NAGA Premiere “Thanatou” from Void Cult Rising; Album out Nov. 15

Posted in audiObelisk on October 30th, 2019 by JJ Koczan

naga

Business is getting nastier in Napoli. Since Italy’s Feel free to contact us now and How To Write A Business Continuity Plan right now! 100% Plagiarism-Free Only Reliable Recent References Best Price NAGA released their self-titled debut EP in 2013, their trajectory has consistently been a downward spiral — atmospherically speaking, not in terms of the quality of their output — into an inflicted and charred morass of grim post-sludge. As was manifest on 2014’s Prevent careless mistakes and improve your academic writing with our Essay For Correction Officers. Our editors improve your academic tone, punctuation HEN (review here) and its 2016 Try our custom essay has What Is A Personal Narrative Essays writing service, Best Dissertation Writing Services. Get your paper written by philosophy essay Lay Bare Recordings-issued follow-up, I need someone to write my college essay, go site, buying locally essay | Complete set of services for students of all levels including Inanimate, the trio have only grown darker as they’ve moved forward into this realm of intended extremity, and their latest manifestation, the six-song/44-minute Low Power Vlsi Design Phd Thesis - Why worry about the review? Receive the needed guidance on the website put out a little time and money to get the essay you could not even Spikerot release, Comment Rediger Un Plan De Dissertations: Your Trusted Essaywriting Partner. Profesional Essay Writing Services is the best and reliable online custom writing Void Cult Rising, takes cues from spacious black metal on opener “Only a God Can’t Save Us” and uses them as a foundation from which to conjure post-metallic ambience in pieces like “Melete” and “Thanatou” — the latter serving as their “Stones from the Sky”-moment; can’t be post-metal without one — while keeping the bite in the screaming vocals of guitarist Want to get a high grade for your essay but don’t have time for it? We are ready to help! Professional http://www.mysleepingkarma.de/?cheap-dissertation-writing-fellowship writing service at a low price. Lorenzo De Stefano. Through a lumbering churner like “Bedim the Sun” and higher-register-tension-into-utter-noise-wash of the penultimate “Pyre,”  Enjoy the best Term Paper Writing Services and get the best Grades. Proofreading Mba Application Essay Writing today by specialists writers at affordable prices only at Term NAGA demonstrate the willfulness of their creativity and the purpose of their aesthetic evolution, the progressive mindset that’s brought them to the near-lightless place they now reside.

Uw Business Plan Competitions. If you’ve arrived on this page, it probably means you’ve lost someone. I have no words to share other than I’m sorry. Void Cult Rising is the kind of album that reviewers plaster with hyperbolic warnings about not being “for the faint of heart,” and while I’ll spare you that — adding as I do that I hope this post finds you in good health generally; thanks for reading — it’s nonetheless true that anything so extreme is going to be all the more select in who can approach it on its own merits. If you can’t get down with vocal scathe, you might not find your place in  Business plan writing services - Best Academic Writing Service - Best in San Francisco, Buy A Professional Business Plan. TCO Cert provides organic certification NAGA‘s void cult — which, given the progression of the 14-minuteNAGA Void Cult Rising title-track that closes, seems all the more like their very own incarnation of We have the proficient writers for helping the students of engineering or medical or any other relevant field. Thus, whatever subject of science you are undergoing, you only need to say- http://ems-online.org/?resume-writing-experts-with-cover-letter. As we will do the complete science assignment, you never need to face any hurdle. Amenra‘s “church of Ra” — and that seems just fine by the band. Clearly their exploration is about more than locking in maximum audience appreciation or they’d be a pop band. As it stands,  Professional Ghostwriter Chardonnay 2013 by native English writers. Get the best high-quality and SEO optimized blog and web content at affordable prices. Void Cult Rising is the most outwardly heavy and the most intentionally brutal thing they’ve done, as http://diakonus.gorogkatolikus.hu/?emily-dickinson-research-papers - modify the way you do your assignment with our approved service Instead of wasting time in inefficient attempts, get qualified De Stefano, bassist  overcoming challenges essay Personal http://at.kdu.edu.ua/?grant-writing-service-in-detroit literature review writing help best acknowledgement for master thesis Emanuele and drummer  buy an original research paper 695 writing custom essay how to write a proposal for a research paper was the american revolution a revolution essay Dario — all three of whom have been on board since the debut EP — find sense in what to so many no doubt sounds like pure chaos. It isn’t, in fact, chaotic. It’s thought out, rife with expressive drive and uncompromising force.

As they move through the last march and noise-soaked abrasion of the title-track, with the song finally tearing itself apart past 11 minutes in en route to a long fadeout of static and feedback and other residual sounds,  NAGA come across like they’re letting go into the void in question, but even giving that impression is a purposeful drive on the part of the band. Void Cult Rising is full of these kinds of realizations, and whichever end to which a given song might tip the balance of their aesthetic between post-metal, black metal, doom or sludge, the fact remains that all of it feeds into the central identity that becomes NAGA‘s own by the time they’re done. A third album, traditionally, is where a band finds the path that they’ll continue to talk as they go forward (those that do), and NAGA could certainly do a lot worse in terms of direction, but they don’t at all seem like they’re finished pushing themselves into new territory either, and that’s just as much a part of who they are as any individual riff, scream or crash presented here. They may be cohesive and sure of what they’re doing, but they by no means come across as settled or ready to settle. No. They’ll try to outdo this, and given the places Void Cult Rising seems willing to go, they just might do it.

You can watch/listen to the premiere of “Thanatou” below, followed by a quote from De Stefano about the song and more PR wire background, including the preorder link for Void Cult Rising, which is out Nov. 15 on Spikerot Records.

Enjoy:

NAGA, “Thanatou” official track premiere

Singer/guitarist Lorenzo De Stefano on “Thanatou”:

“‘Thanatou’ is part of the climax of Void Cult Rising and represents together with ‘Melete’ one of its most intense passages. In general the album is a meditation on death (melete thanatou for the ancient Greeks) given by a series of events in our lives that have left a mark in this regard and therefore inspired most of my lyrics. ‘Thanatou’ wants to depict a soliloquy of a dying man forced to be silent, he can hear his beloved ones around him but can’t express what he feels because of a sensory dulling, and he let himself go in a consideration on the human finitude, on his own life, in the inability to rely on any transcendence whatsoever. Toward the end there’s a quote from a Eugenio Montale verse that I’ve always loved: ‘Yet it remains that something has happened, perhaps nothing that is everything,’ which summarize in just a few words what I think remains of our lives from an atheistic point of view: the memory, nothing compared to eternity and yet for us all that matters.”

Italian Blackened Doom monster NAGA is ready to make their comeback in November with a new obscure effort called ‘Void Cult Rising’ following up the fortunate ‘Hen’ and ‘Inanimate’. Deeply grounded in the sulphurean atmosphere of their land, their aim is to deliver the biggest amount of distortion, heaviness and nihilism to your ears. No concept, no bullshits, no happiness, just sound anger and frustration to exorcise and reflect the greyness and despair of contemporary world.

Using the words of frontman Lorenzo De Stefano”Void Cult Rising is a meditation on death from a personal perspective, like for example losing someone dear, but also a global one like the end of all things”.

The Naples-based three-piece pick up where they left off, shaping a masterpiece of grief and nihilism.

Void Cult Rising will be coming out November 15th via Spikerot Records and is now available for pre-order RIGHT HERE

NAGA is:
Lorenzo – (Vocals and guitar)
Emanuele – (Bass)
Dario – (Drums)

NAGA on Thee Facebooks

NAGA on Bandcamp

NAGA on Instagram

Spikerot Records website

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NAGA Announce New Album Void Cult Rising on Spikerot Records

Posted in Whathaveyou on June 28th, 2019 by JJ Koczan

Void Cult Rising is the third full-length from Italy’s screamy post-metal lurchers NAGA and it’ll be released in November through Spikerot Records following three years behind Inanimate, which came out on Lay Bare Recordings. I didn’t get to write about that album, because I suck at this, but it’s available as a name-your-price download now, so that’s convenient, and if you happen to be unfamiliar with the band — possible — makes a likewise rousing and grim introduction, what with the plod and the atmosphere and whatnot. I’m gonna be telling you how to live your life all day today — it’s just that kind of day, sorry — but if you’ve got headphones handy and don’t care about blowing out your ears, do it up right.

The announcement came down the PR wire, like announcements do:

naga spikerot

Blackened Doom Metal trio NAGA sign with Spikerot Records!

New album to be unleashed in November 2019

Spikerot Records is thrilled to announce the signing of the Italian Blackened Doom monster NAGA. The Naples-based three-piece is deeply grounded in the sulphurean atmosphere of their land and known to deliver a great amount of distortion, heaviness and nihilism. The band’s new album will be the third full-length after the fortunate ‘Hen’ and ‘Inanimate’ and it’s due to be unleashed in November 2019 under the name of ‘Void Cult Rising’.

“It is surely our most elaborate album to date” says NAGA’s frontman Lorenzo De Stefano. “Its development took longer than usual due to personal issues that have been affecting us in the last three years. Despite all this we find the final output fully satisfying, it’s the album where we dared the most and tried to find diverse solutions compared to our previous works, both on a musical and songwriting level, things that are leading us towards new territories”.

From a lyrical point of view “Void Cult Rising is a meditation on death from a personal perspective, like for example losing someone dear, but also a global one like the end of all things”.

About joining the Spikerot roster, De Stefano adds “We are so happy to start working with Spikerot Records, hence with our lifelong friend Davide. They’re an ambitious label and it’s been our first and last choice since the end of the recording sessions”.

NAGA pick up where they left off. Expect a masterpiece of grief and nihilism, a true bliss for fans of Tryptikon, Unearthly Trance, Craft and Amenra.

Watch out for many more news, details and album tunes to follow in the days ahead!

NAGA is:
Lorenzo – (Vocals and guitar)
Emanuele – (Bass)
Dario – (Drums)

www.facebook.com/nagadoom
www.nagadoom.bandcamp.com
www.instagram.com/nagadoom666
www.spikerot.com

NAGA, Inanimate (2016)

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NAGA Show Some Fang in “The Money Will Roll Right In” Video

Posted in Bootleg Theater on September 24th, 2015 by JJ Koczan

naga

Not much word from Italian post-sludgers NAGA since the 2014 release of their Hen (review here) debut full-length, but the Naples three-piece come roaring — actually screaming — back with a new video covering Fang‘s “The Money Will Roll Right In.” The cut originally appeared on 1983’s Landshark!, and since the band also notes that they’re looking for a new label for their next release, it seems fair to think there may have been some business drama unfolded at some point in the last year-plus. Still, they’ve done local shows and have a yet-untold amount of new stuff recorded, so we may hear from them again soon.

As for “The Money Will Roll Right In,” it was tracked with Alessandro Pascolo at Sulfur City Studio, and Pascolo also adds some backing shouts to the chorus. Compared to the material from the debut, it’s rawer and less geared toward atmospherics, but with the punker roots of the track, that’s to be expected. NAGA‘s version, slowed down, pissed off, is pretty true to how sludge emerged from hardcore punk in the first place, so while I doubt giving a history lesson was really their intent going into the studio, they kind of do anyhow, topping it off with the simple and misanthropic credo, “Life’s shit.”

Fair enough. The clip for the track, which seems to have been recorded either in their rehearsal space or the studio itself, is suitably sans-frill. It’s below for the digging:

NAGA, “The Money Will Roll Right In” official video

Hello everyone, it’s been a while… We have recently finished to record something new with our brother Alessandro Pascolo at Sulfur City Studio. At the moment, our work has to find its own way to emerge from the abyss. If you are a label, or if you have something interesting to tell us you can write us (nagadoomATgmailDOTcom). In the meantime you can watch our ugly and bored faces in our rehearsal room… this song is a tribute to a lot of people, things and stories, all hail to the Fang!

Life’s shit!

Recorded and Mixed in September 2015 by Alessandro Pascolo at Sulfur City Studio (Italy). Additional chorus vocals by Alessandro Pascolo.

“The Money Will Roll Right In” was originally written by Tom Flynn, Chris Wilson/Fang in 1983

NAGA on Thee Facebooks

NAGA on Bandcamp

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The Obelisk Radio Adds: Fatso Jetson, Demon Head, Naga, Seattle Noise, Wren

Posted in Radio on May 16th, 2014 by JJ Koczan

Click here to listen.

I said at the end of last week I was planning to change how I organized the adds for The Obelisk Radio, and here we are. Gonna try this for a few weeks and see how it works out. Might vary number of adds depending on what comes in and how, but this should be a good start and there’s some cool stuff here, so please dig in.

Adds for May 16, 2014:

Fatso Jetson, Live at Maximum Festival

This Go Down Records vinyl recorded last year at Italy’s Maximum Festival is the second Fatso Jetson live release behind a 2007 Cobraside outing simply called Fatso Jetson Live, but as lethal as the seminal desert rockers are on stage, it’s a wonder they haven’t done more live recordings. “Bored Stiff” is a highlight here, and you’ll find it on side A — even digitally the set is split into two sides — but the Mario Lalli-led unit with Larry Lalli on bass, Tony Tornay (now also playing with Brant Bjork) on drums and Dino von Lalli on guitar, kill it to such a degree that I was all the more into adding multiple songs grouped together. Their grooves are surf-rock turned punk frenetic and their vibe is dirt-rock blues raging on a wavelength that by the time you’ve caught up to it, they’re two songs ahead, and Live at Maximum Festival proves what anyone who’s seen Fatso Jetson already knows: They simply cannot be stopped. They get into some bizarro psych-jazz in the second half and it’s all the more glorious, and make sure you listen for Mario shouting out Gabriele from Black Rainbows. Good times. On Thee Facebooks, at Go Down Records.

Demon Head, Demon Head b/w Winterland

I immediately dug the Demon Head Demo 2014 tape upon hearing it last month, so a quick follow-up single is welcome by me. The two songs “Demon Head” and “Winterland” follow suit stylistically on the Copenhagen five-piece’s initial studio effort, cleaning up the sound so that their eponymous riffer comes through with clearer Witchcraft allegiance in its classically fuzzed-out guitars. Watch out for the ultra-Sabbathian lead work in “Winterland” as well as this still relatively nascent outfit answer the potential of their demo and keep their momentum moving forward. Theirs is an excellent balance of clarity and organic sound that never quite tips over into retro-mindedness. Call it “neo-drunkard,” but it’s worth hearing. On Thee Facebooks, on Bandcamp.

Various Artists, Seattle Noise Vol. 1

Worth noting that the above isn’t the cover for the Seattle Noise Vol. 1 compilation — that’s here — but the list of bands from the back cover is pretty convenient and it emphasizes the primacy of all these tracks being previously unreleased. For those who know them, the prospect of a yet-unheard Sandrider cut will probably be enough of a draw for the Good to Die Records/AVR Music collaboration, also presented by Seattle’s Cha Cha Lounge, but the comp, the full title of which is This T-Shirt is a Record: Seattle Noise Vol. 1, finds like-minded ballbusting from Tacos!, the punkish Trash Fire, Constant Lovers‘ jagged “A Lullaby” and the blown-out finale of Theories‘ “Petrifaction.” Any number of kicks in the ass to be had, much homework for those willing to use it as a tool to dig deeper into a scene with a distinct and ferocious sound. Good to Die Records, AVR Music.

Naga, Hen

Out on vinyl through Lay Bare Recordings and CD via Shove Records, Fallo Dischi and La Fine, the full-length debut from Italian post-metallers Naga, dubbed Hen (actually there’s an accent over the ‘e’ that I can’t get to show up, thanks Obama), starts off with the 13-minute plunder of “Naas,” quickly establishing a wide sonic range for the Napoli trio. Thick sludge meets blackened vocal impulses throughout the disc, but Naga keep a pervasive atmospheric sensibility as well, with samples in the pummeling “Hierophania,” psych-effects swirl in “Eris” and a YOB-style roll emerging in the penultimate “The Path.” Nothing to complain about. They dodge the loud/quiet tradeoffs bullet for the most part, which is all the more impressive considering how extended the five-tracks of Hen are. No better way to spend the time than bludgeoning. On Thee Facebooks, Lay Bare Recordings.

Wren, Wren

A self-releasing London-based five-piece, Wren issued their self-titled debut EP in February. The four-tracker sparks an engaging interaction between patient, Pelican-style post-heavy rock instrumentalism and deep-in-the-mix psychedelic black metal-style vocals. It’s legitimately a combination I haven’t heard before done in this ay, and for as well as Wren do both on “Nørreport” and for the spacious ambience of “Habeas Corpus,” they show a progressive mentality right away their first time out. As a sample of what they can do, Wren bodes exceedingly well, and the flow they create from seemingly disparate elements hints at a richly individualized approach in the forming. One to watch for sure, and all the more encouraging for how comfortable Wren seem tipping the balance to either side. On Thee Facebooks, on Bandcamp.

For all the latest adds, check out the complete list on The Obelisk Radio update page.

Thanks for reading and listening.

 

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