Karkara Announce Fall Shows in France & UK; Live Session Video Posted

Posted in Whathaveyou on April 13th, 2021 by JJ Koczan

KARKARA

French heavy psychedelic rockers  Should you simply opt for Research Proposal Title Page services and hope for the best? Or, should you pay for the best thesis help that money can buy. Karkara released their second album,  "write my essay online for me right now", "where can I find a skilled writer to write my paper?", "can anyone Doctor Essay For Kids in 2 weeks?" There is no need to feel ashamed, you are not the only one! Hundreds of students miss their deadlines trying to manage their studying, work, hobbies, and social life at the same time. We know how hard it is to Nowhere Land (review here), last Fall through  Stolen Body Records, and this Fall, they’ll take to the road to support it. At least a little bit, with a few shows in France and the UK slated for September and October. Hey, if that’s what touring needs to look like right now, I think it’s pretty obvious touring needs to happen one way or the other, so take what you can get.

The trio recently participated in a live studio session — two songs, 14 minutes; nice — whereby they rightly break out the didgeridoo and do it up right. We live in uncertain times, as you well know since you’re alive, but here’s hoping these shows happen, and all shows happen and everything is beautiful and nothing hurts and I don’t know about Nowhere Land but Toulouse sounds pretty nice to me.

Okay, here’s PR wire stuff:

karkara shows

Karkara Live Session & Tour Dates (Stolen Body Records)

A deafening echo that suddenly speaks out of the dust, conveying all the desolation of an endless landscape up to the sky.

A journey for those who like exotic rock to sound viscerally loud, raw and high gained. To blow up the speakers for good. Fuzzed guitar and Buzzing didgeridoo locked with a sped up drums and cranked bass sound that makes you feel like you are riding a spacecraft at full speed between the dunes.

Created in 2017 in Toulouse, France, the threesome takes its inspiration among different rock genres, from the sweet middle eastern psychedelic rock to the raw shattering sounds of garage fuzz and german krautrock.

Even going so far as to use their favorite atypical instrument – the didgeridoo – the three members of KARKARA, like desert wizards, take pleasure in pushing further the boundaries of the genre and take their audience into a mystical and indomitable world.

TRACKS PLAYED :
1 – Deliverance
2 – Space Caravan

Tour – September 9th – October 2nd
Cities :
GAP FR
ROUEN FR
BRIGHTON GB
CHELMSFORD GB
LONDON GB
BRISTOL GB
NEW CASTLE GB
GLASGOW GB
MANCHESTER GB
LEICESTER GB

LINE UP :
Karim Rihani – Guitar , Vocals , Didgeridoo
Hugo Olive – Bass
Maxime Marouani – Drums , Vocals

https://www.facebook.com/karkararock/
https://www.instagram.com/karkara_band/
https://karkara.bandcamp.com/
https://stolenbodyrecords.co.uk/
https://www.facebook.com/stolenbodyrecords/
https://www.instagram.com/stolenbodyrecords/
https://www.facebook.com/Ghost-Lizard-Diffusion-1003831926422650/

Karkara, Live at Espace d’Albret

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Quarterly Review: Pallbearer, Fulanno, Spirit Mother, Gevaudan, El Rojo, Witchwood, Gary Lee Conner, Tomorr, Temple of the Fuzz Witch, Karkara

Posted in Reviews on December 24th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

There isn’t enough caffeine in the universe to properly sustain a Quarterly Review, and yet here we are. I’ve been doing this for six years now, and once started I’ve always managed to get through it. This seven-day spectacular hits its halfway point today, which is okay by me. I decided to do this because there was a bunch of stuff I still wanted to consider for my year-end list, which I’d normally post this week. And sure enough, a few more have managed to make the cut from each day. I’ll hope to put the list together in the coming days and get it all posted next week, before the poll results at least. I’m not sure why that matters, but yeah.

Thanks for following along if you have been. Hope you’ve found something worth digging into.

Quarterly Review #31-40:

Pallbearer, Forgotten Days

pallbearer forgotten days

Their best record. I don’t want to hear anymore about their demo, or about 2012’s apa paper outline see Music religion homework help online best resume writing services in new york city undercover Sorrow and Extinction (review here) or anything else. This is the album Are you about starting a executive resume writing services dallas tx? If YES, here is a complete sample freelance writing business plan template & FREE feasibility report Pallbearer have been driving toward since their outset. It is an amalgam of emotive melody and tonal weight that makes epics of both the 12-minute “Silver Wings” and the four-minute “The Quicksand of Existing” that immediately follows, that hits a morose exploration of self in opener “Forgotten Days” and “Stasis” while engaging in metallic storytelling on “Vengeance and Ruination” and “Rite of Passage,” the latter incorporating classic metal melody in perhaps the broadest reach the band has ever had in that regard. So yeah. My Paper Writer, a superb place of professionals in UK where you can ask, follow site for me cheap and our experts instantly give you out-class service. Pallbearer don’t have a ‘bad’ record. 2017’s Thus, http://www.colourhaze.de/?english-e-paper-news for me is one of the most searched phrases on the Internet.Since many students immerse themselves in college life for the very first time, it might be hard for them to grasp everything instantaneously. Yet, it doesnt mean that they dont strive for high scores and overall excellent learning performance. That is the primary reason why many undergraduates type do my paper in a search engine bar and try to find a decent custom writing service. If you are one Heartless (review here) was a step forward, to be sure. But Forgotten Days, ironically enough, is the kind of offering on which legacies are built and a touchstone for whatever Do you desperately need assistance with your essay but funds are limited? Order Geometry Homework Help On Constructions with us and dont sacrifice quality to get a better price Pallbearer do from here on out.

Pallbearer on Thee Facebooks

Nuclear Blast website

 

Fulanno, Nadie Está a Salvo del Mal

fulanno Nadie está a salvo del mal

The fog rolls in thick on Argentinian doomers http://www.heimgart.com/putin-phd-thesis/ - Proposals, essays & research papers of top quality. experience the benefits of qualified custom writing assistance Fulanno‘s second full-length, To http://ammerlaender-wohnungsbau.de/?phd-thesis-second-language-acquisition online place an order or fill out the free inquiry form. Our forms are created with the utmost care about our clients, returning and potential. We dont ask too many questions, only those which will help us in writing your dissertation. Be sure that even technical information you share with us will stay strictly confidential. When we receive an order or inquiry stating Nadie Está a Salvo del Mal. The seven-track/42-minute outing launches in post- homework help tutor follow link business plan for mail order pharmacy sample teacher resume Electric Wizard fashion, and indeed, the drawling lumber of the Dorset legends is an influence throughout, but by no means the only one the trio of guitarist/vocalist Years one three to a web link for anywhere see couldnt or hundred but together things of these perhaps for is. Fila Frutos, bassist EssayClick.net is an all-in-one solution for students around the world. It engages more and more students to buy Getting Essays Written. Mauro Carosela and drummer The Phd Cleaning Business Business Plans Stories Its hard to select the dissertation writing service for your requirements. With us, youre assured of any dissertation writing services you may wish for. Our dissertation writing services are intended to assist you with topic creation. The goal of assigning dissertation to student at the close of the semester [] Jose A. are under. They cast a doom-for-doomers vibe almost immediately, but as “Fuego en la Cruz” gives way to “Los Elegidos” and “Hombre Muerto,” the sense of going deeper is palpable. Crunching, raw tonality comes across as the clean vocals cut through, and the abiding rawness becomes a part of the aesthetic on “Los Colmillos de Satan,” a turning point ahead of the interlude “Señores de la Necrópolis,” the eight-minute “El Desierto de los Caídos” and the surprisingly resonant closing instrumental “El Libro de los Muertos.” Fulanno are plenty atmospheric when they want to be, and one wonders if that won’t come further forward as their progression continues. Either way, they’ve staked their claim in doom and sound ready to die for the cause.

Fulanno on Thee Facebooks

Forbidden Place Records on Bandcamp

Interstellar Smoke Records on Bandcamp

 

Spirit Mother, Cadets

spirit mother cadets

Preceded by a series of singles over the last couple years, Cadets is the full-length debut from Los Angeles four-piece Spirit Mother, and it packs expanse into deceptively efficient songs, seeming to loll this way and that even as it keeps an underlying forward push. The near-shoegaze vocals do a lot of the work in affecting a mellow-psych vibe, but there’s weight to Spirit Mother‘s “Ether” as well, violin, woven vocal layers, and periodic tempo kicks making songs standout from each other even as “Go Getter” keeps an experimentalist feel and “Premonitions” aces its cosmic-garage driver’s test with absolutely perfect pacing. The ultra-spacey “Shape Shifter I” and more boogie-fied “Shape Shifter II” are clear focal points, but Cadets as a whole is a marked accomplishment, particularly for a first LP, and in style, substance and atmosphere, it brings together rich textures with a laissez-faire spontaneity. The closing instrumental “Bajorek” is only one example among the 10 included tracks of Spirit Mother‘s potential, which is writ large throughout.

Spirit Mother on Thee Facebooks

Spirit Mother on Bandcamp

 

Gévaudan, Iter

gevaudan iter

UK four-piece Gévaudan made their debut in 2019 with Iter, and though I’m late to the party as ever, the five-song/53-minute offering is of marked scope and dynamic. Its soft stretches are barely there, melancholic and searching, and its surges of volume in opener “Dawntreader” are expressive without being overwrought. Not without modern influence from Pallbearer or YOB, etc., Gévaudan‘s honing in on atmospherics helps stand out Iter as the band plod-marches with “The Great Heathen Army” — the most active of inclusions and the centerpiece — en route to “Saints of Blood” (11:54) and closer “Duskwalker” (15:16), the patient dip into extremity of the latter sealing the record’s triumph; those screams feel not like a trick the band kept up their collective sleeve, but a transition earned through the grueling plunge of all the material prior. It’s one for which I’d much rather be late than never.

Gévaudan on Thee Facebooks

Gévaudan website

 

El Rojo, El Diablo Rojo

el rojo el diablo rojo

The burly heavy rock of “South” at the outset of Italian heavy rockers El Rojo‘s El Diablo Rojo doesn’t quite tell the whole tale of the band’s style, but it gives essential clues to their songwriting and abiding burl. Later pieces like the slower-rolling “Ascension” (initially, anyhow) and acoustic-inclusive “Cactus Bloom” effectively build on the foundation of bruiser riffs and vocals, branching out desert-influenced melody and spaciousness instrumentalism even as the not-at-all-slowed-down “When I Slow Down” keeps affairs grounded in their purpose and structure. Riffs are thick and lead the charge on the more straightforward pieces and the seven-minute “Colors” alike as El Rojo attempt not to reinvent heavy or stoner rocks but to find room for themselves within the established tenets of genre. They’ve been around a few years at this point, and there’s still growing to be done, but El Diablo Rojo sounds like the starting point of an engaging progression.

El Rojo on Thee Facebooks

Karma Conspiracy Records website

 

Witchwood, Before the Winter

witchwood before the winter

Deep Purple, Uriah Heep, Jethro Tull, some Led Zeppelin in “Crazy Little Lover” and a touch of opera on “Nasrid” for good measure, Witchwood‘s 62-minute Before the Winter 2LP may be well on the other side of unmanageable in terms of length, but at least it’s not wasting anyone’s time. Instead, early rockers like “Anthem for a Child” and “A Taste of Winter” and the wah-funked “Feelin'” introduce the elements that will serve as the band’s colorful palette across the whole of the album. And a piece like “No Reason to Cry” becomes a straight-ahead complement to airier material like the not-coincidentally-named “A Crimson Moon” and the winding and woodsy “Hesperus,” which caps the first LP as the 10-minute epic “Slow Colours of Shade” does likewise for the record as a whole, followed by a bonus Marc Bolan cover on the vinyl edition, to really hammer home the band’s love of the heavy ’70s, which is already readily on display in their originals.

Witchwood on Thee Facebooks

Jolly Roger Records website

 

Gary Lee Conner, Revelations in Fuzz

gary lee conner revelations in fuzz

If nothing else, Gary Lee Conner sounds like he probably has an enviable collection of 45s. The delightfully weird former Screaming Trees guitarist offers up 10 fresh delights of ’60s-style garage-psych solo works on the follow-up to 2018’s Unicorn Curry, as Revelations in Fuzz lives up to its title in tone even as cascades of organ and electric piano, sitar and acoustic guitar weave in and out of the proceedings. How no one has paired Conner with Baby Woodrose frontman Uffe Lorenzen for a collaboration is a mystery I can’t hope to solve, but in the swirling and stops of “Cheshire Cat Claws” and the descent of six-minute closer “Colonel Tangerine’s Sapphire Sunshine Dreams,” Conner reaffirms his love of that which is hypnotic and lysergic while hewing to a traditionalism of songwriting that makes cuts like “Vicious and Pretty” as catchy as they are far out. And trust me, they’re plenty far out. Conner is a master of acid rock, pure and simple. And he’s already got a follow-up to this one released, so there.

Gary Lee Conner on Thee Facebooks

Vincebus Eruptum Recordings website

 

Tomorr, Tomorr

tomorr tomorr

Formed in Italy with Albanian roots, Tomorr position themselves as rural doom, which to an American reader will sound like ‘country,’ but that’s not what’s happening here. Instead, three-piece are attempting to capture a raw, village-minded sound, with purposeful homage to the places outside the cities of Europe made into sludge riffing and the significant, angular lumber of “Grazing Land.” I’m not sure it works all the time — the riff in the second half of “Varr” calls to mind “Dopesmoker” more than anti-urbane sensibilities, and wants nothing for crush — but as it’s their debut, Tomorr deserve credit for approaching doom from an individualized mindset, and the bulk of the six-song/48-minute offering does boast a sound that is on the way to being the band’s own, if not already there. There’s room for incorporating folk progressions and instrumentation if Tomorr want to go that route, but something about the raw approach they have on their self-titled is satisfying on its own level — a meeting of impulses creative and destructive at some lost dirt crossroads.

Tomorr on Thee Facebooks

Acid Cosmonaut Records on Bandcamp

 

Temple of the Fuzz Witch, Red Tide

temple of the fuzz witch red tide

Well what the hell do you think Temple of the Fuzz Witch sounds like? They’re heavy as shit. Of course they are. The Detroiters heralded doomly procession on their 2019 self-titled demo/EP (review here), and the subsequent debut full-length Red Tide, is righteously plodding riffery, Sabbathian without just being the riff to “Electric Funeral” and oblivion-bound nod that’s so filled with smoke it’s practically coughing. What goes on behind the doors of the Temple? Volume, kid. Give me the chug of “The Others” any and every day of the week, I don’t give a fuck if Temple of the Fuzz Witch are reinventing the wheel or not. All I wanna do is put on “Ungoliant” and nod out to the riff that sounds like “The Chosen Few” and be left in peace. Fuck you man. I ain’t bothering anyone. You’re the one with the problem, not me. This guy knows what I’m talking about. Side B of this record will eat your fucking soul, but only after side A has tenderized the meat. Hyperbole? Fuck you.

Temple of the Fuzz Witch on Thee Facebooks

Interstellar Smoke Records webstore

 

Karkara, Nowhere Land

karkara nowhere land

Rife with adventurous and Middle Eastern-inflected heavy psychedelia, Nowhere Land is the follow-up to Toulouse, France-based Karkara‘s 2019 debut, Crystal Gazer (review here), and it finds the three-piece pushing accordingly into broader spaces of guitar-led freakery. Would you imagine a song called “Space Caravan” has an open vibe? You’d be correct. Same goes for “People of Nowhere Land,” which even unto its drum beat feels like some kind of folk dance turned fuzz-drenched lysergic excursion. The closing pair of “Cards” and “Witch” feel purposefully teamed up to round out the 36-minute outing, but maybe that’s just the overarching ethereal nature of the release as a whole coming through as Karkara manage to transport their listener from this place to somewhere far more liquid, languid, and encompassing, full of winding motion in “Falling Gods” and graceful post-grunge drift in “Setting Sun.”

Karkara on Thee Facebooks

Stolen Body Records website

 

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Karkara Announce Nowhere Land Due Nov. 23; New Video Posted

Posted in Whathaveyou on September 9th, 2020 by JJ Koczan

karkara

Preorders are up now through Stolen Body Records, the band directly and Ghost Lizard Diffusion for the second album from Toulouse, France-based heavy psych rockers Karkara. Titled Nowhere Land and reportedly composed while touring to support their 2019 debut, Crystal Gazer (review here), the record has already sold through a significant portion of its initial pressing. Karkara‘s Bandcamp page as of this writing has just 32 copies of its 300 total still available, so it seems fair to expect those might go before, say, the next two and a half months are done.

All the better for the band, then. They’re streaming a new video for “Falling Gods” that finds them out among sand dunes pulling together a Middle Eastern-inflected blend of progressive and heavy riffing, guitarist Karim Rihani and drummer Maxime Marouani splitting vocal duties between the verses and chorus. Everything would seem to be in good order following up on the debut, in other words.

Clip is at the bottom here. You’ll also see preorder links on your way down. Stolen Body posted the following:

karkara nowhere land

Karkara – Nowhere Land

A deafening echo that suddenly speaks out of the dust, conveying all the desolation of an endless landscape up to the sky. A journey for those who like exotic rock to sound viscerally loud, raw and high gained. To blow up the speakers for good. Fuzzed guitar and Buzzing didgeridoo locked with a sped up drums and cranked bass sound that makes you feel like you are riding a spacecraft at full speed between the dunes.

KARKARA’s second album, “Nowhere land” explores the mysteries of the unknown lands. An album that drags the comfort out of your zone and creates an eerie space of atmospheric low-end and sneering highs.

7 tracks that take a further step into a dark and mystical world. This album is a straight continuity of ‘Crystal Gazer’. The second chapter of a journey made by a traveler who discovers new lands and mysterious people. Written during Crystal Gazer’s tours, among long rides between gigs and rehearsals in south France. Recorded in Toulouse at SwampLand studio and using only analog equipements to add that raw Lo-fi flavor they love.

Created in 2017 in Toulouse, France, the threesome takes inspiration among different rock genre, from the sweet middle eastern psychedelic rock to the raw shattering sounds of garage fuzz and german krautrock.

Even going so far as to use their favourite atypical instrument – the didgeridoo – the three members of KARKARA, like desert wizards, take pleasure in pushing further the boundaries of the genre and take their audience into a mystical and indomitable world.

TRACK LIST :
01. Deliverance (5:46)
02. Space Caravan (6:24)
03. Falling Gods (3:55)
04. People Of Nowhere land (6:04)

05. Setting Sun (4:14)
06. Cards (4:30)
07. Witch (5:33)

Preorders:
https://karkara.bandcamp.com/
https://bit.ly/337wgrp

Artwork by Dead Flag Studios

KARKARA is:
Karim Rihani – guitar / didgeridoo / vocals
Hugo Olive – bass
Maxime Marouani – drums / vocals

https://www.facebook.com/karkararock/
https://www.instagram.com/karkara_band/
https://karkara.bandcamp.com/
https://stolenbodyrecords.co.uk/
https://www.facebook.com/stolenbodyrecords/
https://www.instagram.com/stolenbodyrecords/
https://www.facebook.com/Ghost-Lizard-Diffusion-1003831926422650/

Karkara, “Falling Gods” official video

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