The Obelisk Radio Adds: HARK, Lucifer, Diesel King, Planes of Satori and Stonebride

Posted in Radio on February 6th, 2015 by JJ Koczan

I have continued to enjoy putting together these posts, and hopefully, whether you listen to The Obelisk Radio or you don’t, you get some use out of them. The fact is that it’s a pretty overwhelming amount of music being released these days — I feel like I’ve been behind all week, and for good reason — but it’s a good problem to have, and all you can really do is your best to keep up as much as you can. Accordingly, some of the stuff joining the playlist this week isn’t out yet, some is newly released and some of it has been out for a long time. Months are irrelevant. Riffs are timeless.

Let’s get to it.

The Obelisk Radio adds for Feb. 6, 2015:

HARK, Crystalline

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UK heavy proggers  24/7 support service will answer all your questions. You can buy check it out on our web site coolessay.net. Hark — also stylized in all-caps and with spaces between the letters — have all the noodly twists and turns one might expect in the shouty post- Are you looking for dissertation writing help? Dissertation Proposal Example Topics Deal, a UK based agency is always ready to provide online assistance with custom writing. Mastodonic sphere of modern heavy, but what the trio do even better is use those turns toward building crescendos, so that songs like “Palendromeda,” the opener from their 2014  We constantly encourage them to improve their professional skills and teach how to cope with different assignments quickly and effectively. http://uegg.eu/?cognitive-psychology-dissertation for me pro stimulates their progress with great bonuses and awards. 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It is not Crystalline‘s series of crescendos, a long fade following topped by heady swirl that finishes out. Parts can be a bit much, but the full-on sprint that starts “Breathe and Run” and the weighty groove that follows make  It is a http://www.arena-geisingen.de/?wikipedia-is-a-good-source-for-a-research-paper because they charge a great deal of money for horrible papers. Do not make the same mistake. Pick another service! Hark‘s debut a solid fit for those seeking blinding fretwork that doesn’t necessarily sacrifice dynamic on the altar of technicality. HARK on Thee Facebooks, Season of Mist.

Lucifer, Anubis

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Diesel King, Concrete Burial

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If you’ve got a quota for burl, London sludge metallers Diesel King will likely meet it with their When Planets Collide debut long-player, Concrete Burial, an album that hands out grueling, ultra-dudely chugging like a beefed-up Crowbar, vocalist Mark O’Regan offering shouting and growling extremity bordering at times on death metal. Shit is heavy, and it lives up to the violent threat of its title on songs like the catchy “Inferis” and “Horror. Disgust.,” the latter of which actually manages to make the lumbering guitar tones of Geoff Foden and Aled Marc move, propelled by the metallic drumming of Bill Jacobs while bassist Will Wichanski adds to the already pummeling low end. The 80-second “Mask of the Leper” is straight-up grind, but don’t be fooled by shifts in tempo — Diesel King‘s bread and butter is in sludged-out chug-riffing and growled chestbeating, like a testosterone supplement you take via your ears. Diesel King on Thee Facebooks, When Planets Collide.

Planes of Satori, Planes of Satori

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Made for vinyl and pressed in that manner by Who Can You Trust? Records as the follow-up to last year’s Son of a Gun 7″ (review here), Planes of Satori find easy sanctuary on uneasy ground, smoothing out jagged edges and uncautious twists on their self-titled debut full-length. Bassist Justin Pinkerton doubles as the drummer in Golden Void, but though Planes of Satori share a West Coast affinity for the golden age of krautrock, cuts like “Eyes,” “Gnostic Boogie” and “The Ballad of Queen Milo” are on a much different trip, psychedelic afrobeat rhythms unfolding their insistence under the echoed out vocals of Alejandro Magana while Raze Regal tears into jazzy solos and Chris Labreche somehow manages to make it swing. The airier, more rhythmically settled “KTZ” retains a progressive feel both in the underlying tension of its bassline and in the open, creative vibe through which it careens. Call it “manic peace,” but it works well for Planes of Satori on a cut like the earlier “If You Must Know,” which reimagines ’90s indie weirdness through a lens of what-if-it-wasn’t-so-cool-not-to-give-a-crap, and “Green Summer,” which follows a building course without tipping off its hand until you’re already wrapped up in Regal‘s live-sounding leads. The closing solo guitar echo of “The Snake and the Squirrel” speaks to yet-unexplored drone dynamics and further delving into psychedelia to come. Sign me up. I have the feeling that the more bizarre Planes of Satori get, the more satisfying the trip is going to be. Their debut already shows a pervasive adventurous spirit. Planes of Satori on Thee Facebooks, Who Can You Trust? Records.

Stonebride, Heavy Envelope

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Late 2014’s Heavy Envelope is the third Stonebride record behind 2010’s Summon the Waves (review here) and their 2008 debut LP, Inner Seasons. Released by Setalight Records, it finds the Zagreb, Croatia, four-piece’s sound way solidified as compared to the psychedelic sprawl of the prior release, a ’90s-style rolling crunch riff to “Lay Low” following the distinctly Alice in Chainsian vocal melodies of “Lowest Supreme” and preceding the effectively replicated Queens of the Stone Age bounce of “Coloured Blue.” Some intervening solidification in the four years between the second and third albums might explain the shift in sound — the opposite could also be true — but drummer Steps and guitarist Tjesimir, bassist Alen and vocalist Sinisa work well within their newfound sphere, even finding room to branch out a bit on the more extended closing duo of “Sokushinbutsu” and “Venomous,” never quite hitting the same psyched-out feel of Heavy Envelope‘s predecessor, but definitely adding further individual sensibility to an engaging take on heavy rock. Stonebride seem ripe for a new beginning, and Heavy Envelope boasts precisely that kind of energy. Stonebride on Thee Facebooks, on Bandcamp, Setalight Records.

For the complete list of what went up today and everything else that’s been added recently and everything played going back I don’t even remember how long at this point, be sure to check out The Obelisk Radio Updates and Playlist page. Hope you find something you dig and that you think is worth hearing.

Thanks for reading and listening.

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