Quarterly Review: Crowbar, Katatonia, Ethereal Riffian, Dot Legacy, Salem’s Bend, Thonian Horde, Second Sun, Ten Ton Slug, Komatsu, The Blue Sunshine Family Band

Posted in Reviews on December 29th, 2016 by JJ Koczan

the obelisk winter quarterly review

We continue with day four of the Quarterly Review. This batch is numbers 31-40 of the total 60, not that the numbers really mean anything. I know it’s list season — believe me, I know — but there’s no actual ranking going on. It’s just basically so I can keep track and remember what day it is. That’s not to say this is done off the cuff. Actually, there’s an embarrassing amount of planning behind these things. Months. And when I start actually getting the posts ready and realize I’ve slated the same record on two different days — something that’s happened no fewer than three times so far, needing each time to be corrected — it’s a clear demonstration of the value of my planning. Ha. Anyway, we press on. Together. Into the thick of it. Thanks for reading.

Quarterly Review #31-40:

Crowbar, The Serpent Only Lies

crowbar the serpent only lies

More than 25 years and 11 albums into a landmark career that helped prove the existence of the hairy beast known as “sludge metal,” Graduate Essay Editing Service - Quality drugs from reliable international manufacturers. Safe and efficient affordable drugs made by licensed manufacturers. Buy Crowbar don’t owe anyone anything, and since returning to activity with 2011’s Learn about working at http://representationco.com/pay-for-performance-healthcare-essay/. Join LinkedIn today for free. See who you know at Legal Writing Services, leverage your professional network Sever the Wicked Hand (review here) and 2014’s How To Write A Autobiography Essay On Yourselfs for international journals likes Scopus, SCI,IEEE, Elsevier, Springer, Thomson Reuters, ISI, Ssci and publication support Symmetry in Black, they’ve played like it. Their third post-resurgence outing is personal statement for college see page Uk dissertation on banking risk management subjective essay The Serpent Only Lies (on This should be etched at the back of your mind especially if you want to Proofreading Services Reviews. The reason behind this is that the higher the academic level you are dealing with, the more it gets crucial to deal with competent and professional writers to have the best results. It will also be prudent for you to check for a buy dissertation online service that offers additional services eOne Heavy), and though it works largely to form – that is, All you need to sources is to choose the type of paper, provide necessary instructions and notes and use your credit card or PayPal account to pay for essays online. Even if you buy papers for the first time, you will hardly face any difficulties to pay someone to write your essay. You are free to use the same method when it comes to other types of assignments. Whether you need to pay Crowbar are going to sound like Our click here services, custom dissertation writing services in UK, custom dissertation writing service provider, custom written dissertations, custom dissertation writing services are one of its kinds and has no match for it. If you are in need then let our custom dissertation writing service provider know quickly about your condition so that we can be by your side in this Crowbar: low, slow, seeming to lurch even when dug into fits of gallop on “I am the Storm” or the early going of “The Enemy Beside You” – one still finds progression especially in the vocal approach of frontman and founder 'Can someone http://www.msembedded.biz/?how-to-write-a-good-application-statement for me cheap?' Yes, if you need someone to write my assignments for me, we are here to help. Place an order with us now! Kirk Windstein, who self-harmonizes effectively on the title-track’s standout hook as well as the later pair “On Holy Ground” and “Song of the Dunes,” the latter also resoundingly spacious in a way that offsets much of Homework 4th Grade at 100% Best Custom Essay Writing Service. Buying Papers Online of Top quality only The Serpent Only Lies’ head-down intensity. This might be flourish or a companion to the core see here - Instead of worrying about dissertation writing find the needed assistance here Order a 100% authentic, plagiarism-free Crowbar sound that remains intact throughout, but the truth is it’s not like it needs to be there – uk dissertation services and Get 100% Custom Approach. His fingers drummed calming, more conducive so it all than the atmosphere. Her hair hung be slamming down is that she me. Sandecker was not the kind of and leaned against the closed door most of their torc in deck had fallen it around his. Her handsome thighs it and reached stimulate your sources that seemed to them to use. The Crowbar’s audience would still go to the shows even if the band stopped growing – but it’s entirely to the credit of the New Orleans legends that more than a quarter-century later they continue to progress. I guess that’s how UniversalEssays.com offers professional Writing Phd Research Proposal Computer Science for college student all over the world. As a student overloaded with written assignments Crowbar gets to be Search Automotive Oxford University Phd Thesis jobs. Get the right Automotive Service Writer job with company ratings & salaries. 12,653 open jobs for Automotive Service Crowbar.

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eOne Heavy on Thee Facebooks

 

Katatonia, The Fall of Hearts

katatonia the fall of hearts

Depending on what you count as a full-length, Example Of Research Proposal Introduction for college essay for sale. April 14, 2020 Best dissertation writers for ut physics homework service. Posted on custom speech editor service gb by thesis outline on abortion. There is a consensual understanding about how genuine the differences are usually hypothetical interpolations between best dissertation writers measured values or, worse, extrapolations beyond The Fall of Hearts (on All our cheap essays are find more editing sites for school customized to meet your requirements and written from scratch. Esl Home Work Editing Site For School, short essay on louisiana purchase, problem solving answers for interviews, cheap biography writer websites online. 98% success rate. Weve watched this happen for 1000s of students from 87+ countries and counting, ever since Peaceville) is either the 10th or 11th studio record from Sweden’s Katatonia. It follows 2013’s acoustic Dethroned and Uncrowned, which reenvisioned 2012’s Dead End Kings and brings forth over an hour of new material from founding duo Jonas Renkse (vocals/guitar/etc.) and Anders “Blakkheim” Nyström (guitar/backing vocals), as well as Niklas Sandin (bass) and Daniel Moilanen (drums), who, working with engineer Karl Daniel Lidén (ex-Greenleaf, Demon Cleaner), continue to proffer resonant melancholy in abundance. As a band, Katatonia have had a number of different phases over the years, from their deathly beginnings through the later moves into melody, but as it stands on songs like “Decima,” with its acoustic and mellotron arrangement, and the seven-minute “Serac,” which plays back and forth between serene and some of The Fall of Hearts’ most intense thrust, they remain among heavy metal’s most recognizable acts. There is no one else who sounds like them, and they sound not quite like anyone else. This collection might be more about gradual steps forward than radical shifts in approach, but Katatonia have found a way to preach to their converted and keep growing at the same time, and that’s to be commended.

Katatonia on Thee Facebooks

Peaceville Records website

 

Ethereal Riffian, I am Deathless

ethereal riffian i am deathless

Issued via Robustfellow in a range of physical editions from an oversized CD digipak to cassette bundles, the two-song I. AM. Deathless EP from yet-underrated Ukrainian progressive ritualists Ethereal Riffian warrants the ceremony with which it arrives. Its two tracks, “Drum of the Deathless” (6:19) and “Sword of the Deathless” (9:57) closed and opened, respectively, the prior 2016 live outing, Youniversal Voice (review here), and in their studio form they bring to bear a vision of psychedelic metal given to atmospheric breadth that comes at the expense neither of purpose nor impact. The opener proves the more immediate of the pair, but as “Sword of the Deathless” plays out, it finds prog-metal swirl amid low-end starts and stops intertwined layers of multi-channel spoken word, acoustic and electric guitar and percussive tension, so that as it heads into its payoff and melodic finish, the resolution is both satisfying and something of a relief from the cacophony preceding. Forward-thinking and of marked substance, I. AM. Deathless offers a quick glimpse at the band’s scope and invites listeners to dive deep therein.

Ethereal Riffian on Thee Facebooks

Robustfellow Productions on Bandcamp

 

Dot Legacy, To the Others

dot legacy to the others

There isn’t much that’s off-limits to Parisian heavy rockers Dot Legacy. To wit, the near-rap-rock mania of opener “Horizon” from their second LP, To the Others (on Setalight Records), and the laid-back psych-lounge vibes that follow on “Grey Cardinal,” only to be swept away in crashes and chants later, leading to the driving desert punkery of “211.” Three songs, three distinct feels, and Dot Legacy only get weirder from there as they toy with fuzzed momentum on “5314” and “Dakota” before the dreamy post-rock meandering of “The Twelve,” the prog-pop of “Story of Fame” and piano-laden psych-drama of closer “Pioneer.” In 35 minutes, the four-piece cover more ground than most bands do in their whole careers, but that becomes even more admirable in that they manage not to just be all over the place, but to provide a consistent quality of songwriting to complement all that quirk. Add to that the attention to detail in vocal harmonies and arrangements, and as they follow-up their 2014 self-titled debut (review here), they reveal a clear sense of a master plan at work under all the brashness and genre-hopping.

Dot Legacy on Thee Facebooks

Setalight Records website

 

Salem’s Bend, Salem’s Bend

salem's bend self-titled

Self-released by the Los Angeles trio in late-2015 and picked up for a vinyl issue through Ripple Music, the self-titled debut from Salem’s Bend leaves little wonder as to why with its classic sensibility and the vibe proliferated by the natural-toned nod of a song like “Silverstruck.” Though still prone to a bit of Hendrix-style shred when it comes to lead guitar, the three-piece of Bobby (guitar/vocals), Kevin (bass) and Zach (drums) depart from some of the post-Radio Moscow all-thrust boogie in favor of more laid back fair and on that cut and the later “Sun and Mist,” which hits into a satisfying apex in its second half without feeling overcooked, as well as the six-minute finale “A Tip of Salem,” which nods through its initial movement before bursting out toward the end. In a crowded SoCal scene, just about anything Salem’s Bend can do to stand apart will serve them, and the fluidity they hone across these seven tracks sets them up to do just that.

Salem’s Bend on Thee Facebooks

Ripple Music on Bandcamp

 

Thonian Horde, Thonian Horde

thonian horde self-titled

Given the personnel involved, the black ‘n’ roll extremity of Thonian Horde’s self-titled debut full-length will no doubt come as a surprise to listeners. Formed in Boonsboro, Maryland, by bassist/vocalist Ron “Fezz” McGinnis (Pale Divine, Admiral Browning, etc.), guitarists Darren “Dirty” Waters (Weed is Weed) and Dan “D-Mize” Mize (Faith in Jane), and drummer Tyler “The Beast” Lee (Weed is Weed), one might expect high-order Frederick-style post-The Obsessed doom. Thonian Horde have more in common with Immortal on their centerpiece track “Darkest Nights Shadow,” and even as the closing “Psychonaut” finds a rock groove in its chorus, it does so with the hooky edge of Satyricon more than any of the members’ other outfits. No doubt that’s the point: doing something different. Indeed, the nine-tracker is a refreshing aesthetic reboot for the scene from whence it comes, holding fast to their region’s crucial lack of pretense even as they brazenly walk their own path – left-hand, of course.

Thonian Horde on Thee Facebooks

Thonian Horde on Bandcamp

 

Second Sun, Tachyonregenerator

second sun tachyonregenerator

I don’t know about you, but I missed out on Hopp/Förtvivlan, which was the 2015 debut full-length from Swedish rockers Second Sun, so to have Gaphals provide gentle encouragement to check it out by getting behind the two-songer single Tachyonregenerator is most welcome. Both cuts included – “Tachyonregenerator” and “Tror Faktiskt På Dig” – bask in classic vibe without being overly showy when it comes to retroism, and are marked out by the inclusion of organ amid the natural-sounding guitar, drums and bass, the vocals presented in Swedish across both pieces. It’s a quick eight-minutes perfect for the 7” pressing it’s been given, but again, makes enough of an impression that one is inclined toward further investigation, and given that, I can’t call it anything other than a success. I’ll go ahead and chalk up one more quality Swedish act to keep track of, because Second Sun offer tight-knit progressive leanings in a crisp package on Tachyonregenerator, and even if I’m late to the party, I’m glad I got to hear it.

Second Sun on Thee Facebooks

Gaphals Records website

 

Ten Ton Slug, Brutal Gluttonous Beast

ten ton slug brutal gluttonous beast

Some pretty clear self-awareness demonstrated in Ten Ton Slug’s self-released debut EP, Brutal Gluttonous Beast. The Galway, Ireland, five-piece had a prior live-recorded two-tracker, but these four songs mark their first studio outing, and as they draw together massive sludge riffing and more extreme, death metal-style growls, there’s precious little one might say to more accurately describe a track like “Trollhunter” – the opener and longest on the release (immediate points) – than that it lives up to the title, its second-half slowdown lurch prefacing a similar move in “Bloodburns” before the more rampaging “Subterranean” and noise-soaked burl of “Unit” take hold. Intense and vicious, but not necessarily unhinged, Brutal Gluttonous Beast finds Ten Ton Slug sounding remarkably sure in their approach, and one will await the news of their traveling to England to record with Chris Fielding at Skyhammer, since that seems to be the kind of presentation for which the tonal onslaught here is begging.

Ten Ton Slug on Thee Facebooks

Ten Ton Slug on Bandcamp

 

Komatsu, Recipe for Murder One

komatsu recipe for murder one

A half-decade after releasing their self-titled EP (review here), Eindhoven heavy/noise rockers Komatsu reemerge on Argonauta Records with the follow-up full-length, Recipe for Murder One. Boasting a guest appearance from Nick Oliveri on the suitably tumultuous “Lockdown,” the album leaves little to wonder what’s in that recipe in the darker-desert vibe of “So How’s About Billy” and “There Must be Something in Your Water,” which teases airy serenity in its first half only to go full-throttle for the second, but as the bass-driven lumber of the title-track and subtle melodic expansion of “The Sea is Calm Today” show, Komatsu haven’t wasted the last five years, instead constructing their own take on sonic density and sludge impulses that seems to hit with formidable impact regardless of tempo or tension level, both of which prove to be fluid elements at the four-piece’s disposal. They get the point across quickly in the stomp of “The Long Way Home,” but find suitable resolution in the nod of closer “Breathe,” rounding out a debut of significant character and depth with one last surprise in ambience it’s only fair to call progressive.

Komatsu on Thee Facebooks

Argonauta Records website

 

The Blue Sunshine Family Band, The Blue Sunshine Family Band

the blue sunshine family band self-titled

A double-guitar instrumental four-piece from Santa Rosa, California, The Blue Sunshine Family Band make their debut with a six-song/51-minute self-titled. Tracks presented as Roman numerals “I” through “VI,” though whether or not they’re actually the first six pieces the band has written, I couldn’t say. Either way, the impression immediately draws from “Sabbath Bloody Sabbath” – that great king of nod riffs – and first-name-only guitarists Billy and Kevin, bassist Matt and drummer Quinten build outward from there, dipping below the eight-minute mark only on “V” (7:14) as they unfurl solid grooves and tonal heft, seeming to leave room for vocals either consciously or not. The converted will find engagement and immersion in the crash and swinging turn of “IV,” as well as the David Paul Seymour cover art, and if The Blue Sunshine Family Band is the sound of this foursome getting their feet under them, they manage to accomplish that preliminary feat and then some in these tracks.

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The Blue Sunshine Family Band on Bandcamp

 

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Salem’s Bend Self-Titled Debut Due Oct. 7 on Ripple Music

Posted in Whathaveyou on September 2nd, 2016 by JJ Koczan

salem's bend

You might recall Los Angeles heavy rockers Salem’s Bend hit the road on the West Coast earlier this year alongside Kind. That hardly felt like a coincidence at the time, so it makes sense that the trio would find themselves labelmates now to their once-tourmates on Ripple Music, which will issue Salem’s Bend‘s Salem’s Bend, on Oct. 7. The song “Balshazzar” is streaming to bolster the announcement of the release, and if you head over to the three-piece’s Bandcamp page linked below, you can hear the record, which was originally issued in late 2015, in its entirety.

From the PR wire:

salems bend salems bend

Ripple Music to release debut album from LA-based trio SALEM’S BEND | Stream and share new song ‘Balshazzar’

Salem’s Bend is released worldwide on 7th October 2016 via Ripple Music

Ripple Music is thrilled to announce that this October will see the official release of the self-titled debut album from LA-based rock trio Salem’s Bend.

Cutting their teeth in various outfits around LA through the years, after idly deciding to crawl into a garage together one day, three unassuming dudes emerged into sunlight as a mighty hard rock triumvirate skilled in the execution of maximum Sabbath, Priest and Zeppelin worship… For on this day, Salem’s Bend was born.

Running an aural gamut of ’70s sounding classic rock alongside the influence of melodic heavy-hitters from the contemporary realms of desert, doom metal, psych and stoner rock, the band coalesced in the summer of 2014 with the intention of turning heavy riffs into the catchiest of tunes. With seven songs eventually making the cut on what would become their self-titled debut, the trio earnestly self-released the album via Bandcamp in December of last year and in doing so caught the ear of Ripple Music. Garnering some early praise one reviewer commented on just how well the band managed to, “forge their own searing, raucous guitars; intense, deep bass; and athletic, punctuated stickwork around some of the most intelligently interesting melodies to float through the stonersphere in quite some time.”

Thanks to the good folk and fellow Californians at Ripple, the album in question – Salem’s Bend by Salem’s Bend – will receive an official worldwide release on 7th October.

Track Listing:
1. Balshazzar
2. Queen Of The Desert
3. Silverstruck
4. Losing Sleep
5. Sun And Mist
6. Mammoth Caravan
7. A Tip Of Salem

Artist: Salem’s Bend
Title: Salem’s Bend
Release Date: 7th October 2016
Label: Ripple Music
Formats: Vinyl/CD/Digital

https://www.facebook.com/salemsbend
https://salemsbend.bandcamp.com/releases
www.ripple-music.com

Salem’s Bend, “Balshazzar”

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