https://www.high-endrolex.com/18

Friday Full-Length: Samothrace, Reverence to Stone

Posted in Buried Treasure on January 28th, 2022 by JJ Koczan

Someone posted this record the other day in the Obelisk group on Facebook — thanks, Ted Parsons — and I’ve been glad ever since that they did. Release through the venerable 20 Buck Spin in 2012, Samothrace‘s second full-length, Reverence to Stone (review here), is a lesson that one can bludgeon and offer breadth at the same time. Tracked by Brandon Fitzsimons of Black Queen and Wormwood (among others), the 34-minute long-player from the Seattle-by-way-of-Lawrence-Kansas was not the first offering even from the West Coast to bring together such elements — nor was it claiming to be — but it made the point beautifully across its crawling reaches and in its most dug-in moments of sweep alike, manifesting an post-Earth heavy Americana from the outset of “When We Emerged” (14:21) in a manner that’s droning and impossibly weighted, the screams and growls of guitarist Bryan Spinks completely indecipherable as they join in the initial lurch built up from its softer foundation. There’s something happening there but you don’t know what it is yet. This is how they welcome you to the proceedings. Like Kids in the Hall: “I’m crushing your head.”

Spinks is joined in this incarnation of Samothrace by fellow founders Renata Castagna (who sat in for Chris Fielding of Conan after the two bands toured together in 2015) on guitar and Dylan Desmond (now more known for his work in Bell Witch) on bass, as well as Joe Axler (TheoriesBook of Black Earth, etc.) on drums, and the four-piece work quickly and smoothly to demonstrate one of the great strengths of Reverence to Stone. As the lead cut continues to unfold, it reveals itself to be a massive thing, and the dragging tempo would be excruciating were it not for the exacting work on the part of the band tonally. It is the depth of tone that comes through in the recording — there’s just a hint of shimmer on the high end that had me looking back at pictures from seeing the band in 2014 (review here) to see what amps they were using; Oranges, Marshalls, etc. — that gives the listener so much room to get lost. They’re about one-tenth of the way through what’s still a pretty short album release, and they’ve already managed to build much of the world they’ll inhabit for the duration.

“When We Emerged” crashes and drones and seems to sway in the breeze of tis own making, but the (relative) speed kicks in just before the six-minute mark, and it becomes not only a sweep of samothrace reverence to stone momentum, but seemingly also the emergence hinted at in the title. A pattern of setting lead guitar soaring over the riffs is already established and put to good use, soon joined by Desmond‘s bass in a singularly righteous stretch. At their loudest, most forceful, the vocals return and are cavernous in the midst of that apex, a storm brought to bear that they start to draw down at around eight and a half minutes, making their way into a chasm of noise and feedback. There’s still a rhythm to it, but honestly, it’s hard to know where the wash ends and the undulations begin, and that’s the point.

A few patterns have been set. The separation of instruments is huge, particularly so in the overarching affect the space between them has on the listener. As the more extended “A Horse of Our Own” (20:29) launches and solely comprises side B, one guitar holds down the riff with the bass and drums, another shreds, and then by the time the second cut is into minute four, Samothrace have shifted into a section of quiet, intertwining guitar lines, far-back drum march and spacious, empty prairie tension. This is hypnotic, and that’s a strength into itself, but it is the smoothness with which they execute that transition and others to follow that helps make the song so undeniably immersive. “A Horse of Our Own” picks up shortly before 7:30 and unfurls not so much in a snap to reality as an organic surge, the land making waves around deceptively angular riffing before the next lead takes hold with a more fervent chug behind it.

Again, the tone. Even that guitar solo feels dense, and not just because of the bass and other guitar behind it or the shove of drums. Its fuzz is headphone-ready in its detail but still carries over as a wash and can move; it is the best of all worlds, and though it’s relatively brief and Samothrace are back to quiet again for an even-more-minimalist ambient stretch that takes them further into the track’s second half, they again make those details count. The march resumes as it inevitably would, but suddenly we’re back on familiar ground, reviving the riff and rhythm of the earliest minutes of the song as a bed for more roaring verses and a long stretch of deconstructing drone, the song spreading itself so wide ultimately that it disintegrates to a conclusion of residual noise. The final impression when one is oozed out the other side of all this morass might be “holy shit that was heavy” — and that’s not wrong, mind you — but part of the reason the weight is so present is because of the dynamic changes that bring it about. Even the final howls near the end of “A Horse of Our Own” have purpose as a part of that. Inhuman and inhumane as they might feel, they are a part of the land and reverence seemingly being depicted.

There was talk of a third Samothrace LP in the works circa late-2017/2018 — about a decade after their 2008 debut, Life’s Trade — but Reverence to Stone still stands as the to-date-latest studio release, followed by Live at Roadburn, which came out the next year and captured the above-linked set with Dorando Hodous (Fungal Abyss, ex-Lesbian) on bass. With all the upheaval and creative reshuffling of priorities of the last few years, it would make a weird kind of sense for another record to show up, but as to who would be in the band with Spinks and Axler and what on earth such a thing might sound like, I won’t speculate. I wouldn’t mind finding out, though.

As always, I hope you enjoy. Thanks for reading.

Hi, I can’t keep up with email. If I owe you an email back or a Facebook message or whatever and you’re seeing this, I’m sorry. It’s a lot. I don’t have a lot of time and I need to write. Yesterday I had like two hours plus whatever I could sneak in my phone throughout the day. I’m doing my best.

I’m thinking about going to see the Atomic Bitchwax next week with Mirror Queen and Sun Voyager. It’s in Brooklyn at the Knitting Factory. Maybe I’ll go, maybe I won’t, but I’m thinking about it. It’d be nice to see a real show again. Swallow the Sun were killer, but somehow I feel like going to New York is a different animal. But I want to see Uncle Acid and King Buffalo in a couple weeks, so this feels like a decent precursor to that. We’ll see if either happens. Sad.

The kid’s in school right now. His bus is for shit. It’s snowing and maybe we’re supposed to get a bunch more this weekend and maybe we’re not — nobody really knows — but I’ve got two nephews with birthdays this weekend, so I’m not sure what’s going on. My family is coming for dinner tonight and I’m going to make chaffles before they get here so that when everyone comes in they can be immediately be handed cheese and that can help stem the hanger that might otherwise define the evening while we wait for takeout.

Life.

I need to shower, so I’m going to cut out early and hope to finish doing that before the for-shit bus brings The Pecan home and it’s lunchtime and blah blah blah.

I hope you have a great and safe weekend. Have fun, watch your head, hydrate. I’ve got a gallon of water on one side of me and a cup of ice on the other. You do what you gotta do, damn it.

Thanks for reading.

FRM.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

Tags: , , , , ,

Samothrace Announce Winter Tour Dates

Posted in Whathaveyou on January 10th, 2013 by JJ Koczan

Good news that Samothrace are coming east for a US tour in support of 2012’s Reverence to Stone (review here). That record killed and I missed them last time they rolled out this way. This time the calendar is marked and hopefully a piano doesn’t fall on my head between now and then. If one falls on it afterwards, well, fair enough. At least I got to see Samothrace.

The PR wire sent over this announcement earlier, and would you believe I wasn’t sitting in front of a keyboard? Fixed that right up.

Onward to whathaveyou:

SAMOTHRACE Confirms American Winter Tour Routing

SAMOTHRACE has posted the confirmed routing for their upcoming Winter US tour, as the crew continue to support their acclaimed second LP, Reverence To Stone. The bedlam will unravel with a hometown show in Seattle on February 15th, then continues on a mangled, counter-clockwise loop through the Midwest, Gulf Coast, Southeast and up the East Coast on their way back westward, with eighteen cities confirmed to endure their slow motion turmoil during the venture. The majority of the dates will see SAMOTHRACE forging alongside Metal Blade doom trio Pilgrim.

The touring will continue this Spring, as SAMOTHRACE will advance onto European soil for the first time ever, the band confirmed to perform at Heavy Days in Doomtown, an international DIY doom/stoner/sludge festival in Ungdomshuset, Copenhagen, Denmark running from May 2nd through the 5th. At this year’s event they will rage the stage alongside Graves At Sea, Pagan Altar, Cough, Procession, Danava, Moss, Bell Witch, Dark Buddah Rising, Conan, Lecherous Gaze, labelmates Mournful Congregation and loads more. Following the fest the quartet will traverse the European continent on an additional two-week tour, with dates to be announced in the coming weeks.

SAMOTHRACE US Winter Tour:
2/15/2013 The Highline – Seattle, WA
2/16/2013 TBA – Portland, OR
2/17/2013 Rotture – Portland, OR
2/20/2013 Aqualung – Denver, CO
2/21/2013 The Conservatory – Oklahoma City, OK
2/22/2013 Rubber Gloves – Denton/Dallas, TX
2/23/2013 Red 7 – Austin, TX
2/24/2013 Siberia – New Orleans, LA w/ Pilgrim
2/25/2013 TBA – Birmingham, AL w/ Pilgrim
2/26/2013 529 – Atlanta, GA w/ Pilgrim
2/27/2013 Slim’s Downtown – Raleigh, NC w/ Pilgrim
2/28/2013 Strange Matter – Richmond, VA w/ Pilgrim
3/01/2013 Saint Vitus Bar – Brooklyn, NY w/ Pilgrim
3/02/2013 Beaumont Warehouse – Philadelphia, PA w/ Pilgrim
3/03/2013 Ottobar – Baltimore, MD w/ Pilgrim
3/04/2013 Howlers – Pittsburgh, PA w/ Pilgrim
3/05/2013 TBA – Cleveland, OH w/ Pilgrim
3/06/2013 The Ultra Lounge – Chicago, IL

Tags: , , , , ,

Samothrace Interview with Joe Axler: Crafted in Reverence

Posted in Features on August 10th, 2012 by JJ Koczan

Reverence to Stone, the second album from Samothrace, is not short on crash and rumble. The two-song outing arrives on 20 Buck Spin four years after Samothrace‘s debut, Life’s Trade, and in the time since that record was released, the band relocated from its original home in Lawrence, Kansas, to Seattle — where one imagines, if nothing else, the coffee is better — and re-acquired guitarist Reneta Castagna.

She’d played on the first album, but as drummer Joe Axler explains in the interview that follows here, Castagna would prove an essential piece of the puzzle in making Reverence to Stone (review here) happen. As well as dealing with substance abuse issues, it wasn’t until Castagna moved north from New Mexico to rejoin the band that Samothrace was able to finish the writing of the 20-minute landmark track, “A Horse of Our Own,” which, when coupled with a reworked version of “When We Emerged” from the band’s original 2007 demo (topping out at 14:17), makes up the total runtime of the album.

Though the two songs are individually long — and they more than justify their length, each playing out in epic progressions of loud/quiet back and forths and builds — the album as a whole is pretty short, and in talking to Axler, I wanted to find out if that was on purpose. The drummer, who also plays in Skarp and Theories and is a veteran of IamthethornBook of Black Earth as well as a slew of others, joined Samothrace after guitarist Bryan Spinks and bassist Dylan Desmond relocated in 2009 — he replaced Joe Noel, who played on Life’s Trade — and had a unique perspective to offer on stepping into the already established writing process between Spinks, Desmond and then Castagna too, working with the three original members to create Reverence to Stone over the course of the last three years.

And in discussing that, Axler revealed that part of the process adjusting to Samothrace’s craft came in figuring out how to play slow — something which any drummer who’s ever done it will tell you is not as easy as it seems — and how to fill the spaces when the push drops out and he’s accompanying the more ambient stretches. I’m not a percussionist unless you count tapping on my desk, but it was a fascinating take anyway and something you might not immediately think of when listening to Reverence to Stone, and particularly “A Horse of Our Own,” on which the drums are far back in the mix, holding the track together while Spinks, Castagna and Desmond add to the seemingly infinite sonic space.

It was a relatively quick conversation, but as well as discussion of recording techniques — Reverence to Stone was produced by Brandon Fitzsimons at the famed Soundhouse Studios (High on Fire, Skin Yard, Camarosmith, etc.) — and the fact that he’s going to miss the East Coast run that will follow Samothrace‘s handful of West Coast dates that start a week from today, Axlerwas forthcoming on a range of subjects. I hope you’ll agree as you read through.

Please find the complete Q&A with Joe Axler of Samothrace, who’d just gotten out of band practice, after the jump, and please enjoy.

Read more »

Tags: , , , , , , , , , , ,

Samothrace, Reverence to Stone: Emergent

Posted in Reviews on July 25th, 2012 by JJ Koczan

I have a problem Samothrace’s second album, Reverence to Stone, and that is as follows: I can’t seem to make it loud enough. That’s not a complaint with the recording itself, which is plenty loud, but I’ve tried speakers, headphones, in the car, whatever, and nothing seems to be worthy volume-wise. The human ear drum can only take so much, and Samothrace seem to be calling for more. Their first outing since 2008’s Life’s Trade announced their arrival in the newer school of ultra-distorted plod and also released via 20 Buck Spin, the album is comprised of two tracks – “When We Emerged” and “A Horse of Our Own” – that clock in at just under 35 minutes. Like its predecessor, it is a work of exceptional quality, but the key difference between the two is the marked increase in creative scope. Life’s Trade was doom, and Reverence to Stone is as well, but the definition thereof that Samothrace are working with on these tracks is far less rigid and far more individualized. The cave echo on Joe Axler’s drums will be familiar to many who’ve encountered their newer school brethren and sistren in the genre, and a lurching feeling of remorse in their weighted tonality should come as little surprise. It’s the manner in which these elements are put to use and the progression of the songs that gives Reverence to Stone its distinguished feel. The guitar work of Renata Castagna and Brian Spinks (the latter also handles vocals) adds melody to the pummel and the strength of the rhythm section of Axler and bassist Dylan Desmond lies not only in setting and maintaining a groove, but in highlighting and enriching the dynamics of the songwriting. And make no mistake, both “When We Emerged” (an earlier incarnation of which appeared on their initial 2007 demo) and “A Horse of Our Own” are songs. Each has its stretches of indulgence – at 14:20 and 20:29, respectively, that would just about have to be part of the point – but there are memorable landmarks along the way, whether it’s the guitar lead and bass interplay that forms a triumphant swirl on “When We Emerged” or the post-metallic gallop of “A Horse of Our Own.”

And though one doesn’t generally think of records with songs as long as these as possibly being short, a 35-minute runtime is not only manageable, but it allows the listener to be overwhelmed by the tones, by Samothrace’s droning riffs, by Spinks’ growls and screams, by the amelodic rumble and the melodic soloing it meets along the way, but still come out of the experience without suffering from overexposure. Life’s Trade was 47 minutes, and Reverence to Stone shaves a full 12 off that. For Samothrace, that might only be one song, but it might be a song that pulls away somehow from the accomplishments of these two. After four years between releases and their share of tumult – Castagna was out and back in the lineup between the prior album and this one and at some point the band relocated from Kansas to their current residence in Seattle — it’s commendable that Samothrace didn’t decide to top a full hour this time out, instead showing a restraint that better serves the impact their material has on the listener. In the case of “When We Emerged,” that impact is visceral. The song opens with a few ambient guitar lines, but foreboding volume swells give a sense of the crush to come, and as fitting as the title is for the collective’s reemergence, so too is the track well placed before “A Horse of Our Own.” Interplay between Castagna and Spinks is an immediate distinguishing factor, and around four minutes in when the latter unleashes the first of many roars to come, the effect is blistering. Echoing screams ensue over sparse riffing that nonetheless feels claustrophobic for its heft, and it’s not until shortly before six minutes in that Axler announces a change with a snare hit that the pace picks up and Samothrace offer any measure of counterpoint to their onslaught of über-doom misery. The aforementioned leads are like the light that hits the bottom of the ocean, and Desmond’s answer to them is fodder for low end fetishizing that emerges from the mix and sets up the crunching groove that takes hold at 7:24. What the differences are between this “When We Emerged” and the one from their demo might be, I don’t know, but it’s hard to see the song doing anything other than living up to its title.

Read more »

Tags: , , , , , , , ,