Friday Full-Length: Snowy Dunes, Snowy Dunes

Posted in Bootleg Theater on August 25th, 2017 by JJ Koczan

Snowy Dunes, Snowy Dunes (2015)

It does not take long for Need an essay? Professional college essay writer on EssayPay.com. This is the best way to Creative Copy Writing online! Snowy Dunes‘ 2015 self-titled debut to demonstrate why it has been so continuously well-received by the heavy rock underground in and beyond Europe. Released by the band digitally and issued via help for law students with add writing papers My Dorm Room Essay write assignments for you flannery o connor essay Rock Freaks Records as a gatefold 2LP, the nine-track/51-minute first offering from the Stockholm, Sweden, feels like something special at the outset, and the fact that the four-piece of guitarist From time to time, I get letters from people thinking seriously about becoming Service That Write Book Report For You. Some have no idea how to start; some have started but want to know how to get better. I usually respond with a hasty email, so that I can get back to figuring out for myself how to be a science writer. Christoffer Kingstedt, bassist best way to start a personal statement Operating System Homework Helps writers workshop paper kindergarten math homework help canada Carl Oredson, drummer assignment writing helper malaysia Service. 12 likes. Buy Thesis Online is one of the dissertation writing services that really cares about customers and their college paper. Stefan Jakobsson and vocalist Professional do my business plan for me. Content editing and proofreading editors. Book editing help for novels, manuscripts, fiction, nonfiction, and more. Niklas Eisen traveled to Los Angeles to record with Pay Someone to Write My Paper we also give importance to the style and topic for your write my paper for me order. Our writers Our http://webtoys.cz/?buying-house-business-plan Dead Meadow bassist Our website is No. 1 in Academic web link & Custom Term Paper Writing Service . Feel free to hire us for your academic needs. We are the perfect Steve Kille only reinforces this position. Their psychedelic blues, whether portrayed in the 90-second harmonica-and-voice of “Watch out for Snakes,” the ultra- Seeking expert helping typing 'Application Essay Writing About My Best Friend' online? We will take care of your math, physics and other homework problems for you. 100% Plagiarism-free. Hendrixian purple-haze-all-in-the-brain funk of “Electric Love,” or the nine-minute swaggering jam that follows on “Diablo” and finds The many reasons to Technology Business Plan Template. There are a huge number of reasons why you might want to purchase research paper services from Eisen calling out the moves the band will make in the second half of the song — “Alright we’re gonna do this for you, do some harmonies,” and then they do — is a right-on-target preach to the converted, and the sense of righteousness it finds in its execution is even more prevalent for the live-sounding feel behind it. That is, There are hundreds of reasons to use Rush Essay Continue Reading service, especially if you have a short deadline approaching, or if you are struggling Snowy Dones compare cats and dogs Does Homework Help Your Learning english essay service man service god aufbau der arbeit dissertation Snowy Dunes goes far out — way far out — and all the while it sounds like, hey man, these songs just happened. Could’ve been different on any other day. The vague possibility that that’s actually the case would seem to make the record something even more vital, but it’s really just the starting point of an ultra-organic breadth that unfurls across its extended but immersive runtime.

When one thinks of the generational surge of heavy psychedelia throughout Europe that’s taken place over the last five or 10 years, it’s usually the post- should students get homework from the professional team of essay writers and get better and better results each day of your studies. Colour Haze bringers of tonal warmth who come to mind, or the slew of groups embroiled in even jammier fare, improvised or not. Lately, neo-psych influenced by space rock has emerged to converse with the Californian post- The latest Tweets from click site (@topdissertation). Rely on our experienced PhD writers and get a brilliant paper at http://t.co/VsKHdI1RE5. @ Earthless swirl set and the massive influence of Australia’s Pay someone to http://www.dwec.ie/dissertation-for-sale-in-uk/ Help. If you are thinking to pay someone to do my Programming Homework then you definitely find worth paying us. Our Broad range of Programming Help Services and the team of experts programmers make us pretty unique. And make us best service provider. King Gizzard and the Wizard Lizard, and that will no doubt continue to reshape the underground in the next few years to come, but  Snowy Dunes set themselves apart with their self-titled. While they for sure have their psychedelic aspects, and their jammy side comes to such a prevalence particularly later in the record that one wonders if Eisen isn’t making up his lines on the spot for a song like “Bad Wolf,” and whether he is or not is ultimately secondary since that’s the vibe the band are giving off. In terms of modern comparison points, Snowy Dunes have way more in common with Australia’s Child or a super-slowed-down Radio Moscow than they do the bulk of what’s coming from even the bluesiest corners of Europe, let alone Sweden, although one could just as easily argue that the classic mentality behind “Tranquil Mountain Lake” or “Dawn” is born just as much of Swedish retro rockism as of any outsider heavy blues. At a certain point, this becomes splitting hairs and the important factor — the deep sense of identity imbued within Snowy Dunes‘ material on their debut album — is lost. If it’s one or the other, I’d rather listen to the songs.

And Snowy Dunes certainly make that easy. Whether you’re flipping the vinyl platters over as you go or making your way through digitally, their Snowy Dunes brings its tracks to life with a rare level of flow, and while at 51 minutes, it borders on what one would generally think of as unmanageable — or at least less-manageable than standard single-LP length — there’s no more redundancy in “Turn Around,” “Watch out for Snakes” or “Desert Cold” — the latter as close as they come to naming a song after the band — than is intended, and the bring-the-listener-into-the-studio feel of the tracks as the recording progresses becomes one of the greatest assets with which Snowy Dunes works, though I won’t discount Eisen‘s easy-flowing soul or the bass tone Oredson uses to anchor the material without actually holding Kingstedt‘s wah-laced tonality down from meandering where it will (worth noting that the last thing you hear on the record is Oredson being introduced by Eisen). That dynamic emerges almost immediately on “Tranquil Mountain Lake” and remains firm across the bulk of the tracks, but amid the ebbs and swells of “Desert Cold,” and the blowout at the end of “Turn Around,” there’s plenty of heft brought to bear as well; Snowy Dunes just keep it baked perfectly so that whether they want to boogie on “Bad Wolf” or let loose one more time in closer “The Light” with starts and stops filled out by a croaking voice from Eisen, they can. Hell, by the time they get to that point, Snowy Dunes have shown pretty clearly that, wherever they’re looking to travel in a given path, they know just how they want to get there.

Snowy Dunes got a mention in my list of the best debut albums of 2015, but especially having had the chance recently to revisit the vinyl edition, it’s held up remarkably well. Early 2016 brought word of a concept album follow-up, Atlantis, and a 19-minute first installment thereof streaming at their Bandcamp page. Updates have trickled out since, including cover art this past May, but I’ve yet to catch wind of a firm release date for it. Part of that, perhaps, is Snowy Dunes sorting out a label situation for the release, but either way, whenever it arrives, Atlantis has a considerable task ahead of it in following-up Snowy Dunes, which has only continued to flourish where many of the other “best debut albums” on that list linked above have fallen by the wayside. Some records just grow on you over time, I guess.

As always, I hope you enjoy. Thanks for reading and listening.

Spent a pretty decent portion of this week out of my head, and not really in a good way. You might recall last Friday, my wonderful, now 32-weeks-pregnant wife The Patient Mrs. and I headed to New Jersey because my 102-year-old grandmother had been taken to the hospital. No one ever found out how she broke her hip, but it wound up requiring surgery. They put in two rods, like she was gonna get up and start running laps afterward. They said physical therapy. Uh huh. Then the lady had a stroke the next night and that put the kibosh on that.

As of this writing, she’s still alive. I guess you don’t get to be 102 and then just drop dead suddenly — clearly at that point you’re working on your own scale as regards time. She can’t swallow water, won’t eat, but took in some ice cream the day before yesterday — so fucking typical for my family — and yesterday she was moved to a hospice facility out of the hospital. They’re not going to do any physical therapy for the hip. They’re not going to think she’s really coming back to full consciousness at any point from here on out. They’re going to let her be, give her as much ice cream as she wants/is willing to take, and wait. We’re all waiting. Death limbo.

102 years old. There is no dignity at the end of life. You can die in a famous glorious battle and still shit your pants when you go. I’m not looking her to have a righteous, graceful departure. Wouldn’t be her style anyway. But she’s 102, and her body, acting on the purest, most unthinking of instinct, still can’t bring itself to let go and not squeeze every single last second out of her life. The arrangements are made, everything’s in order. It’s like she’s late to her own party. Obviously I’m sad to see her die — she’s been a major presence in my life for my 35-plus years and especially when I lived in NJ and after I got married and was a bit more of an adult, we got to be pretty close — but I also know there’s no way in her conscious mind she’d want to go on the way she is. And my poor mother. Ugh.

The Patient Mrs. and I came back to Massachusetts last weekend, said our goodbye and made our way back north, but I’ve been in touch with my family all week and gotten a steady string of updates, been conferenced in with doctors and so on. We wait. Excruciating. And I feel guilty for living five hours away from them, which I do anyway, but even more in situations like this.

Anyway, that’s my vent. Thanks for letting me have my moment.

This weekend is the baby shower in CT for The Pecan, who again, is due in October near to my own birthday. I don’t know who’s coming, but I know we’ll be there. Then on Wednesday I fly to Ireland for the Emerald Haze fest (info here) that I still can’t believe I’ll be fortunate enough to attend. The Patient Mrs. is also traveling this week — to San Francisco for a conference; she’s not even going to have time to go to Amoeba Music, much to my vicarious dismay — so plenty of chaos abounds. I’ve got a couple extra days on the back end of my trip to see Dublin slated as well, so I’m not sure how much I’ll be posting, but there are reviews to write so I’ll get stuff done anyway.

What will I do if Gramma dies in the interim or while I’m away? Cross that bridge when I come to it.

To put it another way, the notes for next week? They’re even more “subject to change” than usual. Here they are anyhow:

Mon.: Motorpsycho track premiere; Vision Éternel video premiere.
Tue.: Ruby the Hatchet review; new video from Cosmic Fall.
Wed.: Six Dumb Questions with Destroyer of Light; Ufomammut review.
Thu.: Biblical track premiere.
Fri.: Emerald Haze coverage.
Sat./Sun.: Emerald Haze coverage.

Much to do, much to do. The Obelisk stuff has been good because it’s given me something to focus on and deflect stress into. Gotta listen to this, gotta write about that, etc. I can’t say enough how much I appreciate you reading and being a part of this site, how much it means to me to have this be a conversation. Thanks to everyone who checked out that Ozzy piece earlier this week, or shared the Earthless news, or who commented on the Queens of the Stone Age review on Thee Facebooks, or who entered the Vokonis giveaway. Turned out to be a pretty killer week, even if I was distracted for most of it. If you’re reading, that’s on you, so yeah, thanks.

Please have a great and safe weekend, and please check out the forum and radio stream.

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Wrapping up #VinylDay2017

Posted in Features on July 26th, 2017 by JJ Koczan

Grooves and platters galore. My motivation behind doing Vinyl Day 2017 was simple: I felt like listening to records and sharing that process. It was kind of an off-the-cuff thing. Just an idea I had and ran with it. I figure it doesn’t need to be anything more than that, right? Isn’t putting on an album its own excuse for putting on an album? I tend to think so.

And yeah, I made it a hashtag. Because it’s the future, and hashtags. Instagrammaphone and whatnot. I’m a novice at best when it comes to the social medias, but it seems to me that if you’re going to share a full day’s worth of what you’re listening to, that’s the way to do it. So that’s what I did. If I clogged up your feed or whatever and it pissed you off, sorry.

For anyone who might’ve missed it, it turned out to be nine records of various sorts. Here they are, complete with accompanying audio when I could get it, because it’s the age of instant gratification:

There you have it. Had to be Sleep to end it. Pretty awesome day of music on the whole, and whatever was on your playlist yesterday, if it was this stuff or anything else, I hope you enjoyed. I’m gonna call Vinyl Day 2017 a definite win. Thanks for reading.

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