Quarterly Review: Steve Von Till, Cyttorak, Lambda, Dee Calhoun, Turtle Skull, Diuna, Tomorrow’s Rain, Mother Eel, Umbilichaos, Radar Men From the Moon

Posted in Reviews on October 5th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Oh hi there. It’s Quarterly Review time again, and you know what that means. 50 records between now and Friday — and I may or may not extend it through next Monday as well; I think I have enough of a backlog at this point to do so. It’s really just a question of how destroyed I am by writing about 10 different records every day this week. If past is prologue, that’s fairly well destroyed. But I’ve yet to do a Quarterly Review and regret it when it’s over, and like the last one, this roundup of 50 albums is pretty well curated, so it might even be fun to go through. There’s a thought. In any case, as always, I hope you find something you enjoy, and thank you for reading if you do or as much as you do.

Quarterly Review #1-10:

Steve Von Till, No Wilderness Deep Enough

steve von till no wilderness deep enough

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Steve Von Till on Thee Facebooks

Neurot Recordings on Bandcamp

 

Cyttorak, Simultaneous Invocation of Apocalyptic Harbingers

Cyttorak Simultaneous Invocation of Apocalyptic Harbingers

Take a breath before you hit play only to have it punched right out from your solar plexus by the brutalist deathsludge Looking for www homework helper com online Just upload your files Free Quote 100+ Languages Free Trial 12 Hours TAT. Cyttorak cleverly call “slowerviolence.” Dominated by low end and growls, screams, and shouts, the lumbering onslaught is the second standalone EP for the three-piece who hail from scenic Pawtucket, Rhode Island (former home of the PawSox), and throughout its six-track run, the unit conjure an unyieldingly punishing tonal morass set to aggressive purpose. That they take their name from the Marvel Universe character who controls X-Men villain Juggernaut should not be taken as coincidence, since their sound indeed seems intended to put its head down and smash through walls and/or anything else that might be in its path in pursuit of its quarry. With Guide to Hiring a Freelance College Application Essay Writing Of University By Nicole Bishop Why Hire a Freelance Business Writer? While running the writers' website, Writerfind.com, I am Conan-esque lyrical minimalism, the songs nonetheless give clues to their origins — “Royal Shokan Dismemberment” refers to Goro from Mortal Kombat, and finale “Domination Lord of Coldharbour” to Skyrim (which I still regret not playing) — but if you consider comics or video games to be lighter fare, first off, you’re working with an outdated mentality, and second, buy answers homework Continue Reading resume and cv writing services wiltshire phd thesis english language Cyttorak would like a bit of your time to smother you with volume and ferocity. They have a new split out as well, both on tape.

Cyttorak on Thee Facebooks

Tor Johnson Records website

 

Lambda, Heliopolis

lambda heliopolis

Also signified by the Greek letter from which they take their moniker, Czech four-piece Have to compose the this website and dont know how to? Our online writer service with available prices will easily help you! Lambda represent a new age of progressive heavy post-rock. Influences from http://launalcuenta.unal.edu.co/?business-plan-report - Proofreading and editing services from top specialists. Papers and essays at most attractive prices. Order a 100% original Russian Circles aren’t necessarily surprising to find coursing through the instrumental debut full-length, http://sovetsky.info/?child-abuse-essays Online from USA, UK service offers 100% non-plagiarized custom written best essay, thesis, research paper, term paper, research proposal Heliopolis, but there are shades of Elder as well behind the more driving riffs and underlying swing of “Space Express,” which also featured on the band’s 2015 EP of the same name. The seven-minute “El Sonido Nuevo” did likewise, but older material or newer, the album’s nine-song procession moves toward its culminating title-track through the grace of “Odysea” and the intertwining psychedelic guitars of “Milkyway Phaseshifter” with an overarching atmosphere of the journey to the city of the sun being undertaken. And when they get there, at the closer, there’s an initial sense of peace that gives way to some of the most directly heavy push Heliopolis has to offer. Payoff, then. So be it. Purposeful and somewhat cerebral in its execution, the DIY debut brings depth and space together to immersive effect.

Lambda on Thee Facebooks

Lambda on Bandcamp

 

Dee Calhoun, Godless

dee calhoun godless

Following his 2016 debut, Rotgut (review here) and 2018’s Go to the Devil (review here), Godless is the third full-length from former Iron Man and current Spiral Grave frontman Dee Calhoun, and its considerable 63-minute runtime finds him working in multiple directions while keeping his underlying roots in acoustic-based heavy metal. Certainly “To My Boy” — and Rob Calhoun has appeared on his father’s releases before as well — has its basis in familial expression, but its pairing with “Spite Fuck” is somewhat curious. Meanwhile, “Hornswoggled” cleverly samples George W. Bush with a laugh track, and “Here Under Protest,” “The Greater Evil,” “Ebenezer” and “No Justice” seem to take a worldly view as well. Meanwhile again, “Godless,” “The Day Salvation Went Away” and “Prudes, Puritanicals and Puddles of Piss” make their perspective nothing if not plain for the listener, and the album ends with the two-minute kazoo-laced gag track “Here Comes the Bride: A Tale From Backwater.” So perhaps scattershot, but Godless is nonetheless Calhoun‘s most effective outing yet in terms of arrangements and craft, and shows him digging further into the singer-songwriter form than he has up to now, sounding more comfortable and confident in the process.

Dee Calhoun on Thee Facebooks

Argonauta Records website

 

Turtle Skull, Monoliths

Turtle Skull Monoliths

Melodic vocal lines weave together and float over alternately weighted and likewise ethereal guitars on Turtle Skull‘s second album, Monoliths. The percussion-inclusive (tambourine, congas, rain stick, etc.) Sydney-based heavy psychedelic outfit create an immersive wash that makes the eight-song/55-minute long-player consuming for the duration, and while there are moments of clarity to be found throughout — the steady snare taps of “Why Do You Ask?” for example — but the vast bulk of the LP is given to the overarching flow, which finds progressive/space-rock footing in the 11-plus minutes of finale “The Clock Strikes Forever” and is irresistibly consuming on the drifting wash of “Rabbit” or the lysergic grunge blowout of “Who Cares What You Think?,” which gives way to the choral drone of “Halcyon” gorgeously en route through the record’s back half. It’s not the highest profile heavy psych release of 2020, but neither is it to be overlooked for the languid stretch of “Leaves” at the outset or the fuzz-drenched roll in the penultimate “Apple of Your Eye.”

Turtle Skull on Thee Facebooks

Art as Catharsis on Bandcamp

Kozmik Artifactz website

 

Diuna, Golem

diuna golem

In some ways, the dichotomy of Diuna‘s 2019 sophomore full-length, Golem, is set by its first two tracks, the 24-second intro “Menu” and the seven-minute “Jarmark Cudów” that follows, each longer song throughout is prefaced by an introduction or interlude, varying in degrees of experimentation. That, however, doesn’t cover the outsider vibes the Polish trio bring to bear in those longer songs themselves, be it “Jarmark Cudów” devolving into a post-Life of Agony noise rock roll, or the thrust in “Frank Herbert” cut into starts and stops and shouting madness. Heavy rock, noise, sludge, post-this-or-that, it doesn’t matter by the end of the 12-track/44-minute release, because Diuna establish such firm control over the proceedings and make so clear the challenge to the listener to keep up that it’s only fun to try. It might take a couple listens to sink in, but the more attention one gives Golem, the more one is going to be rewarded in the end, and I don’t just mean in the off-kilter fuckery of closer “Pan Jezus Idzie Do Wojska.”

Diuna on Thee Facebooks

Diuna on Bandcamp

 

Tomorrow’s Rain, Hollow

tomorrows rain hollow

“Ambitious” doesn’t begin to cover it. With eight songs (plus a bonus track) and 11 listed guest musicians, the debut full-length, Hollow, from Tel Aviv-based death-doomers Tomorrow’s Rain seems to be setting its own standard in that regard. And quite a list it is, with the likes of Aaron Stainthorpe of My Dying Bride, Greg Mackintosh of Paradise Lost, Fernando Ribeiro of Moonspell, Mikko Kotamaki of Swallow the Sun, and so on, it is a who’s-who of melodic/gothic death-doom and the album lives up to the occasion in terms of the instrumental drama it presents. Some appear on one track, some on multiple tracks — Ribeiro and Kotamaki both feature on “Misery Rain” — and despite the constant shifts in personnel with only one of the eight tracks completely without an outside contributor, the core six-piece of Tomorrow’s Rain are still able to make an impression of their own that is bolstered and not necessarily overwhelmed by the extravagant company being kept throughout.

Tomorrow’s Rain on Thee Facebooks

AOP Records website

 

Mother Eel, Svalbard

mother eel svalbard

Mother Eel‘s take on sludge isn’t so much crushing as it is caustic. They’re plenty heavy, but their punishment isn’t just meted out through tonal weight being brought down on your head. It’s the noise. It’s the blown-out screams. It’s the harshness of the atmosphere in which the entirety of their debut album, Svalbard, resides. Five tracks, 33 minutes, zero forgiveness. One might be tempted to think of songs like “Erection of Pain” as nihilistic fuckall, but that seems incorrect. Nah, they mean it. Fuckall, yeah. But fuckall as ethos. Fuckall manifest. So it goes through “Alpha Woman” and “Listen to the Elderly for They Have Much to Teach,” which ends in a Primitive Man-ish static assault, and the lumbering finish “Not My Shade,” which assures that what began on “Sucking to Gain” half an hour earlier ends on the same anti-note: a disaffected malevolence writ into sheer sonic unkindness. There is little letup, even in the quiet introductions or transitions, so if you’re looking for mercy, don’t bother.

Mother Eel on Thee Facebooks

Mother Eel on Redbubble

 

Umbilichaos, Filled by Empty Spaces

Umbilichaos Filled by Empty Spaces

The four-song/39-minute atmospheric sludge long-player Filled by Empty Spaces is listed by Brazilian solo outfit Umbilichaos as being the third part of, “the Tetralogy of Loneliness.” If that’s the emotion being expressed in the noise-metal post-Godflesh chug-and-shout of “Filled by Empty Spaces Pt. 02,” then it is loneliness viscerally presented by founding principal and multi-instrumentalist Anna C. Chaos. The feel throughout the early going of the release is plodding and agonized in kind, but in “Filled by Empty Spaces Pt. 01” and “Filled by Empty Spaces Pt. 03” there is some element of grim, crusted-over psychedelia happening alongside the outright dirge-ism, though the latter ultimately wins out in the four-minute instrumental capper “Disintegration.” One way or the other, Chaos makes her point through raw tonality and overarching intensity of purpose, the compositions coming across simultaneously unhinged and dangerously under control. There are many kinds of heavy. Filled by Empty Spaces is a whole assortment of them.

Umbilichaos on Thee Facebooks

Sinewave website

 

Radar Men From the Moon, The Bestial Light

radar men from the moon the bestial light

Fueled by avant grunge/noise impulsion, Radar Men From the Moon‘s latest foray to Planet Whothefuckknows arrives in the eight-song/41-minute The Bestial Light, a record alternately engrossing and off-putting, that does active harm when the sounds-like-it’s-skipping intro to “Piss Christ” comes on and then subsequently mellows out with psych-sax like they didn’t just decide to call the song “Sacred Cunt of the Universe” or something. Riffs, electronics, the kind of weirdness that’s too self-aware not to be progressive, Radar Men From the Moon take the foundation of experimentation set by Astrosoniq and mutate it via Swans into something unrecognizable by genre and unwilling to compromise its own direction. And no, by the time “Levelling” comes on to round out, there is no peace to be found, though perhaps a twisted kind of joy at the sheer postmodernism. They should score ballets with this stuff. No one would go, but three centuries from now, they’d be worshiped as gods. Chance of that anyway, I suppose.

Radar Men From the Moon on Thee Facebooks

Fuzz Club Records on Bandcamp

 

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Mythological Cold Towers Sign to Transcending Obscurity

Posted in Whathaveyou on December 19th, 2016 by JJ Koczan

Brazilian death-doomers Mythological Cold Towers will release their next album through India’s Transcending Obscurity Records. Yet untitled, it will be the band’s sixth full-length, following after 2015’s Monvmenta Antiqva, and it might be needless to say, but they should be right at home in the lineup of their new imprint, which always seems to keep its focus on the extreme end of the spectrum, which of course is no less varied than any of the spectrum’s other ends. If you like it deathly, though, you already know death comes in many flavors.

2016 marks 20 full years since Mythological Cold Towers made their debut with Sphere of Nebaddon: The Dawn of a Dying Tyffereth. The label announced their pickup thusly:

mythological cold towers

Transcending Obscurity Records signs MYTHOLOGICAL COLD TOWERS

After signing Officium Triste, which is another very long-running band with a legendary status, we’re thrilled to have Brazilian greats Mythological Cold Towers on board for their new full length album. Their brand of doom is highly emotive and atmospheric in its own way, and has a special warm touch which seems to be a typical trait of the band all along.

Transcending Obscurity owner Kunal Choksi states, “I’ve been listening to Mythological Cold Towers since years if not decades, and it’s a dream come true to work with this legendary band with regards to their upcoming full length album. Alan’s a thorough gentleman and it’s been great so far. I must thank Pim Blankenstein of Officium Triste for helping me out getting this band on board. Expect stunning and emotionally-rich doom/death metal from this long-running Brazilian band.”

Alan “Hamon” Lima of Mythological Cold Towers adds, “We’re more than excited about our signing to Transcending Obscurity. Kunal is really a hard-working guy and I’m sure he is going to do an excellent work for all signed bands. Moreover his goals as a record label owner are equally clear and logical. Serious promotion and distribution are focused by him and that’s all we are looking for. Thanks Kunal, we’re really pleased to be part of Transcending Obscurity team!!!!”

Mythological Cold Towers is:
Hamon – Drums
Shammash – Guitars
Nechron – Guitars
Samej – Vocals

https://www.facebook.com/officialmythologicalcoldtowers
http://tometal.com/

Mythological Cold Towers, “Vetustus”

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