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Lost Orb Release New Single “Low Ebb’s Lament” with Mos Generator & Vodun Members

Posted in Whathaveyou on September 23rd, 2019 by JJ Koczan

lost orb

Yeah, I know these are hairs I split all the time around here, but if you’ve got a 17-minute long track, that’s an EP. I think I might’ve heard an early version of “Low Ebb’s Lament” years ago, but that certainly would’ve been before Chantal Brown of Vodun and Tony Reed of Mos Generator added vocals and drums, respectively, to the song. Multi-instrumentalist Christopher West — who’s amassed a significant pedigree over the last 10 years or so in Trippy WickedLandskap and Stubb, as well as founded two of his own labels in Superhot Records and the more recent Giganto Records — is at the helm of the project, but there’s no question the other involved parties make a mark on the track. As this piece took seven years to come together in its final form, I’m not holding my breath for a 40-minute single-song full-length anytime soon as a follow-up — though it’d certainly be welcome — but I think you can certainly hear here that such a scope would be well within West‘s reach.

The PR wire has info:

lost orb low ebbs lament

LOST ORB releases new single “Low Ebb’s Lament”

Lost Orb, the project of Christ West is now streaming his 17-minute odyssey entitled Low Ebb’s Lament. The song has been several years in the making and is a departure from the style of the bands he’s usually associated with (Stubb, Trippy Wicked & the Cosmic Children of the Knight, Landskap).

The track draws from a gamut of styles, ranging from Earth-esque graceful doom through stoner rock to folksy strumming. It doesn’t end there – guests come in to broaden the palette, such as the supremely talented Chantal Brown of Vodun, whose beautiful wordless vocalizations soar over the riffs, and Tony Reed (Mos Generator) puts in the right level of showmanship and class to round out the track.

“Working with Chan and Tony was a great experience. I had basic drum patterns written out for the demo but I let Tony do his thing and let’s just say the man delivered. With Chan’s vocal parts I had a few ideas written that I wanted to include but we spent a day getting those and a lot of other ideas down on the spot. I tend to obsess over perfecting ideas during the writing process with many revisions and iterations so it was good to contrast that with a more relaxed approach to the vocals.

I originally wrote Low Ebb’s Lament towards the end of 2012 and it was based on some themes and ideas I had been developing for a long while before then. I didn’t realise what was happening at the time but it was a last burst of creative energy as I embarked on a steady descent into some significant mental health issues. It took me until 2013 to record the music and while I eventually put it on Bandcamp the year after that, I had little energy to promote it.

A lot of personal work, some essential help and a little luck has led me to where I am now. It was hugely important at the time of writing to be able to present the ideas I had been working on in one cohesive movement and I’m grateful to be in a position to give the music a proper release now.”

Written, recorded, mixed and mastered by Chris West
Drums recorded and mixed by Tony Reed at HeavyHead Recording Co.

Artwork by Sagüi (www.instagram.com/saguidotart)
Lost Orb logo by Adam Burke

Lost Orb lineup for “Low Ebb’s Lament”:
Chris West – guitar, bass
Chantal Brown – vocals
Tony Reed – drums

https://www.gigantorecords.com
https://gigantorecords.bandcamp.com
https://www.facebook.com/gigantorecords

Lost Orb, Low Ebb’s Lament (2019)

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audiObelisk Transmission 051

Posted in Podcasts on August 25th, 2015 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

The last one was so late, it seemed only fair to get back on track and do this one early. Not that you’re sitting and waiting with baited breath for the next podcast, I know — not deluding myself to think otherwise — but it keeps me sane to stick to some imaginary/arbitrary feeling of timeliness that changes more often than not, so I’ll just say up front that I appreciate your indulgence. Wow. Sometimes these imaginary conversations get pretty heavy.

Speaking of heavy — and speaking of masterful segues! — the new podcast has plenty of it. The second hour actually gets pretty pummeling, what with the Ahab track and all, so I made sure a little extra psychedelic stuff got in at the front. Dig that Red Mountains track. Their album’s coming out on Nasoni, which should be all the endorsement you need. I’m also very much into the Pyramidal space jam, and if you get to hear it, that Brian Ellis & Brian Grainger record (El Paraiso is putting it out) is a gem. Think a more psychedelic Six Organs of Admittance, all instrumental.

Some killer samplings to be had here, so I won’t delay further. Hope you enjoy:

First Hour:
0:00:00 Tony Reed, “Still Born Beauty (Necromandus ’73)” from The Lost Chronicles of Heavy Rock Vol. 1
0:04:02 All Them Witches, “Dirt Preachers” from Dying Surfer Meets His Maker
0:07:43 Uncle Acid and the Deadbeats, “Waiting for Blood” from The Night Creeper
0:12:33 Red Mountains, “Sleepy Desert Blues” from Down with the Sun
0:19:58 T.G. Olson, “Heavy on Your Head” from The Boom and Bust
0:23:18 Pyramidal, “Motormind” from Jams from the Sun Split with Domo
0:33:30 Brian Ellis & Brian Grainger, “Treesmoke” from At Dusk
0:37:53 Vinnum Sabbathi, “Hex II: Foundation Pioneers” from Fuzzonaut Split with Bar de Monjas
0:45:18 Spelljammer, “The Pathfinder” from Ancient of Days
0:53:41 Derelics, “Ride the Fuckin’ Snake to Valhalla” from Introducing

Second Hour:
1:02:03 Ahab, “The Weedmen” from The Boats of the Glen Carrig
1:16:56 Lost Orb, “Low Ebb’s Lament” from Low Ebb’s Lament
1:34:10 Hotel Wrecking City Traders, “Droned and Disowned” from Split with Hey Colossus

Total running time: 2:00:41

 

Thank you for listening.

Download audiObelisk Transmission 051

 

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