Friday Full-Length: Mammatus, Mammatus

Posted in Bootleg Theater on May 7th, 2021 by JJ Koczan

Let’s step out of time for a little bit. We’ll all take a collective breath, close our eyes, and imagine ourselves walking on a long path. It’s a long path lined with trees that leads to a beach and at the beach we’re totally alone. You can see planets up in the sky like big smiling faces and imagine the people there waving to you, far away. Far, far away. Distant, but big. You walk up and feel the change from the path to the sand under your feet, the looseness of the ground. There’s a breeze, because of course there is, and the sound of the water and the smell of salt and that ambient wetness that comes from being near the ocean. It feels like the place life came from, and it is.

We’re there and we’re all alone and it doesn’t matter because there are as many realities as we need to make these things happen and each one we inhabit is our own and we’re all there on this beach and we open our eyes and look out at the water. There’s however many suns you want, and the planets, and life, and water. Now imagine you’re there all by yourself and you realize you have something in your hand, and what is it?

You look down at your hand, right or left, maybe both, and you see you’re holding this lump. What is it? Oh wait, that’s bullshit. You remember now. You’re holding all your own bullshit. Look at that lump of bullshit. It’s been hanging out and festering and finally you got tired of all your own bullshit and you decided to take it for a walk and lose it once and for all. You take that lump of bullshit and you throw it as hard and as high as you can over the water and it sails like who knew bullshit could fly? But there it goes and it’s kind of fun to watch that big old lump of bullshit go higher and higher over the water until finally the arc crests and it starts to head down, far out and deep, past the continental shelf into the darker recesses of this infinite sea, and it’s so far gone by then that you don’t hear the splash but you still see it and then it’s done. All your bullshit, you just threw it away.

Maybe we all wash our hands in that sparkling water, salty but clean, and sit down for a while and just breathe in and out and tilt our heads back and close our eyes and feel the sun on our face. Maybe that’s what we do because there’s no more bullshit weighing us down and everything is beautiful around us and we don’t even have to look to know it, it’s just there and we can breathe it in and feel it in our lungs, feel the lungs take the oxygen out of the air and pump it through our blood, alone on this beach, the planets and suns and stars whatever all above, visible, shining impossibly, whatever. We’re all there, alone, breathing, living, no bullshit.

You open your eyes and look to either side of you. Maybe you’ve never felt this kind of freedom before, but now, your shoulders hanging natural and your breath coming easy, it’s there. You’re there. Everyone’s there. Nobody’s around.

mammatus self titledSanta Cruz, California’s  Our writers always follow your instructions and bring fresh ideas to the table, which remains a huge part of success in writing an essay. We guarantee the authenticity of your paper, whether it's an essay or a dissertation. Furthermore, we ensure the confidentiality of your personal information, so the chance that someone will find out about your using our find more info service is slim to none Mammatus released their self-titled debut in 2006 through  Thesis Phd Traction Power - Put aside your worries, place your task here and receive your professional project in a few days If you are Holy Mountain Read 175 customer reviews of the Resume And Cv Writing Services Writing - www.assignmentexpert.com & compare with other Education Websites at Review Centre Rocket Recordings and  Essay On Your Community Service For Cheap Price. The process is very simple. Just give us a call or reach us on Live Chat and type, can someone write my thesis for me? One of our correspondents will immediately address you and give you your account username and password. Login to fill out the order form, be very specific and detailed about your Leaf Hound Records, three labels the names of which alone should speak to the record’s essential nature. Comprised only of four songs, the record begins with “The Righteous Path Through the Forest of Old” (9:23) and moves through “The Outer Rim” (5:09) en route to “Dragon of the Deep Part One” (8:23) and “Dragon of the Deep Part Two” (22:12), the journey taking place enough of a preface for what’s become known as neo-psych that it renders the designation laughable. It’s not neo-anything. It’s out-of-time.

Comprised then of guitarist/vocalist  When you http://www.soundofliberation.com/?bibliography-help-apa from Custom Essay Order, you are assured that the best writer will handle it. Our hiring process for the writers is sophisticated to ensure that we get the best. We have ensured that our writers have the required skills to handle any job. Your paper will be handled by a writer with 5+ years of experience. The wealth of experience by our writers ensures that you Nicholas Emmert, drummer  The steps in http://www.urimat.com/?buy-a-dissertation-online-oregon-state-university versus hiring a custom writing company are similar so it is easy to see that the most secure choice is to go custom. When a student chooses to utilize the services of a custom writing company, they are then going to get more personalized attention to their project because specific writers are now involved. Once the customer decides to use a custom writing company, they Aaron Emmert and bassist  We provide the wide range of English Language As Coursework Help, some of them include: essay writing, research paper, term paper, coursework, thesis and even lab reports. Chris Freels, with  Sometimes comes a torture or phd thesis online order to have your thesis, 2012 - Research Proposal On Csrs and get a thesis paper from pro-papers. Apr 5, stating precise instructions is the most people have. Where to buy custom essay writer can be pleasant. Southworth exceptional thesis paper writing. Just give us daily; in all fields of your paper best. For many students in fact, thesis today and buy Zachery Patten and  We offer top quality College Admissions Essay Help Uss to college, university students. Enter the college of your dream with our application essay writers Mike Donofrio recording,  Phd Thesis Grid Computing - leave behind those sleepless nights working on your essay with our academic writing assistance Entrust your essay to qualified Mammatus‘ initial explorations have become and well should be the stuff of cult psych legend. This record, its movement and progression between its songs, the way it sounds like one long stretch, a molten 45-minute flow broken into parts but united in its purpose and immersion just the same, is the stuff of should-be-worshiped-as-classic scorch. From the opening surf-in-space strum of “The Righteous Path Through the Forest of Old” through the bullshit-swallowing noisier reaches in the midsection breakdown of “Dragon of the Deep Part Two,” there is nothing so appropriate in the hearing of the album but to let go and trust the band to take you where they will because they’re going anyway.

Here we are, some 15 years after the fact and  Professional Example Of Marketing Strategy In Business Plans for business finance applications. We'll help you succeed in getting finance for your startup or existing business from Mammatus‘ first still feels like it’s rolling through cosmic outer reaches inside the head. You want to call it hyperbole, fine. Your loss. This is an album for communion; both a preach to the converted and a call to convert. In the patient swirls of “The Outer Rim” there so much space tucked into just five minutes, and then “Dragon of the Deep Part One” adds even more feedback, overlapping feedback, before it launches into its own ultra-lysergic jam. What an album. What a band. Hot damn.

And you know “Dragon of the Deep Part Two” comes back from those open spaces in its middle. They bring it around to this massive fuzzy crunch, kick the slow wah and groove out huge in a before- Buy Essays At Special Prices 3 Ways To Save On Your Orders. There is no point to overpay for your orders, especially if you are a student on a shoestring budget. We want to help you Extreme Sports Help To Build Character Essay without efforts. With this purpose, Royal Essays has special offers for customers feel free to use these tricks to save on your orders. Check them out: Buy essay beforehand. This is the Sleep-got-back-together paean to the power of rolling tone up and sharing the ensuing smoke. It’s all gorgeous and it all comes apart and gives way to noise like the universe spreading too wide and whoops, there goes the molecules that make up matter, cell walls breaking down and all that and what difference does it make anyhow we’ll just get another universe there are so many.

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Thanks for reading. Hydrate. Watch your head. Have a great and safe weekend.

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Doors to No Where Sign to Desert Records for Darkness Falls LP; Premiere Title-Track Feat. Bob Balch

Posted in audiObelisk, Whathaveyou on March 18th, 2021 by JJ Koczan

doors-to-no-where

Santa Cruz, California’s  Fortunately, now you can just pay for essay and stop stressing yourself with it. Get http://www.aktionsrat-bildung.de/?help-english-essay from the Service That Will Never Let You Down. Doors to No Where have signed to  Desert Records and will release their new album, Darkness Falls, on May 21. From masterblaster-punk opener “Lie, Lie, Lie” through the early-Alice in Chains-style grunge chug of “Fade” and the classic metal epic tension in near-eight-minute finale “Darkness Falls,” the record runs a gamut of styles in a mere 31 minutes, finding a post-hardcore kind of heavy rock melody in “Worship the Machine” before the two-minute “Got Mine” shoves and sprints in post-Songs for the Deaf careening fashion. The trio don’t stay in any one place much longer than to leave a boot print as they’re off to the next thing, but there’s a consistency between “Fade” and “New Monster,” as vocals, tonal thickness and production/songwriting draw the release together as a whole. The succession of jabs, between the Goatsnake-ing groove of “Policy” and the finishing surge in “Who Died” and the rest of what surrounds becomes something of a consistency in itself, and the album is stronger for that.

One can tell from the track titles that Darkness Falls is something of a COVID-era production, and indeed, Doors to No Where recorded it last year. There are already and there are going to continue to be a glut of albums on the theme since, on the most basic level, art as an expression of processing common trauma is a human impulse. If the momentum of their tempos is anything to just by, Doors to No Where don’t seem to have been dragged down too far, or maybe that just means they had farther to go. I won’t speculate.

Fu Manchu and Big Scenic Nowhere‘s own Bob Balch sits in on the concluding title-track, which you can hear premiering at the bottom of this post. Album info and the signing announcement follow, courtesy of Desert Records and the PR wire:

doors to no where darkness falls

DESERT RECORDS PRESENTS “DARKNESS FALLS” DOORS TO NO WHERE

“Darkness Falls” is the fourth studio album from Doors To No Where, a trio from Santa Cruz, California. The album was recorded in 2020 smack-dab in the middle of COVID lockdowns. The band once again worked with producer Aaron Cooper (Pylon Productions).

“Darkness Falls” consists of eight blistering tracks that touch on Doors To No Where’s stoner rock roots and punk influence. The band brings big riffs and touches on elements of psych, doom and a hint of the heavier side of grunge. Plenty of groove to feel on this record.

The title track “Darkness Falls” features a guest performance from Bob Balch (Fu Manchu, Big Scenic Nowhere) on guitar. “Darkness Falls” also features percussion by Aaron Cooper. Darkness Falls was the last song written for the record and truly reflects the crazy time that 2020 was. Balch brings his huge tone to add to the song’s vibe.

“Darkness Falls” was recorded, mixed and mastered by Aaron Cooper at “pylon Studios” in Santa Cruz, California (USA). Doors To No Where has three albums under their belt, “Lucky You”, “I’m Alive” and “The Haunting.” The band will release their fourth record “Darkness” via Desert Records May 21st 2021. Joining Marc Lewis (guitar/vocals) is longtime drummer Pete Testorff and Marc Prefontaine (bass). “Darkness Falls will be Prefontaine’s first album with the band.

Marc Lewis on Working with Bob Balch:
Working with Bob was an honor and his contributions to the track are huge. He is a true pro and his tone is so recognizable and heavy. I had an idea of the whole song in my head before I even picked up a guitar and I knew I wanted Bob to contribute to it. I wanted that classic fuzz and grit and to give him room to shred some. When we played with Fu Manchu I picked his brain a lot about tone and threw out the idea of working together someday. I reached out to him with a very rough version of the song and he was into it. The dude just lives for guitar and working with him was so easy. He really nailed the vibe I had in my head. The dude is a special talent on guitar for sure.”

1. Lie, Lie, Lie
2. Fade
3. Worship the Machine
4. Got Mine
5. Policy
6. Who Died
7. New Monster
8. Darkness Falls (Feat. Bob Balch)

Doors to No Where are:
Marc Lewis (guitar/vocals)
Pete Testorff (drums)
Marc Prefontaine (bass)

https://www.facebook.com/D2NROCKNROLL
https://www.instagram.com/doors_to_no_where/
https://doorstonowhere.bandcamp.com/
http://www.doorstonowhere.com/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

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Quarterly Review: Katatonia, Marmalade Knives, King Witch, Glass Parallels, Thems That Wait, Sojourner, Udyat, Bismarck, Gral Brothers, Astral Glide

Posted in Reviews on July 9th, 2020 by JJ Koczan

the-obelisk-qr-summer-2020

Welcome to the penultimate day of the Summer 2020 Quarterly Review. I can only speak for myself, but I know it’s been a crazy couple months on this end, and I imagine whatever end you’re on — unless and probably even if you have a lot of money — it’s been the same there as well. Yet, it was no problem compiling 50 records to review this week, so if there’s a lesson to be taken from it all, it would seem to be that art persists. We may still be painting on cave walls when it comes to the arc of human evolution, but at least that’s something.

Have a great day and listen to great music.

Quarterly Review #31-40:

Katatonia, City Burials

katatonia city burials

Like their contemporaries in My Dying Bride and Paradise Lost, the latter-day period of work from Sweden’s Katatonia veers back toward some measure of direct heaviness, as City Burials showcases in cuts like “Rein,” “Heart Set to Divide” and “Behind the Blood,” but more than either of those others mentioned, the Stockholm outfit refuse to forsake the melody and progressivism they’ve undertaken with their sound in the name of doing so. By the time they get to “Untrodden” at the end of the album’s 50-minute/11-song run, they’ve run a gamut from dark electronica to progressive-styled doom and back again, and with the founding duo of guitarist Anders Nyström and vocalist Jonas Renkse at the helm of the songwriting, they are definitive in their approach and richly emotive; a melancholy that is as identifiable in their songs as it is in the bands working under their influence. Their first work in four years, City Burials is an assurance that Katatonia are in firm ownership and command of all aspects of their sound. As they approach their 30th year, they continue to move forward. That’s a special band.

Katatonia on Thee Facebooks

Peaceville Records website

 

Marmalade Knives, Amnesia

marmalade knives amnesia

Boasting production, mixing and percussion from The Golden GrassAdam Kriney, Marmalade Knives‘ debut album, Amnesia, is a delight of freaky-but-not-overblown heavy psychedelia. Oh, it’s headed far, far out, but as the opening narration and the later drones of second cut “Rivuleting” make plain, they might push, but they’re not trying to shove, if you know what I mean. The buzz in “Best-Laid Plans” doesn’t undercut the warmth of the improvised-seeming solo, and likewise, “Rebel Coryell” is a mellow drifter that caps side A with a graceful sense of wandering the soundscape of its own making. The vibe gets spacey on “Xayante,” and “Ez-Ra” touches on a funkier swing before seeming to evolve into light as one does, and the 10-minute “Astrology Domine” caps with noise and a jammed out feel that underscores the outbound mood of the proceedings as a whole. Some of the pieces feel like snippets cut from longer jams, and they may or may not be just that, but though it was recorded in three separate locations, Amnesia draws together well and flows easily, inviting the listener to do the same.

Marmalade Knives on Thee Facebooks

Electric Valley Records webstore

 

King Witch, Body of Light

king witch body of light

Edinburgh’s King Witch toe the line between classic metal and doom, but whatever you want to call them, just make sure you don’t leave out the word “epic.” The sweeping solo and soaring vocals on the opening title-track set the stage on their second LP, the hour-long Body of Light, and as much mastery as the band showed on their 2018 debut, Under the Mountain (review here), vocalist Laura Donnelly, guitarist Jamie Gilchrist, bassist Rory Lee and drummer Lyle Brown lay righteous waste to lofty expectations and bask in grandiosity on “Of Rock and Stone” and the linear-moving “Solstice I – She Burns,” the payoff of which is a high point of the album in its layered shred. Pieces like “Witches Mark” and “Order From Chaos” act as confirmation of their Euro-fest-ready fist-pumpery, and closer “Beyond the Black Gate” brings some atmosphere before its own headbang-worthy crescendo. Body of Light is a reminder of why you wanted to be metal in the first place.

King Witch on Thee Facebooks

Listenable Records on Bandcamp

 

Glass Parallels, Aisle of Light

Glass Parallels Aisle of Light

Eminently listenable and repeat-worthy, Glass Parallels‘ debut LP, Aisle of Light, nonetheless maintains an experimentalist flair. The solo-project of Justin Pinkerton (Golden Void, Futuropaco), covers a swath of ground from acid folk to psych-funk to soul vibes, at times bordering on shoegaze but seeming to find more expressive energy in centerpiece “Asphyxiate” and the airy capper “Blood and Battlegrounds” than any sonic portrayal of apathy would warrant. United by keys, pervasive guitar weirdness and Pinkerton‘s at-times-falsetto vocals, usually coated in reverb as they are, Aisle of Light brings deceptive depth for being a one-man production. Its production is spacious but still raw enough to give the drums an earthy sound as they anchor the synth-laden “March and April,” which is probably fortunate since otherwise the song would be liable to float off and not return. One way or another, the songs stand out too much to really be hypnotic, but they’re certainly fun to follow.

Glass Parallels on Thee Facebooks

Glass Parallels on Bandcamp

 

Thems That Wait, Stonework

thems that wait stonework

Stonework is the self-aware debut full-length from Portland, Maine, trio Thems That Wait, and it shoulders itself between clenched-teeth metallic aggression and heavier fuzz rock. They’re not the first to tread such ground and they know it, but “Sidekick” effectively captures Scissorfight-style groove, and “Kick Out” is brash enough in its 1:56 to cover an entire record’s worth of burl. Interludes “Digout” and “Vastcular” provide a moment to catch your breath, which is appreciated, but when what they come back with is the sure-fisted “Paragon” or a song like “Shitrograde,” it really is just a moment. They close with “Xmortis,” which seems to reference Evil Dead II in its lyrics, which is as good as anything else, but from “Sleepie Hollow” onward, guitarist/vocalist Craig Garland, bassist Mat Patterson and drummer Branden Clements find their place in the dudely swing-and-strike of riffs, crash and snarl, and they do so with a purely Northeastern attitude. This is the kind of show you might get kicked at.

Thems That Wait on Thee Facebooks

Thems That Wait on Bandcamp

 

Sojourner, Premonitions

sojourner premonitions

Complexity extends to all levels of Sojourner‘s third album and Napalm Records debut, Premonitions, in that not only does the band present eight tracks and 56 minutes of progressive and sprawling progressive black metal, varied in craft and given a folkish undercurrent by Chloe Bray‘s vocals and tin whistle, but also the sheer fact that the five-piece outfit made the album in at least five different countries. Recording remotely in Sweden, New Zealand, Scotland and Italy, they mixed/mastered in Norway, and though one cringes at the thought of the logistical nightmare that might’ve presented, Sojourner‘s resultant material is lush and encompassing, a tapestry of blackened sounds peppered with clean and harsh singing — Emilio Crespo handles the screams — keyboards, and intricate rhythms behind sprawling progressions of guitar. At the center of the record, “Talas” and “Fatal Frame” (the shortest song and the longest) make an especially effective pair one into the other, varied in their method but brought together by viciously heavy apexes. The greatest weight, though, might be reserved for closer “The Event Horizon,” which plods where it might otherwise charge and brings a due sense of largesse to the finale.

Sojourner on Thee Facebooks

Napalm Records website

 

Udyat, Oro

udyat oro

The order of the day is sprawl on Udyat‘s recorded-live sophomore LP, Oro, as the Argentinian outfit cast a wide berth over heavy rock and terrestrial psych, the 13-minute “Sangre de Oro” following shorter opener “Los Picos de Luz Eterna” (practically an intro at a bit over six minutes) with a gritty flourish to contrast the tonal warmth that returns with the melodic trance-induction at the start of “Los últimos.” That song — the centerpiece of the five-track outing — tops 15 minutes and makes its way into a swell of fuzz with according patience, proceeding through a second stage of lumbering plod before a stretch of noise wash leads pack to the stomp. The subsequent “Después de los Pasos, el Camino Muere” is more ferocious by its end and works in some similar ground, and closer “Nacimiento” seems to loose itself in a faster midsection before returning to its midtempo roll. Oro borders on cosmic doom with its psychedelic underpinnings and quiet stretches, but its movement feels ultimately more like walking than floating, if that makes any sense.

Udyat on Thee Facebooks

Udyat on Bandcamp

 

Bismarck, Oneiromancer

Bismarck Oneiromancer

To anyone who might suggest that extreme metal cannot also be forward-thinking, Bismarck submit the thoughtful bludgeon of Oneiromancer, a five-song/35-minute aesthetic blend that draws from doom, death, hardcore and sundry other metals, while keeping its identity in check through taut rhythm and atmospheric departures. Following the chants of opening intro “Tahaghghogh Resalat,” the Chris Fielding-produced follow-up to Bismarck‘s 2018 debut, Urkraft (review here), showcases an approach likewise pummeling and dynamic, weighted in ambience and thud alike. “Oneiromancer” itself starts with blastbeats and a plundering intensity before breaking into a more open midsection, but “The Seer” is absolutely massive. Despite being shorter than either the title-track or “Hara,” both of which top nine minutes, and closer “Khthon” underscores the blood-boiling tension cast throughout with one last consuming plod. Fucking raging. Fucking awesome. Pure sonic catharsis. Salvation through obliteration. If these are dreams being divined as the title hints, the mind is a limitless and terrifying place. Which, yes.

Bismarck on Thee Facebooks

Bismarck on Bandcamp

 

The Gral Brothers, Caravan East

gral brothers caravan east

I won’t say it’s seamless or intended to be, but as Albuquerque, New Mexico, two-piece The Gral Brothers make their initial move on Caravan East between cinematic Americana and industrial brood, samples of dialogue on “Cactus Man” and violin in the seven-minute soundscaper “In Die Pizzeria” seem to draw together both a wistfulness and a paranoia of the landlocked. Too odd to fall in line with the Morricone-worship of Cali’s Spindrift, “Crowbar” brings Spaghetti West and desert dub together with a confidence that makes it seem like a given pairing despite the outwardly eerie vibes and highly individualized take, and “Santa Sleeves” is beautiful to its last, even if the lone bell jingle is a bit much, while “Silva Lanes” pushes even further than did “Circuit City” into mechanized experimental noisemaking. They end with the birdsong-inclusive “Ode to Marge,” leaving one to wonder whether it’s sentiment or cynicism being expressed. Either way, it’s being expressed in a way not quite like anything else, which is an accomplishment all on its own.

The Gral Brothers on Thee Facebooks

Desert Records on Bandcamp

 

Astral Glide, Flamingo Graphics

astral glide flamingo graphics

When you’re at the show and the set ends, Flamingo Graphics is the CD you go buy at the merch table. It’s as simple as that. Recorded this past March over the course of two days, the debut album from Floridian foursome Astral Glide is raw to the point of being barebones, bootleg room-mic style, but the songwriting and straightforward purposes of the group shine through. They’re able to shift structures and mood enough to keep things from being too staid, but they’re never far off from the next heavy landing, as “Devastation” and the closer “Forever” show in their respective payoffs, that latter going all out with a scream at the end, answering back to the several others that show up periodically. While their greatest strength is in the mid-paced shove of rockers like “Space Machine” and “Scarlett” and the speedier “Workhorse,” there are hints of broader intentions on Flamingo Graphics, though they too are raw at this point. Very much a debut, but still one you pick up when the band finishes playing. You might not even wait until the end of the show. Meet them back at the table, and so on.

Astral Glide on Thee Facebooks

Astral Glide on Bandcamp

 

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The Bad Light & Tuna de Tierra Release The Bad Tuna Split

Posted in Whathaveyou on February 1st, 2018 by JJ Koczan

There are few things I love more unabashedly, unashamedly and unironically in the realm of music than a cleverly named split release. Really. I’m not being sarcastic or trying to make a joke. You got two bands sharing a release and you’ve come up with a wordplay name for it? Chances are I’m at very least going to be on board on a linguistic level. What makes The Bad Tuna — the new and cleverly-titled Phonosphera Records split from Santa Cruz, California’s The Bad Light and Naples, Italy’s Tuna de Tierra — even better in my book is the groove quotient. Between the rolling blues fuzz of the former and the desert-worshiping vibes of the latter, that quotient is mighty indeed, and perhaps best summed up by The Bad Light themselves with the name of their second track. Appropriate nomenclature all the way around.

I’ll admit this is my first exposure to The Bad Light, who apparently have a new full-length — their second — currently in the works, but if the Tuna de Tierra cuts seem familiar, they were previously issued as 2015’s self-released EPisode I: Pilot (review here) debut EP. Time has not dulled their luster.

Release info and audio follows. Even if all you do is stream the thing, it’s well worth your time to do so:

the bad light tuna de tierra the bad tuna split

THE BAD LIGHT / TUNA DE TIERRA – THE BAD TUNA

This is the first edition of the SPLIT SERIES by Phonosphera Records, soon more to come!

Boiled down to the basic ingredients of drums, guitar and vocals The Bad Light plays their own brand of blues driven stoner sludge, the songs feel equally at home played through a resonator guitar as they do through a thick wall of fuzz.

Sounds from the desert, wide landscape full of sand at the sunset, intolerable warm atmospheres, lysergic imagination nurturing air. The Tuna de Tierra leaves for a trip with neither destination nor end, but just the purpose to move endlessly.

Tracklisting:
1. The Bad Light – Palo Santo 01:21
2. The Bad Light – Goodshit 04:49
3. The Bad Light – The Feels 05:11
4. The Bad Light – Love Letter 05:31
5. Tuna de Tierra – Red Sun 08:28
6. Tuna de Tierra – Ash 07:24
7. Tuna de Tierra – El Paso de la Tortuga 04:07

The Bad Light is:
Dana Shepard-Drums
Celeste Deruisa-Vocals
Edu Cerro-Guitar/Vocals

Recorded at The Compound in Felton CA, November 2017
Engineer-Joe Clement

Tuna de Tierra is:
Alessio De Cicco: guitar, vocals
Luciano Mirra: bass guitar
Jonathan Maurano: drums

Produced by Tuna de Tierra
Recorded and mixed at Trail Music Lab, Napoli (by Fabrizio Piccolo)
Vinyl master by Roy Bortoluzzi at xxx Studio (Rome, IT)

https://www.facebook.com/The-Bad-Light-164874116909229/
https://thebadlight.bandcamp.com/
http://thebadlight.com/

https://www.facebook.com/tunadetierra/
https://tunadetierra.bandcamp.com/
http://www.tunadetierra.com/

https://www.facebook.com/groups/117631158247162/
https://phonosphera.bandcamp.com/album/the-bad-light-tuna-de-tierra-the-bad-tuna-vinyl-split
http://www.phonosphera.com/?product=the-bad-light-tuna-de-tierra-the-bad-tuna

The Bad Light & Tuna de Tierra, The Bad Tuna (2018)

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Mountain Tamer, Mountain Tamer: The Burning Mind (Plus Full Album Stream)

Posted in audiObelisk, Reviews on February 4th, 2016 by JJ Koczan

mountain tamer mountain tamer

[Click play above to stream Mountain Tamer’s self-titled debut in full. Album is out Feb. 12 on Argonauta Records.]

Tripped out trio Mountain Tamer made a lasting impression in 2015 with their vowel-less Mtn Tmr demo (review here), and they follow and expand on that initial offering with a self-titled debut on Argonauta Records. The three tracks that featured on the demo — “Dunes of the Mind,” “Satan’s Waitin'” and “Sum People” — return on Mountain Tamer, but the shift in context is striking as the three-piece of guitarist/vocalist Andru, bassist/vocalist Dave Teget and drummer/vocalist Casey Garcia carve out their niche somewhere between the lurching grunge of “Sum People” and “Knew” and the heavy psych freakouts of “Mind Burner” and “Pharosite” that bookend.

Based in Santa Cruz, California, their style is more intense overall than a lot of the chilled-to-the-max guitar-heroics of the post-Earthless set, but not necessarily born of wildly different influences in classic heavy rock, punk and desert jams. The result across the eight-track/40-minute span of the album is a work that’s as gritty as it is lysergic, elements of noise rock in the catchy “Knew” resting fluidly with the garage rock strut of “Wolf” as the fuzzier “Vixen” blends the two with hairy lead tones and molten percussive build. Still, a psychedelic haze settles in almost immediately on “Mind Burner” at the record’s laid back opening, and that seems to inform everything that comes after one way or another, and as driving as Mountain Tamer get, their overarching atmosphere is headier than it is aggressive.

In that way, they’re very much of their coast, but the multi-vocalist approach, their penchant for departing from structure into jammy flights on cuts like “Dunes of the Mind,” “Vixen” and “Satan’s Waitin'” and the swing they present in their underlying groove is markedly their own. Following the steady fuzz layering of “Mind Burner,” “Knew” picks up with the catchiest chorus of Mountain Tamer, delivered more in a shout backed by melodic vocals in a way that reminds of Nick Oliveri-fronted Queens of the Stone Age but never tips over into directly doing the same thing.

mountain tamer

“Knew” gets maddest in its second half, but it’s never actually out of control, and AndruTeget and Garcia bring it around to a last run through the hook that makes it all the more a highlight en route to the longer, farther-ranging “Dunes of the Mind,” which airs out the guitar tone in initial thickened boogie and stretches into psychedelic atmospherics later on, a slowdown setting up the all-thrust finale, cut short at the end of the track. Variety continues to be a running theme as “Vixen” picks up with a shoegaze-gone punk pulsation, guitars shooting from one channel to the next as the band leaves the verse behind, jamming out, coming back, jamming out, coming back again for a final bluesy push that rounds out side A with a reinforcement of the acid rock traditionalism on which a lot of Mountain Tamer‘s extrapolations are based. All those dudes were running blues riffs through wah. Nearly half a century later, so it goes again.

As one would hope, side B weirds out a little but more. “Wolf in the Streets” goes cowbell and howlin’ at first, but finds its crux in a heavy psych build that features some of the album’s best guitar/bass interplay in its instrumental payoff before the final chorus, and the familiar strains of “Sum People” (also listed as “Sum Peeps”) pick up with a drawn-down version of the intensity that came forward on “Knew,” that before-grunge-had-a-name disaffection presented through slogging toms and resonant vocal fuckall as a thesis with which it’s hard to argue. Even here, Mountain Tamer find room to jam, and the ending of “Sum People” leads particularly effectively into “Satan’s Waitin’,” which launches with a foundation of bass and shifts through a spacey verse into jazzier drum-led rhythmic fare topped with stoned guitar on its way back to wherever the hell it came from, ending with a drawl on the hook and that bassline.

Remember when I mentioned weirding out? There it is. Then comes “Pharosite” to play the one side directly off the other — somehow the tones are warmer as they do — on a mostly instrumental capstone topped with shaker, a few rock-as-tribal shouts and a riotous noise and cymbal finish that, frankly, the album well earned. It wraps on a quick fade as if the band ran out of the room, and I wouldn’t be surprised if that was actually the case, since the energy they put into the presentation of these tracks seems to come with corresponding wandering of attention. That’s not to say the songwriting isn’t focused, just that it’s multi-directional. That invariably will be a plus as Mountain Tamer move forward, but it’s also essential in making their debut as raucous and switched on as it is. And it is.

Mountain Tamer on Thee Facebooks

Mountain Tamer on Bandcamp

Mountain Tamer website

Argonauta Records

Argonauta Records on Thee Facebooks

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Mountain Tamer to Release Self-Titled Debut Feb. 12

Posted in Whathaveyou on December 11th, 2015 by JJ Koczan

mountain tamer

Santa Cruz trio Mountain Tamer signed to Argonauta Records this summer on the strength of their Mtn Tmr Demo (review here), an endearingly bleary-eyed vision of classic heavy psychedelia. Today, the band announces a Feb. 12, 2016, release date for what will be their self-titled debut on Argonauta, and unveils the five-minute jam “Dunes of the Mind,” which marries a sneering vocal to emergent freakout twists and assures that the natural, stage-ready vibes of the demo will be maintained. Would love to hear what these cats bring to a longer-form jam, and can’t help but wonder if the self-titled might have any such fare in store.

Announcement of the release, art, tracklisting, preorder link, etc., all came down the PR wire with the song. Dig it below:

mountain tamer mountain tamer

MOUNTAIN TAMER reveal cover artwork and full song!

Heavy Psych trio MOUNTAIN TAMER (Santa Cruz, CA) reveals cover artwork and a full song from their “Self titled” forthcoming album. Taking over a year of writing and recording and having massive influence of living near the powerful Pacific Ocean and the mythical Redwood, “Mountain Tamer” is a kaleidoscopic sonic journey through 60’s and 70’s classic psych rock and heavy vibes, transcending time and space.

The first single “Dunes of the Mind” can be heard here.

MOUNTAIN TAMER “S/t” has been recorded and mixed by Joe Clements at The Compound, Ben Lomond, CA. Mastered by Marco and Anna Castagnetto (of the drone doom outfit SHABDA). Artwork by Casey Garcia.

Line-up:
Andru (guitar/lead vocals/loud noises)
Casey Garcia(drums/vocals)
Dave Teget (lead bass/vocals)

TRACKLIST:
1.Mindburner
2.Knew
3.Dunes Of The Mind
4.Vixen
5.Wolf In The Streets
6.Sum People
7.Satans Waiting
8.Pharosite

MOUNTAIN TAMER “S/t” will be released on CD/DD by ARGONAUTA Records and available from February 12th 2016. Highly recommended if you like THE BLACK ANGELS, QUEENS OF THE STONE AGE and BLACK SABBATH. PREORDER LINK: http://shop.pe/A39g2

https://www.facebook.com/ArgonautaRecords
https://www.facebook.com/MTNTMR
http://www.mtntmr.com/

Mountain Tamer, “Dunes of the Mind”

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Mammatus 2LP Sparkling Waters Available to Preorder

Posted in Whathaveyou on October 16th, 2015 by JJ Koczan

mammatus

Oh fuck, it’s new Mammatus. Is your consciousness properly expanded? Have you been doing your breathing exercises? I ask because I’m listening to the 22-minute album opener from their upcoming 2LP fourth album, Sparkling Waters, as I write this, and you’re definitely going to want to make sure your inner being is rightly aligned before you take this kind of thing on. I know this sounds like I’m being sarcastic, but I’m not. Get your shit in a suitable headspace and then hit play. Close your eyes for a minute when the guitar lead line kicks in, you’ll thank me later.

When’s it out? Not that time matters when you’re listening to this band, but Nov. 20 is the release date, and like 2013’s Heady Mental (review here), it will be out on Spiritual Pajamas. I think the real question here is, of the expanding plethora of Cali psych these days, are Mammatus the most underrated band of the bunch? It is distinctly possible.

I don’t care if this record is 400 minutes long. Count me in.

Bonus points to whoever from the band or label wrote the promo copy below for referencing Risa. It’s gonna suck when the powers that be do a “gritty” TNG reboot:

mammatus sparkling waters

Mammatus :: Sparkling Waters :: Spiritual016

Spiritual Pajamas is thrilled to announce the release of the new Mammatus double LP, “Sparkling Waters”. Pre-order available at: https://mammatus.bandcamp.com/album/sparkling-waters

Heavy space rock outsiders Mammatus return with their fourth album, and their most ambitious to date. Sparkling Waters is a double LP featuring four multi-movement pieces, each designed to recalibrate the shanga array in your mind. In order to achieve the highest levels of sensatory clarity, the group enlisted Phil Manley (Trans Am, Life Coach) as their guiding light throughout the studio production. As a result these tracks shimmer with a far out, casual glow, like an aural reflection of a Risan steam pool.

On Sparkling Waters, Mammatus expand upon the astral grooves and heady riffs of their previous compositions and set a course for the furthest horizon. Celestial arpeggiations of electric guitar ricochet infinitely across vast expanses of cosmic debris. Heavy riffs thunder with a rhythmic groove, like the exploding coast of Ornia spoken of in days past. Pastoral passages of mellow, slow burning psychedelia give way to Native American flute melodies and the chanting of spiritual incantations filtered through canyons of delay. Heavenly dual guitar leads soar like a hawk gliding over a mountainside redwood canopy. Radiant synthesizers harmonize to create a shape shifting formation of ambient space that envelops the rock and in some places completely takes over.

Sparkling Waters is bound to appeal to a wide range of discerning listeners, as it incorporates elements of heavy riff rock, prog, and breath metal while it also features the enhancing sonic textures of kosmische sound coloration, soaring synth leads, and astral voyages through deep space. This amalgamation of tones is presented in a way that is wholly original, casting Mammatus as the solitary practitioners of a unique sound that was invented with the express purpose of making you feel…..shanga. So breathe deeply, strap on those headphones, drop the needle, and get far out.

The “sparkling waters” clear double LP, digipak CD and digital download will be released on November 20th, 2015.

https://www.facebook.com/Mammatus-78621323321/
https://mammatus.bandcamp.com/album/sparkling-waters
http://www.spiritualpajamas.com/
https://www.facebook.com/spiritualpajamas

Mammatus, “Sparkling Waters Pt. 1”

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Mountain Tamer Sign to Argonauta Records

Posted in Whathaveyou on July 27th, 2015 by JJ Koczan

Of the various kinds of stories I might post on this site any given day — band announces tour, band announces album, band farts in a cup and makes you smell it, etc. — my favorite is quite possibly “cool band signs to cool label.” Nobody loses when parties like Santa Cruz trio Mountain Tamer — whose MTN TMR Demo (review here) recently impressed — and Italian imprint Argonauta Records join forces. Band gets wider exposure, label gets a good band. A heartwarming tale for all times and a classic win-win scenario.

Kudos to Mountain Tamer on the signing, and I’ll look forward to the release impending of their self-titled full-length, which I think we can officially list as “coming soon.”

Dig it:

mountain tamer

MOUNTAIN TAMER signed to ARGONAUTA Records!

Today a new great band is in the Argonauta Records family: MOUNTAIN TAMER, a heavy psych trio, emerged from the forests of Santa Cruz, CA in 2010. The three have refused to set a limit on psychedelic experimentation, demonstrated by their immersive recordings and their one of a kind, hypnotic live performances. The mind-expanding sounds and heavy riffs Mountain Tamer creates can be traced from an influence of 60’s and 70’s classic/psych rock delivered with an in-your-face punk rock attitude. Melodic hooks, omnipresent bass riffs and complex rhythms pull you into Mountain Tamer’s dark, kaleidoscopic world, transporting you to a realm that transcends both time and space.

About working Argonauta, the band says: “We’re excited to be working with Argonauta, an awesome label with some great musical talents. We are looking forward to release our new, self titled album through Argonauta, as it is our most focused and accessible effort to date. We can’t wait to show the world what we have been working on and enjoy our musical future with Argonauta”.

https://www.facebook.com/MTNTMR
https://mtntmr.bandcamp.com/
http://mtntmr.com/
http://www.argonautarecords.com/
https://www.facebook.com/ArgonautaRecords

Mountain Tamer, MTN TMR Demo (2015)

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