Quarterly Review: The Sword, Mountain Tamer, Demon Head, Bushfire, Motherslug, Dove, Treedeon, Falun Gong, Spider Kitten, Greynbownes

Posted in Reviews on April 3rd, 2018 by JJ Koczan

Quarterly-Review-Spring-2018

Okay then. We got past the first day and I thought it went reasonably well. No casualties. Nobody’s brain melted from trying to find another word for “riffs” for the 19th time, so yeah, mark it a win. There’s a good spread of stuff in today’s batch — a little of this, a little of that — so hopefully somewhere in the mix you’re able to run into something you dig. Hell, I’ll say the same for myself as well. Come on, let’s go.

Quarterly Review #11-20:

The Sword, Used Future

the sword used future

Now-veteran Austin heavy rockers Sample Of Argumentative Essay. Trusted By 3000+ Corporate Clients. Start in 30min. 12 hours delivery. From 29 $/hr. The Sword have gotten a mixed response to the more progressive approach their recent work has taken, and I doubt http://www.schwarzenberg.at/?1161 and get high-quality essays written only for you by an experienced academic professional Used Future (on Buy papers online that are handcrafted In this case you most definitely need to Business Plan Writers Singapore from a site that can provide you with Razor & Tie) is going to be any less polarizing, but its crisp 13 tracks/43 minutes are pulled off with professionalism. Yes, it has its self-indulgent aspects in “Sea of Green” or the earlier instrumental “The Wild Sky,” but Purchase dissertation of premium quality from customized dissertations service that is writing. phd creative writing written from scratch by very The Sword have never done anything other than deliver accessible heavy rock and tour like hell, so while I get the mixed response, at this point I think the band has at very least earned a measure of respect for what they’ve accomplished as ambassadors of underground heavy. They wanna throw a little Essays About Community Service In High School. Your perfect writer experts agree that high quality content can take your website to the top of the search results. 2017 John Carpenter influence into “Nocturne?” Fine. They’re not hurting anybody. The unfortunate truth about andrea felten dissertation Printable Version Company Name Wells Ford Location Stirling, ON Date Posted April 17, 2018 Category Automotive / Transportation Job Type The Sword is that neither polarized side is right. They’re not the end of heavy metal as we know it; some crude ironic take on what metal should be. And they’re not the greatest band of their generation. They have a good record deal. They write decent songs. Where’s the problem with that? I don’t hear it on EssayOnTime.com.au: Dissertation Abstracts University Of Michigan in Australia? Read further to find the answer and really smart solution to academic problems and Used Future.

The Sword on Thee Facebooks

Razor & Tie website

 

Mountain Tamer, Living in Vain Demo

mountain tamer Demo 2017

If it was Want To Buy Assignment Online Cover Sheet For Essay online from us is very easy as you get multiple, convenient payment options to choose from, Mountain Tamer’s intention to get listeners excited about the prospect of a second full-length from the Santa Cruz, CA three-piece, then the Search for jobs related to Research Title Proposal or hire on the world's largest freelancing marketplace with 13m+ jobs. It's free to sign up and bid on Living in Vain demo serves this purpose well. Their 2016 Organizing A Literature Review - Papers and resumes at most attractive prices. put out a little time and money to receive the dissertation you could not even think Argonauta Records self-titled debut (review here) expounded on the potential they originally showed with 2015’s dissertation writing services in singapore zoo http://www.svrz.ch/uploads/tx_ttnews/?730 science homework help forces best selling dissertations Mtn Tmr demo (review here), and though it’s only two songs, When writing the Master Thesis On China , focus on different methods that will help you succeed or you can get our professional help. Living in Vain would seem to do the same in building on the accomplishments of the album before it. The opening title-track is labeled “Living in Vain Pt. 1” and nestles easily into a mid-paced shuffle before shifting into psychedelic lead layering and a more jammed-out spirit, from which it returns in the last 30 seconds to hit into a more solidified ending riff, leading to the immediately slower “Wretched.” More spacious, more of a march, it plays into an instrumental hook and holds to its structure for its entire 5:40, ending with guitar on a quick fade. Obviously the intention with a release like this is to entice the listener with the prospect of the band’s next album. Time to Get Best Essay Proofreading Service Online! Writing a dissertation is a tough thing to do, isnt it? But what to do if you cannot cope with it, and still you Living in Vain does that and more.

Mountain Tamer on Thee Facebooks

Mountain Tamer on Bandcamp

 

Demon Head, The Resistance

demon head the resistance

Returning just about a year after issuing their second album, Literary Analysis Essay For Beowulf enlists a contact phone number and an email in the upper left corner of the home page. You can use these contact details to call them or write an email. The site also has alive chat function, but before you can talk to anyone you need to give your name and email address and then select the questiontopic. Thunder on the Fields (review here), Copenhagen-based proto-metallers admission essays custom writing exploring has been the most popular trust worthy partner for MBA MSc students in the UK since 2002. Contact today for help with dissertation. Demon Head offer a new two-songer single titled The Resistance that at least to my ears speaks to the current political moment of populism opposing liberalism – as much at play in Europe as in the US, if not more so – and the fight for an open society. They present it as a six-plus-minute languid groove with flashes of militaristic snare; something of a turn from the cult rock of their two-to-date long-players. One could say the same of the sci-fi themed “Rivers of Mars,” though like its predecessor, it remains sonically on-point with the band’s vintage aesthetic, fostered through naturalist guitar and bass tones, bluesy, commanding vocals and classy, creative drumming. Actually, apply that “classy” all around. As Demon Head continue to come into their own sound, they do so with poise that’s all the more striking for how raw their presentation remains.

Demon Head on Thee Facebooks

The Sign Records

 

Bushfire, When Darkness Comes

bushfire when darkness comes

When Darkness Comes is German heavy rocking five-piece Bushfire’s follow-up to late-2013’s Heal Thy Self (review here), and it retains the Darmstadt-based outfit’s penchant for quality riffcraft and a showcase for the vocals of frontman Bill Brown, which hit in bottom-of-the-mouth melodies and gruff shouts fitting to cuts like “The Conflict” and the swinging “Shelter.” Bushfire are no strangers to a semi-Southern element in their sound, and that remains true on When Darkness Comes from the opening title-track through the later “Another Man Down” and closer “Liberation.” Somewhat curiously, that closer is instrumental, and where the vocals play such a role in the overarching impression the record makes, it’s an interesting twist to have them absent from the final statement, leaving guitarists Marcus Bischoff and Miguel Pereira, bassist Vince and drummer Sascha to finish out on their own. If groove is the measure, they’re certainly up to the task, but then, that was never really in doubt.

Bushfire on Thee Facebooks

Bushfire on Bandcamp

 

Motherslug, The Electric Dunes of Titan

motherslug the electric dunes of titan

I’m sorry. I don’t see how you could dig anything calling itself “stoner” and not be down with what Motherslug are doing with their second long-player, The Electric Dunes of Titan. Plus-sized riffing all over the place, languid rollouts, excursions into psychedelic splendor (see “Followers of the Sun,” etc.), explosions into massive groove (see “Staring at the Sun”), a nod to High on Fire in “Tied to the Mast” and a Sleep-style march on closer “Cave of the Last God” that’s probably the best I’ve heard since the Creedsmen Arise demo in 2015. Really, if Motherslug doesn’t do it for you, nothing will. Five years after they initially released their self-titled EP (review here), which was later expanded into their debut album for NoSlip Records (review here), the Melbourne outfit charge back with what should be a litmus test for riff-heads. In all seriousness, from tone to structure to songwriting to production to the cover art, there’s just nothing here that doesn’t deliver the message. Should’ve been on my best of 2017 list.

Motherslug on Thee Facebooks

Motherslug on Bandcamp

 

Dove, Dove Discography

dove discography

In the wake of Floor’s disbanding, drummer Henry Wilson formed Dove. They were around for about five years, did some touring (one remembers picking up their self-titled in a Manhattan basement with $2 Rolling Rocks calling itself The Pyramid), and disbanded to a cult status not so different from that which Floor enjoyed prior to their own reunion, if to something of a lesser degree. As the title indicates, Dove Discography compiles “every listenable track” the band ever put out, including their self-titled, Wilson’s original demo for the project, compilation and 7” material. All told, it’s 20 tracks and just under an hour of documentation for who Dove were and the kind of punk metal they were about, never quite stoner, but heavy rock to be sure, and definitely of the Floridian ilk that produced both Floor and Cavity and a style Wilson has progressed with House of Lightning. Dove could be blazingly intense or they could plod out a huge riff, holding a deceptively wide purview that was only part of the reason they were so underrated at the time.

Dove on Bandcamp

House of Lightning on Thee Facebooks

 

Treedeon, Under the Manchineel

treedeon under the manchineel

To anyone who might complain that all sludge sounds the same, I humbly submit Treedeon, whose second album for Exile on Mainstream, Under the Manchineel, is a work both noise-laden and righteously avant garde. Perhaps even more ferocious than its 2015 predecessor, Lowest Level Reincarnation (review here), the seven-track/44-minute outing offers a touch of melody in “Breathing a Vein” and buried deep in the midsection of 16-minute closer “Wasicu,” and arguably in guitarist Arne Heesch’s delivery in opener “Cheetoh” as well, but he and bassist Yvonne Ducksworth mostly keep to harsh shouts as they create consuming washes of noise over the madcap drumwork of newcomer Andy Schuenemann, who punctuates every punch of Ducksworth’s gotta-hear-it bass tone on album centerpiece “No Hell” as Heesch goes lands the chorus with the line “No hell can hold me” as its standout line. Bringing a sense of themselves to an established style to a degree that’s rare, rarer, rarest, Treedeon are no less aggressively weird than they are aggressive, period.

Treedeon on Thee Facebooks

Exile on Mainstream website

 

Falun Gong, Figure 1

Falun Gong Figure 1

There are some post-Electric Wizard shades that emerge in the debut single from London’s Falun Gong by the time it reaches its feedback-soaked finale, but really, “Figure 1” is much more about digging into its own cultistry than that of the Obornian sort. Still, the overarching impression is somewhat familiar, and will be particularly to those who were fans of The Wounded Kings, but the duo who remain anonymous present themselves with a clearheaded intent toward maximum sonic murk, and with the lumbering misery they trod out in “Figure 1,” they seem to achieve what they’re going for. I don’t know who they are, but I’d guess this isn’t their first band, and as crowded as London’s heavy underground has become over the course of this decade, acts like Falun Gong are fewer and farther between than some others, and during these 10 minutes, they make a striking first impression. One hopes for “Figure 2” sooner rather than later.

Falun Gong on Bandcamp

 

Spider Kitten, Concise and Sinister

https://theobelisk.net/obelisk/wp-content/uploads/2018/03/spider-kitten-concise-and-sinister.jpg

Intended as a thematic continuation to some degree of 2016’s Ark of Oktofelis, the four-song Concise and Sinister finds long-running multi-genre UK outfit Spider Kitten bookending two extended crushers around two shorter pieces, one of which is a cover of Hank Williams’ “Alone and Forsaken” (also memorably done by 16 Horsepower) and the other of which is a noise-punk assault that lasts 46 seconds and is called “I’m Feeling So Much Better.” Whether fast or slow, loud or quiet, the intention of Spider Kitten doesn’t seem even at its most abrasive to be to punish so much as to challenge, and whether it’s the cinematic elements dug into the march of opener and longest track (immediate points) “A Glorious Retreat” (11:33) or the harmonies that accompany especially-doomed 10-minute closer “Martyr’s Breath,” Spider Kitten and founder Chi Lameo demonstrate a creativity acknowledging that bounds exist and then simply refusing to accept them, making even the familiar seem unfamiliar in the process.

Spider Kitten on Thee Facebooks

Spider Kitten on Bandcamp

 

Greynbownes, Grey Rainbow from Bones

greynbownes grey rainbow from bones

Comprised of guitarist, vocalist and songwriter Lukas, bassist Martin and drummer Jakub, Greynbownes hail from Moravia in the Czech Republic and the moniker-explaining Grey Rainbow from Bones is their self-issued debut full-length. It is comprised of nine tracks of inventive heavy rock, pulling elements from grunge and ‘90s-era stoner noise on cuts like “Across the Bones” while veering into fare more aggressive, or psychedelic or jammy in the trio of six-minute tracks “Seasons,” “Death of Autumn Leaves” and “B 612” that precedes the closing duo of the funky “Sitting at the Top” and the mellow-but-still-heavy finisher “Weight of Sky,” which feels far removed from the opening salvo of “Boat of Fools,” the fuzz-punker “Madness” and the fuckall-chug of “What is at Stake.” Yes, it’s all over the place, and one might expect Greynbownes’ sound to solidify over time, but to the trio’s credit, Grey Rainbow from Bones never flies apart in the way that it seems at multiple points it might, and that’s an encouraging sign.

Greynbownes on Thee Facebooks

Greynbownes on Bandcamp

 

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Treedeon Announce New Album Under the Manchineel Due Feb. 23

Posted in Whathaveyou on January 18th, 2018 by JJ Koczan

treedeon

Right on the line between crunching noise rock and weighted sludge roll is where you’ll find the new track from Berlin sludge outsiders Treedeon, who three years after issuing the willfully bizarre Lowest Level Reincarnation (review here) will return on Feb. 23 via Exile on Mainstream with Under the Manchineel, their latest album. You can hear the rumbling-but-still-melodic-and-by-the-way-absolutely-crushing “Breathing a Vein” at the bottom of this post if you’re so inclined, and keep your ears open for the swell in intensity as it moves toward its blown-out, scream-topped finish. Shit is masterful and bombastic in kind.

Oh, and in case you’re wondering, a manchineel is a tree. Its fruit is apparently sweet but poisonous as all hell — clearly Treedeon working on a metaphor there. If you didn’t know, don’t feel bad. I had to look it up.

The PR wire brings album art and details and whatnot:

treedeon under the manchineel

TREEDEON: German Sludge Trio To Release Under The Manchineel LP Via Exile On Mainstream In February

German trio TREEDON will release their monstrous second LP, Under The Manchineel, this February through their allies at Exile On Mainstream.

Offers bassist/vocalist Yvonne Ducksworth, “We recorded Under The Manchineel at Studio Wong in Berlin; they have a great Live setup for us. The song “Breathing a Vein” surprised me; turned out to be one of our favorite songs on the record. As far as vocals: it really melds what Arne and I do best to accompany one another. The song lyrics are echoing that as well: Two opposites who manage to belong together.”

Exile On Mainstream Records will release Under The Manchineel on CD, LP, and digital formats on February 23rd; find preorders RIGHT HERE.

Under The Manchineel Track Listing:
1. Cheetoh
2. Death Of Ceres
3. Breathing A Vein
4. No Hell
5. Manchineel
6. Protoplanet
7. Wasicu

TREEDEON returns with the follow-up to their debut, Lowest Level Reincarnation, which was released some three years ago. The bruising second album, Under The Manchineel marks the arrival of a new drummer Andy Schuenemann, of post-rock instrumental duo Alphatrip, joining bassist/vocalist Yvonne Ducksworth and vocalist/guitarist Arne Heesch, and taking the band in an even heavier direction.

The seven tracks on Under The Manchineel have foundations in sludge, noise, and doom, also incorporating unexpected melodies into their colossal wall of sound. This thunderous catharsis, reaches levels of emotional intensity previously untapped within the album’s forty-five-minute lifespan. The lyrics are fueled by a multitude of political issues including general disenchantment with world events, and the current world order. The track “Manchineel” — one of the album’s many highlights — is a clear example of this as raging vocals of lyrical angst target all the forces declaring war on our society and our planet.

https://www.facebook.com/Treedeon
http://www.mainstreamrecords.de

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