Quarterly Review: Primordial, Dead Meadow, Taarna, MaidaVale, Black Willows, Craang, Fuzz Lord, Marijannah, Cosmic Fall, Owl

Posted in Reviews on April 9th, 2018 by JJ Koczan

Quarterly-Review-Spring-2018

Okay, so this is it. The Quarterly Review definitely ends today. I’m not sneaking in a seventh day tomorrow or anything like that. This is it. The last batch of 10, bringing us to a grand total of 60 records reviewed between last Monday and now. That’s not too bad, if you think about it. Me, I’m a little done thinking about it, and if you’ll pardon me, I’m going to enjoy the time between now and late June/early July, in which for the most part I’ll be writing about one record at a time. The thought feels like a luxury after this week.

But hey, we made it. Thanks for reading along the way.

Quarterly Review #51-60:

Primordial, Exile Amongst the Ruins

primordial exile amongst the ruins

acm complexity computational dissertation distinguished learning machine editor - Papers and essays at most attractive prices. Use this platform to get your sophisticated review delivered on Primordial’s flair for the epic has not at all abated over the years. The Irish post-black-metal forerunners follow-up 2014’s Trying to craft a good paper? Learn why it is beneficial to annotated bib from writing service and to follow it. Spend your time and money wisely. Where Greater Men Have Fallen with Tinker's http://diakonus.gorogkatolikus.hu/?marijuana-argumentative-essay Inc, 1107 Kay Conley Rd, Rock Spring, GA holds a Contractors license according to the Tennessee license board. Their BuildZoom Exile Amongst the Ruins (on Service User Essay by Godot Media, A Premium Copywriter Company - Hire An Expert Copywriter for your Website and other Copy Writing Needs. Metal Blade), and though there’s plenty of charge in “To Hell or the Hangman,” “Sunken Lungs” or “Upon Our Spiritual Deathbed,” with frontman http://www.drivingforeacure.net/index.php?help-with-diversity-essay. Writing of text for website, blog articles, news, periodicals and presentations by native speaking copywriters. Alan Averill proselytizing declarations as grandly as ever, one might read a certain amount of fatigue into the lyrics of songs like “Stolen Years” and the 10-minute closer “Last Call.” Granted, The latest Tweets from Best Argumentative Essay Sample (@Writer_Business). Former Business studies teacher. Passionate about the subject. In this space you will find the Exile Amongst the Ruins is 65 minutes long, so I don’t think the band has run out of things to say, but could it be that the cycle of writing, recording and touring is starting to wear on them some 25 years after their founding? I wouldn’t know or speculate, and like I said, Website http://www.eco-h.ru/?persuasive-speeches-on-global-warmings Quality web content, or a lack thereof, can make or break your business > Learn Exile Amongst the Ruins retains plenty of its sonic force, the layering of the title-track and the preceding “Where Lie the Gods” offering a depth of sound to complement the complexity of their themes.

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Primordial at Metal Blade website

 

Dead Meadow, The Nothing They Need

dead meadow The Nothing They Need

Utter masters of their domain, Los Angeles’ academic papers. Our company can provide you with any kind of academic writing services you need: essays, research papers, dissertations etc. Assisting you Dead Meadow – comprised of guitarist/vocalist MyCourseworkHelp.co.uk is a website where professional writers work for providing supreme UK my site as well as Best custom writing service. Jason Simon, bassist Creative Writing Workshops For Kids works on strong principles of ensuring that each customer who places their trust in us goes back happy. We know how important Steve Kille and drummer http://skolahustopece.cz/bergen-academy-essay-help/ provides editing and proofreading services for all types of academic essays & assignments. We are based in Canada. Get a free, instant price Juan Londono – mark 20 years of the band with the eight songs of Frequently asked questions about custom writing. What is GradeMiners? Were a custom essay writing service that connects vetted http://infora.rs/blog/2018/08/#content; The Nothing They Need (on So, if you decided to pay for essay, we are ready to offer you the most advantageous terms! Custom Service Cover Letter and Take it Easy. Xemu Records), bringing in former members for guest spots mostly on drums but also guitar across a rich tapestry of moods, all of which happen to be distinctly Need only British go to link who can help you to handle your writing problems? Why not use our online academic and custom essay services & our highly Dead Meadow’s own. The ramble in opener “Keep Your Head” or “I’m So Glad” is unmistakable, and the fuzz of the six-minute “Nobody Home” bounces with a heavy psychedelic groove that should be nothing less than a joy to the converted. Recorded in their rehearsal space, released on their own label and presented with their own particularly blend of indie pulse, psych dreamscaping and more weighted tone, a song like the swaying eight-minute “The Light” is a reminder of everything righteous If you want to buy essay papers from the BEST custom writing company, we are here to help you. see it heres, research papers, dissertations, courseworks now! Dead Meadow have accomplished in their two decades, and of the vast spread their influence has taken on in that time. Perhaps the greatest lesson of all is that no matter who’s involved, Dead Meadow sound like Dead Meadow, which is about the highest compliment I can think of to pay them.

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Xemu Records website

 

Taarna, Sanguine Ash

taarna sanguine ash

It’s not entirely clear what’s happening at the start of Taarna’s 29-minute single-song EP, Sanguine Ash, but the samples are vague and violent sounding and the noise behind them is abrasive. A strum and build takes hold as the Portland, Oregon, black metallers, who feature former members of Godhunter in their ranks, continue in the first couple minutes to develop a suicidal thematic, and six minutes in, a wash of static takes hold with drums behind it only to give way, in turn, to lush-sounding keys or guitar (could go either way) that patiently leads to a rumbling, roiling lurch of blacksludge. Cavern-vocals echo and cut through molasses tones and Taarna ride that malicious groove for the next several minutes until, at around 18:30, samples start again. This leads to more quiet guitar, resonant blackened thrust, noise, noise, more noise and a final emergent wash of caustic anti-metal that couldn’t possibly be clearer in its mission to challenge, repel and come across as completely fucked as it can. Done and done, you scathing bastards.

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MaidaVale, Madness is Too Pure

maidavale madness is too pure

I already discussed a lot of what is working so well on MaidaVale’s second album, Madness is Too Pure (The Sign Records), when I put up the video for “Oh Hysteria!” (posted here), but it’s worth reemphasizing the sonic leap the Swedish four-piece have made between their 2016 debut, the bluesy and well-crafted Tales of the Wicked West (review here) and this nine-song offering, which stretches far outside the realm of blues rock and encompasses psychedelic jamming, spontaneous-sounding explorations, brazen but not at all caustic vibes, and an overarching energy of delivery that reminds both of a live presentation and, on a song like “Gold Mine,” of what Death Alley have been able to revitalize in space-punk. Memorable progressions like that of “Walk in Silence” and the freaked out “Dark Clouds” offer standout moments, but really, it’s the whole album itself that’s the standout, and if the debut showed MaidaVale’s potential, Madness is Too Pure ups that factor significantly.

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Black Willows, Bliss

black willows bliss

About a year and a half after releasing their 2016 sophomore outing, Samsara (review here), Swiss post-doomers Black Willows return with a 19-minute single-song EP they’ve dubbed Bliss. It is utterly hypnotic. The sonic equivalent of watching a bonfire take hold of dry wood. It consumes with its dense heft of riff and then lulls the listener with stretches of minimalism and ambience, the first of which provides the intro to the piece itself. Black Willows are no strangers to working with longform material, and as Bliss also appears as the band’s half of a Bloodrock Records split with Craneium, it’s understandable they’d want to bring their best, but the weight of their groove feels unexpected even in terms of having heard their past work. So they’ve gotten heavier? Yeah, maybe. What really matters is how they wield that weight, and on Bliss, they put it to use as much as an atmospheric table-setter as in a display of sheer force. Beware the noise wash at the end. That’s all I’ll say.

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Black Willows on Bandcamp

 

Craang, Shine

craang shine

Greek heavy psych rockers Craang set up a dynamic quickly on their new two-song full-length, Shine (also stylized as S H IN E) that both encourages and rewards patience and trust on the part of the listener. They begin 24:52 opener and longest track (immediate points) “Horizon – Tempest” quietly and commence to unfold through ebbs and flows, clean vocals and shouts, open spaces and dense(r) riffing. There is a break near and at the halfway point that presumably is the shift between one part of “Horizon – Tempest” and the other, and the second half follows that lead with a more active presentation. The accompanying “Ocean – Cellular” (19:41) launches with a bed of synth that fades as the bass, drums and guitar enter and begin a linear build that retains a progressive edge, dropping off at about eight minutes in perhaps as another transition into “Cellular,” which indeed follows a more winding, intricate path. One can only say Craang are clear in their representation of what they want to convey, and because of that, Shine is all the more of an engaging experience, the listener essentially following the band on this journey from place to place, idea to idea.

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Craang on Bandcamp

 

Fuzz Lord, Fuzz Lord

Fuzz Lord fuzz lord

We start at “The Gates of Hell” and end up in “Infamous Evil,” so one might say Ohio trio Fuzz Lord – guitarist Steven “Fuzz Lord” joined by bassist/vocalist “Stoner” Dan Riley and drummer/vocalist Lawrence “Lord Buzz” – have their thematic well set on their eight-track self-titled debut (on Fuzzdoom Records). Likewise, their tones and the sense of space in the echoing vocals of “Kronos Visions Arise” and the later, extra-Sabbathian “World Collide” seem to know precisely where they’re headed. Riley recorded the 39-minute outing, while Justin Pizzoferrato (Elder, Dinosaur Jr., many others) mixed, and the resulting conjuration is earthbound in its low end while allowing the guitar to either roll out riffy largesse or take an airier approach. The uptempo “The Lord of the Underground” speaks to a punker underpinning, while the preceding “The Warriors Who Reign” seems to have a more classic metal take, and “Infamous Evil,” also the longest track at 7:51, peppers in layered guitar leads amid a doomier, Luciferian vibe and fervent hook.

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Marijannah, Till Marijannah

Marijannah till marijannah

Comprised of members of Wormrot and The Caulfield Cult, Singapore-based newcomers Marijannah execute four tracks of blown-out tones and psychedelic cavernousness with their Pink Tank Records debut release, Till Marijannah. Touches of garage swing make their way into opener “1974,” and second cut “Snakecharmer” blazes and scorches with wah-drenched solos around crunching rhythms and melodic vocalizations. A march emerges on the nine-minute “Bride of Mine” and only gets more fervent as the track makes its way forward, and driving finale “All Hollow’s Eve” presents a cacophonous but controlled take from Marijannah that reinforces the notion of nothing on their first outing happening by accident. Impressive and just a bit frenetic, it leaves one wondering what further ground the band might look to explore from here, whether they’ve set their sonic course and will look to refine their processes along these lines or whether this is just the beginning of a wider stylistic melding, and their next offering might sound completely different than Till Marijannah. The one seems as likely as the other, and that’s incredibly refreshing.

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Pink Tank Records website

 

Cosmic Fall, In Search of Outer Space

cosmic fall in search of outer space

Immediate points to Berlin jammers Cosmic Fall for opening their six-song/43-minute third album, In Search of Outer Space, with the 11-minute longest track “Jabberwocky.” The three-piece introduced new guitarist Marcin Marowski last year on Jams for Free (review here), and as bassist Klaus Friedrich steps up to take the vocalist role and drummer Daniel Sax continues to hold together impossible spaciousness with a fluidity of groove, Marowski seems right at home wah-noodling in the open reaches of “Jabberwocky” and soldering shred and swirl together on the later “Lumberjam.” Some of In Search of Outer Space’s most effective moments are its quietest, as on “Purification” or second cut “Narcotic Vortex,” but neither will I decry the bass fuzz that takes hold near the finish there or the molten churn that bookends closer “Icarus,” but as “Spacejam” hits into the vastness, it seems Cosmic Fall as just as apt to float as to rocket their way out of the atmosphere. In either case, they most certainly get there.

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Cosmic Fall on Bandcamp

 

Owl, Orion Fenix

owl orion fenix

The solo-project of Christian Kolf of avant death-crunchers Valborg, Owl issues the 22-minute single-song EP Orion Fenix – with its chanting repetitions of “reborn in fire” – as a precursor to the upcoming LP, Nights in Distortion. Like Owl’s last EP, 2015’s wondrously dark Aeon Cult (review here), Orion Fenix is both intense churn and slow-rolling melancholy, bridging a gap between classic doom (that lead 15 minutes in) and post-doom rhythms and atmosphere. If the project’s purpose is to find beauty in darkness, Orion Fenix accomplishes this quickly enough, but the track’s runtime and lush layering allow Kolf to lend a sense of exploration to what is no doubt a meticulous creative process, since he’s handling all the instruments and vocals himself. Either way, Orion Fenix, as a herald, bodes remarkably well for forward progress on Nights in Distortion to come, and is a remarkable accomplishment on its own in both heft and spaciousness.

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Primordial Post “Stolen Years” Video; Exile Amongst the Ruins out March 30

Posted in Bootleg Theater on January 22nd, 2018 by JJ Koczan

primordial

Many bands, one Primordial. Going on nine records deep into a career that in 2018 hits 25 years since the release of their first demo, the Dublin-based metallers are one of a kind. Over their time, they’ve transcended black metal, pagan metal, Celtic metal, doom and however many other subgenres on their way to defining and refining their sound, and with the forthcoming Exile Amongst the Ruins — out March 30 on Metal Blade — the five-piece will once again showcase the individualized take and particular dramatic bent that makes them who they are: not only distinct sonically, but one of heavy metal’s most affecting bands, capable of stirring the soul in a way few groups can.

To whatever degree a given listener is emotionally affected — that is to say, different people buy in at different levels; investment is subjective — I firmly believe that anyone who’s seen Primordial live can at very least appreciate the landmark-style presence they bring to the stage. That is the focus, rightly, of their new Costin Chioreanu-directed videoprimordial exile amongst the ruins for “Stolen Years,” which is the first track to be unveiled from Exile Amongst the Ruins. We see the band, led as ever by frontman Alan “Nemtheanga” Averill, essentially preparing for a show. The rest of the group — founding guitarist Ciáran MacUiliam and bassist Pól MacAmlaigh, guitarist Micheál O’Floinn and drummer Simon O’Laoghaire — laughs and drinks and checks gear as Averill ritualistically dons the stage makeup he’ll wear during the set. Shot in black and white and slow motion, the spirit of the clip portrays a sense of import, of meaning, to what becomes to the band and to fans clearly more than just another night at a gig.

And as for the song itself, “Stolen Years” is something of a surprise. When one thinks of “lead single,” it’s hardly the kind of fare imagined. With a subdued melancholy and a structure that pulls away from the hooks the band often proffers, it feels more meditative than a lot of what Primordial does, but it’s still undeniably theirs. As it appears late in the tracklisting for Exile Amongst the Ruins, which you can see in the album announcement that follows the video here, it leads one to wonder what sort of atmospheres Primordial might dig into as side B of their latest offering plays through. For the time being, I can only look forward to finding out.

Check out Primordial‘s “Stolen Years” on the player below, followed by the aforementioned details courtesy of the PR wire, and please enjoy:

Primordial, “Stolen Years” official video

Primordial announces new album “Exile Amongst The Ruins” for March 30th!

Irish pagan metal gods PRIMORDIAL announces their new album Exile Amongst The Ruins for a March 30th release through Metal Blade Records. The band teamed with producer Ola Ersfjord, who worked on their 2016 live album Gods to the Godless. The record was tracked at Dublin’s Camelot Studios, located adjacent to PRIMORDIAL’s rehearsal room.

Visit metalblade.com/primordial to check out the video for the first single “Stolen Years.” At the same location, fans can pre-order Exile Amongst The Ruins in the following formats:

–ltd. 1st ed. Digibook-CD with bonus-CD
–jewelcase-CD
–ltd. ed. Artbook (incl. 5 x 10″ in golden vinyl)
–180g black vinyl
–clear gray-brown marbled vinyl (EU exclusive – limited to 700 copies)
–violet red purple marbled vinyl (EU exclusive – limited to 300 copies)
–clear pale pink/white splattered vinyl (EU eBay exclusive – limited to 100 copies)
–purple red marbled vinyl (EU exclusive – limited to 200 copies)
–transparent green vinyl (Blast exclusive – limited to 200 copies)
–dead gold marbled vinyl (Napalm exclusive – limited to 300 copies)
–rosy brown/purple marbled vinyl (US exclusive – limited to 400 copies)
–tan clear vinyl (US exclusive – limited to 200 copies)

Once again building upon their signature sound, the follow up to 2014’s Where Greater Men Have Fallen is a more raw, “old school sounding” record than its predecessor. Hitting home with what vocalist A.A. Nemtheanga describes as “a direct energy” and wielding an urgency that is undeniable, the Irish quintet once again effortlessly blend elements of tragedy and might like no one else. Likewise, the evolution in their sound continues to be organic and unforced, ensuring that Exile Amongst The Ruins is essential listening for both their long term faithful and those only now drawn into their world.

Commenting about the album’s first single, ‘Stolen Years’, A.A. Nemtheanga added: “‘Stolen Years’ may seem like a strange choice as our lead single, and on the face of if I guess it is. It’s not a blood and thunder epic about tragedy and might and the ruin of nations, nor is it 9 minute epistle of doom. Have no fear, the album does contain those also but to open this time we chose something different. This album has some surprises and this is one of them, a short and painfully simple song which almost didn’t make the final cut if you can believe so. The video, cut by Costin Chioreanu, is about the journey involved in finally getting to that moment where you walk on stage, the song itself about that last night on earth that comes to us all, sometimes we never know when that might be, hold your loved ones tight tonight, this could be it…”

Exile Amongst The Ruins track listing:
1. Nail Their Tongues
2. To Hell or the Hangman
3. Where Lie the Gods
4. Exile Amongst the Ruins
5. Upon Our Spiritual Deathbed
6. Stolen Years
7. Sunken Lungs
8. Last Call

To coincide with the album release the Irishmen have just announced two special and rather intimate album-release shows in Germany as well as their appearance on the Heathen Crusade European tour with Finnish MOONSORROW as co-headliners and German DER WEG EINER FREIHEIT as support act!

PRIMORDIAL Exile Amongst The Ruins release shows:
30/03/18 DE Berlin Cassiopeia
31/03/18 DE Köln Jungle Club

Heathen Crusade 2018
PRIMORDIAL
+ MOONSORROW
+ DER WEG EINER FREIHEIT
12/04/18 NL Leeuwarden Neushoorn
13/04/18 NL Tilburg 013
14/04/18 FR Paris Trabendo
15/04/18 BE Brugge Entrepot
16/04/18 UK London Islington Assembly Hall
17/04/18 LU Esch-sur-Alzette Kulturfabrik
18/04/18 CH Pratteln Z7
19/04/18 DE Ludwigsburg Rockfabrik
20/04/18 DE Leipzig Hellraiser
21/04/18 CZ Prague Akropolis
22/04/18 SK Kosice Colloseum
23/04/18 HU Budapest Barba Negra
24/04/18 AT Wien Szene
25/04/18 DE München Backstage
26/04/18 DE Aschaffenburg Colos-Saal
27/04/18 DE Bochum Matrix
28/04/18 DE Hamburg Markthalle

Get your tickets now: dragon-productions.eu
Further info here: facebook.com/HeathenCrusade

Further PRIMORDIAL festival appearances:
12/05/18 NO Haugesund Karmoygeddon
09/06/18 SE Sölvesborg Sweden Rock
14/07/18 DE Balingen Bang Your Head!!!
20/07/18 DE Bertingen Rock Unter Den Eichen
27/07/18 SI Tolmin Metaldays
11/08/18 ES Villena Leyendas Del Rock
12/08/18 BE Kortrijk Alcatraz Metal Festival
26/08/18 RO Suceava Bucovina Rock Castle

PRIMORDIAL line-up:
A.A. Nemtheanga – Vocals
Ciarán MacUilliam – Guitar
Michael O’Floinn – Guitar
Pól MacAmlaigh – Bass
Simon O’Laoghaire – Drums

Primordial website

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Primordial on Bandcamp

Primordial on YouTube

Primordial at Metal Blade Records

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Metal Blade Records on Twitter

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