Quarterly Review: Stuck in Motion, AVER, Massa, Alastor, Seid, Moab, Primitive Man & Unearthly Trance, Into Orbit, Super Thief, Absent

Posted in Reviews on March 18th, 2019 by JJ Koczan

quarterly-review-spring-2019

Let the games begin! The rules are the same: 10 albums per day, this time for a total of 60 between today and next Monday. It’s the Quarterly Review. Think of it like a breakfast buffet with an unending supply of pancakes except the pancakes are riffs and there’s only one dude cooking them and he’s really tired all the time and complains, complains, complains. Maybe not the best analogy. Still, it’s gonna be a ton of stuff, but there are some very, very cool records included, so please keep your eyes and your mind open for what’s coming, because you might find something here you really dig. If not, there’s always tomorrow. Let’s go.

Quarterly Review #1-10:

Stuck in Motion, Stuck in Motion

stuck in motion self-titled

The classic style cover art of Swedish trio We provide http://www.ds3gboc.com/forum/?the-old-man-and-the-sea-essay writing service. Our prices start at per page. We know how to write good paper in your field! Stuck in Motion‘s self-titled debut tells much of the story. It’s sweet-toned vintage-style soul rock, informed by Hunting for online writing jobs? Join our team of professional http://www.mysleepingkarma.de/?volunteer-service-essays and editors. Expert freelance writers wanted! Graveyard to some degree, but more aligned to retroism. The songs are bluesy and natural and not especially long, but have vibe for weeks, as demonstrated on the six-minute longest-track “Dreams of Flying,” or the flute-laden closer “Eken.” What the picture doesn’t tell you is the heavy use of clavinet in the band’s sound and just how much the vintage electric piano adds to what songs like “Slingrar” with its ultra-fluid shifts in tempo, or the sax-drenched penultimate cut “Orientalisk.” Comprised of guitarist/vocalist thesis master security http://www.robe.cz/?help-with-american-history-homework nursing admission essay online essay outline Max Kinnbo, drummer Discover the Geophysics Assignment Help service you will ever find. Ditch that essay writing guide and get cheap essay writing online in a few seconds! Gustaf Björkman and bassist/vocalist/clavinetist homework meaning article source word count for essay writing an essay for college application universal Adrian Norén, Just tell us, "I need to try here today!" - The fastest essay writers in the world will do your paper at the right time and complete confidentially. Stuck in Motion‘s debut successfully basks in a mellow psychedelic blues atmosphere and shows a patience for songwriting that bodes remarkably well. It should not be overlooked because you think you’re tired of vintage-style rock.

Stuck in Motion on Thee Facebooks

Stuck in Motion on Bandcamp

 

AVER, Orbis Majora

aver orbis majora

Following up their 2015 sophomore outing, Homepage maid to order essay journal essay definition zeus research paper essays Nadir (review here), which led to them getting picked up by Get absolutely astonishing results - order a dissertation with Nutrition Homework Help! Professional PhD writers, affordable prices, money back and free Ripple Music, Australia’s Buy A Doctoral Dissertation No - Receive an A+ grade even for the most urgent writings. Get main tips as to how to receive the best essay ever Benefit AVER return with the progressive shove of does help homework Causal Analysis Essays college application essay news help with assignment writing uk Orbis Majora, five songs in 50 minutes of thoughtfully composed heavy progadelica, and while it’s not all so serious — closer “Hemp Fandango” well earns its title via a shuffling stonerly groove — opener “Feeding the Sun” and the subsequent “Disorder” set a mood of careful craftsmanship in longform pieces. The album’s peak might be in the 13-minute “Unanswered Prayers,” which culls together an extended linear build that’s equal parts immersive and gorgeous, but the rest of the album hardly lacks for depth or clarity of purpose. An underlying message from the Sydney four-piece would seem to be that they’re going to continue growing, even after more than a decade, because it’s not so much that they’re feeling their way toward their sound, but willfully pushing themselves to refine those parameters.

AVER on Thee Facebooks

Ripple Music on Bandcamp

 

Massa, Walls

massa walls

Flourish of keys adds nuance to Order an essay from a reliable How To Do A Dissertation 000 Word. Our professional ghost writers will create a perfect A+ paper from scratch! Massa‘s moody, heavy post-rock style, the Rotterdam-based trio bringing an atmosphere to their second EP, We provide Best Term Paper Sites Writing Services are standard based. Our custom PhD thesis proposal are efficient to all professionals. Walls, across five tracks and 26 minutes marked by periodic samples from cinema and a sense of scope that seems to be born of an experimental impulse but not presented as the experiment itself. That is, they take the “let’s try this!” impulse and make a song out of it, as the chunky rhythm of instrumental centerpiece “Expedition” or the melodies in the prior “#8” show. Before finishing with the crash-into-push of the relatively brief “Intermassa,” the eight-minute “The Federal” complements winding guitar with organ to affect an engaging spirit somewhere between classic and futurist heavy, with the drums holding together proceedings that would seem to convey all the chaos of that temporal paradox. Perhaps it was opener “Shiva” that set this creator/destroyer tone, but either way,  Need Where To Buy Essays Uks? Our highly qualified professionals can polish your papers to perfection! Student-friendly prices and high-quality results are Massa bask in it and find a grim sense of identity thereby.

Massa on Thee Facebooks

Massa on Bandcamp

 

Alastor, Slave to the Grave

alastor slave to the grave

The first full-length from Swedish doomplodders resume template examples Help To Write A Book 300 Word how to write a good college essay admission people who help on homework Alastor and their debut on Purchasing Business Plan Elements Structure online should not be overwhelming even though they are numerous custom writing services. RidingEasy Records, late 2018’s Slave to the Grave is the four-piece’s most expansive offering yet in sonic scope as well as runtime. Following the 2017 EPs Blood on Satan’s Claw (review here) and Black Magic (review here), the seven-song/56-minute offering holds true to the murk-toned cultism and dense low-end rumble of the prior offerings, but the melodic resonance and sense of updating the aesthetic of traditional doom is palpable throughout the roller “Your Lives are Worthless,” while the later acoustic-led “Gone” speaks to a folkish influence that suits them surprisingly well given the heft that surrounds. They make an obvious focal point of 17-minute closer “Spider of My Love,” which though they’ve worked in longer forms before, is easily the grandest accomplishment they’ve yet unfurled. One might easily say the same applies to Slave to the Grave as a whole. Those who miss The Wounded Kings should take particular note of their trajectory.

Alastor on Thee Facebooks

RidingEasy Records website

 

Seid, Weltschmerz, Baby!

seid-weltschmerz_baby-web

If Norwegian space-psych outfit Seid are feeling weary of the world, the way they show it in Weltschmerz, Baby! is by simply leaving it behind, substituting for reality a cosmic starscape of effects and synth, the odd sample and vaguely Hawkwindian etherealism. The centerpiece title-track is a banger along those lines, a swell of rhythmic intensity born out of the finale of the prior “Satan i Blodet” and the mellow, flowing “Trollmannens Hytte” before that, but the highlight might be the subsequent “Coyoteman,” which drifts into dream-prog led by echoing layers of guitar and eventually given over to a fading strain of noise that “Moloch vs. Gud” picks up with percussive purpose and flows directly into the closer “Mir (Drogarna Börjar Värka),” rife with ’70s astro-bounce and a long fadeout that’s less about the record ending and more about leaving the galaxy behind. Starting out at a decent clip with “Haukøye,” Weltschmerz, Baby! is all about the journey and a trip well worth taking.

Seid on Thee Facebooks

Sulatron Records website

 

Moab, Trough

moab trough

A good record tinged by the tragic loss of drummer Erik Herzog during the recording and finished by guitarist/vocalist Andrew Giacumakis and bassist Joe Fuentes, the 10-track/39-minute Trough demonstrates completely just how much Moab have been underrated since their 2011 debut, Ab Ovo (discussed here), and across the 2014 follow-up, Billow (review here), as they bring a West Coast noise-infused pulse to heavy rock drive on “All Automatons” and meet an enduring punker spirit face first with “Medieval Moan,” all the while presenting a clear head for songcraft amid deep-running tones and melodies. “The Will is Weak” makes perhaps the greatest impact in terms of heft, but heft is by no means all Moab have to offer. With the very real possibility this will be their final record, it is a worthy homage to their fallen comrade and a showcase of their strengths that’s bound someday to get the attention it deserves whenever some clever label decides to reissue it as a lost classic.

Moab on Thee Facebooks

Moab on Bandcamp

 

Primitive Man & Unearthly Trance, Split

primitive man unearthly trance split

Well of course it’s a massive wash of doomed and hate-filled noise! What were you expecting, sunshine and puppies? Colorado’s Primitive Man and Brooklyn’s Unearthly Trance team up to compare misanthropic bona fides across seven tracks of blistering extremity that do Relapse Records proud. Starting with the collaborative intro “Merging,” the onslaught truly commences with Primitive Man’s 10-minute “Naked” and sinks into an abyss with the instrumental noisefest “Love Under Will,” which gradually makes its way into a swell of abrasive drone. Unearthly Trance, meanwhile, proffer immediate destructiveness with the churning “Mechanism Error” and make “Triumph” dark enough to live up to its most malevolent interpretations, while “Reverse the Day” makes me wonder what people who heard Godflesh in the ’80s must’ve thought of it and the six-minute finishing move “418” answers back to Primitive Man‘s droned-out anti-structure with a consuming void of fuckall depth. It’s like the two bands cut open their veins and recorded the disaffection that spilled out.

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Unearthly Trance on Thee Facebooks

Relapse Records website

 

Into Orbit, Shifter

Into Orbit Shifter

Progressive New Zealander two-piece Into OrbitPaul Stewart on guitar and Ian Moir on drums — offer up the single Shifter as the answer to their 2017 sophomore long-player, Unearthing. The Wellington instrumentalists did likewise leading into that album with a single that later showed up as part of a broader tracklist, so it may be that they’ve got another release already in the works, but either way, the 5:50 standalone track finds them dug into a full band sound with layered or looped guitar standing tall over the mid-paced drumming, affecting an emotion-driven atmosphere as much as the cerebral nature of its craft. Beginning with a thick chug, it works into more melodic spaciousness as it heads toward and through its midsection, lead guitar kicking in with harmony lines joining soon after as the two-piece build back up to a bigger finish. Whatever their plans, Into Orbit make it clear that just because something is prog doesn’t mean it needs to be staid or lack expressiveness.

Into Orbit on Thee Facebooks

Into Orbit on Bandcamp

 

Super Thief, Eating Alone in My Car

super thief eating alone in my car

Noise-punk intensity pervades Eating Alone in My Car, the not-quite-not-an-LP from Austin four-piece Super Thief. They call it an album, and that’s good enough for me, especially since at about 20 minutes there isn’t much more I’d ask of the thing that it doesn’t deliver, whether it’s the furious out-of-mindness of minute-long highlight “Woodchipper” or the poli-sci critique of that sandwiches the offering with opener “Gone Country” immediately taking a nihilist anti-stance while closer “You Play it Like a Joke but I Know You Really Mean It” — which consumes nearly half the total runtime at 9:32 — seems to run up the walls unable to stick to the “smoke ’em if you got ’em” point of view of the earlier cut. That’s how the bastards keep you running in circles, but at least Super Thief know where to direct the frustration. “Six Months Blind” and the title-track have a more personal take, but are still worth a read lyrically as much as a listen, as the rhythm of the words only adds to the striking personality of the material.

Super Thief on Thee Facebooks

Learning Curve Records website

 

Absent, Towards the Void

absent towards the void

Recorded in 2016, released on CD in 2018 and snagged by Cursed Tongue Records for a vinyl pressing, Absent‘s Towards the Void casts a shimmering plunge of cavernous doom, with swirling post-Electric Wizard guitar and echoing vocals adding to the spaciousness of its four component tracks as the Brasilia-based trio conjure atmospheric breadth to go along with their weighted lurch in opener “Ophidian Womb.” With tracks arranged shortest to longest between eight and a half and 11 minutes, “Semen Prayer,” “Funeral Sun” and “Urine” follow suit from the opener in terms of overall approach, but “Funeral Sun” speeds things up for a stretch while “Urine” lures the listener downward with a subdued opening leading to more filth-caked distortion and degenerate noise, capping with feedback because at that point what the hell matters anyway? Little question in listening why this one’s been making the rounds for over a year now. It will likely continue to do so for some time to come.

Absent on Thee Facebooks

Cursed Tongue Records webstore

 

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Alastor Stream Title-Track of New Album Slave to the Grave; Preorders Available

Posted in Whathaveyou on August 28th, 2018 by JJ Koczan

alastor

Swedish doom rockers Alastor renew their not-so-humble invitation to die in fire with their RidingEasy Records debut album and second overall full-length, Slave to the Grave, the maddeningly catchy title-track of which they’re streaming now ahead of the Oct. 31 release. The new record follows last year’s three-songer LP, Black Magic (review here), which was released via Twin Earth Records, and the subsequent Blood on Satan’s Claw EP (review here), which found the four-piece dooming out a Creedence Clearwater Revival cover in “Bad Moon Rising.” Good times. In fire. Slave to the Grave would seem to continue their penchant for fuckall-laced darkened themes, and in addition to the unveiling of new, clever stage names where formerly each member only went by a single-letter initial, the mere fact that the new record boasts seven tracks would seem to speak to a change of approach. To wit, at just over seven minutes, “Slave to the Grave” is the shortest song they’ve ever done.

As to how the rest of the LP will play out, one can only look forward to knowing. Halloween’s the date, but preorders are up now from the label if you’re the type to take care of that kind of thing early. I bet you pay bills on time, too. Way to go on that.

From the PR wire:

alastor slave to the grave

Alastor premiere title track from forthcoming RidingEasy Records debut Slave To The Grave

Swedish depraved heavy doom hearkens to early occultist hard rock

Alastor hearken to the days when heavy rock was the music of the rebel, the occult adherent and lurker in the shadows, not hipster bros. Theirs is the doom sound for those who discovered it on the edge of town, in the cold rain, perhaps, as an escape from the squares who’ll never understand.

Alastor is heavy doom rock for the wicked and depraved. Drenched in heavy, distorted darkness and steeped in occult horror that will make your skin crawl and ears cry sweet tears of blood, Slave To The Grave pulls no punches in the Swedish band’s unabashedly bleak themes.

“It’s an album that circles around the concept of death,” explains lead guitarist Lucy Ferian. “It’s about death in both its spiritual and personal meaning — how death is a part of our everyday life. How it affects our thoughts and actions. How some of us spend our entire life in fear of death, while some seek it. But no matter how you live your life and no matter what you achieve here on this earth. You are still just a slave to the grave.”

Alastor formed under a bad moon in 2016, consisting of Dharma Gheddon (vocals, bass, acoustic guitar and organ), Lucy Ferian on lead & acoustic guitar and organ, Terry Fying on guitar and Levi Athan on drums. Yes, those are their given birth names, why do you ask?

The quartet released its epic 3-song debut album Black Magic in early 2017 via Twin Earth Records, followed by the 2-track “Blood On Satan’s Claw” EP on Halloween the same year. Joining forces with RidingEasy Records in 2018, Alastor hunkered down to summon the 7-track hateful gospel Slave To The Grave with engineer Magnus Sörensen.

The album opens with the dramatic spoken intro “I döden är vi alla lika” (In death we are all equal) backed by rolling thunder and a clanging church bell to set the stage for the rumbling dirge “Your Lives Are Worthless.” Forlorn vocals and drop-tuned guitars seep like murky syrup as the song slowly morphs through varying riffs across the nearly 10-minute song as it builds to an epic crescendo of squealing guitar notes and pummeling half-tempo drums. “Drawn To The Abyss” is a swinging anthem punctuated by haunting backing vocals and scraping wah-wah guitar sounds leading into a powerful double-time outro. “N.W. 588” is the hook-laden melodic centerpiece sounding like an apparent nod to Technical Ecstasy leading into the flamenco-themed acoustic ballad “Gone.” The anthemic album title track rings out with pliant lead guitar notes countering the dark lyrics and behemoth, propulsive rhythms that can only foreshadow the heft of 17-minute album closer “Spider of My Love” which brings the album to a fittingly massive and funereal close. Perfect.

Slave To The Grave will be available on LP, CD and download on Halloween, October 31st, 2018 via RidingEasy Records. Pre-orders are available HERE.

rtist: Alastor
Album: Slave to the Grave
Label: RidingEasy Records
Release Date: October 31, 2018

01. I döden är vi alla lika
02. Your Lives Are Worthless
03. Drawn to the Abyss
04. NLW 588
05. Slave to the Grave
06. Gone
07. Spider of My Love

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alastordoom.bandcamp.com
ridingeasyrecs.com

Alastor, “Slave to the Grave”

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