorant embarked on a new doom-driven project under the name of URSA. Fast forward to today and the band have confirmed the details of their debut album, “Abyss Between the Stars”, to be released via Blood Music on November 2nd. Pre-orders for the album are available here.

URSA are streaming the first new track off “Abyss Between the Stars”. Stream the crushing new single “Wizard’s Path” now.

“’Wizard’s Path’ is the first song we wrote when we started jamming together in early 2016,” Matt Solis says. “We knew we wanted this band to have an “epic fantasy” aesthetic in terms of the lyrics and overall presentation, and what better place to start than a journey through a mystical landscape teeming with esoteric danger? When I wrote the lyrics, I had one image in mind: a wizard with a beard full of eyeballs, which is actually a real-life painting by our friend Jesse Swanson, who created the artwork on this album. All told, this track is the essence of URSA: crushing riffs, epic vocals, fantastical lyrics and the elemental spirit of all things doom.”

Track List
1. Wizard’s Path
2. Dragon’s Beard
3. Serengeti Yeti
4. Thirteen Witches
5. Cave of the Spider King
6. The Mountain

URSA combine the traditional sensibilities of doom pioneers like Candlemass and Solitude Aeternus with progressive leanings Ă  la Rush and Yes while being fully committed to a high-fantasy lyrical aesthetic, in the tradition of Cirith Ungol and Pagan Altar. Abyss Between the Stars features a collection of epic tales envisioning otherworldly beasts and beings.

The album was recorded with Tim Green (Melvins, Earthless, Wolves in The Throne Room) in the beautiful forest setting of Louder Studios in Grass Valley, CA. Vocalist/bassist Matt Solis says the recording of Abyss Between the Stars was in the band’s standard style:

“We always prefer to record live together, even in Cormorant, because we feel it captures the essence of who we are as musicians. There was nothing really unusual about what we did—this is loud-ass rock music with guitar, bass and drums, so we wanted to keep it pretty basic.”

https://www.facebook.com/ursadoom/
https://ursa666.bandcamp.com/releases
http://www.blood-music.com/store/

URSA, “Wizard’s Path”

Tags: , , , , ,