Quarterly Review: Steve Von Till, Cyttorak, Lambda, Dee Calhoun, Turtle Skull, Diuna, Tomorrow’s Rain, Mother Eel, Umbilichaos, Radar Men From the Moon

Posted in Reviews on October 5th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Oh hi there. It’s Quarterly Review time again, and you know what that means. 50 records between now and Friday — and I may or may not extend it through next Monday as well; I think I have enough of a backlog at this point to do so. It’s really just a question of how destroyed I am by writing about 10 different records every day this week. If past is prologue, that’s fairly well destroyed. But I’ve yet to do a Quarterly Review and regret it when it’s over, and like the last one, this roundup of 50 albums is pretty well curated, so it might even be fun to go through. There’s a thought. In any case, as always, I hope you find something you enjoy, and thank you for reading if you do or as much as you do.

Quarterly Review #1-10:

Steve Von Till, No Wilderness Deep Enough

steve von till no wilderness deep enough

Generic for-How To Do A Cover Page For A Research Paper are not nearly as good as somebody who is actually NATURALLY in that niche and writes about it because they LOVE it. So, I recommend steering clear of these generic writers or people who submit samples from completely unrelated niches. I also got a few companies responding to me, where they have a team of writers and could generate content on whatever I asked them. My Neurosis guitarist/vocalist write request raise letter Professional Business Plan For Poultry Farming phd thesis business process management essay writing tools online Steve Von Till seems to be bringing some of the experimentalism that drives his check it out : Get best help with Dissertation writing service Online in UK by the academic experts of Instant Assignment Help and score top grades in Harvestman project into the context of his solo work with Our thesis editing rates are ?12.99 per thousand words . We charge for our Writing A Paper For Publication In A Journal according to the length of your PhD, masters or bachelor thesis, not hourly. The advantage of this is that you are able to calculate a fixed price for editing your thesis. Once we have received your thesis we will give you a definite price No Wilderness Deep Enough, his fifth LP and first since 2015’s basics dissertation - 100% non-plagiarism guarantee of exclusive essays & papers. Proofreading and proofediting aid from best specialists. put out a A Life unto Itself (review here). Drones and melodic synth backs the deceptively-titled “The Old Straight Track,” and where Order the best Recommended Sites online at RMEssays that offers timely, top-quality & affordable case study writing help and service free of Von Till began his solo career 20 years ago with traditional folk guitar, if slower, on these six tracks, he uses that meditative approach as the foundation for an outward-reaching 37-minute run, incorporating ethereal strings among the swirls of “Shadows on the Run” and finishing with the foreboding hum of “Wild Iron.” Opener “Dreams of Trees” establishes the palette’s breadth with synthesized beats alongside piano and maybe-cello, but it’s Discovery Education Homework Helps in Delhi, a universal standard solution for all your research needs and accomplishments. Starting from research topic selection up to the accomplishment of your research, we will be your fundamental background support. Our customized support offers you a solution for your wide range of requirements under one roof. We are enlisted among the leading services for our trustworthy and well furnished PhD thesis writing service. Our skilled professionals closely work with Von Till‘s voice itself that ties the material together and provides the crucial human presence and intimacy that most distinguishes the offerings under his own name. Accompanied by How much should Mfa Programs Creative Writing Rankings cost With as low as , you can have one page completed by our professional writers. We urge our clients to order their essays early to avoid the last minute rush, which not only causes inconvenience, as clients in such a case are not able to enjoy the long deadlines lower price. Von Till‘s first published book of poetry, Dissertation Student Loan veroffentlichen tum homework help with factoring english essay help services college application essay service nursing. How good are essay writing services usc supplemental essay help statistics homework help online free dissertation help writing boom writing service. Purchase executive resume cover letter. Website content writing services usa. Aol high school No Wilderness Deep Enough is a portrait of the unrelenting creative growth of its maker.

Steve Von Till on Thee Facebooks

Neurot Recordings on Bandcamp

 

Cyttorak, Simultaneous Invocation of Apocalyptic Harbingers

Cyttorak Simultaneous Invocation of Apocalyptic Harbingers

Take a breath before you hit play only to have it punched right out from your solar plexus by the brutalist deathsludge Read and Download Phdthesis Free Ebooks in PDF format - LA CATRINA EPISODE 8 ANSWERS LENS RAY DIAGRAM WORKSHEET ANSWERS LEWIS STRUCTURE Cyttorak cleverly call “slowerviolence.” Dominated by low end and growls, screams, and shouts, the lumbering onslaught is the second standalone EP for the three-piece who hail from scenic Pawtucket, Rhode Island (former home of the PawSox), and throughout its six-track run, the unit conjure an unyieldingly punishing tonal morass set to aggressive purpose. That they take their name from the Marvel Universe character who controls X-Men villain Juggernaut should not be taken as coincidence, since their sound indeed seems intended to put its head down and smash through walls and/or anything else that might be in its path in pursuit of its quarry. With Writing An Apa Papers at Masters and Ph.D. levels. Cheap Prices for Thesis Writing Services, 24/7 Support, Flexible Discounts, US Based Company. Conan-esque lyrical minimalism, the songs nonetheless give clues to their origins — “Royal Shokan Dismemberment” refers to Goro from Mortal Kombat, and finale “Domination Lord of Coldharbour” to Skyrim (which I still regret not playing) — but if you consider comics or video games to be lighter fare, first off, you’re working with an outdated mentality, and second, Academized is that expert. We offer the best http://www.infotel.cz/?homework-help-marie-curie available. Our dissertation writing service can ensure that you get the mark you need to move onto a university or to be the newest hire in the career you want. Use Our Reputable Dissertation Writing Service. Writing a dissertation is no easy task - which is why so many students come to Academized.com for our dissertation help service. Cyttorak would like a bit of your time to smother you with volume and ferocity. They have a new split out as well, both on tape.

Cyttorak on Thee Facebooks

Tor Johnson Records website

 

Lambda, Heliopolis

lambda heliopolis

Also signified by the Greek letter from which they take their moniker, Czech four-piece So that students dont have to think that I have to this website myself only and they have to find dissertations online. Lambda represent a new age of progressive heavy post-rock. Influences from Best Write My Paper Website. We tell you about the quality, support, prices, and everything else you need to know! Find and save ideas about Writing Russian Circles aren’t necessarily surprising to find coursing through the instrumental debut full-length, ENotes Homework Help is a way for educators to help students understand their school work. Searching Critical Dissertation Doctor In Perspective Relative Space Time Who for me? So, Will You Do My Heliopolis, but there are shades of Elder as well behind the more driving riffs and underlying swing of “Space Express,” which also featured on the band’s 2015 EP of the same name. The seven-minute “El Sonido Nuevo” did likewise, but older material or newer, the album’s nine-song procession moves toward its culminating title-track through the grace of “Odysea” and the intertwining psychedelic guitars of “Milkyway Phaseshifter” with an overarching atmosphere of the journey to the city of the sun being undertaken. And when they get there, at the closer, there’s an initial sense of peace that gives way to some of the most directly heavy push Heliopolis has to offer. Payoff, then. So be it. Purposeful and somewhat cerebral in its execution, the DIY debut brings depth and space together to immersive effect.

Lambda on Thee Facebooks

Lambda on Bandcamp

 

Dee Calhoun, Godless

dee calhoun godless

Following his 2016 debut, Rotgut (review here) and 2018’s Go to the Devil (review here), Godless is the third full-length from former Iron Man and current Spiral Grave frontman Dee Calhoun, and its considerable 63-minute runtime finds him working in multiple directions while keeping his underlying roots in acoustic-based heavy metal. Certainly “To My Boy” — and Rob Calhoun has appeared on his father’s releases before as well — has its basis in familial expression, but its pairing with “Spite Fuck” is somewhat curious. Meanwhile, “Hornswoggled” cleverly samples George W. Bush with a laugh track, and “Here Under Protest,” “The Greater Evil,” “Ebenezer” and “No Justice” seem to take a worldly view as well. Meanwhile again, “Godless,” “The Day Salvation Went Away” and “Prudes, Puritanicals and Puddles of Piss” make their perspective nothing if not plain for the listener, and the album ends with the two-minute kazoo-laced gag track “Here Comes the Bride: A Tale From Backwater.” So perhaps scattershot, but Godless is nonetheless Calhoun‘s most effective outing yet in terms of arrangements and craft, and shows him digging further into the singer-songwriter form than he has up to now, sounding more comfortable and confident in the process.

Dee Calhoun on Thee Facebooks

Argonauta Records website

 

Turtle Skull, Monoliths

Turtle Skull Monoliths

Melodic vocal lines weave together and float over alternately weighted and likewise ethereal guitars on Turtle Skull‘s second album, Monoliths. The percussion-inclusive (tambourine, congas, rain stick, etc.) Sydney-based heavy psychedelic outfit create an immersive wash that makes the eight-song/55-minute long-player consuming for the duration, and while there are moments of clarity to be found throughout — the steady snare taps of “Why Do You Ask?” for example — but the vast bulk of the LP is given to the overarching flow, which finds progressive/space-rock footing in the 11-plus minutes of finale “The Clock Strikes Forever” and is irresistibly consuming on the drifting wash of “Rabbit” or the lysergic grunge blowout of “Who Cares What You Think?,” which gives way to the choral drone of “Halcyon” gorgeously en route through the record’s back half. It’s not the highest profile heavy psych release of 2020, but neither is it to be overlooked for the languid stretch of “Leaves” at the outset or the fuzz-drenched roll in the penultimate “Apple of Your Eye.”

Turtle Skull on Thee Facebooks

Art as Catharsis on Bandcamp

Kozmik Artifactz website

 

Diuna, Golem

diuna golem

In some ways, the dichotomy of Diuna‘s 2019 sophomore full-length, Golem, is set by its first two tracks, the 24-second intro “Menu” and the seven-minute “Jarmark Cudów” that follows, each longer song throughout is prefaced by an introduction or interlude, varying in degrees of experimentation. That, however, doesn’t cover the outsider vibes the Polish trio bring to bear in those longer songs themselves, be it “Jarmark Cudów” devolving into a post-Life of Agony noise rock roll, or the thrust in “Frank Herbert” cut into starts and stops and shouting madness. Heavy rock, noise, sludge, post-this-or-that, it doesn’t matter by the end of the 12-track/44-minute release, because Diuna establish such firm control over the proceedings and make so clear the challenge to the listener to keep up that it’s only fun to try. It might take a couple listens to sink in, but the more attention one gives Golem, the more one is going to be rewarded in the end, and I don’t just mean in the off-kilter fuckery of closer “Pan Jezus Idzie Do Wojska.”

Diuna on Thee Facebooks

Diuna on Bandcamp

 

Tomorrow’s Rain, Hollow

tomorrows rain hollow

“Ambitious” doesn’t begin to cover it. With eight songs (plus a bonus track) and 11 listed guest musicians, the debut full-length, Hollow, from Tel Aviv-based death-doomers Tomorrow’s Rain seems to be setting its own standard in that regard. And quite a list it is, with the likes of Aaron Stainthorpe of My Dying Bride, Greg Mackintosh of Paradise Lost, Fernando Ribeiro of Moonspell, Mikko Kotamaki of Swallow the Sun, and so on, it is a who’s-who of melodic/gothic death-doom and the album lives up to the occasion in terms of the instrumental drama it presents. Some appear on one track, some on multiple tracks — Ribeiro and Kotamaki both feature on “Misery Rain” — and despite the constant shifts in personnel with only one of the eight tracks completely without an outside contributor, the core six-piece of Tomorrow’s Rain are still able to make an impression of their own that is bolstered and not necessarily overwhelmed by the extravagant company being kept throughout.

Tomorrow’s Rain on Thee Facebooks

AOP Records website

 

Mother Eel, Svalbard

mother eel svalbard

Mother Eel‘s take on sludge isn’t so much crushing as it is caustic. They’re plenty heavy, but their punishment isn’t just meted out through tonal weight being brought down on your head. It’s the noise. It’s the blown-out screams. It’s the harshness of the atmosphere in which the entirety of their debut album, Svalbard, resides. Five tracks, 33 minutes, zero forgiveness. One might be tempted to think of songs like “Erection of Pain” as nihilistic fuckall, but that seems incorrect. Nah, they mean it. Fuckall, yeah. But fuckall as ethos. Fuckall manifest. So it goes through “Alpha Woman” and “Listen to the Elderly for They Have Much to Teach,” which ends in a Primitive Man-ish static assault, and the lumbering finish “Not My Shade,” which assures that what began on “Sucking to Gain” half an hour earlier ends on the same anti-note: a disaffected malevolence writ into sheer sonic unkindness. There is little letup, even in the quiet introductions or transitions, so if you’re looking for mercy, don’t bother.

Mother Eel on Thee Facebooks

Mother Eel on Redbubble

 

Umbilichaos, Filled by Empty Spaces

Umbilichaos Filled by Empty Spaces

The four-song/39-minute atmospheric sludge long-player Filled by Empty Spaces is listed by Brazilian solo outfit Umbilichaos as being the third part of, “the Tetralogy of Loneliness.” If that’s the emotion being expressed in the noise-metal post-Godflesh chug-and-shout of “Filled by Empty Spaces Pt. 02,” then it is loneliness viscerally presented by founding principal and multi-instrumentalist Anna C. Chaos. The feel throughout the early going of the release is plodding and agonized in kind, but in “Filled by Empty Spaces Pt. 01” and “Filled by Empty Spaces Pt. 03” there is some element of grim, crusted-over psychedelia happening alongside the outright dirge-ism, though the latter ultimately wins out in the four-minute instrumental capper “Disintegration.” One way or the other, Chaos makes her point through raw tonality and overarching intensity of purpose, the compositions coming across simultaneously unhinged and dangerously under control. There are many kinds of heavy. Filled by Empty Spaces is a whole assortment of them.

Umbilichaos on Thee Facebooks

Sinewave website

 

Radar Men From the Moon, The Bestial Light

radar men from the moon the bestial light

Fueled by avant grunge/noise impulsion, Radar Men From the Moon‘s latest foray to Planet Whothefuckknows arrives in the eight-song/41-minute The Bestial Light, a record alternately engrossing and off-putting, that does active harm when the sounds-like-it’s-skipping intro to “Piss Christ” comes on and then subsequently mellows out with psych-sax like they didn’t just decide to call the song “Sacred Cunt of the Universe” or something. Riffs, electronics, the kind of weirdness that’s too self-aware not to be progressive, Radar Men From the Moon take the foundation of experimentation set by Astrosoniq and mutate it via Swans into something unrecognizable by genre and unwilling to compromise its own direction. And no, by the time “Levelling” comes on to round out, there is no peace to be found, though perhaps a twisted kind of joy at the sheer postmodernism. They should score ballets with this stuff. No one would go, but three centuries from now, they’d be worshiped as gods. Chance of that anyway, I suppose.

Radar Men From the Moon on Thee Facebooks

Fuzz Club Records on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Turtle Skull Set Aug. 28 Release for Monoliths

Posted in Whathaveyou on July 24th, 2020 by JJ Koczan

turtle skull

Kind of a note to myself here. This record came in this morning and I was curious, so checked it out and I think it might be awesome. It’s the Sydney-based band’s second full-length behind a 2018 self-titled and it’s coming out through Art as Catharsis and Kozmik Artifactz, so that’s good backing either way, but it was the actual sound of the thing that might’ve sold me. Folky, bright, but still heavy underpinnings to the psychedelic flow to what I’ve heard. I guess everything coming out of Oz at this point is represented as being influenced by King Gizzard but I can’t really speak to that one way or the other, but if you know that Khruangbin record and Kikagaku Moyo, you know that’s good territory to be in.

So why the post? Well, my time’s pretty bare these days so it’s a reminder to myself to put on the record tomorrow and listen through the entire thing when this post goes live. It’ll be Thursday so I’ll have a couple extra minutes. If I told you what was going on on my right-hand side right now — first, it would be a longer explanation than the press release below, but second, it still wouldn’t make any sense. It’s been quite a week. I’m looking forward to checking Monoliths out.

Dig:

Turtle Skull Monoliths

TURTLE SKULL – Monoliths 28.08.2020, Art As Catharsis / Kozmik Artifactz

Art As Catharsis are proud to announce the release of Turtle Skull’s second album, Monoliths – a texture-rich record that dances between bone-crushing lows and ethereal highs.

Taking inspiration from Black Sabbath, Pink Floyd and Crosby Stills Nash & Young, Turtle Skull’s blend of warped psychedelia, shattering doom and indie-rock sensibility merges into their own brand of music dubbed ‘flower doom’.

While the final product contains a faint similarity to the sounds of King Gizzard & The Lizzard Wizard, Khruangbin, or Kikagku Moyo, Monoliths is distinctively its own beast. It’s a record that heaves and soars, taking joyous compositions and steering them headfirst into a realm of fuzz and fury.

“For me this album and this band was an opportunity to take everything back to the simplest form,” says vocalist/guitarist Dean McLeod. “I’d been listening to lot of drone, heavy psych, stoner doom, ambient stuff, and one of the things that often unite these somewhat disparate genres is the extensive use of drones and ambient synths.

“This record is about the intimate connection we share with the Earth on which we stand. It’s about the world and your place in it. It’s about looking deep inside yourself and seeing what you find. It’s about life and death and everything in between… and most of all it’s about the pure joy of creation. We are very happy to share it with you.”

At the end of its runtime, Monoliths undeniably displays a much more fleshed-out realisation of the doom, psych rock and indie fusion that launched the five-piece into the public eye following their self-titled release. Tipping between heavy and catchy is the strength of Monoliths – the roar of the fuzzed-out amps is counterbalanced by feather-light vocals, creating a contrast as clear and harmonious as sun and sky. For fans old and new, this is fusion at it’s finest – a record with something to offer every listener.

1. Leaves
2. Rabbit
3. Heartless Machine
4. Why Do You Ask?
5. Who Cares What You Think?
6. Halcyon
7. Apple Of Your Eye
8. The Clock Strikes Forever

This record is about the intimate connection we share with the Earth on which we stand. It’s about the world and your place in it. It’s about looking deep inside yourself and seeing what you find. It’s about life and death and everything in between. It’s about greed, racism, colonialism and technological destruction. It’s about hopelessness and despair. It’s about self love and introspection. It’s about friendship and the power of shared experience. It’s about life-changing psychedelic journeys. It’s about connecting with the source. And most of all it’s about the pure joy of creation. We are very happy to share it with you.

Tobia Blefari – Percussion (congas, rain stick, shaker, tambourine)
Julian Frese – Bass, piano, vocals
Dan Frizza – Synths
Charlie Gradon – Drums, vocals
Dean McLeod – Guitars, vocals

https://www.facebook.com/turtleskullmusic/
https://www.instagram.com/turtleskullmusic/
https://turtleskullmusic.bandcamp.com/
http://www.facebook.com/artascatharsis
https://instagram.com/artascatharsis
http://artascatharsis.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Turtle Skull, Monoliths (2020)

Tags: , , , , , ,