Posted in Whathaveyou on December 3rd, 2025 by JJ Koczan
Branca, killing it again with the SonicBlast Fest poster art. Year after year, that partnership continues to flourish.
I was lucky enough to be invited to Portugal for SonicBlast Fest in 2023, and it was a great time from the pre-show through the end of the last night. I’m sick as a dog at the moment, so thinking of breathing the fresh air on the Atlantic Coast is perhaps a little more vivid in my mind, as much as I can smell anything right now or keep my head up while I’m typing or stay awake, etc. I took some DayQuil and I’ll go lie down in a bit.
The assemblage here is rad. You don’t need me to tell you having Turbonegro, High on Fire, Elder, Kylesa, Conan and Dead Meadow on the same bill is going to result in a good time. It’s something of a given. Cool to see Necrot included though. I like a bit of riffy death metal, and SonicBlast hasn’t been shy in years past about reaching outside the heavy rock umbrella for punk and hardcore — note The Casualties here — so an extension of that makes sense. Note also industrial punker N8noface and Early Moods. Both of those I believe are managed by Daniel from RidingEasy Records, so I can’t help but wonder if they might be touring together next summer. Guess we’ll find out eventually.
Also Jon Davis from Conan pulling double-duty with an Ungraven set, and more still to come. The following comes from social media:
Get ready for the 14th edition of SonicBlast Fest ⚡️
We’re thrilled to announce the first confirmed bands:
Turbonegro High On Fire Chat Pile Deafheaven Kylesa The Casualties Midnight Frankie And The Witch Fingers Snapped Ankles
Elder Levitation Room Dead Meadow Conan N8noface Adult. Necrot
Margarita Witch Cult Early Moods Primitive Ring Goya Hög Ungraven
Tickets are already on sale at Bol and Masqueticket
Posted in Whathaveyou on October 8th, 2025 by JJ Koczan
If you’ve already been, you don’t need me to tell you to go. If not yet, then go ahead and consider this encouragement. Nestled into its wooded riverside corner, a gorgeous setting with stages large and small, able to be correspondingly relaxing and intense, Bear Stone Festival 2026 has unveiled the first names for its lineup for next July. At the risk of getting personal, I was more than a bit heartbroken to miss the fest this year after attending in 2024, and with a lineup that includes Uncle Acid and the Deadbeats, Elder, My Sleeping Karma, Planet of Zeus, Travo, Ungraven, Saint Karloff, Ungraven, and more, including the continuing commitment to showcase homegrown Croatian acts, the four-dayer’s bill already highlights the growth underway for the festival itself. Progression, both in terms of stylistic outreach and getting bigger names. The art, the people, the sound, the lights, the place. I sincerely hope I get to go back.
Check out the 2025 aftermovie at the bottom of the post. It’s very much like that, only not slow motion. Here’s the announcement from the PR wire:
Bear Stone Festival 2026 – First Lineup Announcement
Bear Stone Festival proudly unveils the first wave of its 2026 lineup, showcasing a bold spectrum of heavy music and beyond.
From the occult-tinged psychedelia of Uncle Acid & The Deadbeats and the progressive power of Elder, to the meditative soundscapes of My Sleeping Karma, the high-voltage rock of Planet of Zeus, and the raw underground energy of acts like TRAVO, ŽEN, Otrovna Kristina, Wyatt E., and many more, the bill perfectly reflects Bear Stone Festival’s commitment to musical diversity.
This year’s lineup brings a rich palette of genres such as Doom, Psych, Stoner, Punk, Garage, Experimental Noise, and many more, all set to erupt across the three stages nestled in Bear Stone’s unique natural landscape.
UNCLE ACID & THE DEADBEATS (UK) [Psychedelic Rock/Doom Metal]
The brainchild of Kevin Starrs, Uncle Acid & The Deadbeats have been crafting extraordinary music since 2009. Emerging from the British underground, they reshaped hard rock and downer blues with a deeply psychedelic and idiosyncratic edge. Fusing the playful melodies and harmonies of psychedelic pop with the dark thunder of proto-metal, Starrs conjures a sound that feels both eerily familiar and entirely new.
Resolutely individualist, Uncle Acid & The Deadbeats channel the spirit of heavy music’s past while remaining one of the most unique and electrifying live acts today.
ELDER (USA) [Progressive Rock/Space Rock]
Elder are a genre-defying rock band blending heavy psychedelia, progressive intricacy, and expansive soundscapes into long-form compositions that push the boundaries of modern rock. Over the course of six albums and numerous EPs, they’ve evolved from the stoner/doom underground into one of the most distinctive voices in heavy, exploratory music.
In 2024, Elder brought their powerful live show to arenas across the U.S. as the main support for Tool, marking a milestone moment in their journey ahead of their next album in 2025.
MY SLEEPING KARMA (DE) [Psychedelic Rock/Post-Rock]
My Sleeping Karma are a German instrumental quartet weaving psychedelic rock, stoner grooves, and post-rock atmospheres into cinematic sound journeys. After the tragic passing of longtime drummer Steffen Weigand in 2022, the band faced an uncertain future but ultimately found strength in continuing their path.
Their revival has reaffirmed them as one of Europe’s most powerful live acts, guiding audiences through immersive and emotional sonic explorations.
PLANET OF ZEUS (GR) [Stoner Rock/Stoner Metal]
Planet of Zeus, hailing from Athens, Greece, deliver heavy rock thunder that fuses raw riff-driven power with melodic exploration and bluesy dynamics. Since their formation in 2000, they’ve built a reputation for intense, sincere, and ever-evolving live performances, earning a loyal following at home and abroad.
With their latest album Afterlife (2024), the band continue to push their sound forward while cementing their place as one of Europe’s most vital underground rock acts.
TRAVO (POR) [Heavy Psych/Neo-Psych Rock]
TRAVO, from Braga, Portugal, are a four-piece force of heavy psych and garage rock, delivering a raw, high-octane sound that thrives on intensity and experimentation.
Renowned for volcanic live performances that blur the line between chaos and ecstasy, TRAVO stand as one of the most visceral and authentic voices in today’s psych rock scene.
WYATT E. (BE) [Drone-Ambient/Antique Doom]
Wyatt E. are a boundary-pushing force in the modern doom scene, blending massive riffs with layered instrumentation and a fearless approach to sonic experimentation. Their music weaves heavy psychedelia, progressive structures, and eclectic influences into immersive compositions that balance crushing weight with cinematic detail.
With acclaimed albums, extensive touring, and a reputation for powerful live performances, they continue to redefine what doom can sound like on a global scale.
UNGRAVEN (UK) [Doom Metal/Sludge Metal]
Ungraven is the brainchild of guitarist Jon Davis, now joined by David Perry on synths, organ, and piano, reshaping the project into a force of haunting, ambient heaviness. Abandoning the traditional rock-band setup, the duo crafts bleak and expansive soundscapes where slabs of crushing guitar collide with swirling synths in a sickening sonic duet.
Their music is both pummeling and introspective, channeling influences from Tangerine Dream to doom metal, forging a new chapter in their evolving tome of tone.
SAINT KARLOFF (NOR) [Stoner Rock/Heavy Psych]
Saint Karloff are a Norwegian power trio channeling the spirit of 70’s heavy rock through fuzz-soaked riffs, doom-laden grooves, and psychedelic fire.
With albums like All Heed the Black God (2024) and the monolithic Interstellar Voodoo (2019), they’ve carved out a place in the stoner/doom underground as one of its most electrifying and uncompromising voices.
ŽEN (CRO) [Indie-Psych/Shoegaze]
ŽEN are a Croatian trio weaving dreamy shoegaze, math-rock complexity, and psychedelic textures into an immersive and urgent sound.
Since forming in Zagreb in 2010, they’ve become a vital voice in Europe’s underground, carrying a strong feminist and DIY ethos that fuels both their music and their boundary-pushing live performances.
Otrovna Kristina are a Croatian hard rock trio fusing Anglo-Saxon riff traditions with the raw energy of the Balkans, laced with psychedelic excursions and soaring harmonies.
In their decade-long journey, they positioned themselves as guardians of volume, groove, and wild underground rock ’n’ roll.
DRONE HUNTER (CRO) [Stoner Rock/Groove Rock]
Drone Hunter are a Croatian instrumental trio delivering high-octane stoner rock driven by crushing riffs, heavy grooves, and relentless energy.
Since forming in 2012, they’ve built a reputation for powerful live performances and a raw, riff-worshipping sound that speaks louder than words.
GODZILLA WAS TOO DRUNK TO DESTROY TOKYO (ITA) [Acid Rock/Doom Rock]
Godzilla Was Too Drunk to Destroy Tokyo are a chaotic, genre-smashing outfit blending sludge, noise, punk, and doom into an unpredictable wall of sound.
With unhinged energy and a tongue-in-cheek attitude, they deliver crushing riffs and anarchic live shows that feel as wild as their name suggests.
HRMULJA (CRO) [Heavy Psych/Stoner Rock]
Hrmülja are a Croatian heavy psych/stoner rock band weaving fuzzed-out riffs, swirling grooves, and hypnotic atmospheres into their sonic brew.
They channel the spirit of the underground into thunderous and immersive live performances with raw energy and a taste for psychedelic exploration.
SUNTAN CLUB (AT) [Neo-Psychedelic Surf/Garage Rock]
Suntan Club are a four-piece from Vienna blending neo-psychedelic surf and garage rock into sun-drenched, fuzz-heavy soundscapes that radiate warmth and hazy euphoria.
With their latest EP Too Much Fuzz, they’ve expanded their sound into something louder, richer, and hypnotic, pairing it with ecstatic and immersive live performances that pull audiences under like a tidal wave.
LINIJA 109 (CRO) [Post-Rock/Shoegaze]
Linija 109 are a young all-girl band from Zagreb, formed in 2022, crafting original songs rooted in alt rock with influences of post-rock, shoegaze, and indie.
Through explosive live shows and an unapologetic youthful rebellion they managed to build a loyal underground following in a very short time.
In case you were wondering how our previous edition felt like, check out our official 2025 aftermovie.
Posted in Whathaveyou on January 17th, 2025 by JJ Koczan
Just where the malevolent drone wrought by Ungraven resides in terms of genre, I don’t really care. Call it whatever want, it remains doomed as fuck. Following suit from Jon Davis‘ main outfit Conan in signing with Heavy Psych Sounds, Ungraven have set an April 18 release for their two-songer LP, Hollows Made Homes in Their Sunken Cheeks. The first single from the record is a six-and-a-half-minute church-organ-laced feedback hummer from Davis and cohort multi-synth-specialist/vocalist David Penny called “Nothing is Less Than Zero Part 1,” which in its full course runs 21 minutes. So, a snippet, then. Fun!
Be ready for consuming darkness, but “Nothing is Less Than Zero” does hint at some human presence with vocoder vocals tucked away in its mix amid the sprawling desolate landscape of what sounds like black stained glass. That’s not nothing in such a swallow-you-whole aural context. Needless to say — yet here I am saying it — that this kind of extremity isn’t for everybody, but even if it’s not what you’re using to score the background of your dinner party (if it is, invite me), it’s easy to appreciate the depths to which Ungraven seem set to plunge.
April’s a ways off, and hopefully I’ll have more to come on this one before then. For now, the PR wire:
UK experimental heavy drone duo UNGRAVEN (w/ Jon Davis of Conan) to release new album “Hollows Made Homes In Their Sunken Cheeks” on Heavy Psych Sounds.
UK heavy droney experimental duo UNGRAVEN (with Jon Davis of Conan) have signed to Heavy Psych Sounds for the April 18th release of their new album “Hollows Made Homes In Their Sunken Cheeks”.
Ungraven is a celebration of the nastier side of heavy music, the dirty noise metal and industrial heaviness that is sorely under-represented in this scene, progressing forward to crushing drone laced with ambient eeriness. On their new album “Hollows Made Homes In Their Sunken Cheeks”, Jon Davis (Conan) and David Perry (formerly of The Laez, Conan & Dead Void) launch a glacial barrage of heaviness, using synths, keys, organ, vocoder and guitar, conjuring images of social decline projected across imagined landscapes of a ruined future.
“Nothing Is Less Than Zero” rips open a void between worlds, where dark cinematic soundscapes drip into a bleeding heaviness. Gone is the traditional metal framework of their previous records: instead, Davis and Perry conjure a sickening symphony of guitar and dronesque synth that carves universe-shaped holes through your skull. No beats. No lyrics but some messages issued by doomed robots. No mercy. The atmosphere itself speaks volumes as layers of sound gradually build the tension, diving deeper and heavier into synthesizer realms where restrained forces lurk beneath the surface. Like threatening vessels silently hovering overhead, it teeters on the brink of psychedelic spheres, a haunting progression culminating into nothing but nothingness. While we all knew Ungraven could unleash hell, “Nothing Is Less Than Zero” reveals something more profound: the ability to control it.
The band comments: “Pillars of granite burst forth from the earth. Their looming presence forcing frozen awe upon all that stand beneath. Impenetrable shadows suffocate and disorientate, as the monoliths continue to plough endlessly into the infinite. Shrouded by black, forever turns into never, and we are overwhelmed and dizzied into nausea by the unimaginably colossal nature of Nothingness.”
“Hollows Made Homes In Their Sunken Cheeks” will be released worldwide on April 18th, with LP and CD preorders available now via Heavy Psych Sounds.
Ungraven “Hollows Made Homes in Their Sunken Cheeks” Out April 18th on Heavy Psych Sounds
TRACKLIST: 1. Nothing Is Less Than Zero – 21:03 2. Hollows Made Home – 22:19
UNGRAVEN is Jon Davis – guitars David Perry – synth/organ/keys/vocals
Posted in Whathaveyou on April 20th, 2021 by JJ Koczan
This is going to be a very heavy couple of days. Put together by the reignited Lizard King Promotions and Riffolution Promotions, the upcoming 2021 edition of Cvltfest will follow on from September’s previously announced Riffolution Festival (lineup here) in Manchester. Booked at Cafe Indie in Scunthorpe — also in the relative north of England, east of Manchester and Sheffield, bit south from Leeds, etc. — on Nov. 13 and 14, there is some spillover between the two events, as Desert Storm, Pijn, Ritual King, Ohhms and Ten Foot Wizard will play both, but hell’s bells, can you imagine complaining about that? These are festivals. Happening on Earth! Wonder of wonders!
It’s been three years since Cvltfest was last held, but part of bringing back Lizard King Promotions from out of whatever cavern was trapping it is indeed breathing new life into the event, and you can see in the lineup below, they’re not half-assing it whatsoever. This and Riffolution together are complementary beasts emphasizing just how slammed and slamming the UK heavy underground is.
Fucking a:
Cvltfest 2021 – Nov. 13-14 – Cafe Indie, Scunthorpe, UK
This is the 3rd rendition of Cvltfest having seen both Elephant Tree and Witchsorrow Headliner respectively in 2017 and 2018, 3 years have passed since including the year of the Rona.
Now after a long break break away Lizard King Promotions which turns 10 years old this May, makes a return with its most ambitious line up of riff worshiping titans ever.
Working alongside Riffolution Promotions who’ve who’ve collectively seen Riffolution Festival now fully sold out 5 months ahead of the event we now bring you Cvltfest 2021.
Eons ago, when the world was bright and new and everything beautiful and nothing hurt except endless war and economic disparity — circa 2011, in other words — Head of Crom Records issued a split between Conan and Slomatics (review here). At the time, Conan‘s founding guitarist/vocalist Jon Davis very much positioned the offering as a showcase of the drive toward sonic largesse his own band adapted in some measure from the Belfast-based Slomatics, and no doubt it was a first encounter for many listeners with the bass-less-but-still-unbelievably-heavy-and-sci-fi-prone Northern Irish trio.
What fascinates about this new split between Slomatics and Ungraven — on Davis‘ own Black Bow Records, with mastering by James Plotkin and cover art by Ryan Lesser — is that it’s Slomatics who are the “bigger” band. The three-piece of drummer/vocalist/synthesist Marty Harvey and guitarists David Majury and Chris Couzens went on a tear throughout the rest of the 2010s, offering four full-lengths in 2012’s A Hocht (discussed here), 2014’s Estron (review here), 2016’s Future Echo Returns (review here), and 2019’s Canyons (review here), as well as a handful of splits, adding to a foundation of earlier work much of which has seen reissue through Black Bow. Ungraven, meanwhile, began as a solo-project from Davis in 2018 and released its first studio recording in 2019’s Language of Longing, basking in a industrial-informed ’90s noise metal crunch à la Nailbomb, etc. from Earache Records around 1995 and what nobody wants to admit was the peak era of Sepultura.
Following some more demos and a March 2020 live-studio release that features all three of the tracks included here, Ungraven — now Davis alongside bassist Dave Ryley of Fudge Tunnel and Tuskar drummer Tyler Hodges — come to their own split with Slomatics not just as the newer band (because in fact Slomatics weren’t newer when they did the split with Conan), but as the group being presented in a more introductory fashion. As I understand it, this is their first recording as a full trio. So say a friendly hi to Ungraven. They’ve come to pummel your skull. Neat!
And some of the aspects with which they choose to do so will ring familiar. Davis‘ tone and shout are signature and largely inimitable, and with production by his Conan bandmate Chris Fielding at Foel Studio, there’s no doubt a certain level of comfort even as Ungraven embark on clearing their own creative path. Which is precisely what they’re doing in “Defeat the Object,” “Onwards She Rides to Certain Death” and “Blackened Gates of Eternity,” and for all the in-context elements they might share with Conan via Davis‘ basic approach, Ungraven leave behind much of the doomier, slow-lumbering plod that’s such a staple in Conan‘s work. Comparisons between the two may be inevitable, at least at this point, but there’s grounds for contrast as well and it comes from the structure of the riffs, the central charge around them rhythmically, and the fact that “Onwards She Rides to Certain Death” barely tops three minutes and gets its job done.
It’s a question of balance, then, as well of course as the personalities and styles of the other players involved. Ungraven are rawer than Conan at this stage, and the noisy aspect of their sound comes through despite the thickness of the low end through which it cuts, but the work here isn’t so far removed from Conan‘s earlier fare that longtime fans will be totally alienated or anything like that, particularly through “Defeat the Object,” while the run of “Onwards She Rides to Certain Death” and the tense crush of “Blackened Gates of Eternity” — which doesn’t so much release at the end as simply arrive at an even more excruciating place — push further into individualized expression. Perhaps, for all the bombast, leading with “Defeat the Object” is Davis‘ way of easing listeners into the brutal modus of the new band.
Working at Start Together Studio with Rocky O’Reilly, Slomatics‘ three tracks, “Kaan,” “Proto Hag” and “Monitors” each bring something of their own to the proceedings. With “Kaan,” it’s sheer lumber. There’s a volume dip at least on the digital version of the release between Ungraven and Slomatics‘ sides — I can’t speak to the actual vinyl — but if the answer is “turn it up,” that was probably going to be the answer anyway. “Kaan” superplods through the molassesy bulk of its 5:43 run, with atmospheric vocals layered in a kind of line-for-line call and response until, at last, Couzens, Majury and Harvey cap with thudding toms and transitional samples into the shorter and catchier “Proto Hag,” which doubles as a trad-doom-soaring showcase for its vocals even as it remains duly thick in its roll, synth adding melody in its final chorus. Harvey is audibly pushing his voice in the last lines, and it adds to the intensity of that apex.
The concluding “Monitors” might be the highlight of the entire release, with a melancholy tempo and open feeling strum in the guitars that serves as bed for likewise downtrodden verse lines. It begins and ends with drones, and departs in its midsection for some atmospherics as well, but the effectiveness of the track overall comes from how draws together and exemplifies Slomatics‘ take on the whole. The two bands inarguably have some factors in common, but they’re telling different stories here, and while impulse with splits is always to compare one to the other — fair enough — the manner in which Ungraven and Slomatics arrive in succession is more complementary than contrasted.
An intervening decade and Ungraven and Conan being different bands precludes this split from being a direct sequel to the 2011 Black Bow offering, but there are spiritual elements shared between that release and this one, the stated friendship between Davis and Slomatics, the latter band’s continued output through the label, and so on. Sonically, there was little danger the pairing wasn’t going to make sense, and it does make sense, showing Slomatics in a place of refining their central methodology even as Ungraven seek out to claim theirs, both of which just happen to be heavy as all hell. It’s kind of a no-brainer.
Posted in Whathaveyou on January 13th, 2021 by JJ Koczan
Anyone remember that time Conan and Slomatics put out a split? Hell’s bells, I do. Nearly 10 years later, preorders are up for what one might think of as a kind of semi-sequel — at least an extension of the franchise — which brings together the aforementioned Slomatics with Conan vocalist/guitarist Jon Davis‘ second band, Ungraven. Three songs from each unit are featured, and the release will be in March through Davis’ label, Black Bow Records, just like last time out.
And hey, I know it was 10 years ago, so if you didn’t hear it, don’t feel like you’re lagging behind. I’m not trying to be Johnny Groundfloor with either of these bands, because I ain’t, but two points: first, you should still be looking forward to the new split, and second, it’s not at all too late to stream the other.
I’ve included offerings from Ungraven and Slomatics here if you want to use that as your gateway. However you go there’s no wrong answer.
Split release between Ungraven and Slomatics. Ungraven arrive on vinyl for the first time following their early ‘drum machine’ demos and now the lineup includes David Ryley of FUDGE TUNNEL on bass and Tyler Hodges of TUSKAR on drums. Jon Davis (CONAN) fronts the band and is the founding member. SLOMATICS are of course well known to all fans of heavy music, stunning shows at Roadburn, Psycho Las Vegas and many other festivals, combined with SOLID releases across all platforms have cemented the Belfast 3 piece in heavy music lore, a crown they have worn since 2004.
Available in two colours ‘starburst’ and ‘green/black’ – on a single sleeve pressing, 300 copies of each colour printed.
Track List
Side A UNGRAVEN Defeat The Object 05:20 Onwards She Rides To A Certain Death 03:06 Blackened Gates of Eternity 04:56
Side B SLOMATICS Kaän 05:43 Proto Hag 04:30 Monitors 07:16
Distributed from our base in Netherlands. STOCK EXPECTED MID / LATE FEB. RELEASE DATE 5th MARCH 2021.
NB….. Tracked shipping provided with all orders.
Art by Ryan Lesser Ungraven produced by Chris Fielding at Foel Studio. Slomatics produced at Start Together Studio.
Posted in Features on April 7th, 2020 by JJ Koczan
The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.
Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.
Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan
Days of Rona: Jon Davis of Conan, Ungraven, Black Bow Records & Blackskull Services (Merseyside, UK)
—
How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?
Conan and Ungraven cannot rehearse currently, but we communicate often. Approximately two weeks before all this hit, we signed up to a lease on a 24/7 rehearsal room, which was the worst timing EVER. It’s almost like divine intervention, but in a bad way. Our health is good, I don’t believe any of us has or has had this virus, so I guess we’re good. I’m just excited to tour again, I miss it.
What are the quarantine/isolation rules where you are?
I’m in the UK so we have a stay at home request on us, and often there is a line to get into the supermarket. I’m allowed to walk the dog obviously, and I’m really lucky because I am 100 yards from the waterfront and have a lot of open space to enjoy. I work from home, so I’m not inconvenienced really. I can’t go see my folks for a few weeks because my Mum is in one of those people classed as ‘vulnerable’ because she has some minor health problems. The worst thing is that my wife is waiting for her UK entry visa (she is from New Zealand) so we have a nervy wait to see if there are any flights available when she is ready to come here.
How have you seen the virus affecting the community around you and in music?
The community here seems okay. I’ve been here almost a year, so have yet to really get to know a lot of people. The local pub, which I just started to frequent, is now closed because of the government lockdown, and that is a big loss. In terms of music, of course there have been a lot of shows cancelled and that has hurt a lot of promoters and bands. Most of my contact with those guys is online and most of us are doing okay, if maybe a little stressed.
What is the one thing you want people to know about your situation, either as a band, or personally, or anything?
I personally am more creative when faced with a challenge or when I am dealing with some sort of life event. Conan was born from such circumstances and I’ve been writing some cool stuff as well as hatching some interesting ideas while we’re all under these restrictions. It’s not fun, but it affects us all so I’d rather keep myself busy than allow frustration to set in.
Posted in Whathaveyou on September 26th, 2019 by JJ Koczan
The fact that Conan‘s Jon Davis has a couple shows coming up, including Desertfest Belgium, with Ungraven and has added a drummer to what was formerly just a solo affair is some deceptively telling news. Anyone who has ever seen a list of Conan tour dates or heard any of the string of records Davis has released through his Black Bow imprint or been even moderately aware of his Blackskull Services management company — also I think he was driving bands around on tour for a while there — knows he’s not the type to do something half-assed. If he’s getting a drummer for Ungraven, it’s because he’s got longer-term plans than just the next couple weeks. Maybe I’m wrong, but that kind of says to me he’s thinking of taking it on tour.
Hardest working person in doom? Yeah, he just might be. I’m not sure who else has so much on their plate.
From the PR wire:
UNGRAVEN ANNOUNCE LIVE LINE-UP
Jon Davis, (Conan) is pleased to announce that he will be playing live shows with his solo project UNGRAVEN. He will be joined by Tyler Hodges of Tuskar on drums for all future live dates.
So far the duo is confirmed to play both Desertfest Belgium and Aalborg in Denmark.
Both dates will be in support of the recently released of the debut release “The Language of Longing” which was released a few months ago.
Jon commented “Delighted to welcome Tyler Hodges to the lineup. He really gets what I’m trying to do with this material-Together we are UNGRAVEN!”
He further commented on The Language of Longing “I am a huge fan of Fudge Tunnel, Ministry, Godflesh, Sepultura and Nailbomb. I fell in love with ‘For All Those Who Died’ by Bathory on Headbangers Ball and also the ‘Speed Kills’ comp. Since then I have referenced these bands in some of Conan’s material. With Ungraven I pay homage to the industrial sounds emanating from Birmingham in the 90s with a few other influences that I’ve been obsessing over for a while. It’s super heavy but sightly different from what I have done so far.”
