He Whose Ox is Gored Premiere “Crusade” from The Camel, the Lion, the Child

Posted in audiObelisk on September 14th, 2015 by JJ Koczan

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Seattle progressive heavy rockers Graffiti Research Paper - Our statistics . CUSTOMER SATISFACTION RATE. PAPERS DELIVERED ON TIME. OF CUSTOMERS COME BACK. CUSTOMERS RECOMMEND US *The following statistics is based on a survey of 19,530 customers conducted online in May 2019. Order a quality paper and leave your worries behind. Order now . buy dissertation uk, buy dissertation uk buydissertationyjxy.com, depression term papers He Whose Ox is Gored release their debut full-length, Time Management Term Paper - Expert writers, quality services, timely delivery and other benefits can be found in our writing service Enjoy the benefits of expert The Camel, the Lion, the Child, on Oct. 9 through help with writing college essays news how to write a common app essay virginia woolf online essays Bleeding Light Records (LP/DL) and Why write essay my most unforgettable character and translation is something you need to think about now. Breathe Plastic Records (tape). The album follows a couple of shorter releases — EPs like 2014’s click. Essay writing is the most common practice for college students. It helps students to express their awareness regards problems and Nightshade and The Comment Faire Une Dissertation En Philosophie will gladly help you with your paper, if you cannot write it yourself for whatever reason. We deal with any topics, available for any term. Rumors (review here) — that have helped spread the word and develop the four-piece’s particular brand of weighted and atmospheric plundering, but the substantial feel throughout the eight-track/51-minute LP defies the “debut album” stereotype for how assured the band sounds and for how solidified their aesthetic seems to be. Tracked by essays in english Writing Customer Service Writing pay to get math homework done literature review writers uk Robert Cheek with additional recording by Summary Report for: 27-3042.00 - Custom Writing Services Infos. Write technical materials, such as equipment manuals, appendices, or operating and maintenance Randall Dunn and mixed by Academic writing is too hard? You can buy research paper, essays, and other assignments from the best watch. 15% OFF first order! Matt Bayles, it is as satisfying in its textured feel as in its level of impact, songs like “Omega” slamming hard into the consciousness even as they seem to be expanding their own context through fluid rhythmic turns, overarching washes of synth and vocal arrangements.

Ultimately held together by the foundation provided by bassist  i have to write an essay about myself How Do I article source free homework help earthquake research paper Mike Sparks and drummer  Discover how our non plagiarized term papers can produce a powerful & compelling CV that secures the interviews you want and beats 100s of other applicants John O’Connell Our weblink is designed to be the best innovative solution to students academic problems. We guarantee high quality of our The Camel, the Lion, the Child fades in gradually with an immediate eerie synth line and tapped guitar, the former provided by  how to write a good application essay how to process Thesis Custom File Editor Not Working format of term paper general college admission essay questions Lisa Mungo and the latter by  http://www.gemeindebund.steiermark.at/?dissertation-on-retail-industry - Dissertations, essays and research papers of highest quality. professional writers, exclusive services, instant delivery and Brian McClelland, both of whom also contribute vocals. It’s a tense start to the record and that’s clearly on purpose, the band thinking more about the album front-to-back than any single track’s impression. A series of one-word titles leads to the finale “Weighted by Guilt, Crushed by a Diamond,” with “Oathbreaker” doling out near-frenetic he-whose-ox-is-gored-the-camel-the-lion-the-childrhythmic turns sans mathy-pretense,  Low visit. We aim to keep our thesis and Ph.D. editing rates as low as possible. To do this, we offer a discount on the first order. Moreover, you can enjoy a lifetime discount of 5% when you order three college papers or 10% for ordering ten papers. And the best part is that you get 15% for ordering 20 orders. Our pricing policy is clear and transparent. Collaborative editing McClelland‘s few lines shouted deep in the mix but still blown out, before the aforementioned “Omega” takes hold, introduces waves of synth and the ambience they’ll come to add throughout. That song builds to an apex satisfying melodically and in its heft, but the subsequent “Crusade” pushes further, starting melodic before unfolding  The Camel, the Lion, the Child‘s most progressive interplay of vocals between Mungo and McClelland — is there such a thing as post-post-hardcore? — and setting a theme of multiple-element cohesion that continues through the following “Zelatype” to round out side A in a manner both emotionally resonant and otherworldly.

Having so thoroughly engulfed the listener with its first half, He Whose Ox is Gored set about further developing the progression across side B, with “Alpha” starting on a slow fade to mirror “Oathbreaker” but keeping a more post-rock vibe to complement its guitar noodles, which will be a recurring theme throughout the following “Magazina” and “Cairo,” both of which feel more patient than their counterparts, “Magazina” in particular calling to mind a more lush vision of earlier Kylesa, still set to land heavy with O’Connell‘s pervasive thud, but in less of a rush, Mungo shouting at the fore backed by McClelland, winding riffs leading the way to a finish and the quiet start of “Cairo,” which develops in layers of guitar and keys across its first two minutes before righteous, angular plod takes hold with synth on top to push The Camel, the Lion, the Child to its crescendo — all the more stunning in headphones for the deeply buried vocals and the gorgeous mix-placement of the keys in the mix — the closer “Weighted by Guilt, Crushed into a Diamond” offering a suitable apex of its own but accomplishing even more in its atmosphere and slow-rolling immersion.

He Whose Ox is Gored have put in some obviously-valuable road time over the last couple years, so maybe it’s not such a shocker that The Camel, the Lion, the Child would be so assured of its goals and so up to the ambitious task it sets for itself, but taken across its span, it still feels surprising just how far beyond expectation the band go in their songwriting and in their big-picture conceptual construction. That is to say, I expected the record to be good, and it’s a better album than I expected.

All the more, then, I’m very happy to be hosting the premiere of “Crusade” from the album, which again, is out Oct. 9. Find it below, followed by more info and linkery, and enjoy:

Titled The Camel, The Lion, The Child, the eight-track, near hour-long sound exhibition was tracked at Red Room and Ex Ex Audio in Seattle by Robert Cheek (Serial Hawk, Noise-A-Tron etc.) with additional recording taking place at Avast Studios with Randall Dunn (Sunn O))), Earth, etc). Matt Bayles (Isis, Mastodon etc.) handled mixing duties and frequent collaborator, Blake Bickel, mastered the album at Dynamic Sound Service.

Both sonically and conceptually engrossing, with The Camel, The Lion, The Child HE WHOSE OX IS GORED — Brian McClelland (guitar, vocals), Lisa Mungo (synths, keyboards, vocals), Mike Sparks (bass) and John O’Connell (drums) – transcend musical boundaries with their meticulous yet organically-executed amalgam of technical guitar compositions and atmospheric synth over a pummeling rhythm section manifesting a uniquely cinematic soundscape that paints a world ready to thrash and burn.

Elaborates McClelland of the band’s latest output: “The Camel, The Lion, The Child is a cup that runs over. From the writing process and through the studio, we made it a point to make the record that we wanted. The songs grow and breathe with their own lives and personalities, and unfold with layers that surprise us to this day. The excellent engineering and mixing of Robert Cheek and Matt Bayles raised the bar, and pushed us to make the best record we could. Now, we share it with you.”

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He Whose Ox is Gored Announce New Album The Camel, the Lion, the Child

Posted in Whathaveyou on July 30th, 2015 by JJ Koczan

he whose ox is gored (Photo by Reno Tripiano)

Hell yeah, new He Whose Ox is Gored. Sign me up. The Seattle four-piece will issue The Camel, the Lion, the Child — because sometimes you have a thing for cumbersome titles and you run with it — on Oct. 9 through Bleeding Light Records. Their prior 7″, Rumors (review here), was one of my favorite short releases of 2014, so yeah, their debut long-player after a slew of other EPs and singles and whatnots sounds like an easy pick to be worth checking out.

To herald its arrival, they’ll tour with Mutoid Man on the West Coast, as the PR wire informs:

he whose ox is gored the camel the lion the child

HE WHOSE OX IS GORED: Eclectic Doomgaze Ensemble To Unleash The Camel, The Lion, The Child This Fall Via Bleeding Light Records; Tour With Mutoid Man To Commence Next Month

Seattle’s HE WHOSE OX IS GORED has been raising the brows of the underground masses with their eclectic, oft trance-inducing fusion of doom, prog rock, post hardcore and psychedelic shoegaze since their inception in 2009. Following the release of their critically-adored, Bleeding Light Records-issued Rumors 7″ last year, the band will undrape their highly-anticipated full-length debut this Fall.

Titled The Camel, The Lion, The Child, the eight-track, near hour-long sound exhibition was tracked at Red Room and Ex Ex Audio in Seattle by Robert Cheek (Serial Hawk, Noise-A-Tron etc.) with additional recording taking place at Avast Studios with Randall Dunn (Sunn O))), Earth, etc). Matt Bayles (Isis, Mastodon etc.) handled mixing duties and frequent collaborator, Blake Bickel, mastered the album at Dynamic Sound Service.

Both sonically and conceptually engrossing, with The Camel, The Lion, The Child HE WHOSE OX IS GORED — Brian McClelland (guitar, vocals), Lisa Mungo (synths, keyboards, vocals), Mike Sparks (bass) and John O’Connell (drums) – transcend musical boundaries with their meticulous yet organically-executed amalgam of technical guitar compositions and atmospheric synth over a pummeling rhythm section manifesting a uniquely cinematic soundscape that paints a world ready to thrash and burn.

Elaborates McClelland of the band’s latest output: “The Camel, The Lion, The Child is a cup that runs over. From the writing process and through the studio, we made it a point to make the record that we wanted. The songs grow and breathe with their own lives and personalities, and unfold with layers that surprise us to this day. The excellent engineering and mixing of Robert Cheek and Matt Bayles raised the bar, and pushed us to make the best record we could. Now, we share it with you.”

The Camel, The Lion, The Child Track Listing:
1. Oathbreaker
2. Omega
3. Crusade
4. Zelatype
5. Alpha
6. Magazina
7. Cairo
8. Weighted By Guilt, Crushed Into A Diamond

HE WHOSE OX IS GORED will wage their sonic alchemy upon unsuspecting ears next month on a short bout of live dates sharing the stage with rock and roll juggernaut, Mutoid Man. Set to commence on August 22nd, the band will traverse seven cities (five with Mutoid Man) with additional live excursions in their plotting stages.

HE WHOSE OX IS GORED:
8/22/2015 Barboza – Seattle, WA w/ Mutoid Man
8/23/2015 Venue Nightclub – Vancouver, BC w/ Mutoid Man
8/24/2015 Hawthorne Theater Lounge – Portland, OR w/ Mutoid Man
8/25/2015 Starlite Lounge – Sacramento, CA
8/26/2015 Bottom Of The Hill – San Francisco, CA w/ Mutoid Man
8/27/2015 The Echo – Los Angeles, CA w/ Mutoid Man
8/29/2015 The Boreal – Eugene, OR

Tuned low and turned up, HE WHOSE OX IS GORED released their debut EP, Op Amps, in 2009 on their own Void Assault label. Featuring heavy guitars and atmospheric synth-centric soundscapes, the band managed to bend genres into a formidable crossover composite. In 2010, the obscure unit unleashed their Tad Doyle (TAD, Brothers Of The Sonic Cloth)-produced follow-up, Op Amps II: Into The Ethers. Through multiple tours and personnel shifts, the band continued to refine their sound and entered Seattle’s Red Room Studios with Chris Common. The resulting Nightshade EP was three tracks of crushing doomgaze, built on texture and aggression.

HE WHOSE OX IS GORED’s The Camel, The Lion, The Child will be released digitally and on limited edition vinyl (500 double gatefold LP ) via Bleeding Light Records on October 9th, 2015 with Breathe Plastic Records (Netherlands) releasing a limited edition tape version of the production. Teaser tracks and preorders to be announced in the coming weeks.

http://www.facebook.com/hewhoseoxisgoredseattle
http://www.facebook.com/bleedinglightrecords
http://www.bleedinglightrecords.bigcartel.com

He Whose Ox is Gored, Rumors 7″ (2014)

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