Posted in Bootleg Theater on November 2nd, 2016 by JJ Koczan
A righteous hook is never a bad place to start, and Arizona heavy rock trio Fuzz Evil certainly have that working in their favor as they begin a new series of lyric videos from their self-titled debut (review here). My understanding is that it’s their intent to create a clip to coincide with each of the six tracks on the album, which came out on Battleground Records at the end of September, and they begin with the catchy and uptempo “Killing the Sun.” Among the cuts surrounding, it’s one of the more purely desert rock in theme and execution, and it finds the Sierra Vista three-piece neck-deep in the classic-style chemistry shared between the lineup of guitarist/vocalist Wayne Rudell, bassist Joey Rudell and drummer Marlin Tuttle, since replaced by Daniel Graves.
Joey Rudell took on the responsibility for putting together the lyric video himself, snagging an awesome public domain space cartoon from archive.org and setting the text to it with some creative, rhythmic editing and a retro font to keep the look consistent. The Rudells have shown a genuine DIY streak over the last couple years, in Fuzz Evil and their other outfit, Powered Wig Machine, as well as in their helming the Borderland Fuzz Fiesta festival, so to find them diving into a task of promoting their first Fuzz Evil album with what will (theoretically at this point; sometimes plans change) basically result in a video for each track seems about consistent to their general operating modus. If you haven’t yet been introduced to the LP, the clip is a charming means of accomplishing that, and if nothing else, think of it as an excuse to pay another visit to a cool track from the record. Not that you really need one, but still.
Credits and links follow the video below.
Enjoy:
Fuzz Evil, “Killing the Sun” lyric video
Credits: Song From: Fuzz Evil 2016 release “Fuzz Evil” Written, and owned by Fuzz Evil
Footage: “from Destination Earth” Downloaded from https://archive.org/ by Sutherland (John) Productions Published 1956 Usage Public Domain Sponsor American Petroleum Institute Audio/Visual Sd, C
[Click play above to stream Fuzz Evil’s self-titled debut in its entirety. Album is out today, Sept. 30, on Battleground Records.]
If Arizona trio Fuzz Evil‘s debut album feels like it’s been a long time coming, it hasn’t. The band based in Sierra Vista — near Mexico, but I don’t know if it qualifies as a “border town” — only formed in 2014, and it’s much to the credit of the impression they’ve made thus far that their first full-length hits with such a measure of anticipation.
Released on Battleground Records, Fuzz Evil‘s Fuzz Evil follows behind two prior short outings: a late-2014 split with Chiefs (review here) that marked their first release, and a single, “Born of Iron” (streamed here), that hit in the middle of last year. Both of those showed considerable promise on the part of the band in pushing forth unpretentious desert-minded heavy rock, straightforward in construction and based around an easy flowing songwriting process putting the brotherly pair of guitarist/vocalist Wayne Rudell and bassist Joey Rudell — also both of Powered Wig Machine and organizers of the Borderland Fuzz Fiesta — at the fore in tone and presentation.
Fuzz Evil, the album, marks the farewell of drummer Marlin Tuttle, who has since been replaced by Daniel Graves (also Powered Wig Machine), and the band’s original lineup goes out much the way it came in: on a foundation of quality songs incorporating influences without being overly indebted to them.
I don’t think they’re the kind of band looking to set the world on fire, but the spirit behind the material across the manageable six-track/29-minute span here is genuine, and for as little as Fuzz Evil ask in indulgences of the listener — maybe a couple jammy minutes at the end of closer “Black Dread”; still not much in the grander scheme of existence — what they deliver far outweighs. Six-string wizard Arthur Seay of House of Broken Promises and Unida puts in a guest spot on lead guitar for opener “Good Medicine,” but even his blazing fret work becomes another part of the total impression the band makes, as does the later organ work of Brian Gold, who also recorded, mixed and mastered the collection at Primrose Studio.
One might say the same of the production itself, since from the sound of the crash-in cymbals of “Good Medicine,” Fuzz Evil have a rawness of sound that persists even as they expand outward from the album’s first four tracks into the longer and jammier final two. By the time “Good Medicine” has seen fit to give way to the subsequent “My Fuzz” — some charming self-awareness paired with a strutting riff — it’s even harder to ignore in light of the band’s name how much Rudell‘s guitar tone actually has in common with old Celtic Frost or even circa-1984 Saint Vitus in its bite, playing to both the “fuzz” and the “evil.”
Whether that’s on purpose or not, I wouldn’t speculate, but as “My Fuzz” proffers one of the record’s best hooks, it adds depth to the proceedings overall, and speaks at very least to the band’s ability to evoke a varied response. I could be way off any actual influences, in other words, but “Killing the Sun,” which is more post-Queens of the Stone Age in its construction, has some of that underlying darkness too, bolstered by the fact that the vocals are pushed down in the mix under the guitar and bass.
Remembering this is Fuzz Evil‘s first album, and that it’s short, the momentum the Rudells and Tuttle build across the first four tracks is all the more impressive for its flow from one to the next, “My Fuzz” collapsing into the start of “Killing the Sun,” or “Bring Them Through” picking up on the beat from there with a more forward melody in its hook and a mid-paced tempo that does well in setting up the expansion that begins with “Odin Has Fallen” and continues into closer “Black Dread,” the latter also the longest song on Fuzz Evil at just over seven minutes.
Not that Fuzz Evil are going completely off the rails or anything — they keep a consistent sense of craftsmanship — but they space out some wah on “Odin Has Fallen” and in the second half of the track, Wayne drawls out his vocals in a way that reminds of Electric Wizard‘s Jus Oborn, albeit in a much different context. That track finishes with a crash and organ at the beginning of “Black Dread” immediately provides a signal that the palette has expanded.
The aforementioned prior single “Born of Iron” demonstrated a jammier side of Fuzz Evil‘s style, and with its fluid lead work, effects flourish, keys, and languid rhythmic motion, “Black Dread” seems to be building on similar impulses. By its midsection, it’s conjuring howling psychedelia and is locked into the instrumental jam that will carry through its remaining three minutes, each member of the trio playing their part in a final exhibition of the chemistry they’ve established to this point.
Like most of the record before it, “Black Dread” is smooth and will be accessible for the already converted, but the manner in which it adds to the earlier and more straight-ahead material isn’t to be understated. Especially for a debut, it’s a pivotal turn, and one well made. With a few surprises in its overall sound, roughness, songwriting and front-to-back push, Fuzz Evil‘s first expands on the work they have done in setting it up through their singles and sets in motion a creative progression that could continue in any number of directions. It’s reassuring to hear a relatively new band with such a clear idea of who and what they want to be.
Posted in Whathaveyou on August 12th, 2016 by JJ Koczan
I’m an easy sell on the prospect of Fuzz Evil‘s debut album. Having been lucky enough to see the trio in their native Arizona this past February, I’ll say they left zero doubt they were up to the task of their first full-length, and the newly-streaming “Killing the Sun” from their upcoming self-titled would seem to back that opinion thoroughly. They’ve got a couple choice guests involved as well — anytime Arthur Seay shows up, it’s a party — and Fuzz Evil‘s Fuzz Evil will be out via respected purveyor Battleground Records on Sept. 30.
If you’ve been paying attention or have seen the new release calendar on the forum, you already know that Sept. 30 is arguably the most crowded release date of the year. No coincidence as it’s when print mags will be starting to get their year-end lists in for consideration. Nonetheless, Fuzz Evil boldly throw their hat in the ring with Brant Bjork, Truckfighters, Alcest, Holy Serpent and Langfinger, as well as probably six or seven others still to come. I look forward to hearing what they’ve come up with for the album as a whole.
West Coast tour dates and the album announcement, from the PR wire:
FUZZ EVIL to release debut album on Battleground Records | Embark on US West Coast Tour this October
Fuzz Evil is released on 30th September 2016
Formed in Arizona’s Sierra Vista in 2014, Fuzz Evil is a riff propelled power trio founded by brothers Wayne and Joseph Rudell of heavy desert stoners Powered Wig Machine.
With two singles currently to their name – last year’s ‘Born Of Iron’ and 2014’s 7” split with fellow Arizonans, Chiefs – this September sees the official release of their self-titled debut on the Washington-based label Battleground Records.
Joined by newest member and fellow Powered Wig Machinist Daniel Graves on drums, Fuzz Evil serves up a thunderous blast of rock ‘n’ roll reverie indebted to the likes of MC5, The Stooges, Clutch and Black Sabbath. Recorded, mixed and mastered at Primrose Studio by Brian Gold, from the opening crunch of ‘Good Medicine’ (featuring Unida/House Of Broken Promises’ Arthur Seay) to the progressively harbingered ‘Black Dread’, the album flows like the diaries of a cosmic nomad. Swirling and psychedelically enhanced with storylines spun from the mind’s eye of vocalist Wayne Rudell and his obsession with comic books, science fiction and cult cinema.
Fuzz Evil also embark on US West Coast Tour this October in support of the new album, which will receive an official release on 30th September via Battleground Records. For the full list of dates take a look below.
Fuzz Evil: Wayne Rudell – Vocals/Guitar Joseph Rudell – Bass Guitar Daniel Graves – Drums
Arthur Seay (House Of Broken Promises/Unida) – Lead Guitar on ‘Good Medicine’ Marlin Tuttle – Drums Brian Gold – Keys
Fuzz Evil Live: 1/10 – Silver Dollar Saloon – El Monte, CA 2/10 – Golden Bull – Oakland, CA 3/10 – TBC – San Jose, CA 4/10 – Starlite Lounge – Sacremento, CA 6/10 – Kenton Club – Portland, OR 7/10 – Valley’s – Tacoma, WA 8/10 – Tim’s – Seattle, WA 9/10 – Sam Bonds – Eugene, OR
Artist: Fuzz Evil Title: Fuzz Evil Release Date: 30th September 2016 Label: Battleground Records Formats: Vinyl/CD/Digital All songs written by Fuzz Evil Recorded/Mixed/Mastered by Brian Gold at Primrose Studio, Sierra Vista, Arizona
Posted in audiObelisk on July 7th, 2015 by JJ Koczan
When Fuzz Evil‘s debut album arrives early in 2016, “Born of Iron” probably won’t be on it. That’s the whole idea. The Arizona three-piece made their debut late last year via a split 7″ with Chiefs (streamed here), and as much as the trio of guitarist/vocalist Wayne Rudell, bassist/vocalist Joey Rudell and drummer Marlin Tuttle have done to support that single, between touring alongside Switchblade Jesus earlier this year and founding and overseeing the inaugural Borderlands Fuzz Fiesta in Tucson, one imagines their full-length will hit with some fanfare. You might say it’s starting early with the premiere below of “Born of Iron.”
The six-minute fuzzblaster, as I said, isn’t intended for Fuzz Evil‘s LP, which will be released on Battleground Records, but from what I understand, the recording is complete. Album’s in the can. “Born of Iron,” with its easy rolling groove, weighted nod and last-minute wah overload, was cut at the same session, and a celebration of their two-year anniversary as a band and as a precursor to any concrete word about the full-length — up to and including its title, which has yet to be revealed — the Rudells (who both also play in Powered Wig Machine) and Tuttle, have decided to give the song away. In addition to the premiere on the player below, it will also be available as a name-your-price download through their Bandcamp, where one can also pick up the aforementioned split with Chiefs.
If you happen to be in that part of the universe, Fuzz Evil will be supporting Acid King at this year’s Southwest Terror Fest the weekend of Oct. 15-18 in Tucson, and no doubt more shows will surface between now and then as well. “Born of Iron” is up for digging in below, and underneath that, Wayne Rudell offers some comment on the first two years of Fuzz Evil and what the trio have been through in that time.
Please enjoy:
Wayne Rudell on Fuzz Evil’s second anniversary:
“I can’t believe it has been two years. It really has been a non-stop party with Fuzz Evil. We have such a great chemistry and we have been writing a lot of music. The band really hit the ground running from the start and a lot a lot of great opportunities opened up for us. We got picked up by Battleground Records, who put out our 7” split with Chiefs. Shortly after that, we shared the stage with Fu Manchu, Crobot,The Truckfighters. Nick Turner’s Hawkwind, Witch Mountain, Lord Dying, Jucifer, Midnight Ghost Train, Electric Citizen, Black Pussy,and Mothership. That’s a pretty surreal list of great artists to have performed with in the short period of time Fuzz Evil has been around. We like to stay pretty busy and have some pretty cool things on the horizon. We are really looking forward to playing Southwest Terror Fest this year with Acid King. I have always been a big fan of their stuff and am thankful for the the opportunity to play with such a talented band. I can’t reveal too much yet, but I can tell you Fuzz Evil will be making an appearance at this year’s Borderland Fuzz Fiesta. We are gonna try and get the new record out in time for the festival, but if it isn’t in the cards, you can expect it definitely around Spring 2016.”
The currently untitled Fuzz Evil full-length will be released by Battleground Records in early 2016 on 180 gram colored vinyl and digital. More details to come. Fuzz Evil/Chiefs split 7″ available atwww.battlegroundrnr.com.
Posted in audiObelisk on March 13th, 2015 by JJ Koczan
This week marks the vinyl release of Arizona outfit Powered Wig Machine‘s sophomore full-length, Supa-Collider. Initially self-released, the LP version of Supa-Collider (review here) arrives courtesy of AZ kingpins Battleground Records, and boasts the vinyl-only bonus track “Highish Noon.” Fitting the cover artwork by Rudy Flores and bassist Joseph Rudell, the 300-copy pressing comes in translucent green with black and orange splatter, 180g housed in a gatefold with a download. And as if overseeing the release of this beast weren’t enough, Joseph Rudell and his brother, guitarist/vocalist Wayne Rudell also organized and executed the recent Borderlands Fuzz Fiesta with Wo Fat, Mos Generator, Fireball Ministry, etc., which by the accounts that I saw was a badass time.
Joined in the band by guitarist Dusty Hinkle, drummer Daniel Graves and keyboardist/guitarist Brian Gold, the Rudells stood at the helm of Supa-Collider‘s rolling grooves and bluesy feel, casting off desert-based expectation in favor of thicker tone and meatier vibing. The results were well met to say the least, and the fuzz and organ fluidity of “At the Helm of Hades” and big-stage-ready blues-jam starts and stops of “Mother Rocker” established a course for the album that was classic and accessible but also modern and based around a well-developed songwriting process. I’m not sure if “Highish Noon” was recorded at the same time as the rest of Supa-Collider or later, but it’s in line with the rest of the band’s material in being catchy as well, switching on a dime from winding heavy riffery to airy psych jamming and back again before kicking into wah-soaked layered-solo righteousness and arriving, finally, in a swaying groove that seems to be asking what would’ve happened if Clutch wrote “Dragonaut” instead of Sleep. It’s an issue worth exploring.
And it’s a lot of ground to cover in a little under five minutes, but Powered Wig Machine hold it together smoothly, which (like the rest of the album) bodes well for their third outing, for which word of intent has begun to surface. In the meantime, having just shared a stage with Uriah Heep, Powered Wig Machine will hook up with the touring Ape Machine at JR’s Bar in Sierra Vista on March 17 for a St. Patrick’s Day special with Ghetto Blaster. Info on that one is here.
I have the pleasure today of hosting “Highish Noon” for streaming in honor of the Supa-Collider vinyl release on Battleground. Please find it on the player below, followed by more info on the LP from the PR wire:
Battleground Records has confirmed the label’s impending ninth release, announcing the deluxe vinyl version of the gnarly Supa-Collider, the second full-length from fuzz/stoner rock champs, POWERED WIG MACHINE.
In March of 2014, POWERED WIG MACHINE took it to the next level with the monstrous follow-up to Bearded Goddess, delivering the fantastic jams of their sophomore album, Supa-Collider. The band’s dexterous diversity and empowering tactics shine brighter than the blazing sun which ignites their desert surroundings on the album, putting the listener on cruise control into the furthest reaches of the planet and beyond, the tunes infiltrated with a slight flux of sci-fi otherworldliness. Self-recorded by the band and mixed by Brian Gold at Primrose Studio in Sierra Vista, mastered by Chris Goosman at Baseline Audio, and bearing artwork by Joseph Rudell and Rudy Flores, PWM independently released Supa-Collider digitally and on CD last year, yet the beast has yet to be unleashed in its primal vinyl form… until now.
One year after its initial release, Battleground Records will issue Supa-Collider on high-quality wax, the record pressed on 180-gram translucent green vinyl with orange and black splatters, limited to 300 copies and housed in a deluxe gatefold package. In addition to the original seven tracks, this new edition will also include a new LP-only bonus track, “Highish Noon”, with all eight tunes available for free high-quality digital download included in the parcel.
Posted in Whathaveyou on February 18th, 2015 by JJ Koczan
Arizona riff rockers Fuzz Evil will head out across their home state and into Texas this April on a relatively brief but quality-over-quantity run of tour dates that includes gigs with the likes of Mothership, Switchblade Jesus and Dallas fuzz titans Wo Fat. By the time they go, the plan is to have their Battleground Records debut — also the follow-up to late-2014’s split 7″ with Chiefs (streamed here) — in the can and ready for release sometime presumably in summer. Does that mean new material on the road? Considering they’ve released one song to date and it’s not 40 minutes long, yeah, probably they’ll be playing some stuff off the new record. Seems reasonable to expect.
If you didn’t hear that split when I streamed it (and why not?), the Bandcamp player for it follows the PR wire announcement of Fuzz Evil‘s recording intentions and the routing for their AZ/TX tour.
Behold:
FUZZ EVIL Confirms April Headlining Southwestern US Tour; Debut Album To See 2015 Release Via Battleground Records
Southern Arizona stoner rock outfit, FUZZ EVIL, will record their debut full-length album in the coming weeks for release via their cohorts at Battleground Records, and have already begun booking their tour schedule for the year with a headlining run of dates through their Southwestern stomping grounds in April.
The action begins April 21st, in FUZZ EVIL’s gritty Tombstone-neighboring hometown of Sierra Vista, followed by Texas shows in El Paso, San Antonio, Austin, and Dallas through April 25th. The band will be provided by support in El Paso by Oryx and Skulldron, with special opening support from Mothership and Switchblade Jesus on the other three Texas gigs, the final show also including Wofat in the lineup.
FUZZ EVIL Tour Dates: 4/21/2015 JR’s Bar – Sierra Vista, AZ 4/22/2015 Low Brow Palace – El Paso, TX w/ Oryx, Skulldron 4/23/2015 The Mix – San Antonio, TX w/ Mothership, Switchblade Jesus 4/24/2015 Lost Well – Austin, TX w/ Mothership, Switchblade Jesus 4/25/2015 Club Dada – Dallas, TX w/ Wofat, Mothership, Switchblade Jesus
Prior to the tour, FUZZ EVIL will begin to record their debut full-length album, the follow-up their debut split 7″ with Chiefs which was released through Battleground Records in late 2014. The album will see release on multiple formats sometime mid-year, with additional details to be released as they’re confirmed.
Comprised of brothers Wayne and Joey Rudell on vocals/guitar and vocals/bass, respectively, and drummer Marlin Tuttle, FUZZ EVIL delivers solid, groove-laden, heavy psych rock, with big-ass rock jams fans of Grand Funk Railroad, Jimi Hendrix and Steppenwolf will dig, as well as the prime riff/stoner rock contingent devout to the works of Goatsnake, Queens of The Stone Age, Clutch, and the Rudell brothers’ other outfit, Powered Wig Machine.
Limited to three hundred copies, the heavy, white-splattered grey vinyl of FUZZ EVIL’s split 7″ with Chiefs is cut at 45 RPM and includes a digital download. Stream the record and order it while the final copies are availableRIGHT HERE.
Posted in audiObelisk on October 21st, 2014 by JJ Koczan
Pressed in a grey/white splatter edition of 300 copies from Battleground Records, the new split 7″ between Arizona’s Fuzz Evil and fellow Southwesterners Chiefs is available as of today. With just over five minutes of music from each band — Fuzz Evil presenting “Glitterbones” and Chiefs “Stone Bull” — it’s a platter rife with easily-dug vibes and riff-heavy groove broken into sides F and G for a bit of alphabetical fun to coincide with the laid back, steady roll throughout. Chiefs have some demos under their belt, but for Fuzz Evil, which features guitarist/vocalist Wayne Rudell and bassist/vocalist Joey Rudell of Powered Wig Machine along with drummer Marlin Tuttle, it’s their recorded debut, and they’re off to a solid start.
Of course, for the Rudells, who with Powered Wig Machine released the Supa-Collider full-length (review here) earlier this year, it’s not really a start at all, but as Fuzz Evil and with Tuttle, they do explore different ground within the overarching sphere of heavy rock. “Glitterbones” as a swagger and hook reminiscent of early Queens of the Stone Age, played up with some falsetto vocals, and true to their name, some vicious fuzz. Less bluesy overall than Powered Wig Machine, they still find room as Fuzz Evil to reference Clutch in the lyrics — asking what the dollar’s for — and enact a stonerly nod in the track as they march toward the solo-topped apex given further breadth and classic feel from some deeply mixed organ following the central bruiser of a riff.
For Chiefs‘ part, the Phoenix, Los Angeles and San Diego-based trio start out “Stone Bull” with slower riffery but open up to a chugging verse and well-placed clean vocals buried Goatsnake-style under the mountainous tones of guitarist Paul Valle and bassist Jeff Podeszwik, both of whom sing while Kevin Michel holds down the drums. Big riffs get bigger as “Stone Bull” plays out, and though an overblown solo is teased in peppered lead lines, one never materializes, and Chiefs continue their forward push with a turn past the four-minute mark that marks the beginning of the song’s final movement, ending with a riffout that, were it not for the physical limitation of the medium on which it’s pressed, could probably keep going for considerably longer. Perhaps live it does.
Speaking of live shows, Fuzz Evil have a couple release gigs planned for the 7″, the first of which is tonight. That info is included under the player below, on which you can stream the split with Chiefs in its entirety.
Please enjoy:
The Battleground Records roster continues to rapidly expand, with another new release on the horizon for October, in the form of a split 7? from FUZZ EVIL and CHIEFS.
Battleground will release the FUZZ EVIL / CHIEFS split 7? on October 21st. Limited to 300 copies, the heavy grey vinyl with white splatters is cut at 45 RPM and features artwork by David Paul Seymour. For a limited time, every preorder via Battleground receives an entry to win a test pressing of the 7? – place ordersHERE.
With new live shows expected to be confirmed from both FUZZ EVIL and CHIEFS over the coming weeks, FUZZ EVIL has already confirmed several new Fall gigs including release shows for the 7? in both their hometown of Sierra Vista as well as Tucson.
FUZZ EVIL shows: 10/21/2014 JR’s – Sierra Vista, AZ – 7? release show 11/07/2014 Flycatcher – Tucson, AZ – 7? release show 11/08/2014 Superbrawler – Benson, AZ
Posted in Whathaveyou on September 24th, 2014 by JJ Koczan
Battleground Records will release a split seven-inch between Fuzz Evil and Chiefs on Oct. 21. The 300-copies-only vinyl features one song from each band, and is pressed to gray/white splatter 7″, with preorders also serving as a contest entry to win a test pressing. It will mark the first physical release from Chiefs and I think for Fuzz Evil as well, who are an offshoot of Arizona heavy rockers Powered Wig Machine. No audio yet — with two songs there’s not much to give away — but info on the split came down the PR wire along with some Fuzz Evil live dates.
It goes like this:
FUZZ EVIL & CHIEFS Split 7-Inch EP To See October Release Via Battleground Records
The Battleground Records roster continues to rapidly expand, with another new release on the horizon for October, in the form of a split 7″ from FUZZ EVIL and CHIEFS.
On the A-side, the FUZZ EVIL trio delivers a nearly five-and-a-half minute, solid, groove-laden, heavy psych rock track, “Glitterbones.” Hailing from Sierra Vista, Arizona, the band is comprised of Wayne and Joey Rudell of Powered Wig Machine on vocals/guitar and vocals/bass, respectively, and drummer Marlin Tuttle. Flip to the B-side, and the more than five-and-a-half minute big time jam of CHIEFS’ fiery “Stone Bull” lets loose. The California-based outfit, on this recording consisting of Paul Valle on vocals/guitar and Stephen Varns on drums, delivers prime, hard-hitting desert rock, as declared from the opening riff of their side of the shared release.
Battleground will release the FUZZ EVIL / CHIEFS split 7″ on October 21st. Limited to 300 copies, the heavy grey vinyl with white splatters is cut at 45 RPM and features artwork by David Paul Seymour. For a limited time, every preorder via Battleground receives an entry to win a test pressing of the 7″ – place ordersHERE.
With new live shows expected to be confirmed from both FUZZ EVIL and CHIEFS over the coming weeks, FUZZ EVIL has already confirmed several new Fall gigs including release shows for the 7″ in both their hometown of Sierra Vista as well as Tucson.
FUZZ EVIL / CHIEFS Split 7″ Track Listing: A. FUZZ EVIL “Glitterbones B. CHIEFS “Stone Bull”
FUZZ EVIL shows: 10/02/2014 Flycatcher – Tucson, AZ 10/21/2014 JR’s – Sierra Vista, AZ – 7″ release show 11/07/2014 Flycatcher – Tucson, AZ – 7″ release show 11/08/2014 Superbrawler – Benson, AZ
