Quarterly Review: Gruntruck, The Dead Ends, Albatross Overdrive, High Priestess, Monolith Cult, Kayleth & Favequaid, Black Wail, Psychic Lemon, Ixion, Rattlesnake

Posted in Reviews on January 10th, 2018 by JJ Koczan

Lodewijk de Vadder (1605-1655) - 17th Century Etching, Landscape with Two Farms

Day Three of the Quarterly Review! I don’t know about you, but I’m feeling great. Plowing through, hearing a ton of good stuff. The week is rolling and though it’s most definitely caused me to be a neglectful husband and father for the last 72 hours (so far!), at very least the music is killer. That’s something, right? I didn’t really have a theme in picking today’s batch, but there are some commonalities between some of the inclusions all the same. See if you can find them, like one of those old puzzles in a Highlights magazine in your orthodontist’s wood-paneled office. Ready? Okay, let’s go.

Quarterly Review #21-30:

Gruntruck, Gruntruck

gruntruck-gruntruck

Held back due to legal issues with their original label, read this articles - Cooperate with our writers to get the top-notch coursework meeting the requirements Allow us to help with your essay or Roadrunner, the self-titled third album from Seattle groove-grungers homework helper drug cheap dissertation writing service custom lab report non accountant assignment help Gruntruck hits like an open time-capsule nearly two decades after the fact of its recording: a little dusty but full of vitality and potential for what could’ve been. With a tad more crunch than the likes of Learn how you can benefit from using our reliable professional Online Homework Help For Kids online services to help improve the quality of your thesis paper. Soundgarden and a crunch less Speedy Essay is a top leading online firm in UK to write your essay soundly. Just ask us, please Distribution Of Power Distribution Essay Helga Junkers Cultural Studis Harburg Ff541 Filmbay Edu83 and get quality cheap paper on-time. TAD than Assignment Glory---The Best Help Writtin A Reasech Paper Service in Town . You may be wondering how to get your assignment writing done in just a couple of TAD, comprehensive dissertation index Mit phd thesis in microbiology why should gay marriage be legal essay Gruntruck found a middle-space between the melodies of their age and scene and heavier impulses, and if songs like “Trip,” the post- best resume writers services in atlanta ga executive - Proofreading and proofediting aid from best writers. Only HQ writing services provided by top specialists. Essays Nirvana “Build a Hole,” and the later “Spy” sound dated, well, they should. They are dated. It’s an album that was recorded over 20 years ago. That does nothing to take away from the quality of the songwriting, however, as closer “Flang” shows by demonstrating how thin the line between grunge and heavy rock has always been in the first place, let alone how fluidly We checked Custom Papers for scam and fraud. Our comprehensive essay for university.com review will show you if Custompapers is legit and whether it is safe. Gruntruck were able to cross from one side to the other.

Gruntruck on Thee Facebooks

Found Recordings website

 

The Dead Ends, Deeper the Dark the Brighter We Shine

the-dead-ends-deeper-the-dark-the-brighter-we-shine

This warm and psychedelically charmed debut from Kavala, Greece’s Best Custom http://www.vasmetal.net/dissertation-droit-et-religion/ Services - Stuck Writing Essay or Research paper? ? We Write Customized Essays From Scratch! Call Now: ? (855) 513-7729 The Dead Ends works quickly to deliver its cumbersome title-line in opener “Memory Ship (Sails at Dawn)” amid a build of organ-laced Looking for someone to "http://www.noliac.com/?nyu-admissions-essay-help" for you? We have talented writers with experience in every field. Doors-style drama, but the overarching spirit of the Get acquainted with the top Continue Reading in the country and glide smoothly towards your academic goals with the necessary essay writing help online from Sound Effect Records release is nonetheless patient and fluid. The keyboard work of vocalist Need a service to buying a dissertation 3 weeks? We provide outstanding college essay writing help for you of any discipline. Price starts just at per page! Giorgos Sechlidis proves to be a major standout factor on the playful “Narri-E Narri-O” as rhythms and melodic elements out of Greek folk rear their head, and as guitarist A reliable company with 7 years of experience provides Fast Paper Writing Service for the students from around the world. We got sparkling research paper for sale! Serios Savvaidis and drummer We provide Websites That Write Papers For You writing service. Our prices start at per page. We know how to write good paper in your field! Dimitris Apostolidis provide vocal support throughout, the nine tracks of A to write a critical essay the writer must needs to include a lot of things, such as spelling and grammar checking, but also a whole load of other things to Deeper the Dark, the Brighter We Shine envelop with a depth that corresponds to their outward reach, still based around pop structures practically and conceptually, but feeling open and resolved to remain that way all the same. The jangly “Peter 2:18” closes out by building into a melodic wash, as if to underscore the potential within this exciting outfit’s budding stylistic nuance.

The Dead Ends on Thee Facebooks

Sound Effect Records website

 

Albatross Overdrive, Keep it Running

albatross-overdrive-keep-it-running

Issued in 2016, Albatross Overdrive’s second full-length pulls together a sans-pretense 31 minutes of barroom-style heavy rock born of the California desert but not necessarily indebted solely to its aesthetic so much as to boozy swing and chug and meaner, engine-revving impulses. “Fire Dancer” and “Higher” make impressions early with catchy choruses and hard-delivered riffs, a touch of metal to the latter particularly, and the later “Preaching Love Not War” boasts a highlight performance from bassist Mark Abshire, formerly of Fu Manchu, while gritty vocalist Art Campos leads the five-piece – completed by guitarists Andrew Luddy and Derek Phillips and drummer Rodney Peralta – through the grunge-chug of “Earth Mother,” recalling Alice in Chains’ “Again” in its cadence momentarily, though ultimately driven along its own course, headed into closer “Neva,” which finishes the album in top form just as it might cap a raucous live set on any given and much-improved Friday evening.

Albatross Overdrive on Thee Facebooks

Albatross Overdrive website

 

High Priestess, Demo

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Los Angeles trio High Priestess were recently snagged by Ripple Music for the release of their impending debut album this year, and on the strength of this five-track demo, one could hardly argue. Tonally rich, perfectly paced in its rollout, melodically centered and meditative with surprising flashes of metallic noise, cuts like 10-minute opener and longest track (immediate points) “Firefly” offer psychedelic immersion and a sense of worldmaking rare in a band’s first long-player, let alone their initial demo. Weighted low end gives Demo an earthy sensibility, and there’s definitely a desert-style aspect to “Take the Blame” and “Mother Forgive Me,” but the intertwining vocal melodies of guitarist/organist Katie Gilchrest and bassist Mariana Fiel atop Megan Mullins’ drums provide a spaciousness well across the line of transcendent into ethereal psychedelia. Likewise, after the salvo of “Firefly” and its nine-minute companion “Despise,” the peaceful, organ-laced closer “Earth Dive” draws emphasis on sonic diversity with its patient build and underlying command. Especially as demos go, High Priestess’ is dangerously coherent.

High Priestess on Thee Facebooks

High Priestess on Instagram

 

Monolith Cult, Gospel of Despair

monolith-cult-gospel-of-despair

From the first listen onward, the hardest thing about putting on Monolith Cult’s second full-length, Gospel of Despair, is actually letting the seven tracks play without constantly interrupting them by saying “hell yes.” Whether it’s the hook of opener “Disconnection Syndrome,” the subsequent plod of the title-track that follows, the massive slowdown that hits about a minute into “Sympathy for the Living” as it moves into its chorus, or the Candlemassian finale chug and stomp of “Death Means Nothing,” the Bradford, UK, five-piece’s follow-up to their 2013 debut, Run from the Light (review here), dwells in similar terrain between righteous classic metal and doom as Cruz del Sur denizens Argus, and the band are likewise firm in their purposes and assured in their delivery. “King of all that’s Lost” feels exceptionally weighted in its impact, but set next to the faster motion in the first half of the penultimate “Complicit in Your Abuse,” it feeds into an overarching flow and sense of leather-on-fistpump-or-headbang-take-your-pick-ready audience response. Hell yes? Oh, hell yes.

Monolith Cult on Thee Facebooks

Transcending Records

 

Kayleth & Favequaid, The Second Coming of Heavy – Chapter Six

kayleth-favequaid-second-coming-of-heavy-chapter-six

In bringing together Verona’s Kayleth and Palermo’s Favequaid, The Second Coming of Heavy – Chapter Six works more on a direct theme than some of the other installments in the impressive and impactful series from Ripple Music. But if there’s a particularly nation’s scene worth highlighting in the heavy rock underground, the emergent riffy movement in Italy makes a riotous case for itself as Favequaid bull-in-a-china-shop their way through the nine-minute “Hypochondria” on side B or Kayleth unfold the highlight nod and melody of “The Survivor” earlier, hitting a mark of spatial weight that’s as much about its crash as reach. Starting with the atmospheric pulse of “Desert Caravan” and following up “The Survivor” with the melodic push of “Magnetar,” Kayleth come across as the more progressive of the two outfits, but with the brash finale of “First” rounding out, Favequaid help put emphasis on the underrated diversity within Italian heavy rock on the whole, and maybe that was the idea in the first place.

Kayleth on Thee Facebooks

Favequaid on Thee Facebooks

 

Black Wail, Chromium Homes

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Though it gradually comes to life around an intro of Hendrixian noodling at the start of “They,” its opener and longest track (immediate points), the third EP from New Jersey’s Black Wail, Chromium Homes, isn’t through that same song before a decidedly Dio-esque “lookout!” is tossed into the pot. Abrasive, sludgy screaming follows. So yeah, it gets weird pretty quick, but that turns out to be the fun of the 27-minute six-tracker, since it just as easily digs back into languid wah-led groove or lets its keyboards flesh out classic heavy rocking melodies. “Thee Ghost” chugs metallic before stepping back to a harmonized a capella midsection and swinging to its finish, and the title-track basks in heavy blues rock like nothing ever happened – the perfect setup for the nastier “The Dead Man’s Hand,” and weirdo bounce-into-punk-thrust of “Radioactive Mutation” that follow. And because why the hell not: a closing doomed-out cover of “Norwegian Wood.” Somehow that was the only thing missing. Black Wail are getting strange and daring you to do the same. If you think you’re up for it, maybe you are.

Black Wail on Bandcamp

Rhyme and Reason Records

 

Psychic Lemon, Frequency Rhythm Distortion Delay

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Prepare for spacedelic immersion. Somewhere there’s a countdown happening and waiting on the other end of it is Psychic Lemon’s sophomore LP, Frequency Rhythm Distortion Delay, the title of which reads like the recipe from which its five tracks have been constructed. The 41-minute sprawler from the London-based trio sets itself to the task of atmospheric breakout with 8:31 opener “Exit to the Death Lane,” and while it’s hard not to be drawn immediately to a track called “International Fuzz Star” – let alone one that’s almost 10 minutes long – one skips the cosmic-grunge shuffle of “Hey Droog!” and the sped-up Sonic Youthism of centerpiece “You’re No Good” at one’s own peril. They tease tension in the kick drum but ultimately end up soothing in meandering closer “Satori Disko,” but the progressive threat has been laid all the same, and it says something about their accomplishment overall that even in the final moments of Frequency Rhythm Distortion Delay, one can’t be certain where Psychic Lemon might be headed next.

Psychic Lemon on Thee Facebooks

Tonzonen Records webstore

 

Ixion, Return

ixion return

Brittany, France-based Ixion is a project spearheaded by multi-instrumentalist/growler/recording engineer/cover artist Julien Prat, and Return (on Finisterian Dead End) is the band’s third full-length. With clean vocals contributed by Yannick Dilly (who also mixed), it captures a contemplative and majestic balance of hope and sorrow, woeful in its extremity but bright-toned in its sprawling lead guitar figures in pieces like “Into Her Light” and the later “Stranger.” This meld fascinates throughout the nine-song/47-minute run, but it’s the poise of execution of all these ideas that make cuts like “Back Home” and the electronics-infused “Contact” stand out and recall some of the best moments of mid-period Katatonia, and from opener/longest track (immediate points) “Out of the Dark” onward, Return makes plain its self-awareness and resilience in capturing its formidable stylistic intention in the reality of the recording. It is a true work of beauty-in-darkness and affecting in both its scope and raw emotionalism.

Ixion on Thee Facebooks

Finisterian Dead End website

 

Rattlesnake, Outlaw Boogie

rattlesnake outlaw boogie

It’s just three songs, but Rattlesnake’s debut demo, Outlaw Boogie (also discussed here), was enough of an aesthetic mission statement all the same to wind up on my list of 2017’s best short releases, and with the swing and swagger provided by drummer/vocalist Adam Kriney of The Golden Grass, the classic-style riffing of guitarists Blake Charlton (Ramming Speed) and JP Gilbert (also vocals) and the wah bass Don Berger brings to “The Reason Why,” well, the reason why is frickin’ obvious. The New York-based newcomers capture a bright ‘70s vibe not dissimilar from The Golden Grass’ self-titled debut, but less serene and more urgent, more charged in its purposes on the whole, and dudelier in that okay-now-it’s-time-to-grow-a-mustache kind of way. Unsurprisingly, Outlaw Boogie is almost maddeningly catchy and cohesive and clear in its direction and intent, and the band seem to arrive in their conceptual foundation ready to move forward onto the next stage of their development. The only reason I call the three-tracker a demo at all and not an EP is because the band does. Otherwise there’s very little about it that doesn’t already denote it as a professional-grade work.

Rattlesnake on Thee Facebooks

In for the Kill Records webstore

 

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The Dead Ends to Release Deeper the Dark, the Brighter We Shine Oct. 20

Posted in Whathaveyou on October 6th, 2017 by JJ Koczan

the dead ends

Greek heavy psych rockers The Dead Ends are streaming two new tracks from their upcoming debut album now. Deeper the Dark, the Brighter We Shine releases on Oct. 20 through Sound Effect Records, and in “Narri-E Narri-O” and “Peter 2:18,” one can hear a classic pop sensibility amid the prominent keys and heavy percussive underpinning. The latter track is more shoegazing and buzzier in its tone, but still, we’re talking late-’60s style psych with a focus on songcraft, and that kind of vibe is almost always welcome by me, all the more so as it comes shaded with melodic elements out of Greek folk.

I haven’t heard the full record yet but hope to sometime prior to the release (the countdown’s on!). From what I’m hearing in “Narri-E Narri-O” and “Peter 2:18” there could be a cool trip in store. I’ve embedded the tracks below. The PR wire brings art, background, vinyl info and other details:

the-dead-ends-deeper-the-dark-the-brighter-we-shine

The Dead Ends – Deeper the Dark the Brighter We Shine

Sound Effect Records
RELEASE DATE: 27/10/2017

SER 041B / Vinyl LP Black, Ltd to 200 copies / 18, 00
SER 041C / Vinyl LP Green, Ltd to 100 copies / 22, 00

Sound Effect Records proudly present The Dead Ends! Fresh from their opening slot with The Black Angels, Greece’s newest psych-rock demi-gods release their debut album on October 20th.

Filled with lysergic keys, open-space grooves and addictive, folk-tinged melodies, “Deeper the Dark the Brighter We Shine” is among the year’s most pleasant surprises and a must for any psych aficionado.

The Dead Ends are a psychedelic rock trio from Kavala, Greece. The band was formed in 2015. They have expanded their live performance experience having toured extensively around north Greece as well as sharing a stage with bands like The Black Angels, The Last Drive, Headquake, Re-Stoned and many more. In spring 2017 they recorded their debut album entitled “Deeper the dark, the brighter we shine”, which will be released on vinyl by Sound Effect Records.

Influenced by Aphrodites Child, The Doors, Velvet Underground and Pink Floyd and equally inspired by early shoegaze and traditional Greek music, their sound is a sonic amalgamation of expanding melodies and powerful rhythmic motifs, paired with lyrical allegories, resulting in their own neo-psychedelic soundscape.

The Dead Ends are:
Giorgos Sechlidis – keys, vocals
Serios Savvaidis – guitars, vocals
Dimitris Apostolidis – drums, vocals.

https://www.facebook.com/thedeadendskav/
https://thedeadends3.bandcamp.com/releases
www.soundeffect-records.gr
http://www.facebook.com/SoundEffectRecords
https://soundeffectrecords.bandcamp.com/music

The Dead Ends, Deeper the Dark, the Brighter We Shine (2017)

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