The Obelisk Presents: The Top 20 Singles, EPs, Splits and Demos of 2014

Posted in Features on December 23rd, 2014 by JJ Koczan

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where to buy essay online - Writing a custom paper is go through a lot of stages Order the necessary coursework here and forget about your worries Please note: These are not the results of the Readers Poll. That’s still going on. Please feel free to submit your list.

I did this last year mostly as a result of not having somewhere to put  Many Students have a query,who can do my assignment for me to Do your Assignment at type I article source for me Elder‘s  Need Someone To Do My Assignment and business plan consultants at Pro Business Plans help entrepreneurs and Startup business owners secure financing for their businesses. Spires Burn/Release EP in 2012, but it went pretty well, so I thought we’d do another round for 2014. The 2013 list covered demos, singles, EPs and splits — basically everything that’s not a full-length album — and the same rules apply here. It’s a pretty basic idea, but it makes sense to me to consider short releases apart from full-lengths because very often they’re trying to accomplish different things.

For example, if an album is trying to tell a story or describe a central theme, either blatantly in its lyrics or atmospherically through the music itself, a demo might just be the work of a band trying to feel their way into their sound. It doesn’t strike me as fair to judge the two on the same standard. Likewise, if a band releases a single, should that really be judged alongside an hour-long release? Granted, some bands’ singles actually are an hour long, but that’s another category entirely. “The ‘Dopesmoker’ Awards” will be handed out at another date.

No, not really. At least not this year.

If you didn’t see the full-albums Top 30 of 2014, please feel free to check it out and think of this and the year-end podcast as companion pieces, albeit both a little more casual. Let’s get to it:

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The Top 20 Short Releases of 2014

1. Sleep, The Clarity
2. Fatso Jetson/Herba Mate, Early Shapes
3. All Them Witches, Effervescent
4. Cortez/Borracho, Split 7″
5. Naam/White Hills/Black Rainbows/The Flying Eyes, 4-Way Split
6. Heavy Temple, Heavy Temple
7. Death Alley, Over Under/Dead Man’s Bones 7”
8. Geezer, Live! Full Tilt Boogie
9. The Sun, the Moon and the Witch’s Blues, The Sun, the Moon and the Witch’s Blues
10. Demon Head, Demo 2014
11. Gold & Silver, Azurite and Malachite
12. The Proselyte, Our Vessel’s in Need
13. Hull, Legend of the Swamp Goat
14. Lamp of the Universe/Krautzone, Split
15. The Ultra Electric Mega Galactic, Through the Dark Matter
16. The Heavy Co., Uno Dose
17. Wren, Wren
18. He Whose Ox is Gored, Rumors 7”
19. Lewis and the Strange Magics, Demo
20. Godhunter/Secrets of the Sky, Gh/0st:s
21. Lord, Alive in Golgotha

Some honorable mentions to the David Sedaris Essays Full Text - Options to buy an essay online. Making your writing more efficient, and picking up techniques from professionals Young Hunter/ Buy-Custom-Essays-Online.com is the most reputed online custom visit here UK. you can buy college admission essays at best cost Ohioan split tape (the  Pay someone to Buy Your Resume Help. If you are thinking to pay someone to do my Programming Homework then you definitely find worth paying us. Our Broad range of Programming Help Services and the team of experts programmers make us pretty unique. And make us best service provider. Young Hunter portion of which was included last year, otherwise it would probably be number two on this list),  homework helper drug Pay For Assignments custom lab report non accountant assignment help Inter Arma‘s  phd thesis poem writing concept papers Online homework help ratios dissertation philo conscience morale The Cavern 40-minute single-song EP/LP,  Read and Download online personal statement writing Free Ebooks in PDF format - GRADPOINT ANSWERS FOR GEOMETRY BARNES SUGGESTED ANSWERS SOLUTION MANUAL ADVANCE ACCOUNTING Harvest Bell‘s debut EP,  Professional article http://futablog.com/stationery-writing-paper/ for everyone! Rewrite articles, papers and presentations with us! ? Timely Delivery Original Content ? Special Goya and  Offering high level of website & Multimedia http://volnapodarkov.ru/?inspirational-wallpapers-for-writers by our creative team to help your business reach target audience Get Quotation Now Wounded Giant‘s split, There is one feature that makes our dissertation help services stand out. We have experts who can write on a wide arrow of topics. Fuzz Evil and  Sales Essay Introduction Paragraph to WBS element. This question is Assumed Answered. AK K 23-May-2007 18:59 Can somebody tell me Where a Sales order is assigned to a Chiefs‘ split,  masters essay Help Write My Research Paper how to present a thesis proposal in a professional way dissertation writing services malaysia yahoo answers Cruthu‘s demo,  master thesis communication engineering http://www.maps.upc.edu/ghostwriter-imdb/ dissertation methodology write up tips to becoming a better essay writer Disenchanter‘s second EP, the  White Dynomite/Hey Zeus split 7″, Humo del Cairo‘s EP, The Golden Grass‘ Realisations EP, Dune‘s ProgenitorGodflesh‘s comeback EP, and Blackwitch Pudding‘s reinterpretations/covers EP, Covered in Pudding.

A couple notes: The Sleep single was a given. I don’t think anything could’ve topped it one way or another, even if I hadn’t listened to it 100 times since its release in July as part of the Adult Swim Singles Series. In any case, there was no debate about where to place it. You might notice on the other end the list goes to 21. I thought that being the element of chaos suited Lord well, and since I’m not entirely sure their Alive in Golgotha EP has been officially released, they warranted inclusion just in case.

One thing that struck me in putting this list together was the amount of splits included. You’ll notice Fatso Jetson and Herba Mate‘s Early Shapes right in behind Sleep. That one was an utter joy, as far as I’m concerned, and made me wish both of them would get on putting out full-lengths as soon as possible. Not far behind is Cortez and Borracho‘s split single, which had killer tracks from both bands, and the Naam/White Hills/Black Rainbows/The Flying Eyes split from Heavy Psych Sounds that, even with four bands involved, managed to keep a flowing atmosphere front to back, which was impressive enough in and of itself, never mind the individual contributions of those four acts, which were also top quality. The Krautzone/Lamp of the Universe split also provided a considerable psych blissout, and Godhunter‘s split/collaboration with Secrets of the Sky earned extra points for its adventurous spirit and the payoff its risk-taking brought to bear.

Like their Lightning at the Door LP, All Them Witches‘ Effervescent 25-minute jam figured heavily in my 2014 listening habits, as did Heavy Temple‘s self-titled debut EP. Dutch garage/heavy punkers Death Alley earned spins with their debut 7″, a lack of pretense in melding proto-thrash and heavy rock impulses allowing them to quickly find a niche that one hopes they continue to develop. Their debut single, along with Demon Head‘s Demo 2014 (and, indeed, that band’s follow-up single) and the Lewis and the Strange Magics demo were an allay to concerns retro-minded rock might be stagnating.

Geezer featured on the Short Releases list last year as well. I wasn’t sure what to do with their Gage 12″, since it was released in 2013 as an EP and 2014 as an LP, but either way, their Live! Full Tilt Boogie tape effortlessly recalled classic blues rock performances and demonstrated the fluid chemistry at work in the New York trio, I hope it’s not the last live release they do. Along similar bluesy lines, The Heavy Co.‘s Uno Dose found the Hoosier three-piece dipping into heavy jams more than their last full-length, and if that’s the direction they’re headed, you won’t hear me argue. Hailing from Sweden and arriving as an offshoot of Asteroid, the single-song EP from The Sun, the Moon and the Witch’s Blues had more than a touch of heavy blues to it too, and made me look forward to that project’s development from here on out.

There’s little I’m going to complain about less than hearing Ed Mundell bust out Miles Davis-inspired solos, so yeah, The Ultra Electric Mega Galactic‘s Through the Dark Matter EP gets a nod. Impressive guitar work ran a current through Boston duo Gold & Silver‘s debut EP, Azurite and Malachite, but the proggy feel was what ultimately sold me on the two extended instrumentals included there, whereas with fellow Beantowners The Proselyte, it was the catchy songwriting and variety they showed in just four tracks. The He Whose Ox is Gored 7″ was likewise modern and satisfyingly weighted, though obviously shorter, and last but not at all least, the progressive sludge of Wren‘s self-titled EP seemed to fly under a lot of people’s radar but was a markedly individual take on a well established form that portended of good things to come.

As with everything, I’m sure there’s something in this mix that I forgot. If you’ve got a call you want to make on something, please let loose in the comments. Thanks for reading.

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audiObelisk Transmission 040

Posted in Podcasts on September 26th, 2014 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

This one’s beamed in from a universe of all good times. I don’t want to walk around tooting my own horn like I actually did anything, but you’ll pardon me if I say that once you get on board here, you might not want to jump back off. The flow is up and down, alternately drawn out and rushing, and right up to the last song which is a bit of a return to earth, the second hour is the most spaced out it’s ever been around these parts. I’m way into it. I hope you’re way into it.

Like last time, I tried to get a mix of excellent stuff upcoming with other recent items you might’ve missed. One of these days I’m gonna do another one of these where I talk, but this is straight-up track into track the whole way through and I think it moves really well that way. Please feel free to grab a download or hit the stream and dig in and enjoy.

First Hour:
The Melvins, “Sesame Street Meat” from Hold it In (2014)
Fever Dog, “One Thousand Centuries” from Second Wind (2014)
Lo-Pan, “Eastern Seas” from Colossus (2014)
Witchrider, “Black” from Unmountable Stairs (2014)
Alunah, “Awakening the Forest” from Awakening the Forest (2014)
Craang, “Magnolia” from To the Estimated Size of the Universe (2014)
Slow Season, “Shake” from Mountains (2014)
Lucifer in the Sky with Diamonds, “Guillotine” from The Shining One (2014)
The Proselyte, “Irish Goodbye” from Our Vessel’s in Need (2014)
Flood, “Lake Nyos” from Oak (2014)
Lord, “Golgotha” from Alive in Golgotha (2014)

Second Hour:
My Brother the Wind, “Garden of Delights” from Once There was a Time When Time and Space were One (2014)
Spidergawd, “Empty Rooms” from Spidergawd (2014)
The Myrrors, “Whirling Mountain Blues” from Solar Collector (2014)
Witch Mountain, “Your Corrupt Ways (Sour the Hymn)” from Mobile of Angels (2014)

Total running time: 1:54:28

 

Thank you for listening.

Download audiObelisk Transmission 040

 

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The Proselyte, Our Vessel’s in Need: The Water Keeps Rising

Posted in Reviews on August 13th, 2014 by JJ Koczan

Art by William Crisafi.

Recorded in early 2013 as a blizzard pummeled the East Coast, The Proselyte‘s Our Vessel’s in Need EP hardly conveys any of the snowed-in claustrophobia or manic feel one might expect. Its five songs move, and have tones thick enough to fortify the walls of New Alliance Audio against the storm, but there’s little in the sound that seems to be trying to get away from itself. Maybe they finished tracking early on, or maybe that’s just a testament to the Cambridge, MA, outfit’s songwriting, which is all the more a highlight component of the new EP — released by Gypsyblood Records, an imprint helmed by Stavros Giannopoulos of Chicago’s The Atlas Moth — even than it was on The Proselyte‘s prior 2011 sophomore full-length, Sunshine (discussed here). In the interim, aside from completing several tours, The Proselyte have cut their lineup by one, leaving drummer/vocalist Alec Rodriguez (who also produced), guitarist/vocalist Nicholas Wolf (also of Phantom Glue) and bassist Brad Macomber (also “circuitry”) as a tight-knit power trio with a sound that confidently stands on either side of the border between heavy rock and metal and still focuses on blending melodic and growling vocal arrangements and keeping a sense of atmosphere. About a decade ago, Boston’s Cave In were picked up by RCA using similar elements, but while that band may or may not have had an influence on the rushing churn of Our Vessel’s in Need opener “End Regions,” The Proselyte are by and large a more bruising, heavier group, and even when they dip into upbeat, driving sounds, as on “End Regions” or the irresistibly catchy “Irish Goodbye,” and seem like they might be channeling some of Red Fang‘s crowdpleasing heaviness, they do so with the born-in intensity of the Seaboard they call home.

Our Vessel’s in Need is in and out in a brief 23 minutes, the time feeling that much shorter for the push in the songs themselves, and as with the prior full-length, Rodriguez‘s recording job is clean and professional. The sound overall, however, is bigger on these five tracks than the prior outing, and The Proselyte fill it with likewise sizable riffs and rhythmic movement. Each has a factor distinguishing it from the others, whether it’s “End Regions” with its stomping drumline and harmonized bridge, “Log Computer” with the catchiest chorus of the release — the lines, “Caveman committee/Prehistoric and sitting pretty/Unpolished stone/Built this city,” becoming a landmark hook — “Existential Risk” which seems to deconstruct as it hypnotically follows the guitar into oblivion, “Irish Goodbye,” which touches on classic Queens of the Stone Age-style thrust, or the slower, more open finale of “A Stubborn Hem,” but all manage to flow together smoothly as well, and while Our Vessel’s in Need is definitely an EP in the sense of not trying to come across as a single work but a collection of individual pieces, there’s no ignoring the tact with which The Proselyte execute their material. That’s particularly evident in the vocals, and the timing of the harsh/clean tradeoffs in “End Regions” and “Log Computer” and the times when both come together — “Log Computer” is about as close as they come to falling in the modern metal trap of the growled-verse/sung-chorus, but they avoid it successfully precisely because the arrangement is more complex — but no less true ultimately of the guitar, bass or drums. On the most general level, they sound more focused, but how that specifically manifests in the EP is with the impact each cut seems to have on its landing, even “Existential Risk,” which is the longer than all but the closer here at 4:44 and the moment at which they most depart from their structural base and build a near-abrasive wash of noise.

They are putting their HEADS TOGETHER. Get it?

Though, to be fair, that wash comes more or less after the song itself is done, and thinking in terms of the flow between one song and the next, feels as much about launching “Irish Goodbye” as closing “Existential Risk.” All the more, then, it’s a point at which The Proselyte branch out sonically but maintain their focus on the task at hand. “Irish Goodbye” has a compressed runthrough of the riff before Rodriguez kicks in on the drums and is soon joined by Wolf and Macomber for the progression that most rivals the memorability of “Log Computer,” a Songs for the Deaf vibe and dual-clean vocal interplay/layering taking hold in stark contrast to “Existential Risk” prior, which in terms of the vocals is as rough as Our Vessel’s in Need gets. Fitting that the two tracks should be next to each other and placed such that the latter slams into the feedback beginning of “A Stubborn Hem,” which rounds out the EP with its most doomed moment but shows off some of the progressive tendencies that had appeared on Sunshine in its second half, albeit only en route to the dual-vocal, slow-marching apex of the release which also serves as its leadout. At 6:36, it’s easily the longest track present — “End Regions,” “Log Computer” and “Irish Goodbye” hover at just under four minutes apiece — but its time is efficiently spent, and ultimately, the stylistic branching out it does in relation to the surrounding tracks makes Our Vessel’s in Need a much richer release. I wouldn’t speculate about how the band may have grown or come more into their own as a three-piece in the year and a half since the EP was recorded, but their progression since Sunshine is evident in every second of these songs and the force with which they’re delivered, and if Our Vessel’s in Need is a step en route to someplace even more definitive of where The Proselyte are as a band, it will be well worth seeing this potential further realized. Bring on the next blizzard.

The Proselyte, Our Vessel’s in Need teaser

The Proselyte on Thee Facebooks

The Proselyte on Bandcamp

Our Vessel’s in Need at Gypsyblood Records

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Tomorrow’s Dream: 42 of 2014’s Most Anticipated Albums

Posted in Features on January 13th, 2014 by JJ Koczan

Getting ready to type this list is like standing on the precipice of a canyon. Maybe that’s a little dramatic, but you get the idea. Last year was an all-out assault of music. I couldn’t have heard it all even if I’d wanted to, and while it’ll probably be June before I feel like I’m sufficiently caught up on 2013, the new-car-smelling rush of 2014 is already underway.

And the only thing to do is press on — though I’ve tried on several occasions, I can’t seem to stop time and review everything that I’m fortunate enough to encounter — and that means glancing ahead to what’s coming in 2014. I know I said so before, but once again, Happy New Year.

One of my favorite things to do is to look forward to a new album. I consider it a sign of the endurance of the human spirit not only that new creative works are being completed and distributed at such a constant rate, but that we can still anticipate the resonance of those works upon their arrival. I don’t mind telling you this is the largest of any such list I’ve ever written for this site. Even as I start it, I’m finding more to add, and I’m sure when it’s done it won’t be complete. So it goes.

There’s more to say, but I’ve delayed enough. We’ll go alphabetically, which is only unfortunate because it puts YOB last. Thanks in advance for reading.

 

1. Acid King, TBA

We start the same place we started in 2013, with Acid King. The San Francisco giants have sworn up and down they’ll have a new record out this year, and while I’ve yet to see any solid word of its coming manifest, I remain hopeful that it happens. Of course, that was also pretty much the case going into 2013, but they toured Europe last fall and even came out to the East Coast for a show and played some new material (review here), so if it’s to be that III finally gets a follow-up some nine years later, it’s worth keeping an eye out ahead of time. Acid King on Thee Facebooks.

 

2. Alcest, Shelter

To be released this coming week on Prophecy Productions, the fourth Alcest full-length, Shelter (review here), is billed as a major sonic turn away from the France-based outfit’s black metal influences toward brighter sonic fare. It is that, but the nostalgic melodies and crucial emotionality that has always been the root of Alcest’s sound remains intact. It will be interesting to see what the response is upon its release, but Shelter is an early point of fascination for 2014. Alcest on Thee Facebooks.

 

3. All Them Witches, TBA


I’m not sure what they’re doing in the studio, if it’s a single, an EP or a full-length album, but this past weekend, on Jan. 11, Nashville heavy psych rockers All Them Witches posted the above picture with the simple tagline “Recording.” Fair enough. It seems soon for them to have another LP after 2013’s excellent Lightning at the Door (discussed here), but that album seemed to arrive soon after 2012’s Our Mother Electricity (reissued by Elektrohasch in 2013; review here), so who knows? It’ll be fun to find out either way. All Them Witches on Bandcamp.

 

4. Alunah, TBA

UK doomers Alunah will make their debut on Napalm Records with yet-untitled third album. With wider distribution at their disposal than that received by their 2012 outing, White Hoarhound (review here), I wouldn’t be surprised to see Alunah really leave a mark on 2014, but more fascinating to me than how many people get to hear it is how the band — who’ve swapped out bassists since their last outing — will follow-up the tremendously memorable songs on White Hoarhound. No doubt they can do it, it’s just hard not to be impatient. Alunah on Thee Facebooks.

 

5. Blackwolfgoat, Drone Maintenance

I was fortunate enough to be invited down to Amps vs. Ohms in Boston when Blackwolfgoat (aka Darryl Shepard, also of Black Pyramid, The Scimitar, ex-Hackman, Roadsaw, etc. and a new project I don’t think I’m allowed to talk about yet) was tracking the follow-up to 2011’s Dronolith, which was released on this site’s in-house label, The Maple Forum. Raw tracks can sometimes prove to tell little about the finished product of an album, but each piece on Drone Maintenance that I heard had a distinct atmosphere, and “Cyclopean Utopia” was heavy enough on its own to warrant inclusion here. Rumor also has it that Black Pyramid offshoot The Scimitar will release a studio debut this year. Blackwolfgoat on Bandcamp.

 

6. Causa Sui, Live at Freak Valley

Holding the promise of over 90 minutes of live-recorded material from the 2013 Freak Valley festival in Germany, Causa Sui‘s Live at Freak Valley will see release through the band’s own El Paraiso Records and should provide further insight as a companion piece to their 2013 studio full-length, Euporie Tide. As that album boasted such an engaging live and progressive feel, successfully meshing desert and krautrock influences, I’d expect no less from the live outing, which though they’ve put out studio jams before — their three-volume 2008-2009 Summer Sessions is a joy worthy of the season — is their first official concert recording. El Paraiso Records website.

 

7. Conan, Blood Eagle

Six devastating tracks that both continue Conan‘s sonic dominance and usher in a new era for the band. Not only is their second full-length, Blood Eagle, their debut on Napalm Records, but it’s also the first Conan LP to be recorded at Skyhammer Studios, which was built and is owned by guitarist/vocalist Jon Davis. Producer Chris Fielding worked with the band previously on 2012’s Monnos (review here) and 2010’s Horseback Battle Hammer EP (review here), and Blood Eagle benefits from that now familiar collaboration, bridging the gap between the faster, catchy sides of Monnos and the complementing ultra-plod of its longer tracks. Album opener “Crown of Talons” also ranks among the heaviest things they’ve ever done, and “Foehammer” takes it’s name from Gandalf’s sword, Glamdring, so I don’t know what more you could ever ask of a full-length than that. Conan on Thee Facebooks.

 

8. Eggnogg, You’re all Invited

With the addition of bassist Corey Dozier to the rhythm section with drummer Jason Prushko, Brooklynite doom-funk stompers Eggnogg have been able to move vocalist Bill O’Sullivan to guitar from bass, giving Justin Karol a chance to act all the more as a lead player. How this new four-piece dynamic might play out on You’re all Invited — or even if Dozier played on it — remains to be seen, but from what I’ve caught live, it’s turned them into a thicker, fuller-sounding band, and on new material and old, Eggnogg are coming into their own. They’re still a better band than they know, and one hopes they can get some road time in as well as release the LP to continue to refine their approach. Eggnogg on Thee Facebooks.

 

9. Elder, Live at Roadburn 2013

Granted it’s been available through Burning World Records digitally since last November, but Elder‘s Live at Roadburn 2013 is set for physical issue early this year through the label, and having stood in front of the stage to witness the set myself at Het Patronaat in Tilburg and then seen the line running outside the venue and down the block, I can tell you it’s a beast. Put it on vinyl with cover art by Adrian Dexter and maybe a photo or two by yours truly and you’ve got a good way to get a preview for what their sets at the two Desertfests might hold this year. Elder on Thee Facebooks.

 

10. 40 Watt Sun, TBA

Speaking of Roadburn, emotive UK doomers 40 Watt Sun are set to make a return appearance at the fabled fest in the Netherlands, and the word was they’d do so with material from the follow-up to their 2011 Metal Blade debut, The Inside Room (review here), which established the band, led by guitarist/vocalist Patrick Walker (Warning), as a deeply affecting act with a rich sonic texture. No word of an exact release date for the sophomore effort yet, but one expects it will receive no shortage of fanfare prior to and upon its arrival. 40 Watt Sun on Thee Facebooks.

 

11. The Golden Grass, TBA

Brooklyn trio The Golden GrassOne More Time b/w Tornado debut single was one of the best short releases of 2013, and the sunshiny classic heavy rockers will look to follow it with a first long-player this year. Recording is completed — the tracking was helmed by Andréa Zavareei, who also did the 7″ — and so is mixing, done by Jeff Berner (Naam, etc.), so with mastering in progress, hopefully it’s not too long before The Golden Grass can offer a right-on cure for wintry blues. It will be interesting to hear how they sustain and work within their positive vibes over the course of a complete LP. The Golden Grass on Thee Facebooks.

 

12. Greenleaf, Trails and Passes

Trails and Passes will be Greenleaf‘s first outing since 2003’s Secret Alphabets not to be fronted by Oskar Cedermalm (also of Truckfighters) and also finds the Swedish unit both with a new drummer (hello, Sebastian Olsson) and down from two guitars to one. It was five years between their third album, 2007’s Agents of Ahriman and 2012’s Nest of Vipers (review here), so with a quicker turnaround and a stripped-down songwriting approach that seems geared more toward a live-sounding heavy rock presentation, Greenleaf could easily be positioning themselves as a full(er)-time touring act. The more the merrier. Greenleaf on Thee Facebooks.

 

13. Grifter, The Return of the Bearded Brethren

UK power trio Grifter surprised some with the quality of songwriting on their 2011 self-titled debut (review here), the lacking pretense of which was in proportion to its classic heavy rock influence, but The Return of the Bearded Brethren, which is set to release on Ripple Music, won’t have the advantage of sneaking up. If they’re throwing down a gauntlet, the confrontational pose of the shirtless tattooed beardo on their LP cover would seem to indicate it’s a considerable one indeed, but I wouldn’t be shocked if Grifter made following up on their self-titled sound as easy as they made infectious hooks sound the last time out. Grifter on Thee Facebooks.

 

14. Hull, TBA

Down from a five-piece to a foursome after having lost one of their three guitars since the release of 2011’s stellar second LP, Beyond the Lightless Sky (review here), 2014 marks an interesting point for singular Brooklyn post-thrashers Hull. With a Roadburn appearance slated and a limited vinyl reissue of their 2007 Viking Funeral debut EP in hand, they’ll look to bring their conceptual songwriting into a new presentational arc, and while that’s a fascinating prospect, I’m also looking forward to their new album because it promises to be heavy as fuck whenever it happens to arrive, hopefully by the end of the year. Hull on Thee Facebooks.

 

15. Lowrider, TBA

Were this list numbered in anticipatory rather than alphabetical order, Lowrider would be much closer to the top than lucky number 13. The Swedish four-piece will be recording their first outing since 2000’s genre-landmark Ode to Io this year after reuniting on stage at Desertfest 2013 — they’ll return to London next month with Dozer — and while I don’t know if it’ll be out by the time 2014 is done, I do know that the sheer prospect of a new Lowrider makes this year much better than it would be otherwise. I already invited myself to Sweden for an in-studio. More to come. Lowrider on Thee Facebooks.

 

16. The Machine, TBA

A couple weeks back, Dutch heavy psych rockers The Machine — whose split with now-defunct countrymen Sungrazer (review here) was my favorite short release last year — held a poll on their Thee Facebooks page to name their upcoming fifth album, which will follow 2012’s Calmer than You Are (review here) on Elektrohasch. My suggestion? Come to Light. It has the advantage of sounding psychedelic with an undertone of enlightenment to speak to the band’s continuing progression and it keeps with the prior album in being a reference to The Big Lebowski. No word on whether or not they’ll use it, but I’ve got my fingers crossed. The Machine’s website.

 

17. Mars Red Sky, TBA

Currently in the mixing stage, the second Mars Red Sky long-player will arrive on the heels of 2013’s Be My Guide EP (review here) and the Bordeaux fuzz trio’s self-titled 2011 debut (review here) and a host of tours and festival appearances. While their plans to record in the California desert reportedly didn’t pan out, the trio put much of the album to tape over the course of a week in Brazil following dates in South America, so it should boast plenty of sunshine either way. The album is due for release in April — a pro-shot live video of the new song “Satellites” was recently unveiled — and Mars Red Sky will also play at Hellfest in their native France in June. Mars Red Sky on Bandcamp.

 

18. Mos Generator, Electric Mountain Majesty

The Washington trio’s first album for Listenable Records and their second since picking back up after several years of inactivity while guitarist/vocalist Tony Reed concentrated on Stone Axe, Electric Mountain Majesty is done and mastered as of Jan. 5. Recorded by Reed himself, it will follow a pair of live outings in 2013 (reviews here and here) and 2012’s infectious return, Nomads (review here). I am fully prepared to have these songs stuck in my head for most of 2014, so bring it on. A March release has been floated, which would come ahead of an appearance at Freak Valley in late May. Mos Generator on Thee Facebooks.

 

19. Mr. Peter Hayden, Archdimension Now

Triumphantly creative Finnish cosmic doomers Mr. Peter Hayden will complete a trilogy with Archdimension Now that began with 2010’s Faster than Speed (review here) and 2012’s single-song 68-minute LP, Born a Trip (review here). Crushing tones and a formidable scope don’t seem like unreasonable expectations, though what really interests me is how the Satakunta five-piece will expand on the sound of their last album, which still seems to reveal something new each time I put it on. Their new single “We Fly High,” was streamed here recently and bodes well. Mr. Peter Hayden on Bandcamp.

 

20. Pallbearer, TBA

Pallbearer have toured hard since their 2012 debut, Sorrow and Extinction (review here), hit a nerve with doomers across the globe, and the four-piece from Arkansas are set to begin recording their next LP (presumably) for Profound Lore in February. If that puts a release for sometime in late Spring/early Summer, I would imagine it will come coupled with no shortage of live dates, since the band seems most at home on tour. Should be intriguing to have a document of how all that stage time has manifested in solidifying and adding confidence to their approach, and this is another one preceded by much anticipation. Pallbearer on Thee Facebooks.

 

21. Papir, IIII

It would seem I have some purchases to make in order to catch up with Danish heavy psych jammers Papir. Aside from their recent collaboration with Electric Moon, the upcoming IIII will sure enough be their fourth album. Available now to preorder through El Paraiso Records, it is a vinyl-ready 47 minutes of smoothly shifting transitions between lush atmospherics and driving fuzz-heavy rock, ready to stand in line with progressive European instrumentalists like 35007, My Sleeping Karma and indeed their label honchos, Causa Sui. I had caught wind of 2013’s III previously, but deeper back catalog investigation is definitely warranted. Papir on Thee Facebooks.

 

22. Pilgrim, TBA

Just before they left to tour Europe with Windhand, Providence, Rhode Island, doomers Pilgrim recorded their sophomore full-length at Moonlight Mile Recording in scenic Jersey City, NJ. After the huge response garnered — and, I should say, earned — by their 2012 debut, Misery Wizard, the band jumped from Alan Averill of Primordial‘s Metal Blade imprint, Poison Tongue Records, to Metal Blade proper for the new one, which along with Pallbearer, 40 Watt Sun, Serpent Venom and The Wounded Kings (and no doubt others) makes a prospect for a thoroughly doomed 2014. So be it. Pilgrim on Thee Facebooks.

 

23. Radio Moscow, TBA

As I type these words, heavy rockers Radio Moscow are mixing their yet-untitled fourth album (fifth if you count 2012’s 3 & 3 Quarters, which was comprised of early unreleased material) at Big Fish Recording in Encinitas, CA. Details on the release are sketchy at best at this point, and by that I mean nil, but at least there’s progress being made, and since it’s still January, it seems entirely likely the album will surface one way or another in the next 11 months, barring disaster. The bombastic blues jammers led by Parker Griggs toured Europe last fall and rumor is there’s a run in the works for the US at the end of February into March. Radio Moscow on Thee Facebooks.

 

24. Sigiriya, Darkness Died Today

What’s not to like about a new Sigiriya album? The UK four-piece premiered “Tribe of the Old Oak” from Darkness Died Today here last month, and in addition to the considerable pipes of new vocalist Matt Williams, the track showcased a somewhat moodier psychedelic vibe from the band, who continue to distance themselves from Acrimony, of which bassist Paul Bidmead, guitarist Stuart O’Hara and drummer Darren Ivey were members, while also exploring new avenues from those of Sigiriya‘s debut, 2011’s Return to Earth (review here). I haven’t heard the whole thing yet, but they set a high standard last time. Sigiriya on Thee Facebooks.

 

25. Sixty Watt Shaman, TBA

Reason to Live, was released by Spitfire Records (remember them?) in… wait for it… 2002. Some 12 years ago. Now, these dudes have been kicking around in other bands since Sixty Watt Shaman sort of melted away in the manner that underrated bands often unfortunately do, but with the announcement of their appearances this year at Desertfest (info here) in April and The Eye of the Stoned Goat 4 in May (info here) came word of a new studio release. EP or LP unknown at present. As killer as Reason to Live was, it just doesn’t seem fair to expect Sixty Watt Shaman to be the same band they were more than a decade ago. As such, I don’t know what’s coming, but I’m keen to find out. Sixty Watt Shaman on Thee Facebooks.

 

26. Skraeckoedlan, Gigantos

The 2011 debut from upstart Swedish heavy-hitters Skraeckoedlan, titled Äppelträdet (review here), was recorded by Oskar Cedermalm of Truckfighters and had much of that band’s fuzzy compression in blend with their own Mastodon-ic plod. It was a combination that worked so well I thought for sure the young outfit would return to Studio Bombshelter for their next outing, but no dice. As a result, I’m not sure what to expect from Gigantos, but I dug what I heard in a recent live video from them, so we’ll see how it turns out when the LP is done and I’m not about to judge either way until then. Skraeckoedlan on Thee Facebooks.

 

27. The Skull, TBA

I have no interest in downplaying any of the original members of Trouble‘s contributions to that legendary Chicago doom band (nor the work they’re doing now or those contributing to it), but there can be no question that Eric Wagner‘s voice is a signature element, and right now, that’s something The Skull has over the outfit from whence they sprang. Add to that Ron Holzner‘s bass and Jeff “Oly” Olson‘s drums and you’re well on your way to some foundational heavy. Among the best signs is that The Skull were recording with Billy Anderson (Sleep, the Melvins, Acid King, etc.), who obviously knows his shit and is likely to capture their sound as it should be: Completely doomed. Also keep an eye out for Wagner‘s side-project, Blackfinger, who have an LP coming. The Skull on Thee Facebooks.

 

28. Sleep, TBA

This would be the mother of them all, I guess. A new Sleep album. In addition to hinting at new studio outings by his own three-piece Om and Matt Pike‘s High on Fire, bassist/vocalist Al Cisneros let it slip casual-style in an interview somewhere that Sleep were working on new material, thus snapping my Thee Facebooks feed in half. Fair enough. Working on material doesn’t mean we’ll see a record this year, or at all, but obviously if there’s a chance a new album might happen (I’ve been nerding out about the idea for a while; see here and here), it would be proof of justice in the universe. Seems an obvious thing that Billy Anderson would record this as well, and all the better. Can the Sons of Sabbath prove there’s life after Dopesmoker? For now, only the Antarcticans know. Sleep’s website.

 

29. Slough Feg, Digital Resistance

Slated for release through Metal Blade — they’re taking preorders — what if I’m not mistaken is the 32nd Slough Feg LP is due on Feb. 18. As much as I’m looking forward to the release of the record itself, having very, very much enjoyed 2010’s The Animal Spirits (review here), I’m even more interested to see if I finally get up the gumption to interview guitarist/vocalist Mike Scalzi. Something about a dude who doubles as a philosophy professor and who’s been putting out records in his band since I was nine and long before anyone gave a shit I’ve always found intimidating. We’ll see if I’m up to it this year. @Slough_Feg.

 

30. Snail, Feral

Last summer, West Coast riffers Snail announced the departure of guitarist Eric Clausen, which means that their fourth outing, Feral, will be their first as the trio of guitarist/vocalist Mark Johnson, bassist Matt Lynch and drummer Marty Dodson since their 1993 self-titled debut full-length (reissue review here). Should be interesting to see how the shift to their original lineup changes the tenor of Feral as opposed to their two albums with Clausen, 2009’s comebacker Blood (review here) and 2012’s Terminus (review here), but as the first audio from the record begins to surface, Snail‘s sound seems to still very much have its core intact. Terminus brought in something of a rawer heavy metal influence coming off the languid, dreamy Blood, but as they’ve been back together now for going on half a decade, no doubt a few more twists are in store. Snail on Thee Facebooks.

 

31. Steak, TBA

Quickly emerging at the fore of London’s enviable up and coming heavy rock scene — and, in the case of guitarist Reece Tee, helping shape it as one of the architects of DesertfestSteak are set to debut this year on Napalm Records with what will be their first full-length following two EPs, 2012’s Disastronaught (review here) and 2013’s Corned Beef Colossus (review here). They’ve put in time on tour — they’ll play in Spain with Monster Magnet and in London with Lowrider and Dozer in February — and seem to be ready to take the next step in releasing an album, and after the conceptual elements of both EPs, I’m eager to see where the next chapter of their story goes. Steak on Bandcamp.

 

32. Stubb, TBA

Tracking is to begin a few weeks from now for Stubb‘s second album at Jon Davis of Conan‘s Skyhammer Studios. After the release of their 2013 single, Under a Spell (review here), and the departure of drummer Chris West, guitarist/vocalist Jack Dickinson and bassist/vocalist Peter Holland acquired Tom Fyfe to fill the position, and subsequently found a label home on Ripple Music. It’ll be a different Stubb than they were on their 2012 self-titled debut (review here), but the fuzz runs strong in them however the changes might manifest in the finished product from the studio, and I can’t even think of “Under a Spell” without hearing the chorus in my head, so yeah, I’m on board. Stubb on Thee Facebooks.

 

33. SunnO))) & Ulver,Terrestrials

A collaboration between drone lords SunnO))) and Norwegian post-black metal progenitors Ulver probably isn’t the kind of thing that’s going to make you crush a beer can on your forehead and call your bros to come over and check it out (actually, I don’t know what kind of music does that, but it probably sucks), but Terrestrials has the potential to be one of 2014’s most unique releases all the same. After Ulver‘s delving into orchestral minimalism on 2013’s Messe I-IX, it’s really anyone’s best guess what this will sound like when it comes out on Feb. 4. SunnO))) explored some cinematic ground with 2009’s Monoliths and Dimensions (review here), but still, to speculate seems like setting myself up to be a fool later. Southern Lord Recordings website.

 

34. Tombs, Savage Gold

For their third album for Relapse, Brooklyn three-turned-four-piece Tombs headed south to Florida to record with Hate Eternal‘s Erik Rutan. If vague Thee Facebook posts are anything to go by, the resulting LP is 57:18 and titled Savage Gold. I’m not sure when it’ll be out, but as the follow-up to 2011’s widely and loudly lauded Path of Totality, whatever it’s called and whenever the new Tombs shows up, chances are it’s going to receive as much extremity as it doles out. Tombs on Thee Facebooks.

 

35. Triptykon, Melana Chasmata

Heirs to the black, shiny and probably spiky throne of Celtic Frost, ultra-dark metallers Triptykon will answer 2010’s Eparistera Daimones (review here) with Melana Chasmata, which though it’s somewhat easier to type is no doubt even more gleefully excruciating a listen. As with the debut, they’ll mark the release with an appearance at Roadburn (info here). No audio has surfaced yet, but with a release date set for April 24, that can’t be too far off. Will Tom G. Warrior push Triptykon further away from their Celtic Frost lineage? I don’t know, but if there’s beauty in darkness, he’s the one to find it. Triptykon on Thee Facebooks.

 

36. Truckfighters, Universe

Feb. 4 is the stated release date for Universe (review here), the fourth album from Örebro fuzzdudes Truckfighters. The Swedish three-piece explore ground that at the same time is more emotionally complex than their last outing, 2009’s Mania (review here), and also more straightforward in the songwriting, resulting in a collection of tracks not necessarily as upbeat as some of what they’ve done in the past, but ultimately working toward a different kind of realization. No doubt hard touring will follow throughout the rest of this year, so if you want to catch Truckfighters, you’re likely to get your chance. Truckfighters on Thee Facebooks.

 

37. Valley of the Sun, Electric Talons of the Thunderhawk

Like Truckfighters, Midwestern heavy rockers Valley of the Sun will issue their new album, the somewhat cumbersomely-titled Electric Talons of the Thunderhawk on Fuzzorama Records, and the two acts are slated to tour together in Europe from Feb. 8 through March 14 ahead of Valley of the Sun‘s April 1 release date. If you contributed to their crowdfunding campaign, you might already have a copy of Electric Talons of the Thunderhawk on vinyl, but either way, the official release is worthy of note, particularly for as much growth as the full-length (their debut) shows from 2011’s already-impressive The Sayings of the Seers (review here). Valley of the Sun on Thee Facebooks.

 

38. Weedeater, TBA

Not certain how to tell you this, but I’m not sure we’re going to see a new Weedeater album this year. Between the North Carolina sludgers’ busy tour schedule and Season of Mist reissuing their other four albums, it seems like an awful lot for Weedeater to then also write and record a follow-up to 2011’s Jason… the Dragon (review here). I’m not saying it can’t be done — hell, for all I know they’ve finished writing and the studio is booked — but if a new Weedeater arrives, although it was mentioned with their West Coast tour dates that start this week, right now it seems like it would be later in 2014 or maybe early 2015 by the time it gets here. Hey, I could be wrong. I’d prefer it that way. Weedeater on Thee Facebooks.

 

39. Wolves in the Throne Room, TBA

They put out BBC Session 2011 Anno Domini last year as a kind of holdover release, but last month brought news of new songs for 2014, which would be Wolves in the Throne Room‘s first since Celestial Lineage in 2011. They toured their heaviest yet that record, so a bit of a break wasn’t necessarily out of order, but for an act who inspire the kind of loyalty that Wolves in the Throne Room do, three years can be a long time. Not much by way of specifics on the new release, whether it’s a full-length or not, when they might record, where, or when it might surface, but we know they’ve got new material, and that’s a step. Wolves in the Throne Room’s website.

 

40. The Wounded Kings, Consolamentum

Due Feb. 24 on Candlelight, Consolamentum is the fourth long-player in the tumultuous career of British progressive doomers The Wounded Kings, who despite a seemingly endless series of lineup shifts have managed to release their four albums in a span of six years. With guitarist/founder Steve Mills at the core and the eerie but powerful vocals of Sharie Neyland over top, The Wounded Kings have tapped into a doom quick to separate itself from the pack, and Consolamentum conjures some of their most oppressive atmospherics yet, with expansive cuts like “Gnosis” and “The Silence” fed into by ambient passages and interludes. The Wounded Kings on Thee Facebooks.

 

41. Yawning Man, Gravity is Good for You

Desert legends Yawning Man released a split with Fatso Jetson in 2013 — only appropriate, since the two acts share Mario Lalli — but Gravity is Good for You, like whatever Acid King might have in store, is a holdover from last year’s list. Guitarist Gary Arce of the long-running and hugely influential instrumental jammers has reportedly been in the studio with Lalli and Third Ear Experience drummer Erik Mouness (video surfaced), but there’s yet to be concrete word on when Gravity is Good for You, reportedly a double album and the band’s follow-up to 2010’s Nomadic Pursuits (review here), might be finished. Got my fingers crossed it’s this year. Yawning Man on Thee Facebooks.

 

42. YOB, TBA

Feels like a terribly long way to go only to get to one of the albums I’m most looking forward to hearing, but the alphabet works in mysterious ways sometimes. On Jan. 7, Eugene, Oregon, überdoomers YOB posted the following on their Thee Facebooks: “Had an amazing YOB practice. The new songs are fully in focus. 2 mega DOOM bludgeoners, one “faster” song, and the most beautiful arrangement we’ve ever written to close. 4 songs, 55 minutes.” Last I heard, they were to begin recording for their seventh (man, time flies) LP this week with a release in the months to follow, and since YOB haven’t put out an album since 2004 that I didn’t pick it as my Album of the Year, you can bet your ass I’m looking forward to what they do next. Particularly that part about “the most beautiful arrangement we’ve ever written.” Sold. YOB on Thee Facebooks.

Others to keep an eye on, some mentioned above, some not:

Ararat, III (Another 2013 holdover)
The Atlas Moth, The Old Believer (Out in June)
Brant Bjork, Jakoozi
Blackfinger, Blackfinger
Godhunter, City of Dust
Ice Dragon (Some older releases are being physically pressed and new stuff is never far off)
King Buffalo (Their demo ruled)
King Dead (First audio just surfacing, but holds promise)
Lo-Pan (Been a while in the making at this point, hopefully 2014)
Pet the Preacher, The Cave and the Sunlight
The Proselyte (EP coming on Gypsyblood Records)
Rainbows are Free, Waves ahead of the Ocean
Saint Vitus (Began writing last Fall)
Salem’s Pot, Lurar ut dig på prärien
The Scimitar (Debut from Black Pyramid offshoot)
Seedy Jeezus (Recording in Australia now with Tony Reed)
Serpent Venom, Of Things Seen and Unseen
Spirit Caravan (Nothing announced but you never know)
Various Artists, Songs of Townes Van Zandt Pt. II
Wino & Conny Ochs (Maybe, maybe not)
The Wisdoom, Hypothalamus
Wo Fat (New album recorded)

I’m quite positive that the first thing to happen after this is posted is that someone will chime in with something I forgot. At least I hope that’s what happens. As large as this list has turned out to be (much, much larger than I thought it would be when I started taking notes for it), there’s no way it could cover everything, and I hope if there’s an upcoming release in particular that you’re looking forward to, you’ll please let me know in the comments.

Thank you so much for reading and for all of your support. Here’s to an amazing 2014.

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The Proselyte Sign with Gypsyblood Records; Winter Tour Starts Tonight

Posted in Whathaveyou on January 9th, 2014 by JJ Koczan

Boston trio The Proselyte have been looking for a home for their Our Vessel’s in Need EP for a hot minute or two — there was word of it last April — but the good news is they’ve landed on Chicago-based Gypsyblood Records, the imprint helmed by Stavros Giannopoulos of The Atlas Moth. Not sure on the exact release date, but The Proselyte‘s 2011 outing, Sunshine (discussed here) was a good time, so it’ll be one to keep an eye on.

The three-piece are also braving the cold in order to spread the aforementioned good news. They’ll be hitting the road starting tonight in Allston and heading south and west into the very heart this “polar vortex” I keep hearing so much about but know nothing of because I never leave the house.

Wisdom off the PR wire:

THE PROSELYTE Align With Gypsyblood Records, Announce Winter Tour

The noisy, sludgy, genre-baiting miscreants behind Boston, Massachusetts’ The Proselyte have returned with their most cohesive and menacing effort yet. Ungodly screams and melodic harmonies square off as The Proselyte weave a web anger and beauty inspired in part by the sonic dichotomies of The Melvins and Torche, concocting a heady rush of stoner doom, Seattle grunge, and canny melodicism.

Now a trio, this Boston band have toured the states numerous times and are gearing up for a busy 2014 with a new EP entitled Our Vessel’s In Need. They are pleased to announce that upstart Chicago label Gypsyblood Records will handle the limited vinyl pressing & digital version while artwork will come from Billy Crisafi. The record was engineered by their own Alec Rodriguez at New Alliance Audio and mastered by Nick Zampiello and Rob Gonnella at New Alliance East.

The EP was recorded during the February 2013 blizzard that pummeled the northeast, leaving them and a team of videographers literally trapped inside New Alliance Audio. The result is a balance of solidarity and frightful cabin fever. Now, as the United States grapples with yet another wintery hellscape, The Proselyte rides again.

The band will embark on a short Northeastern run in advance of their Gypsyblood debut, beginning at O’Brien’s Pub on January 9th (dates below!).

THE PROSELYTE JANUARY TOUR 2014
January 9th Boston MA @ O’Brien’s Pub*
January 10th Long Branch NJ @ The Brighton Bar*
January 11th Pittsburgh PA @ Howler’s*
January 12th Columbus OH @ Carabar*
January 13th Chicago IL @ The Empty Bottle*
January 14th Lexington KY @ Al’s Sidecar
January 15th – Cincinnati OH @ The Rakes End
January 16th Philadelphia PA @ Johnny Brenda’s
January 17th Brooklyn NY @ Acheron
January 18th New London CT @ The Orphanage#
*with Jar’d Loose
# with Sea of Bones

THE PROSELYTE is:
Nicholas Wolf-vocals, guitar
Alec Rodriguez-vocals, drums
Brad Macomber-bass

LINKS:
https://www.facebook.com/Theproselyte
http://theproselyte.bandcamp.com/
https://www.facebook.com/gypsybloodrecords
http://www.gypsybloodrecords.bigcartel.com/

The Proselyte, Sunshine (2011)

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The Proselyte Tour Starts this Weekend

Posted in Whathaveyou on April 3rd, 2013 by JJ Koczan

Now a trio, Massachusetts bashers The Proselyte will take it to the streets and strut for 10 days solid on an East Coast and Midwestern tour in support of their forthcoming EP, Our Vessel’s in Need. The new release is listed as “coming soon,” and it follows a split with Florida’s Flyingsnakes that you can hear below, courtesy of The Proselyte‘s Bandcamp.

Some cool shows here, and on April 26, The Proselyte play O’Brien’s in Allston, MA, with Holly Hunt, Shroud Eater and Finisher, so good stuff abounds leading to the EP release. Behold the broness:

The Proselyte are welcoming spring with a 10 day run of the east coast and midwest. It’s the band’s first tour as a trio and they will be playing tunes off of their upcoming EP, “Our Vessel’s In Need.” Here is the routing:

Friday April 5th-Philadelphia, PA @ Kung Fu Necktie
Saturday April 6th-RVA @ Wonderland
Sunday April 7th-Chapel Hill, NC @ Chapel Hill Underground
Monday April 8th-Lexington, KY @ Sidecar
Tuesday April 9th-Cincinnati @ Chameleon
Wednesday April 10th-Chicago, IL @ Ultra Lounge
Thursday April 11th-Columbus, OH @ Carabar
Friday April 12th-Baltimore, MD @ Charm City Art Space
Saturday April 13th-Boston, MA @ Great Scott
Sunday April 14th -Brooklyn, NY @ Public Assembly

Check out Facebook.com/theProselyte for updates!

The Proselyte & Flyingsnakes Split 7″

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The Proselyte to Enter Studio this Weekend

Posted in Whathaveyou on February 7th, 2013 by JJ Koczan

More good news out of Boston today. Residents of the city I’m soon to call home because it’ll take too long to explain that I’ll actually live about 45 minutes south of Boston proper, The Proselyte have announced that they’ll enter the studio this snowy weekend to lay down material for a new EP. Their 2011 full-length, Sunshine, presented a proggy take on newer school heavy, and in case you missed it when a track was streamed here, I’ve included the full album below, courtesy of The Proselyte Bandcamp page.

Keep your eye out too for more updates from the band as they get ready to announce the run of gigs alluded to below. They’ll wrap with a show April 13 at Great Scott with the recently-announced Kowloon Walled City/Zozobra tour, but there’s bound to be info forthcoming. Till then, this:

Ignoring all the blizzard forecasts, Boston’s The Proselyte will enter New Alliance Audio in Cambridge, MA this weekend to record a new EP. The effort will be engineered and mixed by Drummer/Vocalist Alec Rodriguez and mastered by Rob Gonnella and Nick Zampiello(Torche, Caspian, Isis) at New Alliance East. The follow up to their well received “Sunshine” LP (Teenage Disco Bloodbath Records) will be supported by a 9 day run April 5-13 ending with a Boston show at Great Scott with Zozobra and Kowloon Walled City.

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The Proselyte Announce Fall Tour

Posted in Whathaveyou on October 6th, 2011 by JJ Koczan

Exactly one month ago today, Boston melo-sludge upstarts The Proselyte premiered their song “Grey Lady” through this very site. Pleased now to post the day-old news that the foursome have announced a tour they’ll be embarking on tomorrow. Waste no time, gentlemen. Best of luck on the road.

In addition to kicking some ass in their own right, they’re also playing with some killer bands, so I’d advise you also pay attention to what comes after the “w/” as you skim through. Here’s the info from the PR wire:

Hard-hitting, hard-rocking Massholes The Proselyte are pleased to announce that their brand-new record, Sunshine, is out yesterday on TDB Records. The band leaves Oct. 7 for an extensive fall tour, covering the east coast, south and midwest and sharing stages with the likes of Thrones, Danava, Thou, and many more!

Tour Dates:
10/07 Philadelphia, PA O’Reilly’s Pub w/ Ape!, Rouge House, Nine Fingered Thug
10/08 Brooklyn, NY Don Pedro w/ Tidal Arms, Yorba Linda, Lunglust
10/09 Silver Spring, MD MATINEE Quarry House w/ Midnight Eye, Akris
10/10 Raleigh, NC King’s Barcade w/ Thou, Make
10/11 Greenville, NC Help
10/12 Atlanta, GA Archive Gallery w/ The Creamers
10/13 Orlando, FL Hoops Tavern w/ Abuse, Knife Hits, Flying Snakes
10/14 Miami, FL The Cave
10/15 St Pete, FL Fubar w/ Flying Snakes, God Harvest, Sumo Szyslak
10/16 Beach Day Off!!!!
10/17 Tallahassee, FL AF Haus
10/18 New Orleans, LA Siberia Nola w/ Mortals, TBA
10/19 San Antonio, TX Night Rockers w/ Lions of Tsavo, Rust, Old and Ill, Deguello
10/20 Austin, TX Red Seven w/ Bridge Farmers, The Vessel
10/21 Dallas/Emory, TX No Thanks Fest w/ Stymie, Wiccans
10/22 Columbia, MO Cafe Berlin w/ In Defense, Creaturezoid, The Phaggs
10/23 Appleton, WI House Show w/ Perversion, The Parish
10/24 Madison, WI The Wisco w/ Eagle Claw
10/25 Chicago, IL Debonair
10/26 Ft Wayne, IN Tiger Room w/ Castles, Antlers as Roots
10/27 Columbus, OH Ace of Cups w/ Artillary Breath, Savage Pinkos
10/28 Upstate, NY/Central, PA – Help
10/29 Boston MA TBA with Thrones, Danava

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