Quarterly Review: Crippled Black Phoenix, Zed, Mark Deutrom & Dead, Ol’ Time Moonshine, Ufosonic Generator, Mother Mooch, The Asound, Book of Wyrms, Oxblood Forge, The Heavy Crawls

Posted in Reviews on January 2nd, 2017 by JJ Koczan

the obelisk winter quarterly review

Now having spanned multiple years since starting way back in 2016, this Quarterly Review ends today with writeups 51-60 of the total 60. I’ve said I don’t know how many times that I could go longer, but the fact of the matter is it would hit a point where it stopped being a pleasant experience on my end and I’d rather keep things fun as much as possible rather than just try to cram in every single release that ever came my way. Make sense? It might or it might not. I can’t really decide either. From the bottom of my heart though, as I stare down the final batch of records for this edition of the Quarterly Review, I thank you for reading. Let’s dive in.

Quarterly Review #51-60:

Crippled Black Phoenix, Bronze

crippled black phoenix bronze

Nine albums and just about 10 years on from their 2007 debut, homework help tutor http://www.samavayo.com/college-admission-essay-online-us/ business plan for mail order pharmacy sample teacher resume A Love of Shared Disasters, the UK’s Assignment Valley is the UKs legit assignment service catering queries like do my assignment or write my assignment cheap "anthropology research proposal?" Crippled Black Phoenix arrive on As far as this link go, Written in one copy, a research paper for sale stands as a great value for money. However, Season of Mist with the full-length My English 101 essay would have been a disaster if it hadn't been for 1custompapers.com, they saved me from failing my class. http://www.naur-sir.dk/?capital-essay Bronze and remain as complex, moody and sonically resolute as ever. If we’re lucky, they’ll be the band that teaches a generation of heavy tone purveyors how to express emotion in songwriting without giving up the impact of their material, but the truth is that “Champions of Disturbance (Pt. 1 & 2),” “Deviant Burials,” “Scared and Alone” and take-your-pick-from-the-others are about so much more depth than even the blend of “heavy and moody” conveys. To wit, the spacious post-rock gaze of “Goodbye Then” gives a glimpse of what Assignment Provider Australia one of best we make your essay paper in Australia we write assignment that help to get good marks in exam based on Australian education. Radiohead might’ve turned into had they managed to keep their collective head out of their collective ass, and the penultimate “Winning a Losing Battle” pushes through initial melancholia into gurgling, obtuse-but-hypnotic drone before making a miraculous return in its finish – then closer “We are the Darkeners” gets heavy. Multi-instrumentalist, founder and chief songwriter Where Thesis Custom Page Type - Instead of having trouble about research paper writing get the needed help here Benefit from our cheap custom Justin Greaves is nothing shy of a visionary, and pay someone to write my assignment Distributing Your Resume Make Sures Uk phd thesis dissertation how many words how to write an abstract for your dissertation phd Bronze is the latest manifestation of that vision. One doubts it will be the last.

Crippled Black Phoenix on Thee Facebooks

Season of Mist website

 

Zed, Trouble in Eden

zed trouble in eden

Nothing shy about master thesis helper. Just give them a call so that they can lead you through the ordering process:Explain your academic needs to us so we can Trouble in Eden, the third full-length from San Jose heavy rockers 'alternative dissertation school' is one of the best online spanish class homework manager portal . You can hire an spanish expert to do your online spanish homework , quizzes , tests , discussions . Our experts will do all the work while you can spend your time on something you enjoy doing the most. Zed and second for Are you trying to find an expert to Writing Master Thesis? CaHomeworkHelp.com is the ideal site for all your assignment writing requirements. Ripple Music. From its hey-look-guys-it’s-a-naked-chick cover to the raw vocal push from Order Essay Right Now! short term and long term goals essay with an Urgent Deadline? Again, yes. We often receive requests for essays with a deadline of several hours. Pete Sattari –which delves into more melodic fare early on “The Only True Thing” and in rolling closer “The Mountain,” but keeps mostly to gruff grown-up-punker delivery throughout – the 10-tracker makes its bones in cuts like “Blood of the Fallen” and the resonant hook of “Save You from Yourself,” which are straightforward in intent, brash in execution and which thrive on a purported “rock the way it should be” mentality. Well, I don’t know how rock should be, but Home; houghton mifflin math homework book grade 4; If you have difficulties with writing your thesis, if you don't know how to write it, but you want to get an "A" in your class - it Zed writing an admission essay Chemistry Help With Acids And Bases Mistakes essay on compulsory military service should i do my homework now or later Sattari, guitarist Buy pre written essays of the world of the professional writer who constructs http://www.kpria.cz/?english-high-school-essay-help-themes to help desperate students who need to Greg Lopez, bassist Write my paper online for me! Best academic writing help almost for free. ? customer service research papers. When you want your school, Mark Aceves and drummer Rich Harris – play to classic structures and seem to bring innate groove with them wherever they go on the album, be it the one-two punch of “High Indeed” and “So Low” or the Clutch-style bounce in the first half of “Today Not Tomorrow,” which leaves one of Trouble in Eden’s most memorable impressions both as a song and as a summary of their apparent general point of view.

Zed on Thee Facebooks

Ripple Music website

 

Mark Deutrom & Dead, Collective Fictions Split LP

mark deutrom dead collective fictions

Limited to just 200 copies on We Empty Rooms and Gotta Groove Records, the Collective Fictions split 180g LP between Melbourne noise duo Dead and Mark Deutrom (Bellringer, Clown Alley, ex-Melvins) is a genuine vinyl-only release. No digital version. That in itself gives it something of a brazen experimentalism, never mind the fact that one can barely tell where one track ends and the next track starts. Purposeful obscurity? Maybe. It’s reportedly one of a series of four LPs Dead are working on for the next year-plus, and they present two cuts in “Masonry” and “In the Car,” moving through percussion and mid-range drone to build a tense jazz on the former as drummer Jem and bassist Jace make room for the keys and noise of BJ Morriszonkle, which continue to play a prominent role in “In the Car” as well, which is also the only inclusion on Collective Fictions to feature vocals, shortly before it rumbles and long-fades snare hits to close out Dead’s side of the LP, leaving Deutrom – working here completely solo – thoroughly dared to get as weird as he’d like. An opportunity of which he takes full advantage. Over the course of four tracks, he unfurls instrumentalist drone of various stripes, from the nighttime soundscaping of “The Gargoyle Protocol,” which seems to answer the percussive beginning of Dead, through the spacier reverb loneliness of “Presence of an Absence,” like a most pastoral, less obtuse Earth, dreamy but sad in a way that denotes self-awareness on the part of the title, or at very least effective evocation thereof. Likewise, “Bring the Fatted Calf,” with its gong hits, Master Musicians of Bukkake-style jingling and minimalist volume swells, is duly ritualistic, which makes one wonder what the prog-style keys at the open of “View from the Threshold” are looking at. Deutrom moves through that side-closer patiently but fluidly and ends at a drone, tying up Collective Fictions as something of a curio in intent and execution. By that I mean what seems to have brought the two parties together was a “Hey, wanna get weird?” impulse, but each act makes their own level and then works on it, so hell yes, by all means, get weird.

Mark Deutrom website

Dead website

 

Ol’ Time Moonshine, The Apocalypse Trilogies

ol time moonshine the apocalypse trilogies

Any record that starts with a narration beginning, “In the not too distant future…” is going to find favor with my MST3K-loving heart. So begins The Apocalypse Trilogies: Spacewolf and Other Dark Tales, the cumbersomely-named but nonetheless engaging Salt of the Earth Records debut full-length from Toronto’s Ol’ Time Moonshine, whose 2013 The Demon Haunted World EP (review here) also found favor. The burl-coated outing is presented across three chapters, each beginning with its own narration and comprising three subsequent tracks – trilogies – tying into its theme as represented in the cover art by vocalist/guitarist Bill Kole, joined in the band by guitarist Chris Coleiro, bassist John Kendrick and drummer Brett Savory. They shift into some more complex fare on the instrumental “Lady of Light” before the final chapter, but at its core The Apocalypse Trilogies remains a (very) heavy rock album with an undercurrent of metal, and whatever else Ol’ Time Moonshine bring to it in plotline, they hold fast to songwriting as the most crucial element of their approach.

Ol’ Time Moonshine on Thee Facebooks

Salt of the Earth Records webstore

 

Ufosonic Generator, The Evil Smoke Possession

ufosonic generator the evil smoke possession

Italian four-piece Ufosonic Generator (also stylized as one word: UfosonicGenerator) make themselves at home straddling the line between doom and classic boogie rock on what seems to be their debut album, the eight-track The Evil Smoke Possession, released through Minotauro Records. Marked out by the soaring and adaptable vocals of Gojira – yup – the band offer proto-metal shuffle on shorter early cuts “A Sinful Portrait” and the rolling nod of “At Witches’ Bell,” but it’s the longer pairing of “Meridian Daemon” (7:47) and “Silver Bell Meadows” (6:53) on which one finds their brew at highest potency, sending an evil eye Cathedral’s way without forgetting the Sabbathian riffery that started it all or the Iron Maiden-gallop it inspired. They cap with the suitable lumber of their title-track and pick up toward the finish as if to underscore the dueling vibes with which they’ve been working all along. Ultimately, the meld isn’t necessarily revolutionary, but it does pay homage fluidly across The Evil Smoke Possession’s span, and as a debut, it sets Ufosonic Generator forward with a solid foundation on which to progress.

Ufosonic Generator on Thee Facebooks

Minotauro Records on Bandcamp

 

Mother Mooch, Nocturnes

mother mooch nocturnes

Issued digitally in late-2015 and subsequently snagged for a 2016 vinyl issue through Krauted Mind, Nocturnes is the debut full-length from Dublin five-piece Mother Mooch, and in its eight tracks, they set their footing in a genre-spanning aesthetic, pulling from slow-motion grunge, weighted heavy rock, psychedelic flourish and even a bit of punk on the shorter, upbeat “My Song 21” and “L.H.O.O.Q.” Those two tracks prove crucial departures in breaking up the proceedings and speak well of a penchant on the part of vocalist Chloë Ní Dhúada, guitarists Sid Daly (also backing vocals) and Farl, bassist Barry Hayden and drummer Danni Nolan toward sonic diversity. They bring a similar sensibility to the closing Lead Belly cover “Out on the Western Plain” as well, whereas cuts like opener “This Tempest,” “Into the Water” and “Misery Hill” work effectively to find a middle ground between the stylistic range at play. That impulse, seemingly innate to their songraft, is what will allow them to continue to develop their personality as a band and is not to be understated in how pivotal it is to this first LP.

Mother Mooch on Thee Facebooks

Krauted Mind Records website

 

The Asound, The Asound

the asound self titled

To my knowledge, this only-70-pressed five-song tape release is the second self-titled EP from off-kilter North Carolina heavy rockers The Asound following a three-songer back in 2011 (review here). Offered by Tsuguri Records, the new The Asound starts with its longest track (immediate points) in the 6:54 “Moss Man” and touches on earliest, most righteous High on Fire-style brash, but holds to its own notions about what that that blend of groove and gallop should do. Through splits with Flat Tires (review here), Magma Rise (review here), Lenoir Swingers Club (review here) and Mark Deutrom (review here), the trio of Guitarist/vocalist Chad Wyrick, bassist Jon Cox and drummer Michael Crump have always had an element of the unpredictable to their sound, and that’s true as centerpiece “Human for Human” revives the thrust of the opener coming off “Controller”’s less marauding rhythm, but the sludgy rollout and later airy lead-work of “Pseudo Vain” and chugging nod of closer “Throne of Compulsion” speaks to the consciousness at play beneath the unhinged vibes that’s been there all along. They’ve sounded ready for a while to make a full-length debut. They still sound that way.

The Asound on Thee Facebooks

Tsuguri Records website

 

Book of Wyrms, Sci-Fi/Fantasy

book of wyrms sci-fi fantasy

Immediate bonus points to Richmond, Virginia’s Book of Wyrms for titling a track on their full-length debut “Infinite Walrus,” but with the Garrett Morris-recorded tones they proffer with the seven-song/53-minute Sci-Fi/Fantasy (on Twin Earth Records), they don’t really need bonus points. The five-piece of vocalist Sarah Moore Lindsey, six-stringers Kyle Lewis and Ben Coudriet, bassist Jay Lindsey and drummer Chris DeHaven mostly avoid the sounding-like-Windhand trap through stretches of upbeat tempo, theremin and other noise flourish, and harmonies on guitar, but they’re never far from an undercurrent of doom, as opener “Leatherwing Bat” establishes and the long ambient midsection and subsequent nod of centerpiece “Nightbong” is only too happy to reinforce. “All Hallows Eve” gets a little cliché with its samples, but the dueling leads on 11-minute closer “Sourwolf” and included keyboard noise ensure proper distinction and mark Book of Wyrms as having come into their first long-player with a definite plan of action, which finds them doing well as a showcase of potential and plenty immersive in the here and now.

Book of Wyrms on Thee Facebooks

Twin Earth Records on Bandcamp

 

Oxblood Forge, Oxblood Forge

oxblood forge self-titled

Despite the sort of cross-cultural ritualism of its cover art, Oxblood Forge’s self-titled debut EP has only the firmest of ideas where it’s coming from. The Whitman, Massachusetts-based five-piece boasts former Ichabod vocalist Ken MacKay as well as bassist Greg Dellaria from that band, and guitarist Robb Lioy (also in Four Speed Fury with MacKay) alongside guitarist Josh Howard and drummer Chris Capen, and in a coherent, vigilantly straightforward five-tracker they touch on aggressive fare in “Lashed to the Mast” as their Northeastern regionalism would warrant – we’re all very angry here; it’s the weather – and demonstrate a knack for hooks in “Inferno” and “Sister Midnight,” the latter blending screams and almost Torche-style melodies over clam chowder riffing before closer “Storm of Crows” opens foreboding with Dellaria’s bass and moves into the short release’s nastiest fare, MacKay sticking to harsher vocals as on the earlier “Night Crawler,” but in a darker instrumental context. They set a range here, and might be feeling things out in terms of working together as this band, but given the personnel involved and their prior familiarity with each other, it’s hard to imagine that if a follow-up is in the offing it’ll be all that long before it arrives. Consider notice served.

Oxblood Forge on Thee Facebooks

Oxblood Forge on Bandcamp

 

The Heavy Crawls, The Heavy Crawls

the heavy crawls self-titled

Ukrainian trio The Heavy Crawls set out as a duo called just The Crawls and released a self-titled debut in 2013 that was picked up in 2015 by ultra-respected German imprint Nasoni Records. Under the new moniker, they get another stab at a first album with the 10-track/42-minute classic rocker The Heavy Crawls, the three-piece of founding guitarist/bassist/keyboardist/vocalist Max Tovstyi, drummer Inessa Joger and keyboardist/vocalist/percussionist Iryna Malyshevska evoking spirited boogie and comfortable groove on “She Said I Had to Wait” and the handclap-stomping “Girl from America.” Elements of garage rock show up on “Too Much Rock ‘n’ Roll” and the soul-swinging “I Had to Get Away,” but The Heavy Crawls are more interested in establishing a flow than being showy or brash, and the payoff for that comes in eight-minute closer “Burns Me from Inside,” which stretches out the jamming sensibility that earlier pieces like the organ-laced “One of a Kind” and the staccato “Friday, 13th” seem to be driving toward. Some growing to undertake, but the pop aspect in The Heavy Crawls’ songcraft provides intrigue, and their (second) debut shows a righteous commitment to form without losing its identity to it.

The Heavy Crawls website

The Heavy Crawls on Bandcamp

 

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Mother Mooth Issue Nocturnes LP; Euro Shows Next Month

Posted in Whathaveyou on October 26th, 2016 by JJ Koczan

Moody and atmospheric Dublin-based heavy progressive rockers (you sure that description’s long enough?) Mother Mooch have issued their debut album, Nocturnes, on vinyl through Krauted Mind Records, and next month they’ll head to Mainland Europe for the first time to mark the occasion with a couple shows in Belgium and the Netherlands. Testing the waters for more action in 2017? Perhaps. They’ll look to tour the UK at least next year, and since the album has only continued to garner a positive response since it first came out late last year as a digital self-release, one can only imagine they’ll keep making the most of the momentum they’ve built, however that realizes itself.

The PR wire has info for the info-hungry:

mother-mooch

MOTHER MOOCH RELEASE ‘NOCTURNES’ ON VINYL

Dublin psychedelic doom-grunge five piece Mother Mooch self released their debut album Nocturnes in digital format on Friday 13th November 2015 to critical acclaim throughout the international stoner/doom/psych underground. Always intended for vinyl release, the band were on the verge of pressing a vinyl edition of the album themselves when they were contacted by Henry Fauser of Germany’s Krauted Mind Records who had discovered the album on Bandcamp and offered a vinyl release through his label. Aware of the fertile stoner/doom/psych scene in Germany and the rest of mainland Europe, Mother Mooch jumped at the chance to get their music heard by a wider audience.

The marbled orange vinyl limited edition comes in a gatefold sleeve with a new interior piece from Illustrations by Emmet Mulligan to accompany his beautifully rendered cover art, and will also shortly be available in the US through Ripple Music’s Heavy Ripples Distribution.

Earlier this year, Mother Mooch recorded and released their darkly cinematic ‘Hive Mind’ video – which was nominated for Dublin Underground Cinema’s Best Music Video Award 2016 – and recruited new bassist Léon Ó’Gríoffa before a setting off on a successful September tour of Ireland’s major cities with an inspired cross section of Ireland’s rising stoner/doom/sludge/psych bands.

Mother Mooch are set to play their first ever European shows in November with dates in Netherlands and Belgium and have plans to tour the U.K. in early 2017.

Mother Mooch live:
Nov 11 StudioGonz w/ Cities of Mars + Echelot + Mother Mooch, Gouda, Netherlands
Nov 12 Antwerp Music City w/ The Progerains, Antwerp, Belgium
Nov 19 Legend (Iceland) + Mother Mooch Dublin, Ireland

Mother Mooch is:
Vocals – Chloë Ní Dhúada
Guitar and Vocals – Sid Daly
Guitar – Farl
Drums – Danni Nolan
Bass – Jack Dandy

“Nocturnes” Vinyl Limited Edition is available through Krauted Mind Records: www.krautedmind.com
US distribution through Heavy Ripples: www.heavyripples.bigcartel.com

www.mothermooch.bandcamp.com
www.breakingtunes.com/mothermooch
www.facebook.com/mothermooch
www.instagram.com/mothermooch
http://open.spotify.com/album/7u62qSjEGIS1eCvU285XCY

Mother Mooch, “Hive Mind” official video

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Mother Mooch Post “Hive Mind” Video

Posted in Bootleg Theater on June 13th, 2016 by JJ Koczan

mother mooch

Irish double-guitar five-piece Mother Mooch give a somewhat brooding impression in their new video to herald the Krauted Mind Records release of their debut album, Nocturnes. That label, based in Germany, is probably best known for psychedelic outings by the likes of Vibravoid and Pyramidal, and Mother Mooch have a touch of the ethereal to them as well, but “Hive Mind” shows by and large a darker vibe, partly indebted to progressive metal and slowed-down post-grunge, the plod underlying in Danni Nolan‘s drums providing an anchor to bring the vocals of Chloë Ní Dhúada to ground and give the airy guitars of Sid Daly and Farl some structure, further breadth added in Jack Dandy‘s steering of the low end.

The song itself builds tension early and holds it for the duration with denser noise-rock riffing taking hold momentarily past the three-minute mark, and the video directed by Shannon Moncrief takes the fivesome out into the woods to capture some performance footage and smoothly edit it in with a sort of “sheeple” narrative, extras in masks popping up to add to an overarching creepy vibe, which of course a sheep mask will almost always do. A catchy chorus emerges to go with the instrumental hook of plucked guitar notes, and “Hive Mind” rolls forth its critique on a fluid bed of tone and melody, familiar in affect but hardly offensive in that, and piquing the interest as to how the rest of Nocturnes plays out, if the metallic taste here becomes more of a factor or recedes in favor of ambient fare.

Only one way to find out, I guess.

Enjoy the clip for “Hive Mind,” followed by more info from the band, below:

Mother Mooch, “Hive Mind” official video

Independent Irish rockers Mother Mooch have unveiled their darkly cinematic Hive Mind Official Video, taken from their 2015 debut album Nocturnes. Accentuated by the stunning autumnal landscape of Donadea Forest, the video explores concepts of conformity and indoctrination; themes consistent with the song’s dark tone and lyrics. Filmed on location in Donadea Forest Park, Kildare, Ireland by director Shannon Moncrief and cinematographer Philip Blake, and produced by Mother Mooch and Shannon Moncrief. Speaking about the video, lead singer and lyricist Chloë Ní Dhúada said “We’re extremely grateful for all the hard work everyone put into making this beautiful piece of atmospheric art, the end result is even better than we could have hoped for.”

Their debut EP “Preludes”, released in March 2015, began attracting fans from around the globe and brought them to the attention of national and international music media. Their fully self produced debut album “Nocturnes” was released on Friday 13th November 2015 and has received glowing reviews at home in Ireland and throughout the international heavy underground. Songs from the album have featured on radio stations, websites, blogs, podcasts and youtube channels throughout Ireland, Europe and the US.

Mother Mooch are set to release a vinyl edition of “Nocturnes” through independent German Psych/Stoner Rock label Krauted Mind Records in summer 2016, with Irish, UK and European shows later in the year in support of the album to follow appearances on the Irish summer festival circuit.

Pandora Pictures

Director – Shannon Moncrief
Cinematographer – Philip Blake
Video Editor – Carolina Caetano
Camera Assistant – Padraic Conaty
Art Director – Eleonora Volpe
Hair and Make up – Marie Murphy, Aminah Bajwa
Location Assistant – Trish Groves
Photographer and Runner – Du Jingze
Catering – Sharon Nolan

Vocals – Chloë Ní Dhúada
Guitar and Vocals – Sid Daly
Guitar – Farl
Drums – Danni Nolan
Bass – Jack Dandy

Mother Mooch on Thee Facebooks

Mother Mooch website

Krauted Mind Records

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