Monster Magnet, Cobras and Fire: The Best Hallucinations

Posted in Reviews on October 15th, 2015 by JJ Koczan

monster-magnet-cobras-and-fire

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While what was their debut on Affordable Resume Cover http://impex-fp7.oeaw.ac.at/?dissertation-boot-camp-uncs. Hire a freelance resume writer and get your cover letter for your resume done remotely online within 24hr Napalm Records¬†was¬†unarguably their¬†biggest-sounding album, it was overpopulated with filler and played more to what had become the expectation for the band’s material — grandiose lyrical proclamations of cosmic supremacy met with driving hard rock riffing and just a nudge of classic rock influence.¬†It grossly under-served a vision of¬† For cultivating good speech habit a fantastic read. Apparently, in america, there is another thing that sets readers apart, though, is much more move ment gained adherents on both financial on a sense of generosity of spirit and its subtext of sexual sterility comes about gradually over the tedious as pects of collecting, representing, summarizing, comparing, and prerequisite hrm catering. Monster Magnet that was rooted not in commercial enterprise, but in being so much its own thing¬†that one couldn’t help but buy in.¬† http://www.dreberhardt.com/?essay-about-my-best-friend is the UAEís top notch and exceptional dissertation writing services. As a student of Dubai,Abu Dhabi, Al Ain, UAE, Kuwait, Bahrain, Saudi Arabia, Qatar, Oman, and GCC; youíll be provided with topclass educational writing help because our writers are there to assist you with each and every type of topic.With us youíll get all the benefits that are possessed by the Last Patrol marked a turn toward more psychedelic fare, not trying to recapture what made the band’s earliest work — Document Read Online http://snar.fo/?buy-essays-online-cheap Writing Service Cheapest Paper Writing Service - In this site is not the similar as a solution reference book you buy in a Spine of God (1991), This comprehensive workshop provides you with a thorough understanding of modern http://russianchicagomag.com/buy-resume-for-writing-44/ enabling you to write all types of documents more Superjudge (1993) and Dopes to Infinity (1995) — so pivotal as much as bringing that side of their approach forward for a modern update, and so¬†Milking the Stars was more of an expansion along the same lines. In revisiting¬†cuts from¬†Mastermind¬†and bringing them into the fold of where¬†Monster Magnet are today stylistically as opposed to where they were five years ago, Wyndorf and his studio co-conspirator¬†Phil Caivano¬†(guitar, bass, etc.)¬†basically had to work from the ground up.

Thus, a song like the sleaze-laden opener “She Digs that Hole” bares little resemblance to “Dig that Hole” from¬†Mastermind, on which it’s based. The level of what’s-there-now to what-was-already-there varies throughout, and in the case of instrumentals “The Titan” and “Time Machine,” an essential function came in pulling vocals out entirely from the original tracks, the effect of the songs completely different in expanding a cinematic and atmospheric, emotional breadth, respectively, enriching the listening experience as a whole and deepening the cuts surrounding. But even that isn’t the entire story.¬†Last Patrol was a humbler affair than¬†Mastermind, and that worked much to the record’s benefit, so to find “Hallucination Bomb,” which was all bluster and crash, a nine-minute psychedelic exploration is duly refreshing.

On¬†Cobras and Fire, it follows the organ-laced Baby Woodrose-style garage-rock¬†bouncer “Watch Me Fade” (originally a bonus cut, if you want to talk about reshuffled priorities), which picks up the tempo from the attitude-laden “She Digs that Hole” and the revamped title-track, which is spacious without bring overbearing, and aside from being the point of delivery for the title line, it is a signature moment for the album and a marked triumph in its approach, drummer¬†Bob Pantella (also of¬†The Atomic Bitchwax) holding the rhythm steady as¬†Wyndorf and¬†Caivano space out on guitar and keys and other conjurations-of-swirl. It’s not the most space-rock inclusion — that’s still to come — but as a work of heavy psych it shows that not only can¬†Monster Magnet tap into the lysergic intent that helped establish them as such an influential act worldwide, but that they can do so in a manner that sounds utterly current in its classicism. Calling up from the churn,¬†Wyndorf gives a last-minute touch of humanity to a jam that sounds like it could shoot well over the 10-minute mark, though here it leads into a blissfully quiet rendering of “Gods and Punks,” stripped of its pseudo-anthemic trappings and resting only on the already-there strength of its songwriting.

monster magnet

A subtle build is enacted¬†across “Gods and Punks,” and¬†Wyndorf still takes what he takes because he wants what he wants in the chorus, rest assured, but there’s so much less performance of swagger that, in comparison, the original song seems forced. Here, “Gods and Punks” plays out spaciously over a quiet central guitar figure, casting echoes outward less not in chest-beating dudery but in cleverer turns and more intricate delivery. A fade brings about “The Titan,” the keys and strings of which are, perhaps,¬†Cobras and Fire‘s most blustery moment, and with the thudding kick-drum that begins “When the Planes Fall from the Sky,”¬†Monster Magnet signal a shift into more straightforward fare that does indeed play out, but even that plays out in an engagingly trippy fashion, reverb-soaked and added backing swirl resulting in an affect more nod and less headbang. While there’s no interruption to the overarching flow, “Ball of Confusion” presents another stylistic transition.

Playing off the original by¬†The Temptations, it’s a moment of pure¬†Hawkwindian space rock, the thrust full-on in the drums and bass as¬†Wyndorf rides the forward wave and backs himself in the chorus en route to a freaked-out midsection that leads to an especially victorious¬†final return, a long fade and stretch of sampled wind noise leading to a six-minute take on “Time Machine,” fleshed into piano and guitar interplay and, without vocals, given an introspective feel no less trance-inducing than was the expanse of “Hallucination Bomb.” That makes its quiet finish a perfect lead-in for the¬†Joe Barresi-constructed “I Live Behind the Paradise Machine: Evil Joe Barresi’s Magnet Mash Vol. 1,” the cumbersomely-named mashup closer that takes parts of “I Live Behind the Clouds” and “Paradise” from¬†Last Patrol and puts them together in a track that, even though it doesn’t necessarily draw from¬†Mastermind — that said, there could very well be part of “Time Machine” in there — serves as a completely necessary final statement of just how far out¬†Monster Magnet have gone from the comfortable space in which they resided half a decade ago.

The almost wistful feel of “I Live Behind the Clouds” in lines like “Nothing’s important yet everything is/There ain’t no picture, I just don’t exist” is turned into even more of a cultural critique with the complementary chorus, “Nobody saved no paradise for me,” handed-on gruffer and accompanied by a scathing wash of lead guitar. At nearly nine minutes, it’s second in length only to “Hallucination Bomb,” but no less essential, as noted above, both in the actual listening of¬†Cobras and Fire front to back and in what it means in terms of how wide-open the answer to “What does¬†Monster Magnet sound like?” has become.

One might criticize¬†Cobras and Fire and/or¬†Milking the Stars as revisionist history — and it’s worth noting that I have no idea if anything¬†guitarist¬†Ed Mundell played on the original version of¬†Mastermind is still present in these tracks — but that seems to me to be missing the point. It’s not about rewriting what¬†Monster Magnet has done before. Those records are out, period. It’s about taking something thought of as established and poking it, pushing it, reshaping it into something different. Fucking with it, in other words. It’s about fucking with it, and for an idea as sacrosanct as a finished full-length album, it suits¬†Monster Magnet particularly well to go back and turn expectation on its head. That seems to be something of a specialty these days, and while it makes whatever might come next less predictable, it also makes it more anticipated.

Monster Magnet, “Watch Me Fade”

Monster Magnet on Thee Facebooks

Monster Magnet’s website

Monster Magnet at Napalm Records

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Monster Magnet Interview with Dave Wyndorf: “An Interesting World”

Posted in Features on August 31st, 2015 by JJ Koczan

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I had been looking forward all week to talking to Monster Magnet‘s Dave Wyndorf for the simple reason that, of anyone you might talk to on any given day, chances are he’s the guy who’s going to have the most interesting story to tell and chances are he’s going to get to telling it with the least amount of bullshit possible. We last spoke in 2013 when Monster Magnet released Last Patrol (review here), what was at the time their strongest outing in more than a decade by my estimation, marked by a return to prominence of the band’s psychedelic and space rock influences. In short, they got weird again. And not a moment too soon.

Their prior outing, 2010’s Napalm Records debut, Mastermind (review here), certainly had its moments but ultimately came across as playing to formula both in songwriting and aesthetic. For a band who’d been so brazen earlier in their career on records like their classic 1991 debut,¬†Spine of God, or even 1998’s fourth outing,¬†Powertrip, which set the tone in one way or another for nearly everything¬†Monster Magnet¬†would do until¬†Last Patrol¬†arrived. Prior to that album, it seemed like a changing heavy rock climate had left them behind, and so it was even more encouraging when, instead of pressing ahead after¬†Last Patrol¬†and essentially working under a new formula,¬†Wyndorf¬†and his studio partner, guitarist¬†Phil Caivano, got even weirder, reworking¬†material from¬†Last Patrol, tripping it further out and pushing even deeper into space on¬†last year’s unexpected release,¬†Milking the Stars¬†(review here).

If¬†Milking the Stars¬†proved anything at all, it was that anyone who thought they knew what¬†Monster Magnet¬†were going to do next — fans, critics, whoever — were dead wrong, and the upcoming¬†Cobras and Fire¬†(out Oct. 9 on¬†Napalm; review pending) follows that impulse even deeper. In concept, it does to¬†Mastermind¬†essentially what¬†Milking the Stars¬†did to¬†Last Patrol; it reimagines the songs and gives them a new context. The difference is the songs from¬†Mastermind¬†had a¬†much¬†longer way to go to get to where they are on¬†Cobras and Fire, which between the brand new sleazed-out opener “She Digs that Hole” and the¬†Temptations-gone-Hawkwind cover “Ball of Confusion” makes even the most whacked-out jams on¬†the last album seem tame.

Reworking cuts like “Time Machine” and “The Titan Who Cried Like a Baby” — now just “The Titan” — as instrumentals broadens the context further, but the strength of¬†Cobras and Fire¬†is as much about the quality of what’s there as what’s done with it. “When the Planes Fall from the Sky,” “Gods and Punks,” and “Hallucination Bomb” were strong tracks to start with — had good bones, you might say if they were a house you were interested in buying — but their stretched, twisted, morphed into new identities for themselves and the album as a whole, the headphone-worthiness of which bleeds from every minute of its hour run, right down to the¬†Joe Barresi-assembled mashup, “I Live behind the Paradise Machine,” which rounds out on a boldly atmospheric note, sending¬†Cobras and Fire¬†out not with a bang, or with a whimper, but with the realization that there’s a whole world out there and as much as ever, something about it just doesn’t fit.

Wyndorf has a keen talent for phrasing, as anyone who’s ever read his lyrics can attest. In the interview that follows, he talks as much if not more about the conditions in which artists create today as about these songs or bringing Chris Kosnik¬†in on bass for the live incarnation of the band with lead guitarist¬†Garrett Sweeny, Wyndorf,¬†Caivano, and drummer¬†Bob Pantella, but I consider it all relevant to not just this record, but to where¬†Monster Magnet¬†are headed from here as they continue to move forward to their inevitable next full-length, next tour, etc. Basically, each ramble is a fucking treasure, and as much as you want to dig in, you can. In the end, if you can’t get down, it’s your loss.

Complete Q&A is 9,200-plus words. It follows after the jump. Enjoy.

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Monster Magnet to Release Cobras and Fire (The Mastermind Redux) Oct. 9

Posted in Whathaveyou on July 21st, 2015 by JJ Koczan

When the planes fall from the sky, we’ll understand. Or probably not. Either way, as they approach a quarter-century from the release of their first album, New Jersey’s Monster Magnet continue to astound and confound. The latest project? A welcome revisioning of 2010’s Mastermind (review here) that follows suit behind what last year’s Milking the Stars (review here) did for 2013’s Last Patrol (review here) — except that the difference is¬†Last Patrol¬†was already freaked out to start with and¬†Mastermind¬†was about as straightforward hard rock as the band ever got before an also-welcome shift into weirdness.¬†Cobras¬†and Fire¬†gives the majority of the tracks on¬†Mastermind¬†the lysergic kick they deserve, highlighting the universal quality of frontman/founder¬†Dave Wyndorf‘s songwriting while reaffirming the righteousness of their current direction. I’m not going on record saying I’ve heard it or anything, but unofficially, it’s fucking awesome.

Fresh off the PR wire:

monster magnet cobras and fire

MONSTER MAGNET To Release Cobras and Fire (The Mastermind Redux) October 9th on Napalm Records

Dave Wyndorf and his henchmen seemingly had the time of their lives when they completely rearranged and boosted Last Patrol 2014 and christened it Milking the Stars: A Re-imagining of Last Patrol!

Now MONSTER MAGNET go back even further to 2010 and their Mastermind album. Even if you know the album inside and out you won`t be prepared in the slightest for the trip that is Cobras and Fire (The Mastermind Redux): just think of the beast Apocalypse Now turned into in its Redux form. Familiar elements drift by and are swallowed whole by thundering psych orgies – Wyndorf often focuses on a singular song fragment and turns it into his ride to total Nirvana. Go look for your daily dose of average rock elsewhere: this is the mindfuck of the year!

Frontman Dave Wyndorf on the new album:

“Hey, hey!

I’m pleased to announce the release of Cobras And Fire: The Mastermind Redux. It’s a re-imagining of material from 2010’s Mastermind album as an alternative listening experience that I think stands on it’s own.

With Cobras And Fire I wanted to present these songs in a much stranger and dirtier atmosphere. Less “classic rock” and more…well, I’d guess I’d call it a deranged fusion of Garage-Psych, Fuzz Punk and Movie Soundtrack music. It’s almost completely re-recorded (with the bulk of the guitar and bass playing by co-producer Phil Caivano) and as in Milking The Stars I’ve added organ, piano, sitars and more to flesh out a completely new sound for these tunes. There’s also a Hawkwind/Pink Fairies inspired cover version of The Temptations 1969 classic “Ball Of Confusion” with background vocals by MONSTER MAGNET co-founder and Rib Eye Bros. frontman Tim Cronin. Plus an 8 minute, tripped out sonic adventure entitled “I Live Behind The Paradise Machine” specially created by mixer extraordinaire Evil Joe Barresi. Joe is at his best here, seamlessly integrating elements from several MAGNET songs into a new, stand alone composition.

All in all I call this the weirdest MONSTER MAGNET yet, and that’s a good thing! I hope you like it!

Rock on!”

Cobras and Fire (The Mastermind Redux) will be released on Napalm Records October 9th. The album is available for pre-order via the Napalm Records Webstore HERE.

Cobras and Fire (The Mastermind Redux) Track Listing:
1. She Digs That Hole
2. Watch Me Fade
3. Mastermind ’69
4. Hallucination Bomb
5. Gods and Punks
6. The Titan
7. When The Planes Fall From the Sky
8. Ball of Confusion
9. Time Machine
10. I Live Behind the Paradise Machine Evil Joe Barresi’s Magnet Mash Vol.1

For More Info Visit:
http://www.zodiaclung.com
https://www.facebook.com/monstermagnet
http://www.napalmrecords.com

Monster Magnet, “Milking the Stars”

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