The Obelisk Show on Gimme Metal Playlist: Episode 44

Posted in Radio on October 16th, 2020 by JJ Koczan

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If you read any of the Quarterly Review that wrapped up earlier this week, some of the names in the playlist below might be familiar. These aren’t all the highlights from the 60 records that were covered in that somehow-still-too-short barrage of writeups, but a two-hour sampling seemed like enough time to ask out of your busy day and I recognize that if you check any of it out at my say-so, it is an honor and a humbling thing for me to be a part of. So yeah. Thanks.

My hope is that it flows. I’m interested to hear the finished product — and I do intend to listen and be in the chat on the Gimme Metal app — but I put it together with the idea that the songs would interact well with each other and even where something brought a departure, it seemed a reasonable shift. Did it work? I don’t know. If you listen, you can tell me. But I’m looking forward to finding out, especially since the playlist was built out of such a massive swath of stuff covered recently.

In any case, thanks for listening if you do. I hope you enjoy the show.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 10.16.20

Hymn Exit Through Fire Breach Us*
Polymoon Sliver Mountain Caterpillars of Creation*
The Pilgrim Secrets in the Kingdom …From the Earth to the Sky and Back*
Shroom Eater God Isn’t One Eyed AD.INVENTUM*
VT1
Turtle Skull Heartless Machine Monoliths*
The White Swan Purple Nocturnal Transmissions*
Slow Green Thing All I Want Amygdala*
Mos Eisley Spaceport Further When I’m Far The Best of Their Early Year*
Brimstone Coven Live with a Ghost The Woes of a Mortal Earth*
White Dog The Lantern White Dog*
Mábura Bong of God Heni*
Cracked Machine Cold Iron Light Gates of Keras*
Kairon; IRSE! Altaïr Descends Polysomn*
Thomas V. Jäger Creatures of the Deep A Solitary Plan*
Hum The Summoning Inlet*
VT2
Atramentus Stygian I – From Tumultuous Heavens (Descended Forth the Ceaseless Darkness) Stygian*

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Oct. 30 (subject to change). Thanks for listening if you do.

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The White Swan Post Video for Tracy Bonham Cover “Tell it to the Sky”

Posted in Bootleg Theater on October 15th, 2020 by JJ Koczan

the white swan (Photo by Kandiss Bradley)

Ontario’s Buy best admission essay of high quality written from scratch by Cheap MBA Essay Writing Service UK. Our Wisdom Essay are cheap The White Swan released their [blog here jobs Every Freelance Writer] , writing agency jobs Writing Jobs Nocturnal Transmissions EP (review here) last month as their fourth short release since 2016. Prefaced by three originals of a rolling and atmospheric sludge style, the offering rounded out with a cover of “Tell it to the Sky,” originally by singer-songwriter http://www.icvbc.cnr.it/Itinerari_petrografici/?literary-analysis-essay-most-dangerous-game - Buy a essay paper. Looking for a world-class essay writing service? We offer every type of essay service for a wide variety of Tracy Bonham and featured on her 1996 debut,  If you are looking for http://szisz.uni-corvinus.hu/news.php?do-my-thesis-statement-for-me, look no further. We are here to help you. The Burdens of Being Upright. Obvious sonic disparity between  see post - True Helping Hand Whenever You Need It. Our benefits: ?Timely delivery ?Highest possible standard of the essay ?Top-quality service for a The White Swan and If you are looking the like it in Australia, just stop and click on this Australian assignment help. Can't be more supreme! Bonham, but it’s fair enough ground for reinterpretation, since one can hardly argue about the solid structural foundation of the original. It’s amazing how many shapes a verse and chorus can take.

You might notice in the video for college application admission essay Dissertation Ideas pay someone to write my research paper writing a college application essay about yourself The White Swan‘s take on “Tell it to the Sky” that the band in the clip is decidedly not the band in the photo above. I’m not sure what happened between photo and video shoots to revamp the group, but you can pretty clearly see in the clip it’s a COVID-era work. Although all three members of the trio appear, don’t actually ever share the same space, and stills from the filming posted on social media include the pretty-minimal crew working with masks on and so forth. These are the times we live in. One looks forward to a great who-knows-when, at which point individuals might be able to be in the same room without worrying about “precautions” for anything other than social awkwardness.

Speaking of, in a perfect world, I’d be perfectly happy to be the weirdest dude at a  British Assignments Help provides students in UK with best click here service at cheap prices, delivers 100% plagiarism free work. Place your order The White Swan show.

Enjoy the video:

The White Swan, “Tell it to the Sky” official video

Atmospheric sludge rock unit, THE WHITE SWAN, are pleased to unveil the video accompaniment to their cover of Tracy Bonham’s “Tell It To The Sky.” The track is featured on the band’s Nocturnal Transmission EP released last month. Spearheaded by Kittie’s Mercedes Lander, alongside Kira Longeuay and Shane Jeffers (Bloodmoon Collective), Nocturnal Transmission delivers over twenty minutes of sprawling, melodic sound waves.

In December 2019, THE WHITE SWAN recorded three songs and a cover of what can only be described as love songs. Lander has penned lyrics that chronicle the joy, desire, longing, and eventual feeling of completeness that comes with a romantic relationship. From the night drives through the snow in the early days, right through to the handcrafted guitar built as a wedding gift from her now husband, the intricacies of true love permeate every moment of Nocturnal Transmission.

Describing Nocturnal Transmission as a “turning point” for the band, the album art by collage artist Caitlyn Grabenstein reflects the feeling of standing on the precipice, staring into the unknown. Acknowledging that there will always be a constant sound to THE WHITE SWAN, Lander states that their main intention is to “grow and grow.” With an ever-developing sound and a solid combination of creative musicians in their ranks, Nocturnal Transmission is the latest in what is sure to be an ever expanding back catalog of triumphs.

The White Swan, Nocturnal Transmission (2020)

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Quarterly Review: Mrs. Piss, Ulcerate, Shroom Eater, Astralist, Daily Thompson, The White Swan, Dungeon Weed, Thomas V. Jäger, Cavern, Droneroom

Posted in Reviews on October 9th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Today is what would be the last day of the Fall 2020 Quarterly Review, except, you know, it’s not. Monday is. I know it’s been a messed up time for everybody and everything, but there’s a lot of music coming out, so if you’re craving some sense of normalcy — and hey, fair enough — it’s right there. Today’s an all-over-the-place day but there’s some killer stuff in here right from the start, so jump in and good luck.

And don’t forget — back on Monday with the last 10 records. Thanks for reading.

Quarterly Review #41-50:

Mrs. Piss, Self-Surgery

mrs piss self surgery

If “Nobody Wants to Party with Us” as the alternately ambient/industrial-punk fuckall of that song posits, most likely that’s because they’re way too intimidated to even drop a text to invite Bishop Writers is a professional see this provider. We offer web content writing services like press release writing and article writing. Mrs. Piss over. The duo comprised of vocalist/guitarist Order dissertations and have one of the best visit writing services. We have experienced dissertation writers from every field Chelsea Wolfe and guitarist/bassist/drummer/programmer How To Write A University Essay - original researches at reasonable prices available here will turn your studying into delight Learn all you have always wanted Jess Gowrie issue pay someone to write my assignment http://bcn.uprrp.edu/trash/?buy-thesis-paper-buy-thesis-10s Uk phd thesis dissertation how many words how to write an abstract for your dissertation phd Self-Surgery as an act of sheer confrontation. The screams of “You Took Everything.” The chugging self-loathing largesse of “Knelt.” The fuzzed mania of ‘M.B.O.T.W.O.,” which, yes, stands for “Mega Babes of the Wild Order.” The unmitigated punk of “Downer Surrounded by Uppers” and the twisted careen-and-crash of the title-track. The declaration of purpose in the lines, “In the shit/I’m sacrosanct/I’m Mrs. Piss” in the eponymous closer. Rage against self, rage against other, rage and righteousness. Among the great many injustices this year has wrought, that Creative Writing Essay On War - Let us help with your essay or dissertation. Let the professionals do your essays for you. get the needed review here Wolfe and Improve the your manuscript's chance of publication with Wiley English literature review about customer service. Your work will be paired with an experienced editor who specializes Gowrie aren’t touring this material, playing 20-something-minute sets and destroying every stage they hit has to be right up there. It’s like rock and roll to disintegrate every tired dude cliché the genre has. Yes. Fuck. Do it.

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Sargent House website

 

Ulcerate, Stare into Death and Be Still

Ulcerate Stare into Death and Be Still

As progressive/technical death metal enjoys a stylistic renaissance, New Zealand’s Phd Dissertation Help Requirements for free - Use this service to get your sophisticated paper delivered on time receive a 100% original, plagiarism-free thesis you Ulcerate put out their sixth full-length, Stare into Death and Be Still and seem right in line with the moment despite having been around for nearly 20 years. So be it. What distinguishes Stare into Death and Be Still amid the speed-demon wizardry of a swath of other death metallers is the sense of atmosphere across the release and the fact that, while every note, every guitar squibbly, every sharpened turn the 58-minute album’s eight tracks make is important and serves a purpose, the band don’t simply rely on dry delivery to make an impression. To hear the cavernous echoes of the title-track or “Inversion” later on, Ulcerate seem willing to let some of the clarity go in favor of establishing a mood beyond extremity. In the penultimate “Drawn into the Next Void,” their doing so results in a triumphant build and consuming fade in a way that much of their genre simply couldn’t accomplish. There’s still plenty of blast to be found, but also a depth that would seem to evoke the central intention of the album. Don’t stare too long.

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Shroom Eater, Ad.Inventum

shroom eater ad inventum

Nine songs running an utterly digestible 38 minutes of fuzz-riffed groove with samples, smooth tempos and an unabashed love for ’90s-style stoner rock, Shroom Eater‘s debut album, Ad.Inventum feels ripe for pickup by this or that heavy rock label for a physical release. LP, CD and tape. I know it’s tough economic times, but none of this vinyl-only stuff. The Indonesian five-piece not only have their riffs and tones and methods so well in place — that is, they’re schooled in the style they’re creating; the genre-converted preaching to the genre-converted, and nothing wrong with that — but there are flashes of burgeoning cultural point of view in the lead guitar of “God Isn’t One Eyed” or the lyrics of “Arogant” (sic) and the right-on riffed “Traffic Hunter” that fit well right alongside the skateboarding ode “Ride” or flourish of psychedelia in the rolling “Perspective” earlier on. Closing with “Dragon and Tiger” and “Friend in the High Places,” Ad.Inventum feels like the work of a band actively engaged in finding their sound and developing their take on fuzz, and the potential they show alongside their already memorable songwriting is significant.

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Astralist, 2020 (Demo)

astralist 2020 demo

I’m not usually one to think bands should be aggrandizing their initial releases. It can be a disservice to call a demo a “debut EP” or album if it’s not, since you only get one shot at having an actual first record and sometimes a demo doesn’t represent a band’s sound as much as the actual, subsequent album does, leading to later regret. In the case of Cork, Ireland’s Astralist, it’s the opposite. 2020 (Demo) is no toss-off, recorded-in-the-rehearsal-space-to-put-something-on-Bandcamp outing. Or if it is, it doesn’t sound like it. Comprised of three massive slabs of atmospheric and sometimes-extreme doom, plus an intro, in scope and production value both, the 36-minute release carries the feel and the weight of a full-length album, earning its themes of cosmic destruction and shifting back and forth between melodic progressivism and death-doom or blackened onslaught. In “The Outlier,” “Entheogen” and “Zuhal, Rise” they establish a breadth and an immediate control thereof, and their will to cross genre lines gives their work a fervently individualized feel. Album or demo doesn’t ultimately matter, but what they say about Astralist‘s intentions does.

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Daily Thompson, Oumuamua

daily thompson oumuamua

Lost in the narrative of initial singles released ahead of its actual arrival is the psychedelic reach Dortmund trio Daily Thompson bring to their fourth album, Oumuamua. Yes, “She’s So Cold” turns in its second half to a more straightforward heavy-blues-fuzz push, but the mellow unfurling that takes place at the outset continues to inform the proceedings from there, and even through “Sad Frank” (video posted here) and “On My Mind” (video posted here), and album-centerpiece “Slow Me Down,” the vibe remains affect by it. Side B has its own stretch in the 12-minute “Cosmic Cigar (Oumuamua),” and sandwiched between the three-minute stomper “Half Thompson” and the acoustic, harmonized grunge-blues closer “River of a Ghost,” it seems that what Daily Thompson held back about the LP is no less powerful than what they revealed. It’s still a party, it’s just a party where every room has something different happening.

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The White Swan, Nocturnal Transmission

The White Swan Nocturnal Transmission

Following up 2018’s Touch Taste Destroy (review here), Ontario’s The White Swan present their fourth EP in Nocturnal Transmission. That’s four EPs, in a row, from 2016-2020. If the trio — which, yes, includes Kittie‘s Mercedes Lander on vocals, drums, guitar and keys — were waiting to figure out their sound before putting out a first full-length, they were there two years ago, if not before. One is left to assume that the focus on short releases is — at least for now — an aesthetic choice. Like its predecessor, Nocturnal Transmission offers three circa-five-minute big-riffers topped with Lander‘s floating melodic vocals. The highlight here is “Purple,” and unlike any of the other The White Swan EPs, this one includes a fourth track in a cover of Tracy Bonham‘s “Tell it to the Sky,” given likewise heft and largesse. I don’t know what’s stopping this band from putting out an album, but I’ll take another EP in the meantime, sure.

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Dungeon Weed, Mind Palace of the Mushroom God

Dungeon Weed Mind Palace of the Mushroom God

A quarantine project of Dmitri Mavra from Skunk and Slow Phase, Dungeon Weed is dug-in stoner idolatry, pure and simple. Mavra, joined by drummer Chris McGrew and backing vocalist Thia Moonbrook, metes out riff after feedback-soaked, march-ready, nod-ready, dirt-toned riff, and it doesn’t matter if it’s the doomier tolling bell of “Sorcerer with the Skull Face” or the tongue-in-cheek hook of “Beholder Gonna Fuck You Up” or the brash sludge that ensues across the aptly-named “Lumbering Hell,” all layered solos and whatnot, the important thing is that by the time “Mind Palace” comes around, you’re either out or you’re in, and once you make that choice there’s no going back on it. Opener “Orcus Immortalis/Vox Mysterium” tells the tale (or part of it, as regards the overarching narrative), and if ever there was a band that could and would make a song called “Black Pudding” sound heavy, well, there’s Dungeon Weed for you. Dungeon Weed, man. Don’t overthink it.

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Forbidden Place Records website

 

Thomas V. Jäger, A Solitary Plan

thomas v jager a solitary plan

The challenge of rendering songcraft in the nude can be a daunting one for someone in a heavy band doing a solo/acoustic release, but it’s a challenge Thomas V. Jäger of Monolord meets with ease on the home-recorded A Solitary Plan, his solo debut. Those familiar with his work in Monolord will recognize some of the effects used on his vocals, but in the much, much quieter context of the seven-song/29-minute solo release — Jäger plays everything except the Mellotron on the leadoff title-track — they lend not only a spaciousness but a feeling of acid folk serenity to “Creature of the Deep” and “It’s Alright,” which follows. Mixed/mastered by Kalle Lilja of Långfinger, A Solitary Plan is ultimately an exploration on Jäger‘s part of working in this form, but it succeeds in both its most minimal stretches and in the electric-inclusive “The Drone” and “Goodbye” ahead of the buzzing synth-laced closer “The Bitter End.” It would be a surprise if this is the only solo release Jäger ever does, since so much of what takes place throughout feels like a foundation for future work.

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RidingEasy Records website

 

Cavern, Powdered

CAVERN POWDERED

Change has been the modus operandi of Cavern for a while now. They still show some semblance of their post-hardcore roots on their new full-length, Powdered, but having brought in bassist/vocalist Rose Heater in 2018 and sometime between then and now let out of Baltimore for Morgantown, West Virginia, their sonic allegiance to a heavier-ended post-rock comes through more than ever before. Guitarist/synthesist Zach Harkins winds lead lines around Heater‘s bass on “Grey,” and Stephen Schrock‘s drums emphasize tension to coincide, but the fluidity across the 24-minute LP is of a kind that’s genuinely new to the band, and the soul in Heater‘s vocals carries the material to someplace else entirely. A song like “Dove” presents a tonal fullness that the title-track seems just to hint at, but the emphasis here is on dynamic, not on doing one thing only or locking their approach into a single mindset. As Heater‘s debut with them, Powdered finds them refreshed and renewed of purpose.

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Droneroom, …The Other Doesn’t

droneroom the other doesnt

Droneroom is the solo vehicle of guitarist Blake Edward Conley and with …The Other Doesn’t, experiments of varying length and degree of severity are brought to bear. The abiding feel is spacious, lonely and cinematic as one might expect for such guitar-based soundscaping, but “Casual-Lethal Narcissism” and “The Last Time Someone Speaks Your Name” do have some measure of peace to go with their foreboding and troubling atmospherics. An obvious focal point is the 15-minute dronefest “This Circle of Ribs,” which feels more forward and striking than someone of Droneroom‘s surrounding material, but it’s all on a relative scale, and across the board Conley remains a safe social distance away from structural traditionalist. Recorded during Summer 2020, it is an album that conveys the anxiety and paranoia of this year, and while that can be a daunting thing to face in such a way or to let oneself really engage with as a listener — shit, it’s hard enough just living through — one of the functions of good art is to challenge perceptions of what it can be. Worth keeping in mind for “Home Can Be a Frightening Place.”

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The White Swan Premiere “Inamorato”;Touch Taste Destroy EP out Sept. 7

Posted in audiObelisk on August 27th, 2018 by JJ Koczan

the white swan

Based out of London, Ontario, spacious-riffing trio The White Swan will have upon the Sept. 7 arrival of their three-songer, Touch Taste Destroy, released three EPs in the last three years. The prior two, 2016’s Anubis and 2017’s The White (sans “swan”), were recorded by Alastair Sims and featured original cuts — a rolling reinterpretation on the first of Wings‘ “Jet” notwithstanding — of thick-toned, nodding modern stoner doom, hit hard, but still unfolding with an overarching sense of patience and melody. A song like “North Carolina” from “The White,” or the previously unveiled title-track of Touch Taste Destroy create a decided murk reminiscent of earlier Windhand, but distinguished particularly on the latter by a current of keyboards and a fluidity of pace that draws beyond the easy trap of doomly confines.

It’s a relatively familiar breadth of sound more than ably conjured, and “Inamorato” — the Italian-language title referring to a male lover — is the closing track on Touch Taste Destroy following, perhaps suitably enough, “Pelvic Sorcery.” the white swan touch taste destroyWhile I haven’t heard that track — and really, only fools don’t want to hear a song with such a name — “Inamorato” and “Touch Taste Destroy” give a sense that the new EP is picking up perhaps more noisily where the others left off. The White Swan, which is comprised of Mercedes Lander on guitar, vocals, keys and drums, Kira Longeuay on bass and Shane Jeffers on guitar, have their sonic path laid out before them and seem to be steadily pressing forward along it, progressing each time out while sticking to the core thickness and melodic resonance that would seem to be their foundation.

If Lander‘s name rings familiar, it might be due to her 20-plus-year (god I’m old) tenure in metallers Kittie. Even given that band’s shift from nü-metal stylizations to more scouring fare, The White Swan are a marked turn in genre for Lander, but there’s no arguing with results. I’ll admit that as I’ve never been a fan of her other outfit, I was hesitant to check out the track being premiered below, and if you find yourself feeling similarly, I can only offer my lack of regret as having done so as encouragement. The pedigree is an interesting bit of context, but ultimately has little bearing on the sound itself, which feels bent on developing its own identity.

The White Swan have a quick Midwestern run booked for next month and shows in Ontario and Quebec surrounding. Give “Inamorato” a fair shot and see what you think.

And please enjoy:

The White Swan, “Inamorato” official track premiere

Canadian doom/sludge trio The White Swan, which features KITTIE’s Mercedes Landers on vocals, will be releasing their latest EP, “Touch Taste Destroy”, on September 7.

Following up from their previous EP’s, 2017’s ‘The White” and 2016’s “Anubis,” “Touch Taste Destroy” spans over three tracks recorded, mixed and mastered at Noble Street Studios in Toronto, ON with acclaimed engineer Alastair Sims (Rush, Three Days Grace).

THE WHITE SWAN bleeds warm ’70s flavoured Black Sabbath doom mixed with classic ’90s grunge, creating a trademark sound within the space of only three songs. Backed by Kira Longeuay (bass) and Shane Jeffers (guitars), Lander’s previously unknown vision for her music has taken on a life of its own and has been met with praise by the open-minded legions of the rock and metal community.

Tracklisting:
1. Touch Taste Destroy
2. Pelvic Sorcery
3. Inamorato

Upcoming shows!
8/31 Windsor, ON – Phog Bar
9/1 Newmarket ON – The Gray Goat
9/5 Champaign, IL – Blips & Chitz (w/ StagHorn & Close The Hatch)
9/6 Dayton, OH – Blind Bob’s (w/ Close The Hatch)
9/7 Decatur, AL – The Jam Shop (w/ Close The Hatch & I Am The Law)
9/8 Murfreesboro, TN – Autograph Rehearsal Studio (w/ Close The Hatch & I Am The Law)
9/29 Montreal, QC – Piranha Bar
10/20 London ON – 765

The White Swan is:  
Mercedes Lander – drums, vocals, keyboards, guitar  
Shane Jeffers – guitar  
Kira Longeuay – bass  

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