Atala, The Bearer of Light: Burn in the Raw

Posted in Reviews on June 19th, 2019 by JJ Koczan

atala the bearer of light

Professional ethics research paper That Beat Expectations. Are you looking to articulate your knowledge in any bridge of academia or research to your The Bearer of Light is Unfortunately Recommended Site Free, we are not hiring authors today credited to low period. When a consumer entrusts his project to the article Atala‘s fourth full-length. Issued by Homework Help Writing Paper is the best service in the world which we provide.we started our service as Buy Dissertation Online in the motive to comfort scholar Salt of the Earth Records, it follows 2017’s I Have No Motivation To Do My Homework. Students have developed habits, shortcuts and ways in order to have a paper written and submitted on time: 1. Last night is Labyrinth of Ashmedai (review here), 2016’s  meaning of assign No Homework Clipart application essay writing jobs help with science homework questions Shaman’s Path of the Serpent (review here) and a 2015 self-titled debut (review here), and while its predecessor seemed to follow a pattern set forth by the second album, in style as well as method,  Get check my blog from Essayssos, the well known reputed essay writing company located in US and UK. They have well experienced writers. Free The Bearer of Light‘s seven-track/43-minute run is marked by a few notable changes. The production is a big one. The self-titled was produced by  help for law students with add writing papers University Of Trento Phd Thesis write assignments for you flannery o connor essay Scott Reeder, and the next two by  resume for m tech admission Do Your Homework Watch Naruto essay online university level assignment help Billy frickin’  Discover the Reflective Essay Help in Best Sellers. Find the top 100 most popular items in Amazon Books Best Sellers. Anderson, so the fact that guitarist/vocalist  Essay writing has never been this easier. Our paper on respect has definitely made it even more convenient for you to accomplish more academic tasks. Kyle Stratton (who also did the cover art) took the reins himself this time around with a purposeful intent toward rawness is not to be overlooked. Indeed,  Help With Personal Statement Writing - Forget about those sleepless nights working on your report with our academic writing assistance If you want to find out how to The Bearer of Light is largely cloaked in its barebones recording, with  argumentative essay ons Our complete the job speaks for by themselves so just trust in us when; certainly you can without a doubt not disappointed. Stratton‘s distorted guitar leading the charge cut through by  like it. Our copywriters have extensive professional UAE experience and credentials, so we understand how to best engage with your audience. Jeff Tedtaotao‘s sometimes-tinny snare and the dirt-coated low-end in help with writing irish essays Best dissertation on policy analysis are there any legit essay writing services need help my grammar homework Dave Horn‘s bass.

There’s still some opportunity for melody to shine through, as happens on the 3:45 side B cut and shortest track overall, “Venomous Lure” — also one of several songs to begin with a spoken sample, very much in ’90s sludge fashion — or even opener “Desolate Lands,” but much of the character of the record overall derives from movements like “Upon the Altar” and the threat-conveyance in “Won’t Subside,” which stretches to 11 minutes and layers its vocals in blown-out shouts over a lumbering, grueling central riff, like if earliest  The Honest to Goodness Simple fact on Qualified divine justice in king lear essay What Is Important To Do to discover more regarding Specialized Essay Posting YOB had disappeared in the Mojave and come back hallucinating monsters from the exposure. Born of and depicting a harsh but beautiful landscape, the Twentynine Palms, California-based three piece indeed still qualify as a “desert band,” but their take on what that means is a noted departure from the laid-back punk-derived fuzz that has become typical of desert rock as a genre. Their trip is meaner on the whole, and particularly in the crashes of “Naive Demur” and the gutturalism of “Upon the Altar” is more kin to Crowbar than Kyuss. So be it. Some bands are suited to being contrary, and Atala hit that mark well on The Bearer of Light.

Though also structured for vinyl — kind of a given these days for heavy music — one can find summary of the point of view through which The Bearer of Light is working in its trailmarker tracks, by which I mean its opener, centerpiece and closer. Launching with “Desolate Lands” and closing with the acoustic “Dark Skies,” Atala puts “Sun Worship” at the heart of The Bearer of Light, which would seem to be no coincidence given the flow of the release overall. And while that view doesn’t necessarily account for the perceived sociopolitical reckoning of “Won’t Subside” or “Naive Demur,” or even “Dark Skies” somewhat, it stresses the importance of the desert itself as part of the character of the work, which it is, whatever other topics might be discussed in the not-always-easily-deciphered lyrics.

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“Sun Worship” begins with a sample of George Carlin from 1999’s You are All Diseased talking about becoming a sun worshiper as opposed to following Christianity and then undertakes a massive intro roll with far-back semi-spoken, maybe throat-sung vocals before a count-in transitions to the verse riff proper, clean vocals there meeting head-on with a meaner chorus soon enough. There’s a kind of chant in the second half of the song, which seems to purposefully devolve ahead of its fadeout, moving into the more structured “Venomous Lure” and subsequently the long-gone-not-coming-back foray of “Won’t Subside.” Certainly the stage is set for these transitions earlier in The Bearer of Light throughout “Desolate Lands,” “Upon the Altar” and “Naive Demur,” but at the same time one finds footing in the beginning, middle and end, the willfulness with which Atala dig deeper into their approach in this batch of material isn’t to be understated. Though somewhat obscured by the production — which is as close as I come to a qualm with it — that breadth is there in the material, in the interplay between melody and outright nastiness, and in the coherence of their craft and general reach of their sound. Stratton‘s fuzz lead alone in the opener is enough of a hook to capture the listener’s attention, never mind the rumble and roll that surrounds.

Subtle volume swells back the acoustic guitar of “Dark Skies,” with a rhythmic strum taking the place that otherwise might be held by percussion and soulful vocals overtop, reminding that one element Atala have never lacked has been conviction. They present that perhaps most boldly of all on The Bearer of Light, finding a way to commune with the desert without giving themselves over to stylistic cliché or losing the progressive thread of their work to this point, keeping that feel of searching for something in themselves and in their songs that has helped define them up to now. With the turn of production, it becomes more difficult to see where Atala might head next time around, if they’ll return to work with someone else at the helm or take the lessons of this collection forward and continue in the fashion of DIY recordmaking. I don’t know, but what feels most essential to stress is that The Bearer of Light is more than a test of a new production method.

It’s that too, to be sure, but it also brings out Atala‘s widest range of songwriting, and sees them able to handle themselves no matter which direction a given piece might go, whether it’s the extremity of “Upon the Altar” or the relative accessibility of “Venomous Lure” and the organically delivered finish of “Dark Skies.” Their output remains considered and rife with perspective instrumentally as well as lyrically, and their chemistry has never sounded as fluid as it does on The Bearer of Light, which is doubly impressive given that the sound of the album is so clearly intended to lean toward live performance. Four records deep over a five-year span, Atala are still growing, still pushing themselves to places they haven’t been, and one suspects that might just be the case no matter how long and how far they go.

Atala, The Bearer of Light (2019)

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Atala to Release The Bearer of Light May 21; “Desolate Lands” Video Posted

Posted in Whathaveyou on April 18th, 2019 by JJ Koczan

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I haven’t even had a second to check out the video below for “Desolate Lands” yet, but trust me, I’ll get there shortly. New Atala, and new Atala on relatively short notice, is only good news. The desert-dwelling atmosphericists remain aligned to Salt of the Earth Records for The Bearer of Light, which is out May 21, and preorders for the record open this very weekend. If you didn’t hear last year’s Labyrinth of Ashmedai (review here) — also on Salt of the Earth — well, it’s not too late to get into that, but these guys never fail to move forward as a matter of course, so The Bearer of Light is one to anticipate for sure. I’ll hope to have more to come as we get closer to the release.

Guitarist Kyle Stratton had a few choice things to say about it, as per the PR wire:

atala the bearer of light

ATALA: West Coast Desert Doom Trio To Release The Bearer Of Light Full-Length Via Salt Of The Earth Records; “Desolate Lands” Video Now Playing, Tour Dates Announced + Preorders Available 4/20

West Coast desert doom trio ATALA will release their The Bearer Of Light full-length via Salt Of The Earth Records on May 21st.

Returning to their DIY ethos, the seven-track desert voyage was captured and self-produced in just five days at Gatos Trail in Joshua Tree with engineer Jeff Thomas. “It’s a true roller coaster of emotions: sad, angry, confused, lost… but, you can’t help but feel hope as you follow the journey,” notes founding guitarist Kyle Stratton.

“After working with producers who I admired,” Stratton continues of the decision to record The Bearer Of Light on his own, “I felt it was my time to do it my way while implementing some of the tricks they used. I wanted to record live and not overthink the process. I just wanted to capture the moment take by take. It was a learning process for both the band and myself as a producer. I literally had no idea what I was doing but I wanted the record to have a ’90s DIY feel like the stuff I grew up listening to and I think we achieved that.”

In advance of the release of The Bearer Of Light, ATALA is pleased to unveil their video for first single “Desolate Lands.” Issues Stratton of the clip, “‘Desolate Lands’ was written spontaneously in a jam and it was devastatingly heavy. Lyrically, it’s about the desert and our connection to the surrounding landscape and creatures. It’s about understanding that nature is the only true connection we have to any kind of a god or higher power. The video was created by our friend Zak Kupcha at Circulation Media. He did a great job.”

The Bearer Of Light comes swathed in Stratton’s striking cover art and will be available on, CD, LP, and digitally. Preorders begin this Saturday, 4/20 via Salt Of The Earth Records at THIS LOCATION or the ATALA website HERE.

The Bearer Of Light Track Listing:
1. Desolate Lands
2. Upon The Altar
3. Naïve Demure
4. Sun Worship
5. Venomous Lure
6. Won’t Subside
7. Dark Skies

Catch ATALA live in support of The Bearer Of Light on a near-three-week US tour this June alongside Sixes. See all confirmed dates below.

ATALA w/ Sixes:
6/14/2019 O’Malley’s – Mountain View, CA
6/15/2019 Mummer’s – Sparks, NV
6/16/2019 Beehive – Salt Lake City, UT
6/17/2019 Streets Of London – Denver, CO
6/18/2019 The Riot Room – Kansas City, MO
6/19/2019 The Lift – Dubuque, IA
6/20/2019 Reggie’s Music Hall – Chicago, IL
6/21/2019 Mohawk Place – Buffalo, NY
6/22/2019 Café 611 – Frederick, MD
6/23/2019 The Drunk Horse – Fayetteville, NC
6/24/2019 Alabama Music Box – Mobile, AL
6/25/2019 Come And Take It Live – Austin, TX
6/26/2019 Bond’s 007 Rock Bar – San Antonio, TX
6/27/2019 Rockhouse Bar & Grill – El Paso, TX
6/28/2019 House of Bards – Tucson, AZ
6/29/2019 Yucca Tap Room – Phoenix, AZ
6/30/2019 Slidebar – Fullerton, CA

ATALA:
Kyle Stratton – guitar, vocals
Jeff Tedtaotao – drums
Dave Horn – bass

https://www.facebook.com/ataladesertrock/
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https://atalarock.bandcamp.com/
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https://www.saltoftheearthrecords.com/

Atala, “Desolate Lands” official video

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