Trippy Wicked and the Cosmic Children of the Knight Post “Evil” from Movin’ On Sessions

Posted in Whathaveyou on April 18th, 2019 by JJ Koczan

trippy wicked

With an opening riff that channels Phantom of the Opera, to change the individual, change the system - Quality drugs from reliable international manufacturers. Safe and efficient affordable drugs made by licensed manufacturers. Buy Trippy Wicked and the Cosmic Children of the Knight dig back into their past to unveil “Evil.” It’s not a Trusted http://www.altepost-gastein.at/?article-writers with 100% satisfaction guarantee! Get prompt help with your academic assignments from experienced research paper Willie Dixon cover, which was my first thought — you might recall student tutors short story analysis essay uva master thesis online dissertation scientific Cactus‘ version of that song on we do assignment for you mla dissertation university essays online example of a research essay Restrictions, among many others — but the seven-minute piece comes from the sessions of 2009’s debut full-length, Welcome to http://santemontreal.qc.ca/?doctoral-dissertation-university-cincinnati! We are a Dublin based professional education development company which provides academic support to those undertaking Movin’ On (review here), and in honor of the record’s 10th anniversary and the recently announced reformation of that lineup, they will post a series of lost tracks from that era. There are three of them and “Evil” is the first. The next, I’m sure, will be posted as soon as this goes live — because that’s how good my timing usually is in terms of making sure I’m constantly behind on everything — but until then, you can enjoy “Evil” at the bottom of this post. Nostalgia achieved, gents.

And that’s a quick 10 years.

From the PR wire:

trippy wicked evil

Trippy Wicked release previously unreleased track “Evil” from Movin On recording sessions

Trippy Wicked & the Cosmic Children of the Knight recently announced original drummer Chris West is back in the band after a five-year departure. Given that the band also announced they were writing new material, you would be forgiven for asking why they are now releasing material from a decade ago.

Well, October 2019 marks the 10-year anniversary of the band’s debut album, Movin On. During the recording session at Chuckalumba Studios (most noted for being the studio Electric Wizard recorded Dopethrone and Let Us Pray), Trippy Wicked recorded some songs that either didn’t get an official release or have never been heard.

To mark the anniversary Trippy Wicked are releasing these songs as singles and the first of these comes in the form of “Evil’. The song had appeared on an earlier demo but this version gets the full ‘blown out amps committed to tape’ treatment that Chuckalumba does so well.

Singer Pete Holland commented on the inspiration behind “Evil”:
“Evil is about the oppression from forces that try to dictate how you should live your life, and trying to break that train of thought to be free to imagine the life you want.”

Listen to the song on all major platforms here: http://smarturl.it/TrippyEvil

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https://www.instagram.com/trippywicked
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https://www.trippywicked.band/

Trippy Wicked and the Cosmic Children of the Knight, “Evil”

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Trippy Wicked Announce Lineup Change; New Songs in the Works

Posted in Whathaveyou on March 7th, 2019 by JJ Koczan

You know, I’d sort of seen around the social medias that  Specialist Proofreading & Editing of essays, dissertations, theses and publishable papers by Oxbridge educated Proofreaders. Research Paper On The Secret Service. Peter Holland (also of  http://www.marie-medstrategic.eu/?example-phd-research-proposal online at Essayforme.org! Quality work and on-time delivery are guaranteed! Ask the support for a special discount! Elephant Tree) and  Professionally researched & quality custom written. Quality academic Public Service Commitment Essay help from professional paper & essays on karl marx capitalism Chris West (also of official site - Instead of worrying about dissertation writing find the needed help here All kinds of writing services & custom papers. Fast and Named by the Sun, etc.) — former bandmates together in  DoMyWriting provides Writing Services Uk service. We process all "write my essay" requests fast. Only 100% plagiarism free essays Trippy Wicked and the Cosmic Children of the Knight — were doing shows together under the banner of  do you do your homework - Top affordable and professional academic writing help. choose the service, and our professional writers will fulfil your task TW. Could be that was kind of a process of feeling their way back to getting back with the full trio of  genetically modified food essays Research Paper Topics Global Warming online assignments pay ancient order of hibernians irish essay Holland Professional Custom Essay Papers Writing Service services. Academic editors with 10+ years experience. We edit all types of theses. Get a quote and a FREE sample today! 100% West and bassist  uk dissertation writing Mba Admission Essay Buy Lbs homework help south american map columbia custom resume writers best Dickie King as  High quality web links writing services, order papers writing from experts at customessayorder.com, 24/7 Support, Flexible Discounts, Free Revisions Trippy Wicked, but either way, the news is welcome that they’ve done so. Further, that there’s new material in the works. They’ve done rock, they’ve done metal, they’ve done acoustic, so at this point I’m not really willing to venture a guess as to what that new material might sound like, but they’ve earned a fair amount of trust over the course of the last decade, so I’m willing to roll with it and find out when we get there. They say it’s “heavier,” and  “a little darker,” which tells you precisely not much.

But the anticipation is part of the fun, and  Trippy Wicked back with the original lineup is nothing but fun, however dark it might ultimately sound.

Their announcement of the homecoming follows:

trippy wicked

TRIPPY WICKED AND THE COSMIC CHILDREN OF THE NIGHT – NEWS!

Hey all. We have some news for you. After a lengthy break we’re back, we’re writing new music and original drummer Chris is back in the band. We’re getting a set up to scratch and will be gigging again as soon as possible.

We’ll mostly be playing new stuff. It’s a little heavier, a little darker but it’s still Trippy. Life happens you know, and that comes out through the music. Get over it.

We’d like to thank Bill for stepping in and all he’s done for Trippy over the last few years. He carried the weight, brought the groove and put his personal touch on the Guppy EP. Always a pro on the throne and still a good friend.

Trippy Wicked.

https://www.facebook.com/trippywicked
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https://trippywicked.bandcamp.com/
https://www.trippywicked.band/

Trippy Wicked, Stakes ‘n’ Scale (2019)

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Quarterly Review: Trippy Wicked, Dunbarrow, The Vintage Caravan, Zatokrev & Minsk, Owl Maker, Orbital Junction, Bourbon, Birnam Wood, Wytch Hazel, The Soulbreaker Company

Posted in Reviews on December 3rd, 2018 by JJ Koczan

quarterly-review

You know how this goes by now, right? Well, okay, except that because I skipped the Quarterly Review that I otherwise would’ve done in September (or, more likely, October), I’m doubling-up this time. 100 reviews instead of 50. Two full weeks of 10 albums per day. Will I survive? Yeah, probably. Will it be completely overwhelming? Already is. Thanks for asking.

I’ll save the summaries of the year that was for list-time, which is fast approaching, but consider the fact that there are well more than 100 albums I could include in this roundup emblematic of just how vibrant heavy rock and doom are in the US, EU, UK, Australia and elsewhere. It’s a universal thing, and accordingly, there’s a whole universe of it to explore. This is just a sampling.

But yeah, time’s a wastin’, so let’s get to it.

Quarterly Review #1-10:

Trippy Wicked and the Cosmic Children of the Knight, Stakes n Scale

trippy wicked stakes n scale

An acoustic EP from Trippy Wicked and the Cosmic Children of the Knight — who, let’s face it, were way ahead of the curve when it comes to the UK scene’s thing for long and ridiculous band names — is a considerable departure from where they were two years ago on their split/collaboration with GurT (review here), but those familiar with the band might recall their past penchant for the occasional unplugged cover recorded for YouTube. Chris West (also Crawling for Carrion, Glanville, etc.), who engineered the recording and plays guitar, and vocalist Peter Holland (also Elephant Tree) revamp Trippy Wicked‘s “Up the Stakes” from 2012’s Going Home (review here), and cover “Scale the Mountain” by Stubb, of which both were members when the song was written. Together, they make for a nine-minute showcase for the character in Holland‘s voice and the melodies and craft at root in both tracks, and while its arrival feels like kind of a one-off, it’s certainly no less welcome for that.

Trippy Wicked on Thee Facebooks

Trippy Wicked on Bandcamp

 

Dunbarrow, II

dunbarrow ii

The novelty of new bands playing through vintage gear in order to capture a heavy ’70s sound may have faded, but like all subgenres, as time goes on, the retro-ist style continues to shift and change as bands like Dunbarrow bring new character to established tenets. Their second LP for RidingEasy is aptly-titled II and sways between honoring the likes of Pentagram and acts like Witchcraft who’ve helped craft that band’s hindsight-founded legacy. Dunbarrow‘s noodly style, restrained rhythmic shove and ride-the-riff melody on “Weary Lady” and the foresty creep of “The Demon Within” capture the vibe well, the latter occurring in a second half of II populated with “The Wolf” and “Witches of the Woods Pt. II,” a sequel to the closer of their 2016 self-titled debut (review here) that here leads to the more severe roll of the finale, “On this Night,” emblematic of the changing character of the band even as it reaffirms in its tense midsection the roots from which they sprung.

Dunbarrow on Thee Facebooks

RidingEasy Records on Bandcamp

 

The Vintage Caravan, Gateways

the vintage caravan gateways

With their third record and second for Nuclear Blast, Icelandic trio The Vintage Caravan affirm not only their passion for the boogie of old on cuts like “The Way” and the strutting “Hidden Streams,” but secure a place as being worthy of the consideration they’ve been given to a degree by the wider Continental European heavy underground. They are strikingly mature in their approach for still being a relatively young band, and their albums have worked quickly to develop a character that is becoming more and more their own. They do the fests and they tour, and so on, but they seem to be engaged in building their listenership one pair of ears at a time. Having a metal-major label behind them hasn’t hurt their promotional cause, but frankly, they’re not as big as they should be for the level of work they’re doing, and even with songs like “Reset” and “Reflections” and the composed-strictly-for-vinyl-sounding closer “Tune Out” to their credit, they’re still largely a word of mouth band, especially in the US. Well, consider this your word of mouth. If you haven’t heard Gateways yet, you should get on that.

The Vintage Caravan on Thee Facebooks

The Vintage Caravan at Nuclear Blast

 

Minsk & Zatokrev, Bigod

zatokrev minsk bigod

Post-metallic powerhouses Minsk and Zatokrev — both of whom hit their 15th anniversary last year — teamed up for a European tour this Fall. To mark the occasion, Consouling Sounds and Czar of Crickets celebrated with Bigod, a split with two tracks from each band arranged in alternating order — Minsk, then Zatokrev, etc. — intended to highlight the symmetry between them not just of circumstance and root influence in the Neurosis school of atmospheric sludge, but the fact that they share these commonalities despite their origins in Illinois and Switzerland, respectively. Each band opens with a longer track (double points) in Minsk‘s “Invoke/Revive” and Zatokrev‘s “Silent Gods,” each of which push past 13 minutes as likely at any moment to be pummeling as ambient, and follows with two shorter cuts, Minsk‘s “Salvatore” swelling theatrically from its minimalist beginnings while Zatokrev‘s “The Chalice and the Dagger” seems to explode from the foundation the prior band laid out. It must have been a hell of a tour, but whether you saw it or not, the split is a welcome conglomeration from two of post-metal’s strongest acts.

Minsk on Thee Facebooks

Zatokrev on Thee Facebooks

Consouling Sounds website

Czar of Crickets Productions website

 

Owl Maker, Sky Road

owl maker sky road

Self-recording guitarist/vocalist Simon Tuozzoli (Vestal Claret, ex-Guerra, etc.) leads Connecticut-based three-piece Owl Maker through a complex thematic of Native American folklore and heavy metal classicism. The NWOBHM plays a strong role in his riffing style, but one of the two tracks included on the two-songer single Sky Road, “Owl City,” also veers into more extreme territory with a departure from clean vocals to harsher screaming. All told, it’s about eight minutes of music, but Sky Road nonetheless follows Owl Maker‘s earlier-2018 EP, Paths of the Slain (review here), with an uptick in melodic presence in the vocals of Tuozzoli and bassist Jessie May and progression in the chemistry between the two of them and drummer Chris Anderson, and with the fluidity of their transitions between various styles of heavy, their scope seems only to be growing. To wit, “Sky Road” itself is only 3:42, but still demonstrates a clear-headed compositional method based around storytelling and a subtly encompassing range. Whether it’s early warning for what they do next or a conceptual one-off, its quick run seems just to be begging for a 7″ pressing.

Owl Maker on Thee Facebooks

Owl Maker on Bandcamp

 

Orbital Junction, Orbital Junction

Orbital Junction orbital junction

The Londonderground continues to produce acts ready and willing to worship at the altar of riffs. Orbital Junction‘s self-release debut EP makes an impression not only because of the markedly pro-shop production by Chris Fielding at Skyhammer Studios and the cover art by SoloMacello, but the hooks to live up to those high standards. “6 ft. 2” follows opener “Space Highway” with a bit of dudely chestbeating — note: I don’t know how tall any of them actually are — but the swing of EP centerpiece “Devil’s Double” and the bounce of “Gypsy Queen” speak for the four-piece’s roots and appreciation of straightforward heavy, void of pretense and tapping into an easy mid-paced fluidity that slows up somewhat on closer “Pagan” without really losing the central groove of the offering overall. They’ll have their work cut out for them in distinguishing themselves over the longer term amongst London’s burl-fueled hordes, but their first outing shows their instincts headed in the right direction in terms of songwriting, performance and presentation.

Orbital Junction on Thee Facebooks

Orbital Junction on Bandcamp

 

Bourbon, Fuente Vieja

Bourbon Fuente Vieja

Crisp but warm in its tone and presentation, rife with melody and carrying a laid back spirit despite a fervent underlying groove — the bass on “El Sendero” rests well within gotta-hear-it territory — Spanish purveyors Bourbon emobody some of the best of post-Viaje a 800 Andalusian heavy rock and roll on their third LP, Fuente Vieja (on Spinda). Their fuzz makes its presence known early on “Si Véis La Luz, Corred” and continues as a running theme as tracks like “A Punto de Arder” and the side-A-capping title-cut grow increasingly progressive. There’s room for some shuffle, of course, as side B begins with “La Triste Realidad,” and the slower “Hacia el Sol” gracefully blends electrified wah and acoustic guitars beneath a well-timed standout vocal performance, but the highlight might be eight-minute closer “Destierro,” which seems to bring everything else under one roof while tapping into a poppier structure early — acoustics and electrics aligning effectively circa two minutes in — while providing the album with a graceful and fittingly organic-sounding finale.

Bourbon on Thee Facebooks

Spinda Records webstore

 

Birnam Wood, Wicked Worlds

birnam wood wicked worlds

Birnam Wood don’t have time for bullshit, but they do have time for a bit of shenanigans. Thus the 1:44 surge of opener “Time of Purification” leads into the sample-laden roller groove of “Richard Dreyfuss” on their as-of-now-self-released Wicked Worlds, and the “Hole in the Sky”-style “Dunsinane” shifts into the more blown-out “Early Warning,” which, by the time its tectonic low end kicks in, is indeed something of a clarion. At seven-tracks/34-minutes, Wicked Worlds is somewhere between an EP and an LP, but I’d argue it as the latter with the flow from “Greenseer” into the massive “A Song for Jorklum” and the seven-minute finale “Return to Samarkand” making for a righteous side B, but either way, it’s a Boston-crafted assault of grit-tone and aggro doom that finds the band not overwhelmed by the heft of their own tones but able to move and manipulate them to serve the purposes of their songs. Those purposes, incidentally, are mostly about kicking ass. Which they do. Copiously.

Birnam Wood on Thee Facebooks

Birnam Wood on Bandcamp

 

Wytch Hazel, II: Sojourn

Wytch Hazel II Soujorn

It would not seem to be a coincidence that UK self-aware four-piece Wytch Hazel — guitarists Conlin Hendra (also vocals) and Alex Haslam, bassist Matt Gatley and drummer Jack Spencer nod to Wishbone Ash‘s Argus with the cover of their second LP, II: Sojourn (on Bad Omen). They do a lot of that kind of nodding, with a sound culled from a valiant blend of classic progressive and early NWOBHM styles that makes the point of how closely related the two have always been. “The Devil is Here” starts out at a fervent gallop with just an underpinning of Thin Lizzy, while the later “See My Demons” shifts from its steady roll and rousing hook into an acoustic/electric break that seems to pull from Jethro Tull as much as Scorpions. At 10 tracks/45 minutes, they have plenty of time to flesh out their ideas, and they do precisely that, whether it’s the careful unfolding around the keys and acoustics of closer “Angel Take Me” or the over-the-top instrumental push of “Chorale” or the moodier “Wait on the Wind,” the wah solo of which is a highlight on its own. There are some burgeoning harmonies in Hendra‘s vocals, which is an impulse he should follow as it would only enhance the material, but after making their debut with 2016’s Prelude, II: Sojourn finds Wytch Hazel sounding comfortable and well established in their niche.

Wytch Hazel on Thee Facebooks

Bad Omen Records on Bandcamp

 

The Soulbreaker Company, Sewed with Light

the soulbreaker company sewed with light

Progressive, expansive and engaging, the sixth album from Spanish sextet The Soulbreaker Company, Sewed with Light (on Underground Legends), taps into classically Floydian influences on songs like “The Word, the Blade” while still keeping a foot in heavy rock on the prior “Together,” and setting a quick course into a varied sonic persona via the seven-minute opener and longest track (immediate points) “Inner Dark.” Hypnotizing not necessarily with drift but with sheer willful exploration, The Soulbreaker Company work with a variety of key sounds and craft-minded ranging guitar in order to effect an atmosphere of thoughtful songwriting even in their most outwardly trippy moments. The sneering semi-psychedelic rock of “Avoid the Crash” and the more stripped-down roll of “Arrhythmia” (video premiere here) lead the way into closer “In the Beginning,” which marks yet another departure with its grandeur of string sounds and electronic beats leading to a chugging big finale. As with the bulk of The Soulbreaker Company‘s work, it requires an active ear, but Sewed with Light both encourages and well earns consideration as more than background noise.

The Soulbreaker Company on Thee Facebooks

Underground Legends on Bandcamp

 

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Trippy Wicked and the Cosmic Children of the Knight Premiere “75 What the Hell” Video

Posted in Bootleg Theater on May 25th, 2017 by JJ Koczan

trippy wicked and the cosmic children of the knight

Tomorrow, May 26, Trippy Wicked and the Cosmic Children of the Knight will issue Lost Songs, a two-songer double-A-side seven-inch with material originally intended for use on a 2011 split with Dopefight that never came to fruition, not the least because that band called it quits. Still missed. Anyhoozle, it’s the first Trippy Wicked standalone offering since their 2013 EP, Underground (review here), and their second outing through HeviSike Records behind last year’s Guppy split/collaboration with Gurt (review here). They mark its coming by today unveiling a new video for the song “75 What the Hell.”

Over the years, we’ve heard Trippy Wicked — guitarist/vocalist Peter Holland, bassist Dicky King and drummer Chris West — cover a pretty wide range of sonic terrain. trippy wicked lost tracksTheir earlier material on 2009’s Movin’ On (review here) explored a kind of semi-Southern heavy rock, and over time they gradually took on a more aggressive edge, resulting in a particularly metallic feel for the songs on Underground. “75 What the Hell,” which would’ve preceded their 2012 second album, Going Home (review here), once again turns expectation on its head by featuring a two-minute punker blast built off an almost Karma to Burn-style riff. It’s got a hook to be sure, but Holland‘s vocals are blown-out in a way that’s way more Helmet-style noise rock than one would think. I guess sometimes you just have to belt one out.

“75 What the Hell” comes accompanied on the platter by “In a Bottle,” and it seems like Lost Songs will be a lead-in for the next Trippy Wicked full-length, which would be their first since the aforementioned Going Home. I don’t know the timeline on when one might expect that, but given that it’s already been half a decade, it doesn’t seem like there’s much of a rush on it, particularly with Holland keeping busy in Elephant Tree and West (who might be tapped to record even though he’s not currently in the lineup of the band) playing bass in psych-proggers Landskap. Still, as a fan and someone who’s been fortunate enough to see Trippy Wicked live, their next long-player will be welcome whenever it wants to show up. Hell, I’ll be around either way.

Enjoy “75 What the Hell” below, followed by more info from HeviSike about Lost Songs, courtesy of the PR wire:

Trippy Wicked, “75 What the Hell” official video

London-based hard rock / metal trio TRIPPY WICKED & THE COSMIC CHILDREN OF THE KNIGHT are set to unleash two previously unheard tracks on 26th May.

When founding member Chris West opened the great vault that is the Trippy Wicked archive, he found two songs that were recorded in 2011 for a planned split release with Brighton sludge act DOPEFIGHT. The two bands couldn’t co-ordinate schedules before Dopefight split up and the songs went on the backburner eventually lost to time. Now exhumed from their digital resting place the songs have been freshly mastered by Tony Reed (MOS GENERATOR) for release by UK label HeviSike Records.

‘Lost Songs’ captures a snapshot at a key period in the band’s evolution and will prove to be essential listening for fans of Trippy Wicked and the wider underground rock & metal community. A promotional video for ’75 What The Hell’ was planned and has now, 6 years later, been completed.

Trippy Wicked are currently writing their next album; their first full-length since 2012’s Going Home. The trio have recently released a split EP ‘GUPPY’ with fellow Londoners GURT, with whom they share current sticksman Bill Jacobs. At the same time as working on Trippy Wicked material, frontman Peter Holland has been gigging extensively across the UK and Europe with new band ELEPHANT TREE, including memorable sets at this year’s Desertfests London & Berlin. Chris West, who also previously played in STUBB alongside Peter, is currently performing bass duties in the psychedelic rock group LANDSKAP.

Regarding the recently completed video for ‘75 What The Hell’, West comments “Because the the songs had been shelved indefinitely I’d actually forgotten about the video we started work on. Releasing these songs has been a great opportunity to finish editing that. The song is a little unusual for the band but the video is 100% in the spirit of Trippy Wicked. I’d also say with the time it took to filming/photograph that last sequence Pete has a solid career as a living statue ahead of him.”

As well as a digital release, Lost Songs will be made available via a limited edition 7” single.

Side A – 75 What The Hell // Side AA – In A Bottle

‘Lost Songs’ credits
Pete Holland: Vocals, Guitar, Tuba
Dicky King: Bass
Chris West: Drums

Recorded by Westminster Brown at Dropout Studios.
Mixed and mastered by Tony Reed at HeavyHead Recording Co.
Artwork & Video by Chris West

Trippy Wicked and the Cosmic Children of the Knight on Thee Facebooks

Trippy Wicked and the Cosmic Children of the Knight on Bandcamp

HeviSike Records webstore

HeviSike Records on Thee Facebooks

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Snuff’est 2016 Announces Final Lineup… Mostly

Posted in Whathaveyou on September 1st, 2016 by JJ Koczan

Snuff’est 2016 is keeping secrets. As in, the Bristol-based all-dayer festival has finalized its lineup, adding Belzebong, Asteroid and Radar Men from the Moon alongside the formidable likes of Gnod, Hang the Bastard, Bong, Sigiriya, Beehoover and others. However, there’s one band who has yet to be announced and Snuff Lane, which is putting on the show Sept. 17 as well as the newly-announced pre-party the night before with Deville, Gurt, Trippy Wicked and Wiht, aren’t telling.

Sometimes in cases like that, it happens that the band is contractually obligated because of a show elsewhere not to announce other gigs, so if you happen to be familiar with who will be around Bristol or elsewhere in the UK on the nights before or after, you could maybe make a guess, but for me, I haven’t a damn clue. Will be fun to find out though.

Final posters and (announced) lineup came down the PR wire:

Snuff’est – Doom/Stoner/Psych

Snuff Lane loudly brings you Snuff’est; Bristol’s newest intimate Doom, Stoner, Psych sonic-sounding rifforgy, due next month.

All Tier-1 and Tier-2 tickets already Sold-Out and we still have another act to announce, alongside a surprise performance from some extraordinary Special Guests.

Boasting a beautiful blend of national and international artists, with some unmissable special performances; starting with stage headliners:
Belzebong – UK EXCLUSIVE
Asteroid – 1 0f 2 UK appearances for 2016
Radar Men From The Moon
Also confirmed are:
Hang The Bastard (last South-West show ever) / Gnod / Sigirya / Bong / Enos / Beehover / ANTA / Hogslayer / Oak / Sugar Horse, as well as hidden ‘Surprise Special Guests’.

Both Tier-1 and Tier-2 Early-Bird tickets have completely SOLD-OUT, with a limited number of remaining tickets on sale now.

Snuff’est All-Dayer
1 Day / 2 Venues / 3 Headliners
Saturday 17th September
Exchange and The Stag and Hounds, Bristol
Doom/Stoner/Psych
RSVP/FB Event: https://www.facebook.com/events/265112073822604/
Ticket Link: Big Cartel / Bristol Ticket Shop

There is also a special Snuff’est Pre-Party taking place the day before, which also boasts a special UK Headline Debut performance from Deville, who have only ever grace the UK at Desertfest London 2014. They’ll be joined by Gurt, Trippy Wicked and the Cosmic Children of the Knight and Wiht.

Snuff’est Pre-Party
Friday 16th September
The Stag & Hounds, Bristol
Deville (SWE) / Gurt / Trippy Wicked and the Cosmic Children of the Knight / Wiht
RSVP/FB Event: https://www.facebook.com/events/601810993310243/
Ticket Link: Big Cartel

http://snufflane.bigcartel.com/
https://www.facebook.com/snuffylane
https://twitter.com/snuffylane

Belzebong, “Bong Thrower” live at Keep it Low 2015

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Buried in Smoke All-Dayer Set for Nov. 12

Posted in Whathaveyou on July 13th, 2016 by JJ Koczan

With 12PM doors and 13 bands on the bill, the Buried in Smoke All Dayer should most certainly live up to its name. The dirt-cheap and dirtier-heavy onslaught is set to take place Nov. 12 at The Bullingdon in Oxford, UK, and along with Desert Storm — who are also directly involved in putting the event and all of Buried in Smoke Promotions‘ shows together — the lineup boasts several noteworthy names out of the UK’s ultra-fertile underground heavy scene. Worth noting that Desert Storm fit right where they are in closing out the night, and to have them joined by Trippy Wicked and the Cosmic Children of the Knight, Grifter, Chubby Thunderous Bad Kush Masters and Lacertilia at the top of the bill shows the utter strength of the scene in which this show is taking place.

No less encouraging, however, are the names toward the earlier part of the day: Morass of Molasses, King Goat, Mastiff, The Atrocity Exhibit, Black Skies Burn, The Darkhorse, My Diablo and Crimson Tusk. You’re doubtless already familiar with all of the above (also below), because you’re more in touch than I am and/or you live in the UK, but they would seem to represent a decent cross-section of underground rock and metal, and as always with this kind of gig, it’s as much about seeing the bands you don’t know as the bands you do.

At least that’s how it should work. Full lineup info and links follow here, as hoisted from the social medias:

buried in smoke all dayer poster

Nov. 12 – B.I.S. All Dayer

The Bullingdon
162 Cowley Road, OX4 1UE Oxford, United Kingdom

Buried In Smoke promotions present:

Desert Storm
Trippy Wicked
Grifter
Chubby Thunderous Bad Kush Masters
Lacertillia
Morass Of Molasses
King Goat
Mastiff
The Atrocity Exhibit
Black Skies Burn
The Darkhorse
My Diablo
Crimson Tusk

Doors at 12pm
£10 on the door

https://www.facebook.com/events/1752579818352918/
https://www.facebook.com/Buried-In-Smoke-Promotions-152851731433057/

Desert Storm, “Signals from Beyond” official video

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Gurt & Trippy Wicked Release Guppy Split May 6

Posted in Whathaveyou on April 20th, 2016 by JJ Koczan

If you’re wondering where Gurt and Trippy Wicked and the Cosmic Children of the Knight got the name of their new split, Guppy, that’s due to release on May 6, take a look at their names: “Gu” from the former, “ppy” from the latter. That bit of cleverness, no doubt, is emblematic of the shenanigans throughout the CD/DL set to arrive via When Planets Collide and the limited run of tapes that’ll be out through HeviSike Records, and it works even more because they not only recorded together and collaborated on a song, but they share drummer Bill Jacobs between them, so yes, the running theme is togetherness. And togetherness if great. Who doesn’t like togetherness?

A trailer for the release has surfaced that emphasizes the level of good times involved, if indirectly. Find that under the info below, which comes from the PR wire:

gurt trippy wicked guppy

Gurt & Trippy Wicked team up for GUPPY split – May 6th

The build up has been pretty long and a lot of work has gone in to creating it but When Planets Collide are very happy to announce that ‘GUPPY’, the new split release between GURT and Trippy Wicked and the Cosmic Children of the Knight is ready for release on Friday May 6th!

Digital / CD – When Planets Collide
Limited Edition Cassette Tape – HeviSike Records

The release features 5 songs clocking in just short of half an hour with two brand new songs from each band and one epic collaboration which features both guitarists, both bassists and both vocalists… we really can’t wait for you to hear what we hope will be one of the best releases so far in 2016.

The bands have been close friends for many years (as well as now sharing a drummer in Bill Jacobs) so entering the studio together to create GUPPY was a natural move. With the help of Steve Sears and Tony Nigelson at TITAN Studios in Watford the record sounds absolutely massive and showcases the expert groove and wicked sense of humour that both bands pride themselves on!

The track-listing is as follows:

1: OWLMEGGEDON
2: SUPER FUN HAPPY SLIDE
3: REVOLTING CHILD
4: I REGRET NOTHING

You’ll have to work out for yourself which songs are by which band!

GURT are:
Bill Jacobs – Drums
Richard Williams – Guitar
Gareth Kelly – Vocals
David Blakemore – Bass

TRIPPY WICKED are:
Peter Holland – Guitar/Vocals
Dicky King – Bass
Bill Jacobs – Drums

https://www.facebook.com/GURTsludge/
https://www.facebook.com/trippywicked
https://www.facebook.com/whenplanetscollideuk
https://whenplanetscollideuk.com/
https://www.facebook.com/hevisike
http://hevisike.com/

Gurt & Trippy Wicked, Guppy teaser

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Trippy Wicked, Wizard Fight and Lacertilia Set for Long Weekender

Posted in Whathaveyou on October 7th, 2015 by JJ Koczan

UK’s heavy rock scene continues to reshape itself and grow. Trippy Wicked and the Cosmic Children of the Knight, who haven’t been heard from much since 2013’s Underground EP (review here), have joined forces with Wizard Fight and Lacertilia to hit the road for a handful of shows next weekend in England, hitting Cardiff, Bristol, Manchester for the Noiz All-Dayer, which also features GroanAlunahChubby Thunderous Bad Kush Masters and Monolith Cult, among others, and closing out in London. They’re calling the long weekender “Carry on Tripping,” but really, whatever they wanted to call it, it’s heavy.

Silly poster, info and dates follow:

wizard fight trippy wicked lacertilia

In the year of 2015 three bands come together to bring fourth the heaviest, dirtiest carry on saga one would struggle to fully comprehend! Coming October 15th-18th 2015!

Trippy Wicked and the Cosmic Children of the Knight
A rolling, thundering mass of infectious riffs, distorted gut-busting bass, tripped out vocals, relentless beats and hairy sweaty faces twisted with grins and gurns. Trippy Wicked & the Cosmic Children of the Knight cut a groove deeper than the ocean abyss.

Wizard Fight
Formed in 2012 by Luke Bolton (ROTS) and former Steak drummer of 7 years, Dan Kinsey. They set out as a two piece to play insanely sludgey filth with a good measure of Doom and a wee bit of hazy Stoner groove. Early 2013 see the addition of Dave on bass adding the much needed earth shaking guts needed to add to the Wizard Fight sound.

Lacertilia
Lacertilia are a tripped out rock n roll machine from South Wales that brings together the manic stomp and wild stage performance of The Stooges, the fuzzy desert sounds of Kyuss, the weird psychedelic frequencies of The 13th Floor Elevators and the proto doom of Pentagram.

Rolling in on….
October 15th – Fuel Rock Club, Cardiff
October 16th – Stag & Hound, Bristol
October 17th – Rebellion, Manchester (NOIZ ALL-DAYER)
October 18th – The Unicorn – London

https://www.facebook.com/events/1679292702289298/
https://www.facebook.com/trippywicked
https://trippywicked.bandcamp.com/
https://www.facebook.com/LacertiliaUKBand
https://lacertilia-uk.bandcamp.com/releases
https://www.facebook.com/Wizardfightuk
https://wizardfight.bandcamp.com/

Trippy Wicked, “Hillbilly Moonshine” Live in Newcastle under Lyme

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