Lineup additions have continued to come out over the last week-plus since Pittsburgh-based fest  Constant Content's Help Correct My Essay connects you the best freelance blog writers online. Hire a blog writer today and start ordering great unique Descendants of Crom made its first announcements with the formidable likes of  Get cheap dissertation writing help from the Ph.D. writers. Global Assignment Help provides plagiarism-free work at a huge discount. Order for http://www.salinesdesalins.com/?work-from-home-assignments now. Order Assignments Now Get Upto 50% Off �Let�s fight, Help and Win� UPTO 50% OFF due to COVID-19 break down Order Now +44 203 3555 345 +44 7999 903324 help@globalassignmenthelp.com. Refer a friend Login / Signup Earthride,  Business Plan Software Packages service is special assistance for the learners who usually come across with the pressures of completing a thesis paper in a short time. Place your order any time you feel like since our customer representatives remain active round the clock. Try the custom dissertation writing service of our professionals once and let them craft the thesis that perfectly caters all EYE,  The Creating Business Plan Template are easy to write when students have the right tools at their disposal. This task requires more practice, clear understanding Foghound and  The http://www.vignevin.com/2020/12/03/draw-and-write-paper/s is dedicated to providing customers with top-notch research and assignment help services. Our expert writers and researchers are Stinking Lizaveta taking part. West Virginian instrumental trailblazers  Sophisticated follow site with the excellence illustrated in your upcoming grades. Come take a look at the writing services we propose. The Karma to Burn, New Jersey rock destroyers  Rely on expert How To Answer Critical Thinking Questions In Nursing. Let experienced writers craft the perfect content for you. Get Your Paper Done On Time Solace, Kansas boogie-thrusters  http://fanatka.com.ua/?write-my-paper-for-me: Here Is How You Get It. If you�re working hard on your dissertation but don�t seem to be getting any closer to finishing the project, you may need some help. In fact, getting cheap dissertation assistance has probably already crossed your mind. We have some very good news for you: you really can get cheap dissertations The Midnight Ghost Train — as the names have appeared, the geographic reach of  Dissertation Consulting Service Publics - Why be concerned about the review? Receive the required help on the website professional writers, quality services, fast Descendants of Crom 2017, which is set for Sept. 30 on the  http://www.tgdrives.cz/?action-research-dissertation-proposal - Learn everything you need to know about custom writing Let specialists accomplish their tasks: receive the required task Cattivo Nightclub‘s two stages, has only expanded, but perhaps the biggest addition yet brings the festival much closer to home.

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In addition to the already-noted,  Learn about what an Automotive Critical Thinking Reading And Writing Pdf does, skills, salary, and how you can become one in the future. Cant,  Ol’ Time Moonshine and Archarus, have also been added, so the more right on. Here’s the latest from the fest, including some comment from organizer Shy Kennedy on Penance signing on:

DESCENDANTS OF CROM – Penance to Headline with ‘Alpha & Omega’ Lineup

All-day fest set for Sept. 30, 2017, with two stages fueled by riffs created by the riddle of steel.

This all day music festival is the first of its kind in Pittsburgh, Pennsylvania. The underground scene of stoner and doom here is healthy and thriving and the location at Cattivo Nightclub is perfect with two large floors, a stage on each, and good sound with friendly staff.

Descendants of Crom Festival lineup:
CANT
MONOLITH WIELDER
OL’ TIME MOONSHINE
ARCHARUS
HORSEBURNER
WASTED THEORY
FOGHOUND
EYE
BRIMSTONE COVEN
SOLACE
THE MIDNIGHT GHOST TRAIN
KARMA TO BURN
VALKYRIE
EARTHRIDE
STINKING LIZAVETA
PENANCE (Alpha & Omega lineup)

Shy Kennedy on Penance headlining:

It all starts out with an idea of, ‘Hey, wouldn’t it be great if there were a gig in Pittsburgh that had a bunch of riff-fueled bands of all rock and metal genres?’ It’s the perfect place for it, really. The scene here is supportive and it’s an accessible city to many. It doesn’t come out of nowhere –- you have to make it happen.

Next, who headlines this underground, doom-rooted event? The answer would be Penance but they’ve been dormant for some time. The Alpha & Omega lineup are all right here and nearly all active in the scene someway or another. Turns out that you just have to ask. Penance are as excited to be a part of the Descendants of Crom as I am. A lot of the seasoned fans are going to appreciate this and for those who aren’t familiar with Penance are going to get a little lesson in Pittsburgh Doom History.

DESCENDANTS OF CROM will bring great regional talent to a hungry crowd, utilizing national fan favorites to lure them to learn about these other amazing artists. This first year is anticipated to be a contender among other established annual fests and will not be an event to miss.

http://facebook.com/descendantsofcrom
http://www.descendantsofcrom.com/

Penance, “Wizards of Mind”

2016 ends and 2017 starts off on the right foot with a brand new Quarterly Review roundup. The first time I ever did one of these was at the end of 2014 and I called the feature ‘Last Licks.’ Fortunately, I’ve moved on from that name, but that is kind of how I’m thinking about this particular Quarterly Review. You’ll find stuff that came out spread all across 2016, early, middle, late, but basically what I’m trying to do here is get to a point where it’s not March and I’m still reviewing albums from November. Will it work? Probably not, but in order to try my damnedest to make it do so anyway, I’m making this Quarterly Review six full days. Monday to Monday instead of Monday to Friday. 60 reviews in six posts. Sounds like madness because it is madness. Let’s get started.

Quarterly Review #1-10:

Hornss, Telepath

San Francisco trio Hornss debuted on RidingEasy Records with 2014’s No Blood No Sympathy (review here) and further their raw genre blend on Telepath, their half-hour follow-up LP delivered via STB, melding heavy punk and metallic impulses to a noisy, thick-toned thrust on songs like “Atrophic” and the bouncing “Sargasso Heart” while opener “St. Genevieve” and the penultimate “Old Ghosts” dig into more stonerly nod. The latter track is the longest inclusion on the record at 3:26, and with 11 cuts there’s plenty of jumping between impulses to be done, but the trio of guitarist/vocalist Mike Moracha, bassist/vocalist Nick Nava – both formerly of desert punkers Solarfeast – and drummer Bil Bowman (ex-Zodiac Killers) work effectively and efficiently to cast an identity for themselves within the tumult. It’s one that finds them reveling in the absence of pretense and the sometimes-caustic vibes of songs like “Leaving Thermal,” which nonetheless boast an underlying catchiness, speaking to a progression from the first album.

Hornss on Thee Facebooks

STB Records store

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Khemmis, Hunted

Easily justifiable decision on the part of Denver’s Khemmis to return to Flatline Audio and producer Dave Otero (Cephalic Carnage, etc.) for their second album, Hunted. No reason to fix what clearly wasn’t broken about their 2015 debut, Absolution (review here), and on the 20 Buck Spin Records release, they don’t. A year later, the four-piece instead build on the doomly grandeur of the first outing and push forward in aesthetic, confidence and purpose, whether that’s shown in mournful opener “Above the Water,” the darker “Candlelight” that follows, or the centerpiece “Three Gates,” which opens as muddied death metal before shifting into a cleaner chorus, creating a rare bridge between doom and modern metal. Khemmis save the most resonant crush for side B, however, with the nine-minute “Beyond the Door” capping with vicious stomp before the 13-minute title-track, which closes the album with an urgency that bleeds even into spacious and melodic break that sets up the final apex to come, as emotionally charged as it is pummeling.

Khemmis on Thee Facebooks

20 Buck Spin on Bandcamp

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Fox 45, Ashes of Man

In addition to the outright charm of titles like “Doominati,” “Coup d’étwat,” “Murdercycle” and “Urinal Acid” (the latter a bonus track), Rochester, New York’s Fox 45 offer fuzzy roll on their Twin Earth Records debut full-length, Ashes of Man, the three-piece of Amanda Rampe, Vicky Tee and Casey Learch finding space for themselves between the post-Acid King nod of “Necromancing the Stone” and more swing-prone movements like the relatively brief “Soul Gourmandizer.” Playing back and forth between longer and shorter tracks gives Ashes of Man a depth of character – particularly encouraging since it’s Fox 45’s first record – and the low-end push that leads “Phoenix Tongue” alone is worth the price of admission, let alone the familiar-in-the-right-ways straightforward heavy riffing of “Narcissister” a short while later. Very much a debut, but one that sets up a grunge-style songwriting foundation on which to build as they move forward, and Fox 45 seem to have an eye toward doing precisely that.

Fox 45 on Thee Facebooks

Twin Earth Records on Bandcamp

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Monolith Wielder, Monolith Wielder

Double-guitar Pittsburgh four-piece Monolith Wielder make their self-titled debut through Italian imprint Argonauta Records, bringing together Molasses Barge guitarist Justin Gizzi and Zom guitarist/vocalist Gero von Dehn with bassist Ray Ward (since replaced by Amy Bianco) and drummer Ben Zerbe (also Mandrake Project) for 10 straightforward tracks that draw together classic Sabbathian doom with post-grunge heavy rock roll. There’s a workingman’s sensibility to the riffing of “No Hope No Fear” and the earlier, more ‘90s moodiness of “Angels Hide” – von Dehn’s vocals over the thick tones almost brings to mind Sevendust on that particularly catchy chorus – but Monolith Wielder’s Monolith Wielder isn’t shy about bringing atmospherics to the Iommic thrust of its eponymous cut or the penultimate “King Under Fire,” which recalls the self-titled Alice in Chains in its unfolding bleakness before closer “Electric Hessian” finishes with a slight uptick in pace and a fade out and back in (and a last sample) that hints at more to come.

Monolith Wielder on Thee Facebooks

Argonauta Records website

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No Man’s Valley, Time Travel

The stomp and clap intro “The Man Who Would be King” casts an immediately bluesy hue on No Man’s Valley’s debut album, Time Travel (LP release on Nasoni), and the Netherlands-based five-piece seem only too happy to build on that from there. It’s a blend outfits like The Flying Eyes and Suns of Thyme have proffered for several years now between heavy psychedelia and blues, but No Man’s Valley find a niche for themselves in the dreamy and patient execution of “Sinking the Lifeboat,” a highlight of the eight-track/33-minute LP, and bring due personality to the classic-style jangle-and-swing of “The Wolves are Coming” as well, so that Time Travel winds up more textured than redundant as it makes its way toward six-minute piano-laden finale “Goon.” Once there, they follow a linear course with a post-All Them Witches looseness that solidifies into a resonant and deeply engaging apex, underscoring the impressive reach No Man’s Valley have brought to bear across this first LP of hopefully many to come.

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Nasoni Records website

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Saturna, III/Lost in Time

Barcelona classic rocking four-piece Saturna seem to avoid the boogie trap when they want to, as on the more rolling, modern heavy groove of “Five Fools,” and that keeps their World in Sound/PRC Music third album, III/Lost in Time, from being too predictable after the opening “Tired to Fight” seems to set up Thin Lizzy idolatry. They dip into more complex fare on “Leave it All,” somewhere between Skynyrd leads, Deep Purple organ-isms topped with a rousing hook, but keep some shuffle on songs like “Disease” and the earlier “All Has Been Great.” Highlight/closer “Place for Our Soul” seems to be literal in its title, with a more subdued approach and harmonized vocal delivery, and listening to its more patient delivery one can’t help but wonder why that soul should be relegated to the end of the album instead of featured throughout, but the songwriting is solid and the delivery confident, so while familiar, there’s ultimately little to complain about with what III/Lost in Time offers.

Saturna on Thee Facebooks

World in Sound website

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MØLK, Hate from the Bong

Especially with the title of their second EP set as Hate from the Bong, one might be tempted to put Belgian outfit MØLK immediately in the same category of malevolent stoner/sludge metal as the likes of Bongripper, but frankly they sound like they’re having too much fun for that on the five-tracker, reveling in lyrical shenanigans on the politically suspect “Stonefish” and opener “Methamphetamine.” Make no mistake, they’re suitably druggy, but even Hate from the Bong’s title-track seems to keep its tongue in cheek as it unfolds its post-Electric Wizard echoes and tonal morass. That gives the five-piece an honest vibe – they’re a relatively new band, having released their first EP in 2016 as well; why shouldn’t they be having a good time? – to coincide with all that thickened low end and vocal reverb, and though they’re obviously growing, there isn’t much more I’d ask of them from a debut full-length, which is a task they sound ready to take on in these songs.

MØLK on Thee Facebooks

MØLK on Bandcamp

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Psychedelic Witchcraft, The Vision

Italian cult rock outfit Psychedelic Witchcraft have proven somewhat difficult to keep up with over the last year-plus. As they’ve hooked up with Soulseller Records and reissued their Black Magic Man EP (review here), their full-length debut, The Vision, and already announced a follow-up compilation in 2017’s Magick Rites and Spells, the band consistently work to feature the vocals of Virginia Monti (also Dead Witches) amid semi-retro ‘70s-style boogie, as heard on the debut in cuts like “Witches Arise” and “Wicked Ways.” At nine tracks/34 minutes, however, The Vision is deceptively efficient, and though they’re unquestionably playing to style, Psychedelic Witchcraft find room to vary moods on “The Night” and the subdued strum of “The Only One Who Knows,” keeping some sonic diversity while staying largely on-theme lyrically. To call the album cohesive is underselling its purposefulness, but the question is how the band will build on the bluesy soulfulness of “Magic Hour Blues” now that they’ve set this progression in motion. Doesn’t seem like it will be all that long before we find out.

Psychedelic Witchcraft on Thee Facebooks

Soulseller Records website

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Spotlights, Spiders EP

Following the heavy post-rock wash of their 2016 debut album, Tidals, Brooklynite two-piece Spotlights – bassist/guitarist/vocalist Sarah Quintero and guitarist/synthesis/vocalist Mario Quintero – return on the quick with a three-track EP, Spiders, and set themselves toward further sonic expansion. The centerpiece “She Spider” is a Mew cover, electronic beats back opener “A Box of Talking Heads V2” and the spacious closer “Joseph” is a track from Tidals remixed by former Isis drummer Aaron Harris. So, perhaps needless to say, they hit that “expansion” mark pretty head-on. The finale turns out to be the high point, more cinematic in its ambience, but still moving through with an underlying rhythm to the wash of what one might otherwise call drones before becoming more deeply post-Nine Inch Nails in its back half. How many of these elements might show up on Spotlights’ next record, I wouldn’t guess, but the band takes an important step by letting listeners know the potential is there, adding three wings onto their wheelhouse in three tracks, which is as efficient conceptually as it is sonically immersive.

Spotlights on Thee Facebooks

Spotlights on Bandcamp

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Moon Coven, Moon Coven

This self-titled second full-length from Malmö, Sweden-based Moon Coven begins with its longest track (immediate points) in “Storm” and works quickly to nail down a far-reaching meld between heavy psych and riffy density. Issued through the much-respected Transubstans Records, it’s a nine-track/50-minute push that can feel unipolar on an initial listen, but largely avoids that trap through tonal hypnosis and fluid shifts into and out of jams on cuts like “The Third Eye,” while centerpiece “Haramukh High” provides a solidified moment before the organ interlude “The Ice Temple” leads into the mega-roll of finisher “White Sun.” What seems to be a brooding sensibility from the artwork – a striking departure from their 2014 debut, Amanita Kingdom – is actually a far more colorful affair than it might at first appear, and well justifies the investment of repeat visits in the far-out nod of “Conspiracy” and the swirling “Winter,” which goes so far as to add melodic texture in the vocals and notably fuzzed guitar, doing much to bolster the proceedings and overarching groove.

Moon Coven on Thee Facebooks

Transubstans Records

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Originally set to release last Fall, the debut offering from Monolith Wielder has been picked up for release by Italy’s Argonauta Records. The band cut their teeth someplace between classic metal and doom, and the early tracks they’ve showcased have a definite sense of darkness without losing a straightforward songwriting take to atmospherics. Both “Illumination” and “Angels Hide” are available to stream via their Soundcloud, and presumably those are the mixes (or near to the mixes) that were sent to the venerable Jack Endino (High on Fire, Windhand, Nebula, Nirvana, etc.) to be mastered.

Argonauta will have Monolith Wielder‘s Monolith Wielder out this Fall. Comment from the label and the band follows:

ARGONAUTA RECORDS new signing: MONOLITH WIELDER

Thrilled to welcome a new great act from the States into our family. Drawing as much influence from the early 90’s Pacific Northwest, as the Maryland doom of that same era, MONOLITH WIELDER are a quartet made up of several veterans of the Pittsburgh music scene. Formed in 2014 by Molasses Barge guitarist Justin Gizzi, longtime friend and percussionist Ben Zerbe (Halo’s Grace/Mandrake Project), and singer/guitarist Gero von Dehn (Von Dane/Zom), the three began working up the material that would comprise their first studio effort. Later rounded out by bassist Ray Ward, the group started performing live that fall, and headed into Plus Minus Recording studio on Pittsburgh’s South Side in January 2015. With engineer Jason Jouver at the helm, ten songs were completed in the studio, and later sent off to Jack Endino at Soundhouse in Seattle for Mastering. MONOLITH WIELDER album is scheduled to be released by Autumn 2016.

Says the band:

Hey folks! We’re very happy to announce that the band has signed with Italian-based label Argonauta Records, and they will be releasing our debut album this fall! Thanks to Sean Cho and Plus Minus Recording, Jason Jouver who recorded the album, Jack Endino for the fine mastering job, Gero Argonauta for believing in the band, and Paul Werkmeister with Miser Photography. Check out the other varied acts on the label, including Dee Calhoun, who is sharing the stage with us this coming Saturday May 7th at Cattivo, for Horehound’s cd release party. We’ll be on stage again the following Saturday the 14th at Altar Bar with The Obsessed, Karma To Burn, and The Atomic Bitchwax!

www.facebook.com/monolithwielderpgh
https://soundcloud.com/monolithwielder
www.argonautarecords.com
https://www.facebook.com/ArgonautaRecords/

Monolith Wielder, “Illumination” (pre-master mix)

Pittsburgh newcomers Monolith Wielder have announced they’ll release their self-titled debut full-length this fall. The album was recorded by Jason Jouver (Don Caballero) and mastered by Jack Endino (Windhand, High on Fire, etc.), and some preliminary audio has been posted in the form of unmastered mixes for “Angels Hide” and “Illumination,” which you can hear below. The four-piece position themselves between stoner and doom, which is fair enough, and get underway with some familiar but welcome swing and a touch of grunge-style aggression.

You can hear the latter particularly on “Angels Hide,” which is longer and slower than its counterpart as Monolith Wielder make sure to show off a bit of variety in the songwriting while still keeping it universally heavy. Their backstory and the audio follow:

Monolith Wielder was formed in Pittsburgh, PA in 2014 when guitarist Justin Gizzi (Molasses Barge) approached singer/guitarist Gero von Dehn (ZOM, Von Dane) about forming a new, heavy project. With the schooled and skilled Ben Zerbe (Mandrake Project) on drums the band had a foundation with which to lay forth doom laden riffs lathered with stoner rock grooves. Rounding out the four piece would be bass man Ray Ward, formerly the six string axe man in Dope Lake.

With the lineup intact the band went about writing their first collection of powerful, earthshaking jams rich in honesty and intensity.

Spring of 2015 found Monolith Wielder entering Plus/Minus Studio to record the debut full length. The capable hands and ears of Jason Jouver were behind the console to oversee the heavy storm that he would be tasked with corralling. The final step of mastering the record would be handled by Jack Endino, who recorded classics by Nirvana, Soundgarden, High on Fire as well as the latest by Windhand.

The self titled Monolith Wielder debut has an expected released in the fall 2015.

Monolith Wielder shows:
10.21 Brillobox Pittsburgh PA w/ Spirit Caravan & Dirty Streets

https://www.facebook.com/monolithwielderpgh
https://soundcloud.com/monolithwielder

Monolith Wielder, “Illumination” (Rough Mix)

Monolith Wielder, “Angels Hide”