Posted in Whathaveyou on May 12th, 2021 by JJ Koczan
This week brings four more acts for the inaugural Ripplefest Texas, and with Wino, Freedom Hawk, Fostermother and High Desert Queen joining in the fun, it’s starting to look like a pretty stacked bill. Headliners are still to be announced — take your pick among TX or Ripple-associated heavy and feel free to let me know whom you’d choose — but one way or the other, this is a lot for a one-day fest.
It’s outdoors, which you’d probably want at this point, and I’m just going to assume it’s more than one stage — maybe two alternating? — to account for this many with more to come. Or maybe the party starts early? I don’t know. I guess after a year-plus of no shows it’s fair enough to want to pack in as much as possible. Got your shot yet? This is a pretty good argument in favor of doing so if not.
Social media has it like this, and there’s the ticket link and whatnot as well:
NEW BANDS ANNOUNCEMENT: Ripple Music and Lick Of My Spoon Productions is happy to announce Scott “Wino” Weinrich and Freedom Hawk, as well as High Desert Queen and Fostermother to the already stacked 1st Annual RippleFest Texas, August 7th at Texas Ski Ranch in New Braunfels, Texas.
We still have our MAIN HEADLINER to announce next week so stay tuned! Tickets are going fast!
Previously announced: Void Vator, Bone Church, Witchcryer, Holy Death Trio, Howling Giant, Forming the Void, Mr. Plow, Thunder Horse, and Switchblade Jesus!!!
Bring a swimsuit and swim on the beach at Texas Ski Ranch while listening to music from the hottest label in the business: Ripple Music!
Posted in Whathaveyou on December 21st, 2020 by JJ Koczan
I don’t know how much cash a name-your-price comp is bringing in ultimately, but the not-cynical part of me wants to think supporting bands is still something humans are interested in doing, so here’s another way to do that. And if you name your price and your price is nothing, that’s not me trying to guilt you. Over 800,000 people filed for first-time unemployment insurance last month in the US. England has super-covid. Shit is tough everywhere and for everyone. There’s a reason it’s name-your-price and not $35.
As for critical observation, here’s one: John Gist does good work, Ripple Music does good work and these bands do good work. Stay tuned for more heavy hitting insights on the next episode. Make sure you like and subscribe.
All of the following comes from Bandcamp:
The Revolution Lives ***A Benefit for the Bands!***
In this day of the coronavirus-enforced shutdown of live shows, Ripple and Vegas Rock Revolution wanted to join forces to rejoice about all the great live music we’ve experienced. Based in Vegas, John Gist, running VRR has created a heavy underground scene where none existed! From his infamous Planet Desert Rock weekends to his numerous shows at Danny Koker’s Count’s Vamp’d, the Beauty Bar, and Bunkhouse Saloon among others, VRR has brought tons of Ripple bands to Vegas to rock the hell outta the desert.
So, now let’s celebrate. Think of this compilation as a virtual show… holding space until the real ones can resume.
Dig into this free comp, made just for you, summarizing all the Ripple family that has journeyed to the desert to play for VRR. Gist himself chose this tracklist and the incomparable Kyrre Bjurling provided the stellar art.
Although the album is “pay what you want” any proceeds raised for the purchase of this compilation will go to help out all the bands that have missed out on being able to perform live shows.
Dig in, and let’s unite when this is over to rock the hell out once again!
Tracklisting: 1. Brutal Winds – Freedom Hawk 04:54 2. Oklahoma Black Magic – The Watchers 04:29 3. Nothing to Lose – Void Vator 03:43 4. Chopper Wired – War Cloud 03:34 5. City Nights – Mothership 05:22 6. Lonely One Kenobi – Mos Generator 05:06 7. Into the Shredder – Ape Machine 03:56 8. Ain’t Trying to Go Down Slow – Shotgun Sawyer 03:16 9. Sun and Mist – Salem’s Bend 05:16 10. Hour Glass – High Priestess 06:46 11. Isolation – Wino 04:12 12. Three Minutes to Midnight – Wo Fat 06:20 13. Fathoms – Horseburner 08:12 14. Sunshine of Your Love – Blackwulf 03:38 15. The Grace of Time – Mr Bison 07:22 16. Light of Day – The Hazytones 03:56 17. Hypnotized – Red Desert 04:17 18. Fog of Whores – Cortez 04:55 19. Cactus Highways – Red Mesa 03:09 20. Better Off Alone – Fuzz Evil 04:42 21. Low Tide – Chiefs 03:48
[Click play above to stream Wino’s Forever Gone in full. Album is out Friday on Ripple Music with preorders here for US and here for EU.]
It is overwhelming to consider the tumult of the decade between Scott “Wino” Weinrich‘s 2010 debut solo album, Adrift (review here), and this follow-up, Forever Gone. The dissolution of Shrinebuilder, the acoustic collaboration with German singer-songwriter Conny Ochs, the tenure fronting Saint Vitus that ended in an arrest in Norway for amphetamine possession and subsequent ban from Schengan Area countries in Europe — which was a five-year sentence, but still resulted in his being unable to tour there last year — as well as reunions first with The Obsessed, then Spirit Caravan, then Spirit Caravan becoming The Obsessed and changing its lineup before putting out their first album in two decades. Through all of this and the inevitable whatever-it-was I left out, Weinrich continued to perform solo acoustic shows, and so the notion of a second album was never completely absent, but apparently it took some doing to make it happen.
But if it was Weinrich‘s goal to channel living through those years into the craft and performance of Forever Gone — released through Ripple Music where Adrift was on Exile on Mainstream — it comes through as a palpable emotional and atmospheric weight in songs like the opening title-track, “No Wrong” and “Lavender and Sage,” and the penultimate “Was, Is and Shall Be,” the latter two of which feature guest vocals. Thinking of arrangements as compared to the 2010 offering, Forever Gone feels much less restricted to a guy-and-guitar aesthetic. There’s the slide in “You’re So Fine,” drums and electrics on “Dark Ravine,” an electric solo woven into early highlight “Taken” and vocal layering used sporadically throughout. The effect this has is to make minimalist moments like “The Song’s at the Bottom of the Bottle” and “Dead Yesterday” — which if nothing else certainly feels like a thematic answer to “Forever Gone” itself — stand out all the more, conveying the loneliness, regret and contemplation at root in some of the material while still leaving room for hope in more expansive pieces like “Dark Ravine” or the closing Joy Division cover “Isolation,” which comes through almost as a full-band, with drums, electric and acoustic guitars, and multiple layers of voice.
That finale should be readily enough familiar to those who’ve kept up with Wino‘s solo work live in the last eight or so years, and it’s also one of several of the pieces throughout Forever Gone that draws from the Wino & Conny Ochs collaborations. “Isolation” appeared on their Labour of Love 2012 Latitudes session (discussed here), while “Dead Yesterday” and “Dark Ravine” appeared on that same year’s full-length debut (also on Exile on Mainstream), Heavy Kingdom (review here), and “Crystal Madonna” and “Forever Gone” itself featured on Freedom Conspiracy (review here) in 2015. As Forever Gone is serving double-duty as the beginning of a series of acoustic-based Ripple releases called ‘Blood and Strings,’ it’s not like anyone’s trying to pass these off as brand new — Wino isn’t “getting one over” or anything like that — but the familiarity of some of the material and the refresh on the arrangements gives them new life and while obviously Weinrich is at the center of all the material, the work of producer Frank “The Punisher” Marchand isn’t to be ignored when it comes to the finished product of Forever Gone.
Whether it’s intertwining electrics and acoustics at the start of “Taken” or giving a sense of space through subtle vocal echo thereafter, or highlighting the classic blues rock feel of “You’re So Fine” to bring a moment of joy between the more melancholic “Dead Yesterday” and “Crystal Madonna,” each strum is as crisp as it wants to be, and Wino‘s voice comes through with no less instrumental detail, the product of decades of living and singing hard manifest in making the languid melody of “Lavender and Sage” feel like something earned rather than simply adopted as a stylistic choice. Part of that of course stems from the narrative of Wino‘s career itself, but if ever there was a place for such context and for his personality to come through as sharply as it does, Forever Gone would seem to be it, and Marchand is due much credit in making that happen.
Weinrich‘s in-genre legacy is well established through his work in The Obsessed, Saint Vitus, The Hidden Hand, etc., and doesn’t need to be recounted here anymore than it already has. What comes through most on Forever Gone is that, rather than seeing an artist resting on his laurels and self-indulgently pushing through 11 songs and 45 minutes of assembled material, Wino here brings the unmistakable character of songwriting and passion of performance that has made him the figurehead he is. It is an indelible mark of his work and whether it’s in the relatively uptempo version here of “Dark Ravine” or in “Crystal Madonna” — which was a highlight of Freedom Conspiracy and is one on Forever Gone as well — it is the foundation on which these songs, new and old alike, are built. With the variety in arrangements and guests in and out adding to Weinrich‘s vocals and guitar, there is a sense of completeness about Forever Gone that feels progressed forward from Adrift even as it stays loyal to the form.
It is impossible to know where the next decade might take Wino as a performer or a human being, but with this collection, his place as America’s Godfather of Doom is reaffirmed even as he breaks the confines of doom itself; though anyone who tells you Forever Gone isn’t heavy needs to recheck their definition of the word. As vibrant as this material is, and as much as it brims with the passion and creative intensity that brought it to bear in the studio, there continues to be a heft that is either underlying or at the fore, moving no less dynamically than the arrangements of the songs throughout, and no less crucial to the understanding of what this record is. I’ve said before, on plenty of occasions, there’s only one Wino. That’s where the count remains. And if Forever Gone is his way of marking the passage of the last 10 years, it is of due substance to be up to that task.
Posted in Whathaveyou on March 5th, 2020 by JJ Koczan
10 years of Ripple Music is nothing to sneeze at. I could rattle off a list of albums they’ve issued over that time, but frankly, I think you’re probably already doing that in your head. Bands like Mos Generator, Mothership, Wo Fat, from Stubb to Salem’s Bend, Ape Machine to Zed, they’ve shown a rare consistency of mission and quality that’s helped establish them as the standard bearers of straight-ahead heavy.
They’ll do it up in grand fashion in San Francisco at Brick and Mortar for two nights on June 12 and 13. It’s the release show for the new Wino album, the original lineup of Mos Generator is reuniting to play Nomads, The Watchers are celebrating an upcoming live release, and Mothership and Wo Fat are both rolling in from Texas to headline the second night. That’s a goddamn party, is what it is. And of course there’s more, but if you’re not gonna be there, I wouldn’t want to make you sad by continuing on.
Here’s everything:
A Decade of Doom: Ripple Music Ten Year Anniversary Party – June 12 & 13
Brick & Mortar Music Hall – 1710 Mission St, San Francisco, California
Ripple Music is celebrating a full Decade of some of the best Stoner, Doom and Heavy Psych on the planet and you’re invited! There’s so much going on here it’s hard to put it all into words, but how’s:
1) The reunion of the original Mos Generator to play their Ripple release “Nomads” in its entirety 2) Wino album release party for the legend’s new acoustic LP 3) The Watchers release party for their new Live recording, High and Live 4) Some of Ripple’s best and heaviest bands 5) Exclusive sneak peek of a clip from the upcoming animated full-length Planet of Doom movie, with a meet and greet with the creators 6) Entire event MC’d by Chasta from 107.7 The Bone! 7) Exclusive Ripple, Band, and Planet of Doom merch 8) Charity auctions of signed drumheads, 9) special VIP entry (only 10 per night) which includes attendance at sound check, 2 posters and exclusive merch, and tons more planned!
FREE Limited Edition 10- ear anniversary compilation CD given to every ticket holder at the door!
A once in a lifetime event.
Friday Mos Generator (Nomads album in it’s entirety) Wino (album release show) Ape Machine The Watchers (album release show) Blackwulf The Ghost Next Door
Saturday Mothership (exclusive California Appearance) Wo Fat (exclusive California Appearance) ZED Salem’s Bend Lowcaster Plainride (from Germany)
Both nights will feature the world-premiere clip from the upcoming, full length animated feature film Planet of Doom. Meet the creators.
Posted in Whathaveyou on December 11th, 2019 by JJ Koczan
Good get. Cheers to Ripple Music and Scott “Wino” Weinrich for joining forces on the latter’s new solo album, Forever Gone. Ripple will release the first apparently-acoustic Wino solo record since 2010’s Adrift (review here) — though of course Wino has continued to do unplugged collaborations in the intervening decade, with, among others, German singer-songwriter Conny Ochs, Scott Kelly of Neurosis, and Jennifer Herrema of Royal Trux, either on a one-off, touring, or as in the case of Ochs, more regular basis — and he’s kept himself plenty busy besides what with the reunions of The Obsessed and Spirit Caravan, the eventual studio return of The Obsessed after more than two decades and hard touring there. Hell, in 2010, he was still fronting Saint Vitus and would put out the Lillie: F-65 (review here) record with them in 2012.
Even so, a new acoustic Wino album is a big deal, both because Adrift is of high-enough quality to stand up (coming on) 10 years since it was first released, and because of course in Wino‘s unmatched pedigree in doom, having been in the above-named acts as well as Shrinebuilder, Premonition 13, The Hidden Hand, and on and on and on. You know he’s got stories to tell.
And speaking of: Hey, Wino — if by some tiny chance you’re reading this and you’re looking for someone to co-author or help ghostwrite an autobiography, I know a blogger who works cheap. Just thought I’d mention it.
More to the point, keep an eye out for more news about Forever Gone. I have the feeling I’m going to spend a lot of next year talking about it, so get used to the idea.
Ripple‘s announcement follows, as per thee social media:
Major news! Ripple Music are honored to announce the signing of doom legend Scott “Wino” Weinrich!
Wino’s new solo album will launch Ripple’s new “Blood and Strings” acoustic series — in which some of the most admired names in riff-rock and metal unplug to record albums of acoustic heaviness. ‘Forever Gone’ will come out in early 2020, stay tuned for more info!
Please welcome Scott “Wino” Weinrich to the Ripple Family. Can’t tell you how stoked we are!
Posted in Whathaveyou on January 25th, 2019 by JJ Koczan
So, uh, you wanna go get weird in the desert for a weekend? Sure, we all do. And if you’re up for making it the trip of a lifetime, Monolith on the Mesa has a bunch of decked-out vintage trailers available for you to hide from the New Mexico sun while you wait for the show to start. From the pre-party to The Obsessed headlining the second day, the inaugural edition of Monolith on the Mesa looks like the stuff of pilgrimage dreams. Om and Dead Meadow? Wovenhand? Tia Carrera jamming in a brewery? Duel? It’s an obviously curated lineup very purposefully put together with the setting in mind, and whether it’s the indoor or outdoor stage, it’s easy to see where it has the potential to be an incredible time. I’ve gone on at some length about the growth of US festival culture over the course of this decade. Look no further if you need an example of the fruit that would seem to be bearing.
If you make it down, congratulations on your life. You pretty much win.
Lineup and ticket links as per the social medias:
Monolith on the Mesa: A High Desert Rock & Art Experience
Join Us On May 16th, 17th, & 18th In Taos New Mexico At Taos Mesa Brewing Mothership For Monolith on the Mesa A High Desert Rock Experience Like Non Other! A Music Festival with Art Visuals & Installations from Local NM Artists. And Of Course Some Of The Worlds Finest Dark, Psych, Stoner, Doom & Heavy Rock from All Over the Globe and SW Region! Browse Our Websitemonolithonthemesa.comFor VIP And check out our Vintage Trailer Packages!!
MotherShip Outside Stage: Featuring Visuals By Mad Alchemist Liquid Light Show * Day 1: OM * Dead Meadow * Wovenhand * True Widow * EYE * Green Druid * Spirit Mother** Day 2: The Obsessed * Pinkish Black * Castle * The Well * Crypt Trip * WEEED * Cloud Catcher * The Munsens
Taos Mesa Worshipper Inside Stage: Day 1: * Tia Carrera * Wino (Acoustic) * Lord Buffalo * Pharlee * SuperGiant * YOU * Via Vengence * Deep Cross** Day 2 Duel * Stone Deaf * In The Company Of Serpents * Pale Horse\Pale Rider * Communion * Oryx * Sorex * Dysphotic * Devil’s Throne
Posted in Whathaveyou on November 30th, 2018 by JJ Koczan
Desertfest Berlin 2019, Desertfest London 2019 and the first-ever Desertfest New York have all had lineup announcements this week. That’s by no means a little bit of Desertfest, but of course the Berlin lineup remains a beast unto itself. Along with sharing the likes of headliners Om and Wovenhand and Mondo Generator, etc., Berlin welcomes Wino back to Europe with an acoustic set as well as Kakagaku Moyo from Japan — who’ll just happen to be in the same building as Earthless, with whom they’ve jammed live before and might well again. With Naxatras fulfilling the great Greek psychedelic prophecy and Long Distance Calling rounding out this second announcement, Desertfest Berlin 2019 remains a landmark that, like its London counterpart, has only continued to become more expansive and encompassing.
To wit:
OM ++ WOVENHAND ++ LONG DISTANCE CALLING ++ KIKAGAKU MOYO ++ MONDO GENERATOR ++ WINO ++ NICK OLIVERI ++ NAXATRAS confirmed for Desertfest Berlin 2019!!!
Desert rockers, we are psyched to reveal new names for our 8th edition in the capitol of Germany, Berlin. While our annual festival already unveiled highclass acts such as J Mascis’ Witch, Colour Haze, All Them Witches, Earthless and many more, today DesertFest Berlin pursues the announcements of 8 further and more than exciting bands which have been added to the eclectic 2019 line-up!
Formed by the rhythm section of our all beloved Sleep, legendary OM will make their return to Europe! It’s been a long time since the band released their last album ‘Advaitic Songs’ back in 2012, but your wait and hunger to experience the band live is finally over: OM are going to hypnotize the entire ARENA with their unique, one and only omvibrating sounds!
Bringing you the probably best Americana and Alternative Country tunes you can get, DESERTFEST BERLIN is thrilled to welcome Wovenhand (official) in 2019! Led by former 16 Horsepower frontman David Eugene, WOVENHAND gave the real birth to mix folk, gospel and rock ‘n roll. Expect a unique and very special live show!
Long Distance Calling have always roamed on unexplored territory. Their timeless, atmospheric instrumental rock not only inspires traditionalists with a penchant for guitars, vinyl and compact discs, but without their epic records even no serious streaming playlist is complete. At DESERTFEST BERLIN 2019, the band will make us forget about the digital world. They will transfer us into the real world of finest instrumental rock sounds, only an act like LONG DISTANCE CALLING could ever create!
DESERTFEST BERLIN will also bring back Scott “Wino” Weinrich to Europe! The St. Vitus frontman will be performing a very special acoustic set at the 8th festival edition in Berlin. With his solo project of the dark rock till Outlaw Country tunes alongside rare cover versions, you may never know what WINO will be playing live on stage, but you can be sure: This legend will provide a live appearance we won’t forget too fast!
Punk and metal hybrid unit from Los Angeles, Mondo Generator, fronted and formed by Nick Oliveri (QOTSA, Dwarves, Bloodclot, Kyuss) is going to break loose with the DESERTFEST BERLIN crowd next year. Since the band is no stranger to the Desertfest’s family, you know what to expect, sweaty T-shirts in crazy pits included!
And while we got him in Berlin already, the DESERTFEST BERLIN crew invited Mr. Nick Oliveri to put on his infamous DEATH ACOUSTIC set! Double-action by the one & only NICK OLIVERI, who not only released his critically acclaimed ‘N.O. Hits At All’-series with HEAVY PSYCH SOUNDS over the past few months, but will be also bringing his N.O Hits At All live and in death acoustic manners on stage! Get ready for some fun, desert rockers!
Last but not least, DESERTFEST BERLIN is proud to welcome two of the hottest irons the current underground rock scene has to offer: Japanese up & coming Kikagaku Moyo as well as Naxatras round up today’s second band announcement! They balance heavy, crushing jams with softer, more contemplative moments: Tokyo-based KIKAGAKU MOYO, your new favorite psychedelic rock band, perfectly incorporates the elements of Krautrock, Indian ragas and acid folk, currently and well-deserved selling out one venue after the next! The Greek power trio NAXATRAS delivers a trippy journey to the very roots of the psychedelic sound, paying tribute to rock titans such as Pink Floyd and Hawkwind, doom rock overlords Black Sabbath, as well as funk pioneers Funkadelic or legendary guitar-hero Jimi Hendrix. The relentless touring activity of the band, with recent sold out shows all over Europe, put NAXATRAS once and for all on the map as one of the biggest hopes of European psychedelic music!
Friends, we hope you dig this new killer announcement as much as we do! Desertfest Berlin 2019 will take place between May 3rd – 5th 2019 at the riverside in the heart of Berlin, the ARENA BERLIN. The festival will not only provide a new sound-and payment-system on the ground, but also more space PLUS a chillout- and live zone on the ‘Hoppetosse’ boat! Better be quick to start your trip to Berlin, as you don’t want to miss this amazing line-up and witness one of the best festival editions you have ever been to!
Posted in Whathaveyou on October 17th, 2018 by JJ Koczan
Last week, John Garcia and the Band of Gold announced that a lone US appearance would take place in Las Vegas on Nov. 29. As presented by Vegas Rock Revolution, that show will be the first of a three-evening event called the Planet Desert Rock Weekend, also featuring headlining spots from Scott “Wino” Weinrich and Texas fuzz-blues stalwarts Wo Fat, as well as support from the likes of House of Broken Promises, Freedom Hawk, Sasquatch, Powered Wig Machine, Valley of the Sun, The Heavy Eyes, and so on. The venue changes each night, but there’s no question what’s happening here: It’s a festival.
Look. I can’t tell you how to live your life. Well, I could — eat right, try to get some exercise, love everybody, etc. — but I can’t tell you where to go on any given day. Even aside from this being a rare chance to catch John Garcia in the States, this lineup is pretty much unfuckwithable. Vegas may be known as the land of Psycho, but without a doubt, Planet Desert Rock is looking to make an impact of its own in underground heavy. If you were there to see it, I can’t imagine you’d have regrets later.
Awesome posters by Joey Rudell, full lineup and info follow, courtesy of the fest’s social medias:
Planet Desert Rock Weekend
A Desert Rock Weekend Experience of amazing music from all over the country. Each band hand selected to ensure amazing relevant lineups daily. No fillers just got music.
3 nights of amazing Heavy Rock lineups
Night 1 starts off with legendary vocalist John Garcia of Kyuss. This is a exclusive evening that has never happened before. He will be singing songs from all his bands including Kyuss, Unida (Arthur Seay on guitar) , Hermano (Dave Angstrom on guitar) and Slo Burn (Chris Hale on Guitar). Former Kyuss bandmate Nick Oliveri will also be playing a song or two with John. Luna Sol featuring Angstrom also on the bill as well as Nick Oliveri and Arthur Seay’s Death in Pretty Wrapping with Unida/House of Broken Promises bandmate Mike Cancino on drums. This will be John Garcia only show in the U.S. in 2018. Vinyl at Hard Rock Casino is home to this very special one time event Thursday night.
Night 2 The Bunkhouse Saloon in Downtown Las Vegas hosts headliner Scott “Wino” Weinrich. Longtime heavy rock vocalist with such iconic underground bands as The Obsessed, Spirit Caravan , Saint Vitus and Shrinebuilder. Also joining on the bill will be heavy rock veterans Valley of the Sun who is rising from the ashes and gearing up for a big 2019 with a new album. The Heavy Eyes comes in from blues town Memphis with their psychedelic bluesy rock style and their own very unique catchy sound. House of Broken Promises featuring Arthur Seay and Mike Cancino of Unida fame will be representing Indio CA with riff rocking madness. War Cloud out of Oakland revs up with a late 70s/early 80s high energy styled metal/rock. King Chiefs (formerly Chiefs) gives a 90s grunge era style to this stacked lineup.
Night 3 is highlighted by a rare west coast appearance by Wo-Fat out of Dallas Texas. This power trio has played all over the world at many of the top festivals including DesertFest. Thick Bluesy psychedelic explosion of heavy rock would be a start to describing their incredible sound. World travelled Sasquatch joins the party as one of the premier bands poised for next level breakthrough. Freedom Hawk flies over from Virginia Beach bringing with them catchy rocking songs with duel guitar action. One of the most consistent bands in the stoner rock genre. Powered Wig Machine gets its motor running again after a little layoff as Wayne and Joey Rudell of Fuzz Evil play the epitome of desert rock style blended with retro rock influences. Blackwulf flies down from Oakland on the heals of their last highly acclaimed album which featured former Pentagram member Geoff O’Keefe. Heavy riff rocking live band. Red Desert makes a special appearance coming all the way from Minnesota as they prepare for a big 2019 with a new album/EP. Desert rock sound blended with stoner and doom. Beauty Bar downtown on Fremont street is home to this all star lineup.
We are very proud of these lineups and will only have a limited amount of tickets to sale as each of the last 2 locations have only room from 270 or so……snag those tickets as this is first come first serve. Cool vibe and stacked lineups will be happening each and every night. Our hopes is to develop this into something heavy rock bands and fans can flourish in for future shows. See you soon !
Tickets available on each of these links for the individual days
