Though I?ve come over the years to appreciate the massive influence and impact long-running UK doom lords Cathedral have had on the international scene, they?re not really a band I listen to every day. Not so say I?m not a fan — ?twould be heresy — but I came late to the party and missed what?s widely regarded as their best era.

That era might be best presented in 1993?s The Ethereal Mirror, on which they kept holy the Black Sabbath while bringing more rock elements to their sound than there had been on the 1991 debut, Forest of Equilibrium. Frontman Lee Dorrian?s voice growled less (?disco supernova!?), the riffs were higher in the mix and the band, all around, seemed to have more focus. It?s an album well-deserving the reissue treatment Earache has already given Forest of Equilibrium and 1995?s follow-up, The Carnival Bizarre.

In a way, The Ethereal Mirror delivers the best and worst of the reissue process. Like Forest of Equilibrium, there?s a DVD included with a 40-minute interview about the album (actually, I think it was filmed the same day at the Forest of Equilibrium one — if not that, definitely the same bar), and even includes 1994?s Statik Majik EP, which is nearly 35 minutes of extra music. Would have been over 40, but ?Midnight Mountain,? originally the opener, is nowhere to be found.

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Fact is, when Metal Mind reissues something, they do it up right — albums remastered on golden discs, digipaks, liner notes, limited runs, bonus tracks out the ass, sometimes redone art and sometimes not, and when they acquire a property, they consider the best way of getting it out there to the people. They’re not all great, because in the Polish imprint’s quest to mine the back catalogs of the likes of Nuclear Blast and Roadrunner there are duds a-plenty, but in the case of Mountain Mama’s, the triple CD box set combining West Virginian recently-reunited, mostly-instrumental riff-mongers Karma to Burn‘s three full-lengths — Karma to Burn (1997), Wild Wonderful Purgatory (1999) and Almost Heathen (2002) — they nailed it.

I’d liken it to the box treatment Warner International gave to Kyuss‘ Blues for the Red Sun, Welcome to Sky Valley and …And the Circus Leaves Town in 2000, but where that was essentially the three albums wrapped in cardboard, Metal Mind gives us these remastered three Karma to Burn discs in a custom digipak with striking artwork by Elizabeth Duebell biting the head off the Wild Wonderful Purgatory cover; redder and without the lady patriot. Hard to lose when you’ve got a Satanic goat dressed in Native American garb riding a horse carring the West Virginia state flag.

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