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Sigiriya Premiere “Mantis” Video from Maiden – Mother – Crone

Posted in Bootleg Theater on November 18th, 2020 by JJ Koczan

sigiriya

Tough break, Sigiriya. And really, planet earth. The Welsh riff purveyors who trace their roots back not only to the sacred ground of Mama Globe itself, but also to UK stoner rock spearheads Acrimony, issued their third long-player, Maiden – Mother – Crone (review here), through Burning World Records in April 2020, which, let’s face it, was a terrible time to do anything other than hunker down and grind your teeth anxiously. They’d already seen their fair share of tumult by then, with health scares and a drummer swap in the time since they issued 2014’s Darkness Died Today (review here; discussed here), and, well, like the rest of everyone, it’s not as if a global pandemic was a good thing to have along with an album release.

Maiden – Mother – Crone starts off with “Mantis,” and as though to remind those of us fortunate enough to be paying attention of just how friggin’ catchy a beginning that is, Sigiriya have a new video for the track premiering below. Note the sitar, note the roll, not the hook, note the slowdown. Sigiriya have plenty of burl on offer throughout Maiden – Mother – Crone, and it’s balanced better in the mix than it was on Darkness Died Today, which was the introduction of vocalist Matt “Pipes” Williams (also Suns of Thunder), but the band’s ethereal edge comes through “Mantis” even amid the tonal largesse that surrounds, and it’s that blend in shifting between one side and the other and in between that the personality of the band is realized on this third offering.

I’ll keep it relatively short and turn you over to the video, but if you need a refresher on Maiden – Mother – Crone or may have missed it due to outside circumstances or the fact that you were so busy in April trying to chase down an N-95 mask that you didn’t have the chance to check out new records, you’ll find the full Bandcamp stream toward the bottom of the post, and I doubt you’ll regret taking the time to dig in. Me, I’m glad to have the excuse to write about the band again.

Enjoy:

Sigiriya, “Mantis” official video

Welsh mountain men and valley crawlers Sigiriya are the first to admit to their faults – and yes, they got it wrong. The darkness hadn’t died. The eternal turn is undeniable. After the light of every day comes a veil of night, throwing real-world shadows into the soul of the Light Seeker.

Recorded with Adam Howell at UWTSD Studios in Swansea (with additional work by Matt Williams at Sunnyvale Studios), and mixed and mastered at The Bridge Studios & FX London by the lord of heaviness Richard Whittaker, it’s a monolith of light at the end of the tunnel, a rage against the system, a modern myth and a call to atavism.

Sigiriya are:
Matt ‘Pipes’ Williams (vocals)
Rhys Miles (drums)
Stu O’Hara (guitar)
Paul ‘Mead’ Bidmead (bass)

Sigiriya, Maiden – Mother – Crone (2020)

Sigiriya on Thee Facebooks

Burning World Records website

Burning World Records on Thee Facebooks

Burning World Records on Instagram

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Sigiriya Announce New Album Maiden Mother Crone; Premiere “Cwn Annwn”

Posted in audiObelisk on January 20th, 2020 by JJ Koczan

SIGIRIYA

Welsh rockers of time and space Sigiriya will release their third full-length, Maiden Mother Crone, this Spring through Burning World Records. By the time it arrives, it will be their first offering of any sort in six years, and in addition to introducing drummer Rhys Miles to the fold, the album collects eight tracks for a 45-minute run of of-the-earth-but-nonetheless-ethereal rolling grooves that seem to draw as much from the mythological as from the world around them in presence and theme alike. Early cuts like “Cwn Annwn,” “Tau Ceti” and “Peace of My Mind” establish Sigiriya circa 2020 as a band afraid neither to touch ground nor sky, and the spaciousness in the echoing vocals of Matt “Pipes” Williams (also Suns of Thunder) only adds breadth to the fluid distortion and heft of Stu O’Hara‘s guitar and Paul Bidmead‘s bass.

The latter two, of course, are alumni of Swansea-based troupe Acrimony — the bulk of whose studio work Burning World recently remastered and issued as the boxed set Chronicles of Wode (review here) — and though when Sigiriya started out with their 2011 debut, Return to Earth (review here), their mission seemed to further that band’s rather significant legacy, subsequent years have found them pulling in a new direction, and Maiden Mother Crone continues that thread. Part of it is sheer lineup. Matt Williams — who also did some recording on the new album, while Richard Whittaker mixed and mastered — took the frontman spot from Dorian Walters, who also had been in Acrimony, and sure enough, Rhys Miles comes to Sigiriya in place of Darren Ivey, who’d also been in the prior outfit. Some change of dynamic, then, seems inevitable as half the makeup of the band has changed from the first album to the third, but O’Hara‘s guitar tone is a signature element and recognizable throughout Maiden Mother Crone, whether it’s the crunching riff in opener “Mantis” or the shorter “Dark Call” later on, which seems to get swallowed up by the sheer overload of dense, hairy fuzz.

Whatever familiar elements persist, and however welcome they may be — because, frankly, I’ll take that guitar sound anytime it wants to show up — Sigiriya‘s sonic identity has never sounded more their own and more distinct than it does Sigiriya Maiden Mother Cronethroughout Maiden Mother Crone. After the resonant cast and grit of “Seeking Eden” and “Dark Call”‘s push, the record’s two longest tracks take hold in succession, with “Arise (Darkness Died Today)” referencing the band’s second album, 2014’s Darkness Died Today (review here, also discussed here) as it digs into suitably moodier vibes and touches on some vocal harmonies from Williams along with a fullness of sound that extends even to Miles‘ crash cymbals, the song still relatively straightforward in structure and, at 6:21, not much longer than “Cwn Annwn” or “Peace of My Mind” back on side A, but just an extra touch more atmospheric as to justify its position as the penultimate cut ahead of 8:21 closer “Crushed by the Weight of the Sky.”

It is a particular credit to Miles and Bidmead as the rhythm section that Maiden Mother Crone rolls with such a nodding flow across its span the drums and bass allow for the psychedelic, airier flourish in the guitar as well as the dead-ahead shove when that comes up, but they show a steadiness of pace that isn’t to be overlooked when it comes to how immersive the record ends up being. That’s true even in the up-front rockers “Mantis,” “Cwn Annwn” and “Tau Ceti” — the latter of which should be enough to sate anyone’s Acrimony fix if the box set didn’t do it — but comes to the forefront starkly at the halfway point of “Crushed by the Weight of the Sky” as well as Miles switches to timekeeping with his crash cymbal. It seems like such a simple moment, such an easy thing for a drummer to do, but it is just right in serving the purpose of the song’s overarching groove, and though Williams soon enough begins the next verse/hook and O’Hara‘s guitar will after six minutes in take the reins and lead the band through a tempo kick as they build to the organ-or-at-least-organ-sound-laced last crescendo, of which the band take full advantage, not letting the opportunity pass to pay off both the track in question and the album as a whole.

Six years between records is a long time. That’s double the stretch between their first and second albums. And it’s not in their nature stylistically to sound “refreshed,” but Sigiriya do come across as vital throughout Maiden Mother Crone, and as they craft their folkloric place within the greater sphere of the UK heavy underground, they do so by stepping further out of the rather significant shadow of O’Hara and Bidmead‘s former outfit and into their own light. Will it be six years before another Sigiriya album surfaces? Maybe. Hell if I know. But if it is, Maiden Mother Crone shows clearly that Sigiriya are able to translate all that time into sonic growth on the part of the band. Like the songs themselves, that is not to be taken lightly.

You can stream the premiere of “Cwn Annwn” on the player below. More PR wire details from Burning World Records follow. Preorders and all that coming soon.

Please enjoy:

Shine on…

Welsh mountain men and valley crawlers Sigiriya are the first to admit to their faults – and yes, they got it wrong. The darkness hadn’t died. The eternal turn is undeniable. After the light of every day comes a veil of night, throwing real-world shadows into the soul of the Light Seeker.

Personal trauma, mental and physical health issues, and even new drummer Rhys Miles (who replaced Darren “TDB” Ivey before the writing of ‘Maiden…’) staring down the grim Reaper directly, have taken their toll on Sigiriya – ‘Maiden Mother Crone’ has been a tough album to harness.

Recorded with Adam Howell at UWTSD Studios in Swansea (with additional work by Matt Williams at Sunnyvale Studios), and mixed and mastered at The Bridge Studios & FX London by the lord of heaviness Richard Whittaker, it’s a monolith of light at the end of the tunnel, a rage against the system, a modern myth and a call to atavism.

‘Maiden Mother Crone’ is undeniably heavier, slower and darker in places, yet in others it soars and roars higher and brighter than ever. More mature in its focus, sound and integration of lyrics and influences than previous releases, with ‘Maiden Mother Crone’, Sigiriya shine onwards through this eternally turning cosmos.

Tracklisting:
1. Mantis
2. Cwn Annwn
3. Tau Ceti
4. Peace of My Mind
5. Seeking Eden
6. Dark Call
7. Arise (Darkness Died Today)
8. Crushed by the Weight of the Sky

Sigiriya are:
Matt ‘Pipes’ Williams (vocals)
Rhys Miles (drums)
Stu O’Hara (guitar)
Paul ‘Mead’ Bidmead (bass)

Sigiriya on Thee Facebooks

Burning World Records website

Burning World Records on Thee Facebooks

Burning World Records on Instagram

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