Days of Rona: Dana Schechter of Insect Ark

Posted in Features on April 27th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Insect Ark dana schecter (Photo by Chad Kelco)

Days of Rona: Dana Schechter of Insect Ark (Berlin, Germany)

If you dont know what writing agency to choose, look closer at our Case Study Writers for you to ease your life during education period How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Luckily our health is good so far. Everything besides getting sick or caring for those who are seems relatively unimportant. I suppose we’re dealing the same as many bands — waiting to see how, if, and when things will fall back into place. Andy and I are across the world from each other right now — I’m in Berlin, he’s in Salt Lake City — and on a normal day we’re across the country anyway. We’ll hopefully tour this Fall, but it’s too soon to say. Yes it sucks. Our new album came out just as the virus was hitting.

It’s hard for smaller bands to recover from something like this, since we left for the Europe tour on Feb 29 and had to pull the plug after four shows and go home. Getting Andy back to the US on short notice wasn’t easy, and I decided to stay in Berlin. A year of planning, ultimately with a massive loss of money/time… I haven’t really moped or licked my wounds re: how we’ve been so unlucky, because all people everywhere are feeling the same. Of course it’s massively disappointing, at best. But so many people are struggling much harder than I am, harder than ever before, and it’s on a massive scale — I know that I am lucky, relatively speaking. No kids, no house or car payments, etc. I’ve gotten by on almost nothing for a long time, so I can adapt to some extent.

Cover do your homework on the company from CV Writers. We also provide professional CV writing services and LinkedIn profile writing. What are the quarantine/isolation rules where you are?

Here in Berlin — at least so far [April 16] — it’s less strict than in other EU countries, like Italy, Greece or France, where you need a letter to leave the house or risk hefty fines by the police. Here, I can take a bike ride or walk, food shop, i.e., the basics. No public gatherings of any kind over two people. Keep six feet away from others when in public. People here are pretty compliant. I’m glad I’m not home (NYC) though, and it’s heartbreaking to watch the US struggling from afar. Some days it is beyond comprehension how we will all get past the challenges we are facing. And I’m utterly ashamed and furious at the USA’s reckless handling of the situation.

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I’ve been seeing many creative friends saying that they’re having trouble being creative or productive. Even with the sudden luxury of free time, it’s hard to feel motivated when the day has no shape and making plans is such a questionable pursuit. And of course there are the thousands of events and tours that were canceled or are being rescheduled. I was supposed to do three consecutive Swans tours starting next week, which have mostly been pushed to next year now. It’s like a full year of our lives is being chopped out and a black box fills the calendar for days and days and days. There is a massive amount of uncertainty and the whole “business model” of touring and releasing albums feels extremely unstable and questionable right now.

Place a 'write my essay' order and get online academic help from cheap essay writing service. 24/7 Non-plagiarized Essay For Teaching from per What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We will make it back somehow. We live on the margins anyway, so with any luck this will be just a waiting game. I hope we can all try to be grateful for what we have… hold onto the good memories to get us through, don’t lose hope, and vote the bastards out of office before they get us all killed.

http://www.insectark.com
http://www.facebook.com/InsectArk
http://www.instagram.com/insectark/
http://www.insectark.bandcamp.com
http://www.profoundlorerecords.com
http://www.facebook.com/profoundlorerecords
http://www.profoundlorerecords.bandcamp.com

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Album Review: Insect Ark, The Vanishing

Posted in Reviews on March 3rd, 2020 by JJ Koczan

insect ark the vanishing

At the core of source url please? You certainly can! Are you tensed about your assignments? Do you get stressed every time you think about your assignments? At AustralianEssay.com we have all one stop solutions to your queries. Whether your query is about assignments, homework, or any writings, all are entertained by us. Insect Ark is Brooklyn-based composer/multi-instrumentalist homework help accounting - Papers and resumes at most attractive prices. put out a little time and money to receive the dissertation you could not even think Dana Schechter, who is and has been the driving force and the creative spearhead of the instrumentalist project since its inception circa 2011. Over the subsequent years and across now-three full-lengths — the latest, phd thesis on simulation - top-ranked and affordable paper to simplify your life Top affordable and trustworthy academic writing help. Put aside your fears The Vanishing (on Research Paper On Economics Topicss website guarantee original custom essay papers written by highly qualified writers at cheap prices. Profound Lore), was preceded by 2018’s http://oide.panda.gr.jp/2019/11/27/how-to-write-the-literature-review-of-a-dissertation/.Buy good essays.Content Writing Services Usa.Please write my essay for me Marrow Hymns (discussed here) and  2015’s  Express Proofreading is a leading English proofreading and editing service, providing expert English go to link to students and to businesses. Portal/Well (review here) — A blog on Extended Project Dissertation with expert advice and examples. Schechter has brought to light a deeply progressive and at times decidedly grim vision of post-psychedelic heft. Her work has never sounded more encompassing than it does on  Have no time for essay writing? An essay is, generally, a piece of writing that gives http://www.weihnachten-fulda.de/?phd-thesis-on-web-mining for hire usa the author's own argument but The Vanishing, which comprises six songs and runs 41 minutes and was recorded in New York by  nursing paper writing service Umi cheap college papers civil rights movement paper cover letter in apa 6th edition Colin Marston (of  a topic for a research paper Hamlet Critical Essays Folders best resume writing services 2014 for teachers how to write good literature review for dissertation Behold… the Arctopus! and others), and it takes a decisive forward step in expressive from where Are you wondering how much you will pay for essay writing help to "write my essay cheap"? We are a Online Dissertation And Thesis Meaning, so you can buy research papers or Schechter was even two years ago. There are a thousand wax-poetry ways to put it, but primarily, what it comes down to is that it’s different.

And well it should be. Where  Portal/Well was a purely solo outing, Schechter — whose pedigree includes past and present stints in Swans as well as groups like M. Gira‘s Angels of Light, the underrated Bee and Flower, etc. — subsequently brought in drummer Ashley Spungin to facilitate touring. Spungin contributed to Marrow Hymns but has since been replaced by Andy Patterson (formerly of SubRosa, currently also in The Otolith and Døne), who plays a significant role in the form that the pieces throughout The Vanishing take. That is true when he’s there, as in the opener “Tectonic,” when a steady popping snare serves to underscore the low-end swell of Schechter‘s bass and the accompanying synthesized/effects noise and guitar, and when he’s not there, as in the keyboard-experimental cinema drone of “Swollen Sun” or the prior the wistful and minimalist slide guitar echoes that launch “Danube,” duly evocative of water running as they are. Rest assured, a roll takes hold in “Danube” as well, about halfway into its seven-minute stretch, but it is ultimately in the fluidity of its atmosphere that the presumed side B opener makes its bulk of its impact, and indeed, it’s atmosphere that is most central to Insect Ark‘s third album as a whole.

There are almost two levels on which The Vanishing is functioning at any given time, and in that way, “Tectonic” sets up the course of what’s to come well. At the forefront of the mix is guitar — pedal steel? sometimes maybe — and bass and drums. Even the cymbal washes that populate the open spaces of the 10-minute closing title-track are meant to be forward in their impact; they’re leading the way gradually and patiently through a noise-laden drone-out and back to a more cohesive post-metallic progression that builds to the final apex of the record — so it goes. But beneath those elements, there’s another, broader and more experimentalist path that The Vanishing takes, as Schechter weaves in various noises and effects, synth, maybe-keyboard and who the hell knows what else, and in those details and the stretches where the one plays out virtually on top of the other that this incarnation of Insect Ark seem to be establishing the root of their approach.

Insect Ark (Photo by Chris Carlone)

The narrative (blessings and peace upon it) has it that Schechter and Patterson put these songs together quickly ahead of touring with Oranssi Pazuzu last October, and if it’s the experience of playing them live that has helped them develop the multifaceted character they have, then the crashes and thuds and general crush of “Three Gates” would only seem to be better for it, even if one wouldn’t necessarily expect Insect Ark to follow a similar directive next time out. You’ll note that in three records, Schechter‘s approach and/or collaborations have yet to settle. Whether or not Patterson is a “permanent” member of her project — whatever logistical nightmares her being in New York and his being in Salt Lake City might inspire; the internet is a thing, but still — I have no idea. The only thing to go on is The Vanishing itself, and for the apparent lack of time they had to put them together, the songs they’ve constructed don’t sound anything near rushed either in how they’re built or how they’re played — “Three Gates” and “Philae” and certainly follow “Tectonic” with a tension of their own, but it’s meant to be there — but on the most basic terms, the only thing evident in the Schechter/Patterson creative partnership is potential. They are obviously working off each other’s strengths here.

That too might come from having put The Vanishing together after getting off tour, but it’s part of the album’s personality just the same and thus part of the band’s. That said, a casual listener taking on Insect Ark for the first time doesn’t necessarily need to know any of this. Who’s Dana Schechter? Who’s Andy Patterson? Who recorded? When? Where? Why? It is entirely possible to hear “Swollen Sun” or build of “Philae” and the repetitions of “Three Gates” and be wholly consumed by them purely on their merit as songs, and as The Vanishing only pushes farther out as its moves toward that last crescendo in the title-track — which, yes, ends cold enough to be vanishing suddenly; the root bassline still reminiscent of a “Stones From the Sky” moment even though it caps at the end of a measure rather than within one — it is only more immersive as it goes, and the abiding darkness of the atmosphere is unrelenting.

It is not a record so much of-a-place as of-a-non-place, and so its title seems fitting on that level as well, but it is inherently of the moment in which it was made, and so while it may vanish for at least as long as it takes to put it on again, it nonetheless gracefully presents the what may or may not be the beginning stages of a new phase for Insect Ark in terms of the general mission of the project. An key component of Schechter‘s work — and an appeal of it, frankly — to this point has been a lack of predictability for what might come next, and even should her collaboration with Patterson continue, the same applies. A third record might commonly be where a given band executes the closest realization to-date of what they intended at their founding. Insect Ark would seem to be the other kind of band, for whom the evolution is its own end. Whatever will or won’t follow, The Vanishing is an essential means to that end.

Insect Ark, The Vanishing (2020)

Insect Ark website

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Insect Ark on Bandcamp

Profound Lore Records website

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Insect Ark Announce Feb. 28 Release for The Vanishing; Stream “Tectonic”

Posted in Whathaveyou on December 18th, 2019 by JJ Koczan

insect ark

Maybe by the time Dana Schecter gets a MacArthur Genius Grant she’ll get her due in the heavy underground. I have to think that the tour she and seemingly-permanent-ish Insect Ark drummer Andy “Super-Nice Dude” Patterson undertook this Fall alongside Oranssi Pazuzu couldn’t have hurt their cause, at least not if the social media crowd shots I saw were anything to go by. The righteously-in-its-own-dimension 2018 offering, Marrow Hymns (discussed here), will get a follow-up in 2020’s The Vanishing, which is due out Feb. 28, and the label and two-piece are streaming the six-minute opening track “Tectonic” from the LP now, its atmosphere recalling dark post-rock while pushing through chamber echo and a weighted atmosphere manifested by the tones and slow-rolling drums. TLDR? I dig. Bodes well. I don’t think I’m cool enough to premiere a song from it, but golly I’d love to if such a thing were possible.

Expand your brain thusly:

insect ark the vanishing

INSECT ARK: Instrumental Psychedelic Doom Duo Completes Work On New Album, The Vanishing, Set For Release February 28th Through Profound Lore Records; New Track Streaming

INSECT ARK — currently made up of founder Dana Schechter (Swans) and Andy Patterson (ex SubRosa) — have been crafting uncomfortable soundscapes that feel both intimate and icy cold since 2011. Nightmarish horror film-like visions, outer space travel, and gritty noir textures were explored in their previous offerings — the much-praised Portal / Well (2015) and Marrow Hymns (2018) — but now, something far greater is coming. Prepare for The Vanishing.

Set for release next year via Profound Lore Records, the Colin Marston-engineered opus serves as INSECT ARK’s third, and most harrowing and punishing record to date. Though many of its segments veer off into mind-expanding outer realms, the interplay between the bass, lap steel guitar, synths, and drums represent a strong and defiant collection of songs that demand your exclusive attention forcefully. It’s heavier, darker, and denser than anything INSECT ARK has ever done, without losing any of the writing characteristics that have become synonymous with their personality, like the persistent coating of eerie psychedelia, the alien feel of the melodies, or the ominous dread they often exhale.

“The album’s title refers to a recurring daydream I had of disappearing completely – floating out to sea alone, and never being found,” offers Schechter of the themes driving the record. “On a much bigger level, it’s about the impermanence of life itself, trying to retain perspective of how small we really are.”

INSECT ARK’s The Vanishing will be released worldwide on CD, LP, and digital formats February 28th, 2020 with preorders to be unveiled next month.

The Vanishing Track Listing:
1. Tectonic
2. Three Gates
3. Philae
4. Danube
5. Swollen Sun
6. The Vanishing

A New York City-based multi-instrumentalist known for her collaborations with Swans (for whom she is now part of the main touring lineup), Angels Of Light, Gnaw, Zeal & Ardor, Wrekmeister Harmonies, and Årabrot, as well as her own projects Bee And Flower and Gifthorse, Dana Schechter is now joined by former SubRosa drummer Andy Patterson, also known for his bands DØNE, the Otolith, INVADRS, and as owner/operator of Salt Lake City recording studio The Boar’s Nest. This partnership appears to have completely nailed the true essence of INSECT ARK. After a quick first meeting, within a period of two short months, Schechter and Patterson finished preparing all the new songs for The Vanishing, preceded by a full North American tour with Oranssi Pazuzu to get the new songs up to speed.

The intensity, determination, and dedication poured into the album is clearly audible, captured by the wizardry of engineer Colin Marston (Dysrhythmia, Krallice, Behold The Arctopus). The sound was steered in a visceral, organic direction; you feel enclosed within a living, pulsating, slithering organism. The album artwork, a stunning painting by French artist Sonia Merah, is in and of itself a work of art, but when paired with the sounds of The Vanishing, it becomes a truly haunting and mesmerizing vision of some terribly twisted alternate reality.

“Making music takes a lot out of me,” Schechter admits, and it’s hard not to understand why after listening to the tour de force that is INSECT ARK’s new album. “To pull it out of my heart and put it into the world can be emotionally difficult, since it comes from a complex place with so many facets like pain, belief, hope, anger, joy.”

http://www.insectark.com
http://www.facebook.com/InsectArk
http://www.instagram.com/insectark/
http://www.insectark.bandcamp.com
http://www.profoundlorerecords.com
http://www.facebook.com/profoundlorerecords
http://www.profoundlorerecords.bandcamp.com

Insect Ark, “Tectonic”

Insect Ark, Marrow Hymns (2018)

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