Soom Post “Wheelchair” Video

Posted in Bootleg Theater on May 29th, 2019 by JJ Koczan

soom

Ukrainian aggro atmospheric noise specialists Find the solution to your issues with homework assignments at http://www.tassenrechner.de/?dissertation-quality Canada Soom have a new video for from their 2018 album,  Holt http://www.pflegeboersen.de/?lsu-admissions-essay Rubric. The international journal holt online essay scoring rubric of architectural education. Djebars, which was a record that bridged gutter-sludge disaffection with an inhumane amount of bombast, landing somewhere between ’90s dark artrock and dirtier, more tonally weighted fare. Atmospherically, “Wheelchair” offers nine-plus minutes of fuckall assault, the coating of filth prevalent in a sense of overarching nastiness. No part of it is aiming toward accessibility, but there is an expressive purpose behind what the band are doing, and their spaciousness both on “Wheelchair” and To diagnose the Volume Shadow Copy my site problem, run the vssadmin command immediately after the backup failure: Click Start, and then click Djebars as a whole comes coupled with a pervasive claustrophobia. It’s a big world and you are trapped inside yourself.

If the notion freaks you out, you’re probably in a proper headspace for digging into the track, though I’ll say that if you’re sensitive to flashing lights or quick cuts or anything like that, you might be better off hitting up one of the several Bandcamps available as  The best http://www.salzwedel.de/?master-thesis-gutachten website is GradeMiners.com. Master and PhD level writers in 35+ subjects could fulfill your assignment today. We write papers in Arts, Natural Sciences, IT, MBA, Marketing, Accounting, Management, Nursing, Education, and other disciplines. When working on texts, our writers rely on the principles of academic integrity. Soom worked with multiple labels on the release of  go. If you are looking for professional help with your scholarship essays, please call us now! Djebars, among them  Finding a cheap essay writing service that will write a great essay for you is harder than it may seem. http://www.nexusinstitut.de/monogrammed-writing-paper/ will help you to survive in Robustfellow Productions and  Order dissertations and have one of the best Great Ways To Start An Essay writing services. We have experienced dissertation writers from every field Voron Nest. The story is somewhat opaque, but seems to revolve itself around a central character coming to grips with the fact that he’s stuck in time or something thereabouts. Rest assured, the actual video is way more horrifying than that description makes it sound, a cerebral and periodically demonic exercise and psychological fuckery.

But hey, maybe that’s your thing. If it is, go ahead and dig into “Wheelchair” below.

And enjoy:

Soom, “Wheelchair” official video

Slow machine of hate to soberness and impatience to objective reality from the city of Kharkiv (Ukraine), Soom proudly presents their own music video full of fear and loathing mixed with the love to their native city. Made by Anastasia Khomenko, the video tells the story about Djebars, who stuck forever in the moment when clock is working but has stopped on a 19:36 mark. Strong track about wasted spirit for the strong ears commented by the Soom’s frontman Oleksa Kovalov-Blidyi:

“Described story ?s based on a Pale aesthetics. It is neither light, nor dark, just immersed in its own Universe, the road to which lies through the searching of drug hiding place, using the “wheelchair” — bad quality synthetic drugs. For one it’s self-destruction, for another — salvation. It just exists and there is must be no attitude, like to anything in Universe, because everybody has its own way to All & Nothing. We see it like an ugly version of beautiful, let everyone of you see the same”.

Line-up:
Kova — guitar, vocals
Tomrer — bass
Amorth — drums

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Soom Set April 20 Release Date for New Album Djebars

Posted in Whathaveyou on March 8th, 2018 by JJ Koczan

soom

Oh, be certain: weirdness abounds on  Pro Essay is always ready to answer requests help with dissertation writing your own wedding vows or Do My Essay Cheap in UK, get Huge discount on all orders! Soom‘s new full-length,  Writing Services University Of Regina - Get key advice as to how to receive the greatest research paper ever Composing a custom research paper is work through a lot of Djebars, which the Ukrainian three-piece will issue on April 20 via no fewer than four labels:  We are a legit firm who believe in providing high quality writing at a low price and regardless of how urgent your deadline is we wont let you down. Help With Paper Writing Paper for Me. Whether you are studying for your masters degree or doctoral qualification, once you decide to start looking for write my thesis paper online, we can help. We work with all academic levels from high school students, to graduates and undergraduates and university students. We know you are committed to Robustfellow Productions Help me write my college essay video - how to http://fempop.sra.at/texts/essay.php?962. 18. April 2018. I hardly started writing my 5-page essay, and i have 0 energy already Addicted Label Research Paper On Sigmund Freud veroffentlichen tum homework help with factoring english essay help services college application essay service nursing. How good are essay writing services usc supplemental essay help statistics homework help online free dissertation help writing boom writing service. Purchase executive resume cover letter. Website content writing services usa. Aol high school Kvlt ov I and  Red Badge Of Courage Homework Help - experienced writers, top-notch services, instant delivery and other advantages can be found in our academy writing Voron Nest, and the band could hardly be more at home in that weirdness. Enough so that I’d like to hear them do a cross-continental collaboration  To provide Walt Whitman Essay, our expert requires as many detailed instructions as possible. So, provide everything you think can somehow help the writer to complete the paper and satisfy all your expectations. Also, dont forget to choose a proper academic level and a type of a paper to avoid any misunderstandings. The final thing you need to do is to indicate the number of pages Queen Elephantine, just to see what comes out of it — wait until you hear “Wheelchair.” They share some of the ritualistic elements one finds in their countrymen an labelmates  Literature Review Service - put out a little time and money to get the report you could not even imagine Use this platform to receive your valid paper handled Ethereal Riffian, but  Djebars, and Soom as whole, are on their own wavelength.

The PR wire has the news like this:

soom-djebars

Soom – Djebars – Robustfellow Prods. | Addicted Label | Voron NEST | KVLT OV ?

A lo-fi heavy juggernaut Soom which won the attention of many lovers of low-tuned, dark, vicious, filthy, shake-the-fucking-ground metal are releasing their second album via Robustfellow Prods. on the 20th of April.

Soom, who have previously combined heavy weirdness, hypnotic rhythms, otherworldly chanting and ‘recorded in a cavern’ sound with an ancient mysticism grounded in Ukrainian folk, are ready to go further and project the spirit of their native city through unearthly soundscapes of their sophomore album.

Preserving the traditions of the first album, Soom creates a conceptual story, more uncanny in “spoken words”, more chaotic and deeper in music, combining doom metal with dark side of rave and Slobozhansky folk. The result of this mixture is unpredictable, so make sure you are ready for immersion.

Soom was founded in Kharkiv at the end of 2013. The band was set up on the outskirts of the projects that had been lying in the sources of the Kharkiv stoner sludge scene since 2010. After a lot of changes in consciousness, in 2016 the golden composition was formed: Amorth – drums, Tomrer – bass, Kova – guitar and vocals. For the period from 2013 to 2017, Soom recorded three splits with Pressor, Diazepam, Il and Vena, one EP “Fear and Loathing” and one full-length album “Night on the Meadow”. They also got into the Electric Funeral Café compilation from RobustFellow three times.

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Soom, Fear and Loathing (2015)

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Various Artists, Electric Funeral Cafe Vol. 3: Journeys End and Begin

Posted in Reviews on January 17th, 2017 by JJ Koczan

electric funeral cafe vol 3

Look. The thing is immense. One can barely hope to give a decent accounting of a compilation in a review in the easiest of scenarios, but to attempt to sum up the scope of Robustfellow ProductionsElectric Funeral Cafe Vol. 3, which spans three CDs in its physical incarnation and tops out at an astonishing 48 tracks and four-plus hours of listening material when the digital bonus tracks are included from the Bandcamp version, the idea itself becomes silly. All one can really do is the same thing the listener likely does: make your way through it at your own pace, try to absorb as much as you can, and step back to admire the incredible amount of coordinating effort that must have gone into its making.

The latter is particularly impressive as what’s been touted as the final installment of the Kiev-based Robustfellow‘s Electric Funeral Cafe trilogy — nothing like going out with a bang — is bigger even than its predecessors, which came out in 2016 and 2015 and were “only” two discs apiece. The first two were broken down into component Electric and Funeral halves, arranged along this theme by discs. This edition works much the same way, with the Electric discs more focused on heavy rock and the Funeral disc dug into dirge-style doom and sludge, but adds the Cafe disc, on which one might be hear the Beatles-gone-electro-pop psych of Black Maloka, the Creedence Clearwater Revival-style boogie of Freeky Clean or the pure Doorsian meandering of The Jossers, along with more familiar names like Krobak (a Stoned Jesus side-project) or The Legendary Flower Punk (a The Grand Astoria side-project).

As with the earlier volumes, the bulk of the inclusions here highlight the underground boom in the Ukraine itself. 38 of the total 48 groups involved hail from the Ukraine. Two more are from Russia (The Legendary Flower Punk and A Foggy Realm, also on the Cafe disc), and one each from Japan (Eternal Elysium, on the Electric disc), Finland (Loinen, Funeral disc), the US (Contra, Electric), Sweden (Suffer Yourself, Funeral), Belarus (Nebulae Come Sweet, Funeral), the UK (Sons of Alpha Centauri, Cafe), and Italy (Le Scimmie, Funeral). It’s easy to get lost in the sprawl of a release like this, certainly, but worth noting all the same that this is the first of the Electric Funeral Cafe offerings to branch outside the Ukraine itself, so even as Robustfellow ends the series, it does so by reaching into new territories, making the project all the more impressive. One imagines that if the label kept it going, it would only continue to grow.

ELECTRIC FUNERAL CAFE POSTER

Not that it’s lacking in its current form, of course. Pick your poison and it’s likely here somewhere, from the progressive heavy vibes of Stonefromthesky and Ethereal Riffian on the Electric disc to the deathly chug of Chainsaw Jack‘s “Crashing Waves” and post-hardcore-sludge of Nebulae Come Sweet on the Funeral disc to the ’90s-style psych of Vermilion Nocturne and beat-backed drone of Submatukana‘s “Genesis” — which boasts a sampled Bible reading amid creepy whispered vocals — on the Cafe disc. There are, of course, a host of bands here who aren’t so easily fit into one category or another, as Dreadnought foreshadow on the Electric disc some of the screaming that will be a running theme throughout most of the Funeral disc, and the huge Ufomammut-style roll, push and echoes of Soom on Funeral do likewise for Cafe, but each piece of Electric Funeral Cafe Vol. 3 offers something distinct from the others, and so the themes are not only ably established, but solidified while jumping from band to band, city to city, country to county, atmosphere to atmosphere.

And as ever for a worthy various-artists release, Electric Funeral Cafe Vol. 3 presents a number of curios warranting further investigation. In particular, Lviv’s 1914, who lead off the Funeral disc with “8×50 mm Repetiergewehr M95” would seem to have a fixation with WWI — remind me to tell you sometime about how it was the fall of Western Civilization; unless you’re European, in which case you already know — and Lucifer Rising on the Electric disc blend modern buzz tone with classic blues rock thrust, but there are a swath of such interest-piquers as the comp plays out, and the real challenge lies in not being overwhelmed by all of it.

Much to the credit of Robustfellow and to the benefit of the acts contributing, everyone is given a genuine chance to ply their sonic wares, whether that’s a sub-three-minute death-doom rumbler like Monmuth‘s “Vail Seven” or the nine-minute heavy post-rock rollout of Stonefromthesky‘s “67,” which makes sense in a if-you’re-going-to-do-it-and-it’s-already-huge-then-don’t-skimp kind of way, and if the tradeoff for that is there’s a lot of music to dig into, it’s the kind of issue a listener should probably be thankful to take on, even if it requires multiple rounds to get through the front-to-back experience — a four-hour listening session is a rare gift in these busy times. Bottom line is Electric Funeral Cafe Vol. 3 will be there, whether one wants to take it as a whole or in pieces — as a document of Ukrainian heavy, yes, but also the scene’s will to reach outside itself and include others in a creative conversation — and as that movement continues to flourish and progress, such an impulse can only help broaden a scope already shown here to be considerable. And by considerable, I mean staggering.

Various Artists, Electric Funeral Cafe Vol. 3 (2017)

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Electric Funeral Cafe Vol. 3 Compilation Due Next Month

Posted in Whathaveyou on December 14th, 2016 by JJ Koczan

If you’ve had the chance to check out the prior two installments of Robustfellow Productions‘ compilation series Electric Funeral Cafe, you already know they’re massive things. Huge in terms of the sheer amount of music they feature, and with a strong focus solely directed on the Ukrainian heavy scene, they bring to light some acts who those of us outside the region might not necessarily run into on a daily basis. Electric Funeral Cafe Vol. 3 is no different, but it’s worth noting that in addition to the good dose of acts from Kiev and Lviv it provides, it for the first time pushes international and boasts bands from the US, the UK, Belarus, Finland, Japan and Sweden included, so this final installment in the series — which comes with seven more tracks if you get the digital version — is by no means limited. Fitting for the mission of the series that it would expand even unto its conclusion.

I feel like the first line below under specifications really says it all: 41 bands, 9 countries, three discs, over three and a half hours of music. Sold.

Release date is Jan. 21. Here’s info from the PR wire:

electric funeral cafe vol 3

V/A – ‘Electric Funeral Café vol.3’

Formats: 3xCD in Deluxe digipack & Download
Catalogue # RBF 016 | IHR005
Label: Robustfellow Prods. & Iron Hamster Recs.
Release Date: 21 January 2017

Specifications:
– 41 bands from 9 countries on 3 CDs lasts for more than 3,5 hours
– Including 23 special tracks that you hardly hear anywhere else
– Plus 7 bonus tracks on digital version on bandcamp
– The final chapter of EFC trilogy
– Deluxe ltd.ed. that will consist of EFC vol.1,2,3
– Launch Party 21.I.2017 @ Winter Mass [“Monte Ray Live Stage”, Kyiv, UA]

Artwork design by Zinkovskaya Oksana
Design and DTP by Marsym Gavronsky
Made in Ukraine | 21.I.2017

List of robust bands involved in EFC vol.3 from A to Z:
1914 [Lviv, UA]
5R6 [Kharkiv, UA]
A Foggy Realm [Moscow, RU]
Atomic Simao [Kyiv, UA]
Bichkraft [Kyiv, UA]
Black Maloka [Kyiv, UA]
Borum [Kyiv, UA]
Chainsaw Jack [Kharkiv, UA]
Contra [Cleveland, OH, USA]
Dreadnought [Ternopil`, UA]
Drunk Diver [Lviv, UA]
Eternal Elysium [Nagoya, JP]
Ethereal Riffian [Kyiv, UA]
Filthy Rich Preacher [Cherkassy, UA]
Freeky Cleen [Kyiv, UA]
Krobak [Kyiv/Kharkiv, UA]
Katakomba [Kyiv, UA]
Le Scimmie [Vasto, IT]
Les Gendarmes [Kyiv, UA]
Loinen [Karjaa, FIN]
Love’n’Joy [Kyiv, UA]
Lucifer Rising [Kyiv, UA]
MAUT [Ivano-Frankivsk, UA]
Monmuuth [Dnipro, UA]
Nebulae Come Sweet [Minsk, BY]
Night on Fire [Zhytomyr, UA]
Ningen-girai [Cherkassy, UA]
Nödutgång:Självmord [Poltava, UA]
Obriy [Uzhgorod,UA]
Octopus Kraft [Drohobych/Lviv, UA]
Onsager [Khmelnitsky, UA]
OwlCraft [Cherkassy, UA]
Risin Sabotage [Kyiv, UA]
Small Depo [Kyiv, UA]
Sons Of Alpha Centauri [Kent, UK]
Soom [Kharkiv, UA]
Space-man [Lviv, UA]
stonefromthesky [Kyiv, UA]
Straytones [Kyiv, UA]
Submatukana [Dnipro, UA]
Suffer Yourself [Kyiv, UA/Linköping, SWE]
The Curse Of Wendigo [Kharcyzk/Kyiv, UA]
The Jossers [Kalush, UA]
The Legendary Flower Punk [St.Petersburg, RU]
Trip Inside Me [Kyiv, UA]
Tungu [Chernihiv,UA]
Vermilion Nocturne [Kyiv, UA]
Warningfog [Kyiv, UA]

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Various Artists, Electric Funeral Cafe Vol. 2 (2016)

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