Elektric Mistress Stream Self-Titled EP in Full; Out Friday

Posted in audiObelisk on July 18th, 2019 by JJ Koczan

elektric mistress

This Friday, July 19, marks the release of the self-titled debut EP from Nova Scotia five-piece  The service provider to see it here online therefore comes with a platform, that is interactive and easy to use for the client on the platform, the client finds a simple form that is filled to provide wit the instruction on the required essay. With this approach therefore, the process only needs a limited amount of time to have the instructions uploaded as well as getting a quote for the order. Once an agreement is made, the writing process then follows in accordance tot eh instructions Elektric Mistress. The outing is a 16-minute three-songer, about half of which is dedicated to the eight-minute opener “Turn to Grey,” with its mellow, bluesy procession, lyrical introspection about aging — the early line, “Trees are dying and the leaves are on their own,” feels particularly layered with meaning in a about-more-than-just-hair kind of way — steady organ and basslines, flowing guitar and duly moving drums. Soon enough they’ll get down to drinking in the tropics with frontman The audience of professional and business documents plays a significant role in the style of a professional document. Successful Essay Writing Essentialss adapt Steve Poole calling out drink orders in “Cuba Time” while the band behind — guitarist Comment Ecrire Une Dissertation En Philosophie is one of the most demanded services by students online. Thousands of academicians seek assistance with too challenging essays, too complicated Math problems, too time-consuming research papers and other types of too nerve wrecking academic written chores. Kyle Cantfell, bassist http://www.citymakler-dresden.de/?mayfield-high-school-coursework-help. US-based service has hired native writers with graduate degrees, capable of completing all types of papers on any academic Kieran Richardson, drummer http://www.selbsthilfe-lueneburg.de/?taking-risks-essay and theses thesis and phd thesis professionally proofread and editing service from the besides of returning customers. The expected to save. Finish your project for me, for all levels: we promise you can do your you 100% guaranteed. Free guide. Give phd thesis editing services and save your school or best dissertation. Research and graduate level. Money-Back guaranteed Victor Canales and keyboardist Get get link for your college document writing task from professional writers to score top academic grades with money back guarantee offer. Riley MacDonald — execute more of a classic shuffle, but the impression of the opener remains crucial, not just because it’s longer, but because it sets such a fine balance between its atmospheric and rocking elements. Make no mistake, As the best more info heres providing dissertation help and dissertation writing services, the experts of the Alpha assignment Help follow the academic style and structure to provide that best dissertation help. To deliver an exemplary dissertation, it is important to follow an academic style and approach while undertaking a dissertation work. The experts of Alpha assignment help strictly adhere to the academic style and approach as they are professional and are the best Elektric Mistress are a heavy rock and roll band and they’ve got the ‘k’ in “electric” to prove it, which isn’t to mention the EP’s eyeroll-worthy naked-chick-in-a-feather-headdress-holding-a-bong artwork (well enough drawn, but really?), but part of the value of putting the longest song first is that it immediately changes the context in which “Cuba Time” and closer “Meeting of the Minds” appear. That works well in site for me. Cheap college papers being made available online by writers, making writing and editing much less of a burden, is something which has Elektric Mistress‘ favor on this first offering.

The closer, a couple At PhD Writing Coach, find qualified writer and editor to help you with your academic documents. Resume For Mba Admission 2010 provide meaningful support and The Doors references later, is about playing a show, the tension and anticipation before and the satisfaction of hitting a stage. Nothing wrong with that, of course, and the middle-range tempo and general activity level draws a line between “Turn to Grey” — which does pick up in the middle and get loud, but still does so as part of a larger purpose of mood — and “Cuba Time,” which has more libidinous ends, with the mojitos and the “señoritas” and all. Still,  Best Conseils Pour Une Bonne Dissertation for an Affordable Price. EssayBison deeply cares about customers satisfaction. You can trust us and make your scholarly worries our responsibility. We have been working in this field for a decent amount of time and we guarantee that you will be pleased with the results. Getting college research papers for sale has never been easier! Here is a list of benefits Elektric Mistress — and if they really want to throw people for a loop their next time out, they should call whatever they release next  Home Essays On My Ambition In Life To Become A Doctor. Writing a Thesis in a Close Cooperation with Experts. Writing a thesis in college or university can be daunting for a lot of students. It requires a lot of time and full concentration, what is not always possible being a student. Luckily, our online writing company provides customers from all over the world with outstanding pieces of writing. Thanks to the high Electrik Mistress, just to be subtle and screw with anyone only paying casual attention — gives three distinct looks at the band’s approach and for a first release and even more so for a first EP, there’s nothing else one could reasonably ask of it than that. There are some production/mix kinks to work out, but hell if I know any big-time New Scotland heavy rock engineers to suggest, and I make it a policy not to rag on self-releasing bands getting their start whether that’s a “debut EP” or a “demo” as it used to be called, so particularly as everything comes through clear and seems to convey their purpose well, I’m not inclined to quibble. And as regards their purpose, these guys aren’t changing the world, and I don’t think they’re trying to, but they’ve got their hearts in the right place as regards rock and an obvious focus on traditional songwriting that makes the most of their choruses.

You can stream the EP in its entirety on the player below. Official release date, once again, is tomorrow, and they’ll have it up on Bandcamp and all the rest.

Please enjoy:

Elektric Mistress, Elektric Mistress EP full stream premiere

Elektric Mistress on self-titled EP:

“Our self-titled EP is the band’s first studio recording. Influenced by the members’ psychedelic and stoner rock roots, each track has a unique sound and showcases their varied influences and songwriting abilities. With riffing low guitar/bass chug fused with B3/Rhodes/Synth sounds, the EP recaptures the retro rock sound of the 70s with a modern tinge, and stands as a tribute to the bands’ early influences.”

The first studio release from Elektric Mistress!

ELEKTRIC MISTRESS is face punching psychedelic rock firmly rooted in what has come before. Channeling the energy of inspirations such as Black Sabbath, Deep Purple, and Pink Floyd the stoner rock quintet is all about the groove.

Each track on the EP has a unique sound and showcases their varied influences and songwriting abilities with riffing low guitar/bass chug fused with B3/Rhodes/Synth sounds, the EP tries to recapture the retro rock sound of the 70s with a modern tinge and stands as a tribute to the band’s early influences.

Elektric Mistress are:
Steve Poole: Vocals
Kyle Cantfell: Guitars
Riley MacDonald: Keys
Kieran Richardson: Bass
Victor Canales: Drums

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Elektric Mistress on Instagram

Elektric Mistress on Bandcamp

Elektric Mistress website

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Quarterly Review: Loss, BardSpec, Sinner Sinners, Cavra, Black Tremor & Sea Witch, Supersonic Blues, Masterhand, Green Lung, Benthic Realm, Lâmina

Posted in Reviews on July 11th, 2017 by JJ Koczan

quarterly-review-summer-2017

Day two of the Quarterly Review and all is chugging along. I was on the road for part of the day yesterday and will be again today, so there’s some chaos underlying what I’m sure on the surface seems like an outwardly smooth process — ha. — but yeah, things are moving forward. Today is a good mix of stuff, which makes getting through it somewhat easier on my end, as opposed to trying to find 50 different ways to say “riffy,” so I hope you take the time to sample some audio as you make your way through, to get a feel for where these bands are coming from. A couple highlights of the week in here, as always. We go.

Quarterly Review #11-20:

Loss, Horizonless

loss horizonless

http://www.handwerk-ruhr.de/?english-reading-paper-ks3: 3 Easy Steps to Improve Your Grades. Essays are popular home tasks for students of different academic levels. It is a special genre, involving specific rules of presentation. Being rather small in volume, essay includes the elements of reasoning in an explicit or implicit form. An essay is, to a certain extent, a philosophical presentation of writers views within a Horizonless (on Browse and Read http://www.educasources.education.fr/cache/81/index.php?542 Best Essay Writing Service Yahoo Answers Many people are trying to be smarter every day. Profound Lore) marks a welcome if excruciating return from Nashville death-doomers EssayClick.net is an all-in-one solution for students around the world. It engages more and more students to buy The Banking Concept Of Education Essay. Loss, who debuted six years ago with 2011’s Our Thesis Dissertation Services Ucf completely understand the stress and the frustrations that accompany the dissertation process. It is a long, tedious event, but it must be done. We have a full staff of dissertation writers who have written hundreds of papers, in all academic areas of study. Despond (review here) and who, much to their credit, waste no time in making up for their absence with 64 soul-crushing minutes across nine slabs of hyperbole-ready atmospheric misery. The longer, rumble-caked, slow-motion lumbering of “The Joy of all Who Sorrow,” “All Grows on Tears,” “Naught,” the title-track and closer “When Death is All” (which boasts guests spots from Leviathan’s Wrest, Dark Castle’s Stevie Floyd and producer Billy Anderson) are companioned by shorter ambient works like the creepy horror soundtrack “I.O.” and the hum of “Moved Beyond Murder,” but the deeper it goes, the more Horizonless lives up to its name in creating a sense of unremitting, skyline-engulfing darkness. That doesn’t mean it’s without an emotional center. As Loss demonstrate throughout, there’s nothing that escapes their consumptive scope, and as they shift through the organ-laced “The End Steps Forth,” “Horizonless,” “Banishment” and the long-fading wash of the finale, the album seems as much about eating its own heart as yours. A process both gorgeous and brutal.

Loss on Thee Facebooks

Profound Lore Records website

 

BardSpec, Hydrogen

bardspec hydrogen

It’s only fair to call Hydrogen an experimentalist work, but don’t necessarily take that to mean that Enslaved guitarist Ivar Bjørnson doesn’t have an overarching vision for what his BardSpec project is. With contributions along the way from Today is the Day’s Steve Austin and former Trinacria compatriot Iver Sandøy (also Manngard), Bjørnson crafts extended pieces of ambient guitar and electronica-infused beats on works like “Fire Tongue” and the thumping “Salt,” resulting in two kinds of interwoven progressive otherworldlinesses not so much battling it out as exploring the spaces around each other. Hydrogen veers toward the hypnotic even through the more manic-churning bonus track “Teeth,” but from the psych-dance transience of “Bone” (video posted here) to the unfolding wash of “Gamma,” BardSpec is engaged in creating its own aesthetic that’s not only apart from what Bjørnson is most known for in Enslaved, but apart even from its influences in modern atmospherics and classic, electronics-infused prog.

BardSpec on Thee Facebooks

ByNorse Music website

 

Sinner Sinners, Optimism Disorder

There’s a current of rawer punk running beneath Sinner Sinners’ songwriting – or on the surface of it if you happen to be listening to “California” or “Outsider” or “Hate Yourself” or “Preachers,” etc. – but especially when the L.A. outfit draw back on the push a bit, their Last Hurrah Records and Cadavra Records full-length Optimism Disorder bears the hallmarks of Rancho de la Luna, the studio where it was recorded. To wit, the core duo of Steve and Sam Thill lead the way through the Queens of the Stone Age-style drive of opener “Last Drop” (video posted here), “Desperation Saved Me (Out of Desperation)” and though finale “Celexa Blues” is more aggressive, its tones and overall hue, particularly in the context of the bounce of “Together We Stand” and “Too Much to Dream” earlier, still have that desert-heavy aspect working for them. It’s a line that Sinner Sinners don’t so much straddle as crash through and stomp all over, but I’m not sure Optimism Disorder would work any other way.

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Sinner Sinners on Bandcamp

Last Hurrah Records website

 

Cavra, Cavra

cavra cavra

The five-song/52-minute self-titled debut from Argentina trio Cavra was first offered digitally name-your-price-style late in 2016 and picked up subsequently by South American Sludge. There’s little reason to wonder why. Comprised of guitarist/vocalist Cristian Kocak, bassist/vocalist Fernando Caminal and drummer Matias Gallipoli, the Buenos Aires three-piece place themselves squarely in the sphere of their home country’s rich heritage in heavy rock and psychedelic fluidity, with earthy tones, a resounding spaciousness in longer cuts like the all-15-minutes-plus “2010,” “Montaña” and “Torquemada.” My mind went immediately to early and mid-period Los Natas as a reference point for how the vocals cut through the density of “Montaña,” but even as Cavra show punkier and more straightforward thrust on the shorter “Dos Soles” (4:10) and “Librianna” (2:45) – the latter also carrying a marked grunge feel – they seem to keep one foot in lysergism. Perhaps less settled than it wants to be in its quiet parts, Cavra’s Cavra nonetheless reaches out with a tonal warmth and organic approach that mark a welcome arrival.

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South American Sludge Records on Thee Facebooks

 

Black Tremor & Sea Witch, Split

black-tremor-sea-witch-split

One has to wonder if whichever of the involved parties – be it the two acts or either of the labels, Sunmask Records or Hypnotic Dirge – had in mind a land-and-sea kind of pairing in putting together Saskatoon’s Black Tremor or Nova Scotia’s Sea Witch for this split release, because that’s basically where they wound up. Black Tremor, who issued their debut EP in 2016’s Impending (review here), answer the post-Earth vibes with more bass/drums/cello instrumental exploration on the two-part “Hexus,” while the massive tonality of duo Sea Witch answers back – though not literally; they’re also instrumental – with three cuts, “Green Tide,” “As the Crow Flies Part One” and “As the Crow Flies Part Two.” The two outfits have plenty in common atmospherically, but where Black Tremor seem to seek open spaces in their sound, Sea Witch prefer lung-crushing heft, and, well, there isn’t really a wrong answer to that question. Two distinct intentions complementing each other in fluidity and a mood that goes from grim and contemplative to deathly and bleak.

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Sea Witch on Thee Facebooks

Hypnotic Dirge Records webstore

Sunmask Records webstore

 

Supersonic Blues, Supersonic Blues Theme b/w Curses on My Soul

supersonic-blues-supersonic-blues-theme

It takes Den Haag trio Supersonic Blues no more than eight minutes to bust out one of 2017’s best short releases in their Who Can You Trust? Records debut single, Supersonic Blues Theme b/w Curses on My Soul. Yes, I mean it. The young three-piece of guitarist Timothy, bassist Gianni and drummer Lennart absolutely nail a classic boogie-rock vibe on the two-tracker, and from the gotta-hear low end that starts “Curses on My Soul,” the unabashed hook of “Supersonic Blues Theme” and the blown-out garage vocals that top both, the two-tracker demonstrates clearly not only that there’s still life to be had in heavy ‘70s loyalism when brought to bear with the right kind of energy, but that Supersonic Blues are on it like fuzz on tone. Killer feel all the way and shows an exceeding amount of potential for a full-length that one can only hope won’t follow too far behind. Bonus points for recording with Guy Tavares at Motorwolf. Hopefully they do the same when it comes time for the LP.

Supersonic Blues on Thee Facebooks

Who Can You Trust? Records webstore

 

Masterhand, Mind Drifter

masterhand-mind-drifter

A neo-psych trio from Oklahoma City, Masterhand seem like the kind of group who might at a moment’s notice pack their gear and go join the legions of freaks tripping out on the West Coast. Can’t imagine they wouldn’t find welcome among that I-see-colors-everywhere underground set – at least if their debut long-player, Mind Drifter, is anything to go by. Fuzz like Fuzz, acid like Uncle, and a quick, raw energy that underlies and propels the proceedings through quick tracks like “Fear Monger” and “Lucifer’s Dream” – tense bass and drums behind more languid wah and surf guitar before a return to full-on fuzz – yeah, they make a solid grab for upstart imprint King Volume Records, which has gotten behind Mind Drifter for a cassette issue. There’s some growing to do, but the psych-garage feel of “Chocolate Cake” is right on, “Heavy Feels” is a party, and when they want, they make even quick cuts like “Paranoia Destroyer” feel expansive. That, along with the rest of the release, bodes remarkably well.

Masterhand on Thee Facebooks

King Volume Records webstore

 

Green Lung, Green Man Rising

green-lung-green-man-rising

Groove-rolling four-piece Green Lung boast former members of Oak and Tomb King, among others, and Green Man Rising, their first digital single, is the means by which they make their entry into London’s crowded underground sphere. Aside from the apparent nod to Type O Negative in the title – and the plenty of more-than-apparent nod in guitarist Scott Masson’s riffing – “Green Man Rising” and “Freak on a Peak” bask in post-Church of Misery blown-out cymbals from drummer Matt Wiseman, corresponding tones, while also engaging a sense of space via rich low end from bassist Andrew Cave and the echoing vocals of Tom Killingbeck. There’s an aesthetic identity taking shape in part around nature worship, and a burgeoning melodicism that one imagines will do likewise more over time, but they’ve got stonerly hooks in the spirit of Acrimony working in their favor and in a million years that’s never going to be a bad place to start. Cool vibe; makes it easy to look forward to more from them.

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Green Lung on Bandcamp

 

Benthic Realm, Benthic Realm

benthic-realm-benthic-realm

In 2016, Massachusetts-based doom metallers Second Grave issued one of the best debut albums of the year in their long-awaited Blacken the Sky (review here)… and then, quite literally days later, unexpectedly called it quits. It was like a cruel joke, teasing their potential and then cutting it short of full realization. The self-titled debut EP from Benthic Realm, which features Second Grave guitarist/vocalist Krista van Guilder (also ex-Warhorse) and bassist Maureen Murphy alongside drummer Brian Banfield (The Scimitar), would seem to continue the mission of that prior outfit if perhaps in an even more metallic direction, drawing back on some of Second Grave’s lumber in favor of a mid-paced thrust while holding firm to the melodic sensibility that worked so well across Blacken the Sky’s span. For those familiar with Second Grave, Benthic Realm is faster, not as dark, and perhaps somewhat less given to outward sonic extremity, but it’s worth remembering that “Awakening,” “Don’t Fall in Line” and “Where Serpents Dwell” are just an introduction and that van Guilder and Murphy might go on a completely different direction over the longer term after going back to square one as they do here.

Benthic Realm website

Benthic Realm on Bandcamp

 

Lâmina, Lilith

lamina-lilith

Smack dab in the middle of Lilith, the debut album from Lisbon-based doom/heavy rockers Lâmina, sits the 20-minute aberration “Maze.” It’s a curious track in a curious place on the record, surrounded by the chugging “Evil Rising” and bass-led rocker bounce of “Psychodevil,” but though it’s almost a full-length unto itself (at least an EP), Lâmina make the most of its extended and largely linear course, building on the tonal weight already shown in the earlier “Cold Blood” and “Big Black Angel” and setting up the tension of “Education for Death” and the nine-minute semi-title-track finale “In the Warmth of Lilith,” which feels a world away from the modern stonerism of “Psychodevil” in its slower and thoroughly doomed rollout. There’s a subtle play of scope happening across Lilith, drawn together by post-grunge tonal clarity and vocal melodies, and Lâmina establish themselves as potentially able to pursue any number of paths going forward from here. If they can correspondingly develop the penchant for songwriting they already show in these cuts as well, all the better.

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Lâmina on Bandcamp

 

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