The Obelisk Questionnaire: Evan Linger of Dreamwheel and Skeletonwitch

Posted in Questionnaire on September 1st, 2023 by JJ Koczan

Evan Linger of Dreamwheel and Skeletonwitch

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Evan Linger of Dreamwheel and Skeletonwitch

How do you define what you do and how did you come to do it?

I never really liked anything the way I like and gravitate towards music. Growing up, everything felt like static. Not horribly terrible but also not stimulating or exciting to any degree. It was all going through the motions to fit in like everyone else; get up, go to school (later work), play sports or have a typical hobby, watch TV, spend time with people I called friends and repeat. Even at a young age this all felt like being in some kind of tedious purgatory, especially growing up in the homogenous American Midwest. I was, even at a young age, full of complex feeling and emotions that had no place in the static and dull world that surrounded me. Luckily for me, my mother is a music fan and has great taste. I began to realise that, although I could not physically escape my grey and monotone surroundings, there is a bigger and more vibrant world out there. A world that fit me or at least had room for complex emotions and thoughts. I think this is true for so many people. When we have or create music, as a fan or artist, the world doesn’t seem so dull and depressing and grey. One can give some meaning and color to an otherwise chaotic an tragic world with music. At the very least we can express or feel something deep and rich we would not normally get to feel with the power of music. I essentially came to do what I do out of necessity.

Describe your first musical memory.

It is all a mix of not physical memories but rather a switched being turned on at some point. If I had to take a guess it would be riding in the car with my mother and her knowing the words to 60s and 70s rock songs and telling me all about the song and the artists. Later thumbing through piles of LPs and listening to certain songs over and over just to catch a certain feeling again.

Describe your best musical memory to date.

I have been very lucky to not just be a listener, which would have been fine enough for me, but to have put music out in the world that may have also given a handful of people the same feelings I get when listening to music. This is the best for me. On a stage or on a record, it doesn’t matter.

When was a time when a firmly held belief was tested?

I believe nothing is fixed or permanent. If you have firm beliefs eventually you are going to get very disappointed. Everyone is living their own reality and having their own experience and you have to be flexible or at least cognisant of that. You have to be open to everyone’s perspective even of its polarising to yours. It is a daily exercise for me to recognise this and I still struggle with it.

Where do you feel artistic progression leads?

The whole exercise itself of progressing as an artist isn’t a means to an end or leading to some final goal. The effort to progress is the end game. Art isn’t a science with defined parameters. If you pick up an instrument or put on a new record or go to a museum that effort itself is what’s important. Our willingness to create or absorb art leads us to want to create and absorb more. Art and creativity lead to more art and creativity.

How do you define success?

This is a very personal. There is commercial, monetary and personal success. Music can exist in one or all of these spaces. For me, it is being satisfied with the effort I put in to create the music. This always feels like a big success. If I can listen back to a record I played on and know, even with its flaws, I did the best I could in that time then I feel like it was a successful undertaking.

What is something you have seen that you wish you hadn’t?

I have had some good and bad experiences in the music world. All of them helped me get where I am now and I try and find some gold even in the shit ones.

Describe something you haven’t created yet that you’d like to create.

I am on a constant quest to make songs and music that pushes emotions deeper and farther. I think a good artist always thinks he/she still has to create no matter how far they have come. I cannot imagine one day saying ‘’I did it all and it was all great and I have nothing more to say’’.

What do you believe is the most essential function of art?

To move people to a place they otherwise couldn’t be moved without art.

Something non-musical that you’re looking forward to?

Just spending time with good people that I have in my life.

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Dreamwheel, Redeemer EP teaser

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Roadburn 2015: Enslaved and Wardruna’s Skuggsjá Collaboration, Floor, Virus, Sólstafir, Bongripper and More Join Lineup

Posted in Whathaveyou on September 17th, 2014 by JJ Koczan

roadburn 2015 banner

Unbelievable. I’m not even sure where to start with the latest round of additions to Roadburn 2015.

The Enslaved and Wardruna collaboration Skuggsjá, or the not-gonna-miss-’em-again Virus, or Floor or Bongripper doing two sets. It’s overwhelming, to be perfectly honest with you. I’m exhausted right now. Well, I was exhausted anyway, but still. You get my point.

I’ve heard from a couple other acts who can’t announce yet but definitely have “April European tour plans,” and there are one or two other names I’m dying to see if they get added to the fest, but gadzooks, that’s a lotta Roadburn. All I can say is dig in, there’s a lot to catch up on:

skuggsja at roadburn 2015

Enslaved and Wardruna To Perform Skuggsjá, The Sound of Norway’s Norse History at Roadburn Festival 2015

Roadburn Festival 2015 Ticket Pre-Sales Start Thursday, Oct 16th 2014 at 21:00 CET; Pre-Sales Party at The 013 Venue (NL)

Bongripper, Floor, Sólstafir, Virus, White Hills, Messenger, Junius, Skeletonwitch, Svartidaudi, Mortals, The Osiris Club and Zoltan also confirmed for the 20th edition of Roadburn Festival.

We’re elated to announce that Enslaved and Wardruna will perform Skuggsjá, the sound of Norway’s Norse History at Houses of the Holistic, Ivar Bjørnson’s and Einar “Kvitrafn” Selvik’s curated Roadburn event on Friday, April 10 at the 013 venue in Tilburg, The Netherlands.

Written by Bjørnson and Selvik for the 200th anniversary of the Norwegian Constitution and premiered this past weekend at the Eidsivablot festival, this will be Skuggsjá’s first performance outside of Norway, and will certainly be one of the highlights of the 20th edition of Roadburn Festival.

Skuggsjá translates into ‘mirror’ or ‘reflection’ in the Norse language, and the commissioned piece not only contextualizes harder music’s role in the democracy in Norway in 2014, but also joins threads from the country’s ancient musical history and solidifies harder music’s position as Norway`s most important cultural export.

By highlighting ideas, traditions and instruments of their Norse past, Skuggsjá will tell the history of Norway and reflect relevant aspects from the past into the present day. In light of this they will reflect on themselves as a people and nation. In a magnificent tapestry of metal instrumentation, a wide variety of Norway and Scandinavia’s oldest instruments, and poetry in Proto-Scandinavian, Norse and Norwegian, Skuggsjá will be a fusion between past and present, both lyrically and musically.

We simply can’t wait to experience it ourselves, to hear how how Norwegian metal has developed from its rebellious roots into the highly acclaimed artistic expression of a complex music genre, under Norway’s constitutional right to freedom of speech.

In related news, Virus, Junius, Skeletonwitch, Svartidaudi and Icelandic heathens Sólstafir, who are currently making huge waves with their latest release, Ótta, are also confirmed for Houses of the Holistic, Ivar Bjørnson’s and Einar “Kvitrafn” Selvik’s curated Roadburn event on Friday, April 10 at the 013 venue.

Tickets for the 20th edition of Roadburn Festival, set for April 9 – 12 at the 013 venue in Tilburg, The Netherlands, will go on sale on Thursday, October 16, 2014. Set your alarm and get ready to score your tickets at 21:00 CET!

The majority of Roadburners live outside The Netherlands, which is why ticket pre-sales will start at 21:00 CET. This should be convenient for most time zones. Apologies to our friends in Oceania who will have to wake up early (or just stay up late)!

We are pleased to report that there will be NO price increase this year.Three-day tickets will be available for 165 Euros (excl. servicefees); four-day tickets will cost 185 Euros (excl. service fees). Afterburner-only tickets will cost 32.50 Euros (excl. service fees). Please note that one-day tickets are not available for the Thursday, Friday or Saturday Roadburn dates. Online buyers can order a maximum of four tickets.

For everyone in the Netherlands and Belgium: we are aware that your local ticket outlets will not be open when pre-sales start, which is why we are throwing another pre-sales party at the 013 venue in Tilburg (NL). From 19:00 CET – 20:30 CET you will be able to purchase a maximum of four paper tickets for Roadburn Festival 2015. Guaranteed!

In addition to making it easy to get tickets, the pre-sales party is going to be a blast! This year, we have invited The Machine and Radar Men From The Moon to provide the soundtrack.

The live music part of the evening starts at 20:30 CET. Roadburn’s artistic director/promoter Walter Hoeijmakers will be on hand to share the latest festival updates, too.

Chicago instrumental band Bongripper will make a welcome return to the 20th edition of Roadburn Festival with two sets that feature their unique brand of devastating doom. The first will see them play their latest album, Miserable, in its entirety at the main stage on Thursday, April 9. The second will be later that weekend (more info about the date to be determined).

If you are a fan of stellar riffs and molasses-thick distorted guitar tone, Floor has everything you want in music. These Floridian sludge/pop pioneers get a lot of comparisons to lead singer/guitarist Steve Brooks other band, Torche — and rightfully so — with his instantly recognizable singing style and guitar tone. Floor, however, is the essence of pure heaviness, with just a nod to the pop melodies that have spurred Torche on to crossover success. Come feel the downtuned thunder of Floor’s bassless power trio attack when Floor plays the main stage of the 013 venue at the 2015 Roadburn Festival on Thursday, April 9.

Combining many of the essential themes of Roadburn music in their volatile sonic elixir — psych, space rock, stoner rock, kraut rock and noise — have made White Hills one of Roadburn’s favorite bands. Their bespangled and energetic live shows have a life and chaotic energy of their own that reshapes their music and creates powerful sonic programming driven by pure energy, exactly the kind of thing that Roadburn celebrates, and fans seek. White Hills will make a very welcome return to Roadburn for a main stage performance on Sunday, April 12.

After winning the limelight category for the brightest young rising stars in the progressive sky today at this year’s Progressive Music Awards this past weekend, Messenger will bring their acid folk/prog and psychedelica to the 20th edition of Roadburn on Saturday, April 11.

Mortals, The Osiris Club and Zoltan have also been confirmed for the 20th edition of Roadburn Festival.

Curated by Ivar Bjørnson (Enslaved) and Wardruna‘s Einar “Kvitrafn” Selvik, Roadburn Festival 2015 (including Skuggsjá, Enslaved, Wardruna, Fields of the Nephilim, Claudio Simonetti’s Goblin performing Dawn of The Dead and Susperia in its entirety, Zombi, Sólstafir, White Hills, Bongipper, Floor and The Heads as Artist In Residence among others) will run for four days from Thursday, April 9 to Sunday, April 12 at the 013 venue in Tilburg, The Netherlands.

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Skuggsjá teaser video

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