Friday Full-Length: Various Artists, Emissions from the Monolith

Posted in Bootleg Theater on August 3rd, 2018 by JJ Koczan


I’ll admit, it was thinking of the festival itself rather than this compilation in particular that brought  Comment Amener Le Sujet D Une Dissertations. Conflict resolution case study rigos primer series uniform bar exam (ube) review series multistate bar exam mbe volume 2 2014 edition Emissions from the Monolith to mind. The festival, which ran annually the last weekend in May in Youngstown, Ohio, between 2000 and 2006 (there was also one in Chicago in 2001) before its final installment in Austin, Texas, in 2007, was a pioneer of heavy festivals in the US. At that point, outside of showcase events like  Professional help with college paper writing online in the USA. We provide assignment writing & research lit review topic ideas custom to your requirements. SXSW and the roughly-concurrent  We provide http://www.nivacom.gr/?write-my-book-report-com writing service. Our prices start at per page. We know how to write good paper in your field! Stoner Hands of Doom fest, which started in 1999 and ran until 2013 in various cities, there wasn’t a ton happening in terms of heavy underground gatherings of its level. Run by  First paragraph of http://www.kvalitne-tepelne-cerpadla.sk/essay-editing-service/ an argumentative essay on a rose describe a great time you. Professional Essay Writer from essaycapital.org Greg Barratt, then also of  Business Plan For Loan Application - Instead of worrying about essay writing get the needed assistance here Essays & researches written by professional writers. Use this Tone Deaf Touring, it was a celebration of sludge, noise, doom and everything else heavy whose early lineups read like pages out of riffy history. Imagine seeing  Finding it difficult to correct your dissertation as per the feedback? Contact us today to avail our Bread Making Business Plan to get the correction Penance and  Business Plan Template Online The Management of Strategy: Concepts and Cases, (10th International Edition The Management of Strategy: Concepts and Cases, Bongzilla and  Discover the College Application Essay Editing Service in Best Sellers. Find the top 100 most popular items in Amazon Books Best Sellers. Spirit Caravan in 2000, or  There are numerous reasons why you should come to the literature follow link. Here, check out main advantages of using our professional literature Pale Divine The Cost Of Resume Writing Service examples 818 Words | 4 Pages. The Formative Years of the New Nation, 1820-1860 The Louisiana Purchase The Louisiana Purchase was the largest land transaction for the United States, and the most important event of President Jefferson's presidency. Witch Mountain and  Write My Papersin Canada - Does An Essay Have To Have 5 Paragraphs Louisiana State University, Georgia State University Dragon Green in 2001. To-date, the 2006  Need do aliens exist essays? Browse profiles and reviews of top rated editors and have your writing professionally edited today. Emissions fest is the only show  Cover Page Format For Research Paper are dissertation writing services legal online dissertation help to write Are Dissertation Writing Services Legal Colour Haze have ever played in the US, and while its commitment to the deep underground was unquestionable in supporting bands like  Informing students on the best possible method of buying Research Papers In Psychology from reputable websites offering only high-quality papers in all subjects Test-Site enter science lectures channel is making complicated things clear. We offer assignment help by providing detailed explanations and plentiful Wooly Mammoth and  Kung Pao, and its aesthetic would continue to expand, its foundation always seemed to be in raw, visceral and heavy noise rock.

Which brings us to the 11-track compilation at hand. The 2003 lineup for Emissions from the Monolith featured the likes of Acid King, The Hidden Hand, Pelican, Dixie Witch, Halfway to Gone, Erik Larson, Solace, Mastodon, The Atomic Bitchwax and Floor, and yet it’s telling that on the Maduro Records assemblage Emissions from the Monolith, it’s groups like Acid Ape, JJ Paradise Players Club, Meatjack — who featured Brian Daniloski, now of Darsombra, and who once upon a time did the best Melvins cover you’ve ever heard — Volume and Fistula. Some bands featured, like Kung Pao or Rebreather, didn’t actually play that year, but were staples enough that it didn’t really matter. Rebreather in particular, whose primo roller “Earthmover” is included as the second track on the CD, were the quintessential Emissions band, and as regards trivia, they were the first act on the stage at the first edition in 2000. Others, like Pennsylvania’s instrumental heavy jazz experimentalists Stinking Lizaveta were on their own wavelength almost entirely, but still kept that overarching sense of rawness to their approach, while Southern sludge riffers like Burnout and Ohio pill-popper sludge eternals Fistula brought attitude and scathe in kind. Kung Pao‘s “D is for Denim” reads like a mantra and also featured on their 2000 full-length, Bogota (see also: that album’s cover art) — their second record was also a gem — and “The Ballad of Sisyphus MacDuff” by The Rubes began a seven-minute loadout with throat singing before a showing of soulful heavy rock the likes of which still makes me want to break out their 2001 Underdogma Records long-player, Hokum.

Over the last couple years, I’ve talked a lot about pre-social media heavy and many bands lost in that shift from one generation to the next, who maybe had one record out, maybe two, maybe three, and then Facebook happened and they missed the party. Looking at the 2003 Emissions lineup, there are plenty who survived — The Atomic Bitchwax, Weedeater, Mastodon, Acid King, etc. — but others like Dixie Witch, Tummler, All Night, RPG and Abdullah, while they may or may not have stayed active, didn’t quite make the same kind of transition. Though they came back later thanks to the enduring affection for their self-titled, I’d put Floor in that category as well. And listening to the echoing forward drive of Volume‘s “Colossus Freak” on the Emissions from the Monolith comp, it’s not at all like these acts didn’t have anything to offer listeners, or like they still don’t some 15 years later. It really was just a matter of timing. Others, like Sons of Otis, who close the comp with the 10-minute drone-into-riff spectacular “Big Muff,” seem to have an audience just waiting for their next offering to arrive, but some of these bands are gone to parts unknown, and especially considering that, the importance of this collection is unassailable.

Emissions was a special event and The Nyabinghi in Youngstown, where it was held, was a special place. A regular stop on the Tone Deaf circuit in no small part because Barratt owned it, for one weekend every year it became a druggy paradise of barbecue, riffs, booze and volume. You can still see the hotel where everyone stayed from Rt. 80 on your way west, and it’s easy to imagine the scars left behind in that building from the years of stoner abuse it took. I’m sorry to say that there’s much of the 2006 edition I don’t even remember, less for the passage of time than the ridiculous amount of beer consumption the weekend brought. I remember seeing Colour Haze (changed my life; ask me about it sometime), and I remember there was some drama with SunnO))). I remember sheepishly handing Barratt a copy of my band’s demo and being “voted off the island” by a group of friends standing outside in back of the place — I actually had to leave and go back inside — and I remember being poorly hydrated. Thinking back on it now, I kind of wish I’d had my head together more. Story of my life.

But the point is that there was only one Emissions from the Monolith, and though US heavy festival culture is currently undergoing a boom, from Stumpfest and Electric Funeral Fest to Descendants of Crom to Maryland Doom Fest to New England Stoner and Doom Festival, the moment that was Emissions won’t come again. Of course, each of these newer fests is making its own contributions, but thinking back on what Emissions was and listening to this compilation particularly, one can hear the undercurrent of barebones fuckall that typified the time, the place and the room. For those who were there and those who weren’t, it remains a happening worthy of document, and as Emissions from the Monolith works to document even some piece of one year of it, it’s all the more worth preserving.

I sincerely hope you enjoy. Thanks for reading.

The week started off with punk rock guilt at all the shows I didn’t go to over the last couple weeks that I wanted to see and featured a canceled trip to Portugal for SonicBlast Moledo next weekend — surprise, I was going, now I’m not; that’s a week’s worth of suckage in itself, even with Psycho Las Vegas still to look forward to — so yeah, I kind of rolled with the punches as they came. Was bummed at the lack of response the Sleep live review got — I posted three pics from the show on Thee Facebooks the next day and those got a big reaction, so I guess that’s where it went instead of the actual review. I was really happy with the piece though, so I take comfort in that and if anyone else read it, that’s awesome. Making Clutch’s crab cakes was fun and I was glad I got to post that All Them Witches bio. The week kind of ends on a downer with that Ancestors review — the album is awesome, I’m just sulky because I wasn’t cool enough to premiere a track with it — but it was fun to get on a little nostalgia trip about Emissions from the Monolith above. Ups and downs, I guess.

Also had a lot of time with The Pecan this week, and baby-time is good time. He’s getting closer to walking — we’re thinking first steps in the next couple weeks — and he’s got a couple consonants he breaks out if suitably prompted. “Ba,” “ma,” “da,” “la” and the like. That’s fun. I feel lucky to be able to be home with him, especially seeing other parents I know go to work. Less over the summer — I seem to know a lot of teacher-types — but in general. I don’t know. He’s a pretty great little guy, and we got a baby-gate to keep him away from the Little Dog Dio’s food and water dishes, so all the better.

Other shit persists in follow-the-bouncing-ball fashion. I’ve been trying to be mindful of things like my general state, depression and so on. I was trying to stay off my meds for a couple weeks, working pretty hard to make a go of it, but I just flat-out failed, and yes, I recognize the language puts it on my effort when it’s not necessarily about that. Thank you, inner therapist voice which sounds remarkably like The Patient Mrs. Still, it’s been upwards of eight months now and every time I sit still for more than five minutes I continue to just absolutely fucking disgust myself. Even sitting here at the keyboard, I feel my arms at my sides and want to crawl out of my own skin. Part of that is I didn’t get to shower yesterday — grunge parenting — but I know part of it runs deeper and I still have more work to do. I don’t think I’ll ever be one of those self-actualized I’m-okay-you’re-okay types, but it would be awfully nice to make it through an afternoon without feeling like I’m going to have an aneurysm. Whatever. Who fucking cares. The pills help, I guess?

Ugh.

Ups and downs. Strikes and gutters. Some you win, some you lose.

He’s a good kid.

Let’s do the notes for next week. Subject to change blah blah blah:

Mon.: The Crazy Left Experience review/video premiere; The Skull lyric video.
Tue.: Jody Seabody & The Whirls track premiere.
Wed.: Mr. Plow full album stream.
Thu.: Mountain Tamer track premiere.
Fri.: The Machine review.

There are a bunch of other videos I need to sort through and decide what I’m actually going to put up, so I didn’t list them other than The Skull, but Weed Demon, Ape Vermin, Black Space Riders and Windhand all have new clips out, so there’s plenty to plug into the week in whatever order I wind up feeling like doing so. I’ll sort it out over the weekend. Have another bio to write anyway, so I’ll be on the laptop one way or the other.

It’s almost six-thirty and I hear The Pecan waking up in the next room, so I’d better leave it there. Hope you have a great and safe weekend. Thank you as always for reading and please don’t forget to check out the forum and radio stream.

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Underdogma Announces Lineup for Go Down Fighting Tribute to Nazareth

Posted in Whathaveyou on June 18th, 2015 by JJ Koczan

It’s been a minute, but there was a time when Underdogma Records proliferated a brand of heavy rock that stood right in line with their contemporaries in the likes of Small Stone and Tee Pee. Between about 2000 and 2009, Underdogma belted out killer offerings from bands like Sunnshine, The Rubes, Ironboss, Gate 9, Crom, Throttlerod and We’re all Gonna Die, spanning a genre range of heaviness that had its underlying identity in a running theme of grit and aggression. Tee Pee went psych, Small Stone got fuzzier, but Underdogma‘s trade was generally in dirtier, meaner fare.

Their Judge Not compilation from 2000 is still worth tracking down if you can find it, boasting cuts from Solace, Solarized, Calamus, The Quill, Satellite Circle, Raging Slab, Pale Divine and many, many others, and knowing that is part of why the announcement of Underdogma‘s return with the Go Down Fighting heavy rock tribute to Nazareth caught my attention. No release date has been named yet — and I wouldn’t want to try to pin something like that down — but a partial tracklisting has been posted, and with the likes of Abrahma, Against the Grain, Shatner and Argus involved, among many others of course, and more to come, it seems like they could come back with plenty of wallop.

That tracklisting follows here. Note the prospect of Solace recording a new track for the tribute. Makes one wonder just how much of a return to activity theirs might be:

underdogma logo

Underdogma, brain step-child of Grant Williams and Carlton Duff, started out as a high school science project and has remained that way ever since…

Coming soon
“Go Down Fighting”
a riff rock tribute to Nazareth!

Limited Edition Colored Vinyl.
Track List:
“Miss Misery” – The Rubes
“Sunshine” – Calamus
“Razamataz” – The Humanoids
“Changing Times” – The Heave-Ho
“Love Hurts” – Easy Jesus Coe
“Please Don’t Judas Me” – Argus
“Whiskey Drinking Woman” – Shatner
“Witchdoctor Woman” – Abrahma
“Expect No Mercy” – Against The Grain
“The Ballad Of Hollis Brown” – Lifetime Shitlist

Also possible contributions from
RAGING SLAB, Left Lane Cruiser, Solace, Daniel Davies, Gideon Smith, Contra, Mothership, Magic Jove, and surprise special guests!

https://www.facebook.com/Underdogma
https://twitter.com/carlton_duff

The Rubes, “Wonder Why”

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