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Mane of the Cur, Retreat of the Glaciers: Time Uncovered

Posted in Reviews on April 12th, 2018 by JJ Koczan

Mane of the Cur Retreat of the Glaciers

Somewhere along the line, Portland, Oregon’s Mane of the Cur decided to open their debut full-length, Retreat of the Glaciers, with its eight-minute instrumental title-track. It would be hyperbole to say this made all the difference in the general impression the vinyl-ready eight-song/45-minute record makes, but it certainly goes a long way in establishing a progressive context for even the most straightforward of the material that follows. It was the bold choice, and the right one. “Retreat of the Glaciers” wouldn’t have worked anywhere else, and while its side-B-opening counterpart “9 Lives” — also the longest inclusion at 8:49 — unveils Melynda Marie Amann‘s vocals within its first 30 seconds, the fact that almost 20 percent of the album’s runtime is gone before she arrives on second track “Uncovering Time” gives all the more of a landmark feel to that arrival.

Comprised of Amann, guitarist Shawn Mentzer, bassist Cory DeCaire, keyboardist/cover artist Nate Baisch and drummer Blaine Burnham, Mane of the Cur have roots in the Portland heavy underground going back even beyond the band’s founding in 2012 — their last release was 2015’s Three of Cups EP (review here) — and accordingly, while Retreat of the Glaciers feels like a debut in the potential it shows and some of the turns it makes especially later in its going, the more pervasive sense is that this is an experienced band making conscious decisions about how they want to be perceived in terms of style and songwriting.

The opening title-track — so close at 8:40 to earning those immediate points for also being the longest song — plays a big role in that, and while it’s the kind of dogwhistle that a given listener might not even perceive consciously, more consumed perhaps by the languidly rolling groove, the inclusion of flute (or flute sounds) and the classic rocking, almost pastoral guitar triumph that emerges near the halfway point and carries through to a return of heavier riffing and an eventual keyboard-led finish, the message comes through clearly one way or the other.

Retreat of the Glaciers was recorded and mixed by Eric Leavell at Husk Recording and mastered by Justin Weis at Trakworx Studio, and its presentation is clear but not necessarily unnatural. There are moments, as on “1,000 Years,” when some of the forward-pushing riffing calls to mind fellow Portlanders Young Hunter, but the spirit behind what Mane of the Cur are exploring is different and their sound is their own. Amann, absent entirely from the opener, ends up playing a significant role in standing out the individuality of the band. Her vocals are melodic and soulful, and whether it’s a straightforward verse/chorus rocker like second track “Uncovering Time,” which launches right away into its first lyrics, or “9 Lives,” which reminds of the spaciousness Ancestors brought to their brilliant In Dreams and Time LP, or the harmonies put atop the penultimate “1 Bullet,” which holds forth a more thoroughly doomed progression and pace until its chugging payoff in bridge in the final third, where a solo might otherwise be, she holds a commanding presence within complex material, providing an element to ground the listening experience without sacrificing any of the underlying complexity of the arrangements between the keys and guitar, the guitar and the guitar, the bass and drums, the drums and keys, etc.

mane of the cur logo

While crisply presented, these intertwinings all come together to form the complete picture Mane of the Cur seem to want to evoke with Retreat of the Glaciers: something classic in style, modern in presentation, and forward-thinking in its construction. That they ultimately reach those individual goals while also creating a full-album flow between the eight individual tracks and two intended vinyl sides is what makes their debut a success. That and the fact that it rocks, anyway. But it also rocks while feeling like a complete idea — which is to say, there doesn’t seem to be a missing element from the listening experience. Perhaps Mane of the Cur have realized the aesthetic that Three of Cups and the preceding Wild Hunt EP were moving toward. If so, Retreat of the Glaciers is all the more a victory for them.

That’s not to say there isn’t still room for growth in their sound, however. It’s been six years since the band got their start and while it took them a while to solidify their lineup, it’s still been three since Three of Cups surfaced. I wouldn’t call Retreat of the Glaciers, even with the accomplishment that is “Reefer Magnus (Lonely Mountain)” or the closing Sabbath-gone-noodling boogie of “White Beard” to its credit, the be-all-end-all of Mane of the Cur‘s potential. Rather, it provides the group a basis from which to expand their sound going forward. Nothing new for debut albums, except perhaps that despite their consistent use of traditional structures, the foundation on which Mane of the Cur have to build feels particularly broad. And I go back again to the decision to open with that instrumental. It’s the kind of brazen, and frankly, brave, thing that most bands toss around in the studio as a joke when they’re putting together the track order and then go with something hookier or more structured.

The signal one gets from Mane of the Cur, both there and across the album as a whole, is that while they definitely have an interest in traditional rock songwriting and structure, they’re not necessarily looking to be limited by them, and that thoughtfulness is what earns them the “progressive” tag in terms of style. It was a while waiting for Retreat of the Glaciers — could’ve been longer; it wasn’t enough time to, say, earn a crappy line about the pace being “glacial” — and I don’t know how long it will be before the band presents a follow-up or what form that might ultimately take, but perhaps the clearest signal they send throughout these eight songs is their desire to step forward creatively, to grow tighter in their dynamic and more sure of who they are as a unit. The key, as for so many progressive heavy rockers, will be staving off and/or finding a balance with self-indulgence, but Mane of the Cur seem to have made an encouraging opening statement in that regard as well.

Mane of the Cur, Retreat of the Glaciers (2018)

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Mane of the Cur to Release Retreat of the Glaciers in March; New Single Posted

Posted in Whathaveyou on January 31st, 2018 by JJ Koczan

mane of the cur

Portland, Oregon’s Mane of the Cur will mark the release of their new album, Retreat of the Glaciers, at this year’s Ceremony of Sludge on March 9, where they’ll join the likes of Disenchanter, Witch Mountain, Usnea, Will and many others at the two-night shindig made all the more special by the coming of their new record. If you can dig it — and oh, I believe you can — the progressive heavy rockers have newly unveiled the eight-plus-minute single “9 Lives” as a precursor to the full-length’s arrival. It’s the second song from Retreat of the Glaciers behind “1000 Years,” which went up for stream and download to mark the beginning of preorders for the limited cassette version of the long-player, which will be limited to 100 copies.

I’m sorry — and don’t get me wrong, tapes are awesome — but I have to believe someone will pick this up for a CD and/or vinyl release at some point soon if that’s not already in the works. You can stream both advance tracks at the bottom of this post and I think you’ll pretty immediately hear where I’m coming from in that assessment. I’m hoping to have more coverage of Mane of the Cur and Retreat of the Glaciers as we get closer to the March release date, so stay tuned. Till then, the band was kind enough to send the following along the PR wire:

mane of the cur 9 lives

Mane of the Cur – Retreat of the Glaciers

Portland, Oregon’s heavy rock quintet, Mane Of The Cur announces release of 2nd full length Album, Retreat Of The Glaciers. See them live at Ceremony of Sludge VII at Tonic Lounge March 9th 2018.

Heavy rockers, Mane Of The Cur are proud to announce the release of their second album, Retreat of the Glaciers. This 2 year in the making album will have its release date at the next annual heavy music festival, Ceremony of Sludge VII on March 9th, 2018. A pre-sale of ROTG will begin Tuesday January 30th from the band’s Bandcamp website.

In addition to the pre-sale order of the Retreat Of The Glaciers at www.maneofthecur.bandcamp.com, a 2nd full length track, 1000 years, will be available for unlimited streaming and download. This song has a touch of 80’s hard rock vocals with not-so-subtle lyrical political commentary. MOTC released its 1st single, 9 Lives in December 2017 and it is currently streaming and available for download. This “single” has a slightly more doomy and contemplative timber, clocking in at a cool 9 minutes. The band is very happy with the direction that they have taken with this new release both collaboratively and musically.

MOTC will be donating 40% of sales of this single to the non-profit organization, Music Unites (musicunites.org) in memoriam of Samuel Lennon. Music Unites is an organization dedicated to bringing music education to underprivileged children in underfunded inner city school systems.

Mane Of the Cur was originally formed in 2012 in Portland, OR and the current line-up of Blaine Burnham (Lamprey, Hot Won’t Quit), Cory DeCaire (Old Junior, Hound the Wolves), Nathan Baisch (Ghostmob), Shawn Mentzer (Ghostmob) and Melynda Amann (Jamais Jamais, Eight Bells) has been playing together since February 2015. MOTC have opened for heavy hitters such as Lord Weird Slough Feg, Brothers of the Sonic Cloth, Witch Mountain and Holy Grove and played local festivals, Hoverfest and Ceremony of Sludge.

Tracklisting:
1. Retreat of the Glaciers
2. Uncovering Time
3. 1000 Years 04:19
4. White Beard
5. 9 Lives
6. Reefer Magnus (Lonely Mountain)
7. 1 Bullet
8. Tiberious

maneofthecur.bandcamp.com
facebook.com/maneofthecur/

Mane of the Cur, “9 Lives”

Mane of the Cur, “1000 Years”

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