The Obelisk Radio Adds: Blues Pills, Moab, Monobrow, Prisma Circus, Major Kong, Mope

Posted in Radio on July 3rd, 2014 by JJ Koczan

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Lots to get to on this holiday week, but I didn’t want to let the Radio Adds slide any longer than I already have. As ever, there’s a lot of good stuff joining the ranks, and hopefully if you listen, you find something you dig. That’s what it’s all about. Also about giving me a never-ending playlist to listen to while I vacuum, apparently. But still, definitely both.

You’ll note six adds instead of five this time around. Every now and then there’s just too much going on to play by your own limits.

The Obelisk Radio Adds for July 3, 2014:

Blues Pills, Blues Pills


The awaited self-titled debut from Blues Pills arrives via Nuclear Blast in August and finds the four-piece with the blazing rhythm section of bassist Zack Anderson and drummer Cory Berry culled from the former ranks of Radio Moscow, French guitarist Dorian Sorriaux and Swedish frontwoman Elin Larsson almost frighteningly cohesive and cognizant of their blues rock lineage. Larsson does a solid Tina Turner on opener “High Class Woman” — as much as anybody can — and Sorriaux quickly proves himself a wunderkind in classic shuffle. Blues Pills offer all the heavy ’70s influence one could ask with less of the retro aesthetic, giving their first record a refreshing charge, though closer “Little Sun” has plenty of Graveyard-style melancholy for those looking to hear it. A relatively subdued midsection in “Black Smoke,” “River” and “No Hope Left for Me” adds emotional depth, but when Blues Pills decide to tear it up, as on “Devil Man,” they’re more than able to do so. A dynamic first full-length from an obviously powerful four-piece. On Thee Facebooks, Nuclear Blast.

Major Kong, Doom for the Black Sun


A two-years-later limited vinyl issue of Polish instrumental stoner doomers Major Kong‘s Doom for the Black Sun debut long-player courtesy of Transubstans Records should be a welcome advent for those who worship riffs, as the trio clearly do. The tracklist is shifted some from the original release and the artwork has changed, but Major Kong are true to the Kyuss reference of their album’s title in their commitment to heavy nod ‘n’ roll. Fuzz abounds and the grooves are smooth as “Witches on My Land” opens up into “The Swamp Altar,” each song getting progressively longer until bassist Domel, guitarist Misiek and drummer Bolek arrive at the 11-minute finale of “Primordial Gas Clouds,” a huge jam peppered by airy psychedelic soloing that doesn’t so much build to a grand finish as it does melt the album down into a molten stew of reverb and fermented buzz. Major Kong released a subsequent single, “Sequoia” early in 2013 and a follow-up full-length in Jan. 2014’s Doom Machine, so there’s plenty of ground to cover for further investigation. On Bandcamp, on Thee Facebooks, Transubstans Records.

Moab, Scion A/V Presents Billow


There are a lot of bands who balance riffs and melody, but few sound as natural or as fluid as Moab in doing so. The L.A.-based three-piece follow their 2011 Kemado Records debut, Ab Ovo (discussed here) with Billow, a self-produced nine-track collection presented by Scion A/V that furthers the noise-rock crunch of their guitars while also branching into languid heavy psychedelic washes (“Said it Would”), tribal-style percussive insistence (“I Concede”) and generally bigger, wider-sounding sonic spaces. Guitarist/vocalist Andrew Giacumakis holds mostly to a subdued delivery no matter the madness unfolding behind him — witness the stomp with bassist Joe Fuentes and drummer Erik Herzog on “No Soul” — and in addition to proffering some infectious hooks along the way, the approach also gives Billow a sense of purpose beyond heaviness for its own sake, Moab‘s element of restraint putting their material in league with Radiohead as much as the Melvins, while offering something that should appeal to fans of either, both or neither. Here even more than on the first record, they’ve crafted their own sound, and they’re giving it away for free. On Thee Facebooks, download Billow.

Monobrow, Big Sky, Black Horse


Big Sky, Black Horse is the third self-released vinyl from large-riffing Ottowa trio Monobrow following 2012’s Bennington Triangle Blues and their 2010 self-titled debut (review here), and immediately the instrumentalists set about knowing their business when it comes to putting the riffs front and center and backing up with strong, forward-pushing rhythmic drive. Parts of Big Sky, Black Horse feel derived from Karma to Burn‘s all-straightforward-all-the-time mentality, but by and large, Monobrow have a more upbeat approach, and even on a mid-paced groove like “These Mountains Don’t Want us Here,” the 8:27 second track of the total eight, they use their longer runtimes to showcase fluidity in pacing and genre-minded stylistic depth. It’s an easy record to dig, and I dig it, whether it’s the bass-led thud of “Old Man Mouthbreather” or the go-anywhere 11-minute apex the album receives in its title-track, which starts big, ends big and is big in the middle. Beware the quiet parts in that song and a cut like “Ancient Arctic Wanderer,” as stretches of silence only seem to presage the next round of riffy pummeling. Monobrow seem comfortable working in either modus, and their third offering is a primo boon to fellow riff-heads. On Thee Facebooks, on Bandcamp.

Mope, Mope

Put into the right hands and through the right effects pedals, a saxophone can be a formidable tool in the psychedelic woodshed. Slow-rolling Italian foursome Mope clearly realize this on their three-track self-titled full-length debut CD, which comes in a digipak with gorgeous Snailking-esque black and white art from guitarist Jessica Rassi. They’re not long into opener “Old Grey Street” (7:32) before Sara Twinn distinguishes herself in adding a smoky melody atop the doomly vibes unfolding from Rassi, bassist Stefano Parodi and drummer Fabio Cuomo, and the dreamy-but-still-very-very-heavy mood Mope establish in the first track holds firm on the subsequent “Doomed to Feed the Ground” (12:58) and “La Caduta” (9:58) as well, the instrumental band sticking to a balance between psychedelic and stoner-doom impulses. Hypnosis ensues. The centerpiece is perhaps the most immersive of the three inclusions on the Taxi Driver Records outing, with its surprise piano at the beginning and sparse, minimalist ending, but across the board, Mope hone an engaging depth of presentation by which it’s a pleasure to be subsumed. Ending slow and jazzy on “La Caduta,” Mope‘s Mope is one to close your eyes and just go with. On Thee Facebooks, at Taxi Driver’s Bandcamp.

Prisma Circus, Reminiscences

I don’t know how many times I’ve said it over the years, but, oh, what a difference a great drummer can make. Spanish classic heavy rock power trio Prisma Circus separate themselves on their World in Sound debut full-length, Reminiscences, from the scores of post-Graveyard retro worshipers thanks in no small part to the unmitigated swing in drummer Alex Carmona Blanco‘s playing. Couple that with the fiery leads of guitarist Oscar Garcia Albizu and warm, steady fills and bluesy exultations of bassist Joaquín Escudero Arce and Prisma Circus bang out thick-cut chops on their eight-track outing, starting with longest cut “The Mirror” (immediate points) and tapping into some Radio Moscow-style psych-blues volatility along the way. “Born in a Red House” slows the proceedings some, but Blanco kicks out a drum solo on the subsequent “Napalm” that lives up to the title, and the lighter back-half acoustics of “Cain” and the power trio thrust of “Onyx Star” ensure that Reminiscences stays satisfying to the bitter end, capping off with the smooth roll-out of “Joseph Merrick (The Elephant Man),” which turns tempos fast enough to require multiple listens just to keep up. They may not be innovating the style at this point, but Prisma Circus are tight enough to stand out anyway. On Thee Facebooks, on Bandcamp, World in Sound.

Righteous though these grooves are, this is less than half of everything that joined The Obelisk Radio playlist this week. See the updates page for the complete list.

Thanks for reading and listening.
 

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audiObelisk Transmission 037

Posted in Podcasts on June 20th, 2014 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

The apparent hubris I showed in bragging last time around at the silly method by which I transferred audio editing software from one laptop to another came back to bite me in the ass as I put this podcast together. Finally, last night, I turned to Thee Facebooks for assistance and received an amount of input that was both useful and encouraging on a personal level. Thanks to everybody who took the time to help and to recommend alternative programs to the one I was using. I’m by no means technically inclined, so it is very much appreciated.

So yeah, there was a bit of drama in the making maybe — it was right around the Buzzo track that everything went to hell — but I don’t think you’ll get any clue of that from the audio, which has a few unexpected turns in its progression. At least in the first hour. Hour two is huge jams, because basically there was no way I wasn’t going to put that 17-minute-long Wo Fat song in there and I wanted to have some other stuff to stand up to it, but hour one takes a couple different avenues toward heavy rock and I guess I was feeling some bluesy psych this time as well. I won’t spoil it any more than I already have. Hope you enjoy.

First Hour:
The Scimitar, “Babylon” from Doomsayer (2014)
Moab, “No Soul” from Scion A/V Presents Billow (2014)
Monobrow, “Cicada” from Big Sky Black Horse (2014)
1000mods, “Horses’ Green” from Vultures (2014)
Mat McNerney & Kimmo Helén, “Blood and Bone Revival” from The World is Burning OST (2014)
The Atlas Moth, “City of Light” from The Old Believer (2014)
Highlands, “Your Let Down” from Dark Matter Traveler (2014)
Blues Pills, “River” from Blues Pills (2014)
Sea Bastard, “Door Sniffer” from Scabrous (2014)
Major Kong, “Acid Transmission” from Doom for the Black Sun (2014)
Buzz Osborne, “The Ripping Driving” from This Machine Kills Artists (2014)
Prisma Circus, “Napalm” from Reminiscences (2014)
The Heavy Company, “One Big Drag” from Uno Dose (2014)

Second Hour:
Mope, “Doomed to Feed the Ground” from Mope (2014)
Idre, “Witch Trial” from Idre (2014)
Harsh Toke, “Weight of the Sun” from Light up and Live (2013)
Wo Fat, “Dreamwalker” from The Conjuring (2014)

Total running time: 1:58:41

 

Thank you for listening.

Download audiObelisk Transmission 037

 

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World in Sound Offers Free Voyage through the Ages Sampler

Posted in Whathaveyou on January 10th, 2014 by JJ Koczan

There’s little I’m going to argue against less than free psychedelia, and if you’re in the mood, German imprint World in Sound have a new compilation called Voyage through the Ages that plots a pretty ambitious cosmic course. The mission? To summarize the relationship between modern psychedelia and that of the earliest days of the movement, or as they put it on the cover of the thing, to “Witness Yesterday Becoming Today!”

It’s a cool idea, and they’ve made it easy with each included song having not only the year of its release right in the title, but also the artist/band’s country of origin, so you get a sense of flavor not only of eras, but different places in Europe and the US and how mind-expansion was treated where and when. In both modern stuff like Doctor Cyclops and Buddha Sentenza and classic-era inclusions like Cosmic Dealer and Mystic Siva, they do about as much as one could ask without just making a 60-hour release that actually includes everything, and again, when it comes to free psychedelia, you’re not going to hear me complain.

That Doctor Cyclops is especially notable for being a 2014 — i.e. forthcoming — release. It’s one of three on there, alongside Prisma Circus and The Rising Sun Experience, who just happen to lead the thing off. Funny how that works out. Seems the label get to give a little glimpse at the future as well as the past and the present here, so I guess Voyage through the Ages lives up to its title all the more:

 

World In Sound invites you to a trip in time from 1969 till today with 13 international heavy psychedelic artists from the WIS catalogue.

Feel free to download and share this timeless and mindblowing 72 min piece of music!

Artists include The Lone Crows, Prisma Circus, Orcus Chylde, Cosmic Dealer and many more…

https://soundcloud.com/world-in-sound/sets/voyage-through-the-ages
http://www.worldinsound.com/

Various Artists, Voyage through the Ages (2013)

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