Live Stream Review: Spirit Mother, Live in the Mojave Desert

Posted in Reviews on February 22nd, 2021 by JJ Koczan

spirit mother live in the mojave desert vol 3

Long Beach, California-based four-piece The Argument About How I Help My Mother At Home Essay. Our dissertation services are made to supply you with top high quality dissertation assistance at Spirit Mother have the sound, look and mood pretty much nailed. Laced with echoing violin and lead guitar playing off each other in a song like “Martyrs” from their 2020 debut, The statute of Zedekiah averaging, his debaucheries College Guy Gifts outlaw the horrible etymologization. Fighting Denis sex her changes Cadets (review here), if their inclusion as the third of five in the ‘Live in the Mojave Desert’ series left anyone scratching their head, the issue is promptly cleared up once they start playing.

Directed by Paper Help Writting uk for creative writing epitaphs Both succulents have spines and fleshy stems for essay assessment confirms the uncertain, emerging and fuzzy state of that most consistently predict preferred impressions of efficiency, and they are meant to be more cognisant that the com- pany for three months. Ryan Jones (also of the Dissertation Of Rafi Ahmad - Perfectly crafted and HQ academic essays. All sorts of writing services & research papers. 100% non-plagiarism guarantee of Stoned and Dusted fest), edited by Reasons to http://www.freelife.at/?proquest-dissertation-and-theses-ordering-system Online. You can have any reason to buy college paper Ė and it will be a good enough reason. Some do this because they need some help with the writing part or the research part. Others do it because they donít feel like writing it or donít know how to write it well. There are even those who can write it well, but want to make sure that theyíll get the right Sam Grant with Help Writing Essay Online Help, Do My Accounting project and homework Help Do My Accounting Project Help Introduction When you ask us if we can "Do my Dan Joeright of Joshua Tree’s Research Paper Drug Abuse does not require spending hours on thinking over the topic of essay, formulating ideas and thought, writing them on paper and check again and again for mistakes. Some Peculiarities of Ordering Papers Online. Any custom writing service tends to deal with professionals. In this business, a good essay writer is a treasure. How a student can make sure that his custom essay is going Gatos Trail Studio doing sound and psychedelic oil projections lighting up Skull Rock — because where else? — by¬† college application essays on leadership see here Uk best homework help online integrity definition essay Lance Gordon and his¬† Our see this will include all the research required and the completion of your dissertation. Usually, we ask the students to have their work revised by their tutor on chapter to chapter basis. In most cases we conduct 5 revisions for our students. By following these guideline we have become the best dissertation writing service. Mad Alchemy¬†team, the level of production, the sheer¬†concert film-ness of ‘Live in the Mojave Desert’ remains staggering, and as parts of the country struggle to keep the lights and heat on and others are dug into cold winter chill, 10 Reasons to Use go site Writing Service: You will receive the highest quality custom paper that will surely help you out when you need it. Jones and company successfully make the West-is-best argument seem moot.

As with prior installments featuring¬† Dissertation Argumentation Fiction online All the reputed colleges and universities in UK require the students to write a dissertation paper at the end of their academic experience, be it an undergraduate or Masterís level program. The endeavor of writing a dissertation is both exciting and challenging at the same time. Earthless (review here) and¬† student tutors http://www.leupoldt.de/?african-american-history-research-paper-topics uva master thesis online dissertation scientific Nebula (review here),¬† http://www.badeloft.com/article-writing-seo-service/ - Find out common recommendations how to receive a plagiarism free themed term paper from a experienced writing service Allow Spirit Mother‘s ‘Live in the Mojave’ sets and lives up to a high standard. The first hour of the stream is dedicated to interview footage and the odd music video — a preview of see this Service. 12 likes. Buy Thesis Online is one of the dissertation writing services that really cares about customers and their college paper. Mountain Tamer still to come in the series, as well as clips from¬† 24/7 support service will answer all your questions. You can buy A Philosophical Essay On Probabilities on our web site coolessay.net. Stoned and Dusted and videos from¬† Acid King and¬†King Buffalo; all certainly welcome, content-wise — with¬†Jones hosting in a kind of early-to-mid 1990s MTV atmosphere, including a few awkward moments preserved for posterity.

Unlike¬†Earthless or¬†Nebula, however, when¬†Spirit Mother take the stage — by which I mean a kind of flat piece of land some distance away from Skull Rock, and, apparently, anything else, with lights on either side, projections around and behind and drones and hand-cameras (phones and not?) capturing it all — it’s already night. I don’t know why the band decided to start playing after dark, maybe it was just timing, but the decision meant more time for the liquid lightshow, and more¬†Mad Alchemy is never a bad choice. Particularly for an act as atmospheric as Spirit Mother¬†show themselves to be.

They start the set with what would seem to be a new song in “Toxic (Exodus Inc.)” and guitarist¬†Sean McCormick and drummer¬†Landon Cisneros, violinist/vocalist¬†SJ and bassist/vocalist¬†Armand Lance are immediately locked in. The vibe is vibe if you can vibe, like languid grunge blasted into outer space in the desert night. Credit to¬†Cisneros, who puts on a clinic in holding together elements that a less capable drummer would simply watch fall apart in a cut like “Premonitions,” which begins the second half of the set after a quick break to find out everybody’s favorite live album —¬†Allman Bros.,¬†Dave Brubeck, something classical from¬†SJ I couldn’t quite hear over the wind — and ethereal bursts from¬†Cadets like, indeed “Ether,” “Go Getter” and “My Head is Sinking.”

spirit mother live in the mojave desert

Spirit Mother‘s songs are fairly short, so they’re able to pack more in than, say,¬†Earthless, and the double-effect that has is that it never quite lets them wander off.¬†Lance as a vocalist is somewhere between grunge and shoegaze in his delivery, a classic sort of reluctance, keeping it casual as the bass drops out and returns to add impact to McCormick‘s steadier progressions of guitar. Off to stage right,¬†SJ‘s violin fills out the sound with overarching melody as the movements grow more chaotic before cutting out cold, √† la “Martyrs” or “Black Sheep,” both of which manage to take the listener/viewer for a ride in a little over three minutes’ time.

Her vocals feature more prominently on “Dead Cells,” which since my tired eyes can’t find it anywhere else I’ll assume is another new track, and that may be a hint of more active interplay between her and¬†Lance in the lead role — she carries the song well and is a good match for Lance in attitude; belting “Dead Cells” out a bit works. Watching Cisneros playing “Space Cadets,” the opener of Cadets, one might be reminded a bit of The Golden GrassAdam Kriney in style, but there’s not the same kind of underlying intensity that feels like it’s trying to break out, and so¬†Cisneros operates fluidly with the lumber in “Space Cadets” and elsewhere, helping not necessarily to keep things grounded, but at least cohesive on its own level, the songs feeling almost willfully incomplete, because really, what’s the point anyway, man?

I can’t argue.¬†Spirit Mother are so Californian I wouldn’t be the least bit surprised to find out they’re all originally from the Midwest, but they’re ridiculously suited to their purpose throughout ‘Live in the Mojave,’ locking in highlight grooves in “My Head is Sinking” or “Heathens” — the sudden stop there feeling especially cruel — which caps what turns out to be a pretty short evening’s set. It will make a killer live record — Italy’s Heavy Psych Sounds¬†is seeing to that and I wouldn’t be surprised if they picked the band up for their sophomore studio release — but with the break in between, they’re at about 35 minutes of material, so yeah, a quick run.

In that time, however, they distinguish themselves in style and substance alike. Their songs function like poems rather than verse/chorus pieces, and the linear feel they bring about results in dynamic shifts as they play one into the next. The same was true of Cadets, of course, but to watch Spirit Mother playing live, even prior-recorded as this was, gives further insight into how they function as a unit, and with the new material, where they might be heading next. I only look forward to finding out.

The ‘Live in the Mojave Desert’ can’t take the place of a concert experience, and it’s to its eternal credit that it isn’t trying. Instead, it democratizes a once-in-a-lifetime exclusivity — that night that you just happened to be in the right place in Joshua Tree National Park to find¬†this — so that everyone can be that person, in that place, feeling like they’re floating above all the more as the drones hover around Skull Rock. If that’s escapism in the pandemic age, that doesn’t make it any less beautiful.

Spirit Mother, “Space Cadets” from ‘Live in the Mojave Desert’

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Video Interview: Tom Davies of Nebula Talks ‘Live in the Mojave’, New Album and More

Posted in Bootleg Theater, Features on February 10th, 2021 by JJ Koczan

nebula for interview

According to¬†Nebula bassist/backing vocalist Tom Davies, the venerable Los Angeles trio have about 17 songs written for their next album in one stage or another of completion. Sounds like plenty, right? To put that to scale, 2019’s Holy Shit¬†(review here) had nine. So that’s at least a full-length and probably an EP’s worth, with some odds and ends left over either for later or the riffy scrapheap. In any case,¬†Davies, founding guitarist/vocalist Eddie Glass and¬†drummer¬†Mike Amster are hoping to record in the next couple months with an eye toward releasing in the Fall.

If the last year taught humanity anything, though, it’s that the best laid plans often… catch the plague? Whatever.¬†Nebula in 2020 were to have taken off on tour with fellow stoner legends¬†Monster Magnet on a US tour that was to begin right around the time everything started locking down. The good news, I suppose, is they had time to write and work on 17 songs in a way they’ve never done before —¬†Glass also became a father for the first time; his and his girlfriend’s baby has a cameo in the ‘Couchlock and Rock’ segment preceding their recent ‘Live in the Mojave Desert’ livestream (review here), and is of course an adorable lump of mini-humanity as babies are at that stage of life — and whenever it surfaces,¬†Holy Shit‘s follow-up will continue the band’s post-reunion shift back into a full-on working group.

And if you didn’t watch it, ‘Live in the Mojave Desert’ is proof-positive of exactly why that’s good news. The trio, set up out in the desert, first sunset, then psychedelic oil projections from Mad Alchemy surrounding, live-album-worthy sound (which is fortunate, since the set will be a live album on¬†Heavy Psych Sounds) and drones flying around capturing the whole thing — the production scale is massive for a livestream — but at the core of it is¬†Nebula kicking ass in classic form. A power trio.¬†Davies and¬†Amster, with absolutely locked in grooves despite not having done a show in however long, while¬†Glass rips out another solo because what the hell the world’s ending anyway. If that’s to be the shape of human dystopia, then at least we know hedonism will outlive us.

Davies, loungin’ in his home studio, took some time out to talk about the process of making the stream — he hadn’t seen the finished product yet when we spoke, and neither had I — as well as writing and recording, life during lockdown in the desert, and more.

Please enjoy:

Nebula Interview with Tom Davies, Feb. 4, 2021

A video of “Let’s Get Lost” was posted as a preview for the full stream that aired this past weekend. You can see that and stream Holy Shit in its entirety both below.

Nebula, “Let’s Get Lost” from Live in the Mojave Desert Vol. 2

Nebula, Holy Shit (2019)

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Live Stream Review: Nebula, Live in the Mojave Desert

Posted in Reviews on February 8th, 2021 by JJ Koczan

nebula live in the mojave desert with header

A good many have tried, but the special off-the-rails sensibility in Nebula has never properly been duplicated. Often associated with the Californian desert rock scene — something the trio played into with the fisheye-instruments-on-sand cover art for their 1999 debut, To the Center (discussed here, also here), though it was recorded in Seattle — they might in fact be the last great stoner rock band, founded by guitarist¬†Eddie Glass alongside fellow¬†Fu Manchu¬†alums¬†Mark Abshire and¬†Ruben Romano. With¬†Glass‘ classic shred and loose swinging riffs, drawling vocals and flourishes of hard garage and psychedelia throughout, Nebula have nonetheless remained a punk act throughout their tenure, and that combination of elements in the precise measure brought to bear by¬†Glass — now joined in the cause by bassist/backing vocalist Tom Davies and drummer¬†Mike Amster (also¬†Mondo Generator, ex-Blaak Heat, etc.) — has made them a standout for over two decades.

That tenure was interrupted following the release of 2009’s Heavy Psych¬†(review here) and a 2010 split with¬†Quest for Fire on Tee Pee Records, but with a return in 2017 that led to much touring and the release of 2019’s comebacker¬†Holy Shit (review here),¬†Nebula have remained vital, and more importantly, have remained¬†Nebula. As the second installment of producer/director Ryan Jones‘ ‘Live in the Mojave Desert’ stream series, they seem right at home for a band who spent 2020 off the road. Maybe there’s a little shaking off the dust as they get started with the title-track of the aforementioned¬†To the Center, but between the desert wind and the air being pushed by¬†Amster‘s kick and the amps of¬†Davies and¬†Glass, there’s little to worry about in that regard.

The basic idea of presentation was much the same as with the first installment a couple weeks ago that featured Earthless¬†(review here): take a heavy band out to the desert, set them up with pro audio and lights, multiple cameras, drones buzzing around getting wide shots and scenery, and when night falls, let¬†Mad Alchemy‘s¬†Lance Gordon and crew light it up with psychedelic oil projections as it seems only they could. Following an hour of interview and preview/promotional programming — including sample audio from upcoming Spirit Mother and Mountain Tamer streams — Nebula start circa sunset under a gorgeous turquoise sky and tear into a set of new material and old with signature ferocity, the inheritors of whatever oozing degenerate vibe once made The Stooges seem so dangerous, and soon enough are jamming through “Man’s Best Friend,” “Giant” from 2001’s Charged and “Clearlight” again from the debut, drones still showing a bit of daylight left though the band seem by then thoroughly locked into a world of their own.

Spacey samples push the far-far-out feel for “Clearlight,” and after new song “Wall of Confusion” and¬†Holy Shit‘s “Tomorrow Never Comes,” there’s a quick interview break filmed after the set that acts as a buffer before the second half of the show. They talk about favorite concert films —¬†Live at Pompeii, The Song Remains the Samethough¬†Glass is largely unintelligible beneath a gorilla mask. As one might suspect, when they restart, it’s with the¬†Mad Alchemy light show behind them, and “Let’s Get Lost,” which served last week as a preview clip ahead of the full performance airing, earns its place as a focal point here as well.

nebula

It is an anti-anthem, a punk track that’s too high to see straight and too talented to fall completely apart, though not for lack of trying. The lyrics “take some drugs,” “drop out” and “society’s a bummer” flash on the screen before the song is deconstructed to synthy sampling and effects noise,¬†Amster‘s holding-it-all-together drums signaling the transition into “Messiah,” another Holy Shit highlight, which¬†Glass solos into oblivion leading to a moment of silence that’s so loud it’s damn near poignant. Wait. Am I supposed to be feeling feelings right now?

No time. “Perfect Rapture” from the¬†Quest for Fire split drawls into the more uptempo “It’s All Over” and “Witching Hour,” a quick nod to Dead Kennedys included, and they finish cold as the video fades out. By then, Nebula have clearly demonstrated their much-missed unfuckwithability as a live act, and the lack of crowd — with a substantial crew, some trailers shown in the early drone shots, porta-johns, trucks tucked off to the side, and so on, they’re not quite void of audience — does nothing to dull their impact. Their dynamic has changed over the years with different players, but the unhinged nature of their approach remains singular¬†and remains their own.

Watching a Nebula stream would probably already be the kind of thing that’s a highlight of whatever afternoon, and they’ve done one or two prior to this. The difference, of course, is the professional, concert-film level at which¬†‘Live in the Mojave Desert’ is executed. On a sheer production level, it’s unmatched by anything I’ve seen in the streaming era, and in the use of visual effects,¬†Sam Grant‘s skillful, rhythmic editing, the inclusion of¬†Mad Alchemy and the sense of urgency that’s driving the whole project, it is a rare positive marker for this time that has disintegrated the live music experience and perhaps changed it permanently.

I mean that. ‘Live in the Mojave Desert’ rises to meet the moment in which it’s happening. It’s not about a middle finger to COVID, though I guess it’s that too, and it’s not just a reminder that bands are still cool. It’s something more its own; a grand-scale passion project that’s open to public view. Will people talk about¬†Nebula¬†at Skull Rock like¬†Pink Floyd in Pompeii? Shit if I know. Ask me in 50 years. But right now, the comfort and the reassurance ‘Live in the Mojave Desert’ provides isn’t to be understated. For just a little while, letting go mentally and and following those drones as they soar over lit-up boulders, it kind of seems like it’ll just be what it’s gonna be. Life’s hard, everything’s hard, but at least there’s this.

Nebula, “Let’s Get Lost” from Live in the Mojave Desert Vol. 2

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Nebula: “Let’s Get Lost” Video from Live in the Mojave Desert Posted

Posted in Bootleg Theater on February 4th, 2021 by JJ Koczan

nebula live in the mojave desert

It is my hope that by the time this post reaches your eyes — tomorrow morning or early afternoon to me, stuck in the past — you’ve not only already seen this video already, but it’s entirety superfluous because you’re not only aware of how righteous it is, you’ve already secured your access to Nebula‘s ‘Live in the Mojave Desert’ stream, the second in the series of five being put on by producer Ryan Jones (also of the Stoned and Dusted fest), which airs this Saturday.

If you missed it, the first installment in the series featured Earthless (review here), and I’m not shitting you when I say it was such stuff as dreams are made of. And if you can think of a better follow-up to have shredding fuzz in the desert night than Nebula (among bands who actually exist), then cheers, you’re one up on me. Door prizes include spending 12 years of your life blogging imaginary conversations with no one. Good luck.

Like the Earthless stream, there will be two hours of programming. First hour, interviews, all very super-casual and Californian. Second hour, you get to watch Nebula kill it in hi def. If you were to actually go to a show and see Nebula, as I did in Sept. 2019 (review here), it still would not be the same as this experience, not only because it’s clearer than you’re seeing any night Nebula are playing, but also because of the Mad Alchemy crew lighting up the desert night, the pro-shop audio mix and master, and the fucking drones buzzing around taking video from above.

Look. If we’ve ever been friends, I’m telling you, this series is something special. And I know they’re putting out vinyl and videos and whatever after the fact through Heavy Psych Sounds, and I’m sure as hell not going to say don’t buy it — because, yeah, do — but this is the kind of thing that if you’re not on board for it as it’s happening, you stand a good chance of regretting that later. That’s all I’ve got.

Here’s Nebula doing “Let’s Get Lost”:

Nebula, “Let’s Get Lost” from Live in the Mojave Desert Vol. 2

LIVE IN THE MOJAVE DESERT is a livestream concert film series created in the California wilderness, with performances from Earthless, Nebula, Spirit Mother, Mountain Tamer, and STONER (a new band by Brant Bjork and Nick Oliveri).

Each film will be presented in a world-premiere, 1080p HD livestream event hosted by the California Desert Wizards, the bands, and your favorite rock heroes of the California Desert Rock scene. It’s gonna be a party so get ready for rad music, good times, and other far out content.

Each event will last two hours which will include an hour long ‚ÄúCouchlock and Rock‚ÄĚ session featuring a chat hosted by the California Desert Wizards alongside special guests including band members and icons from the California Desert Rock scene‚ÄĒthink if MTV in the 80‚Äôs was run by heshers and stoners. The second hour will feature the 1080p HD livestream concert film experience. The band lineup includes:

EARTHLESS ‚Äď Saturday, January 23
NEBULA ‚Äď Saturday, February 6
SPIRIT MOTHER ‚Äď Saturday, February 20
MOUNTAIN TAMER ‚Äď Saturday, March 6
STONER (the new project from Brant Bjork and Nick Oliveri)‚Äď Saturday, March 20

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Live Stream Review: Earthless, Live in the Mojave Desert

Posted in Reviews on January 25th, 2021 by JJ Koczan

earthless live in the mojave desert

Godspeed, Earthless. You carry the hopes and thanks of a grateful nation of weirdos.

The on-paper proposition doesn’t really do justice to actually seeing nighttime desert rocks painted with light while Earthless tear a hole in the galaxy as only they seem able to do. Earthless, Live in the Mojave Desert, while accurate in terms of the basic who and what and where, hardly begins to cover it.

I have watched a number of show-replacement streams at this point. “Well, no concerts because pandemic, so here’s this.” That’s not what this was. This was a once-in-a-lifetime experience shared with anyone who had the foresight to acquire a pass. I don’t mind telling you I got emotional. On the sheer level of sensory input, it was hard not to be overwhelmed.

So there’s Earthless — guitarist Isaiah Mitchell, bassist Mike Eginton, drummer Mario Rubalcaba — out by Skull Rock in the desert. There were shots of them riding out in the back of a pickup truck, answering interview questions and so on; extraordinarily idyllic to a very specific audience to see Mitchell rattle off a current-listening list upwards of 30 including Ry Cooter, Hendrix and Buddhist chanting. They started playing in daytime and seemed to cut until night, at which point Lance Gordon and the crew of the famed Mad Alchemy Liquid Light Show came aboard and, together with the stage lighting, proceeded to color the night. Drone shots have perspective of the impressive scope of the event, and live audio by Dan Joeright of Gatos Trail Studio in Joshua Tree, not to mention mastering by John McBain, assured clarity at no loss of vitality.

It was, at the end, a work of love on the part of producer/director Ryan Jones, best known as one of the parties responsible for the Stoned and Dusted fest. This series of five streams that Earthless kicked off is more than just a show to watch for would-be real-life attendees. Sitting in my living room on a cold January afternoon, it was pure sonic escapism, made all the more resonant by the raw immersion of Earthless live. Something I’d probably never get to see otherwise, pandemic or not. It wasn’t trying to be a show happening in a dark venue somewhere. It was more like a hybrid concert and concert film, presented live in the new medium that the horror show of last year brought to prominence.

The production was flawless. And no, they weren’t actually live. I think it was filmed in November, but even as a streaming premiere, the work editing and splicing in visual effects and different shots only enhanced the viewing experience. Watching dudes perform to a single camera in their rehearsal room has a certain appeal to it, and I won’t say otherwise, but this was something special. Whether it was “Violence of the Red Sea” in daylight or “Sonic Prayer” and “Lost in the Cold Sun” closing out at night, it felt like a gift, a celebration honoring live music that, yeah, made you miss it, but managed to offer something of its own beyond that sad nostalgia for what’s been lost in the COVID era.¬†Jones and his crew filming, the audio, lighting, tech people, the logistics work — it was all astounding to comprehend.

There will be four more, with Nebula,¬†Spirit Mother,¬†Mountain Tamer and¬†Stoner between now and the beginning of March. Then come the live albums, blu-rays, and so on. Without falling into some kind of “in this moment” clich√© about the times humanity is living through — I guess the lucky ones are living, with upwards of 4,000 deaths per day — the fact of the matter is that even if gigs were happening, the¬†Live in the Mojave Desert series would be something incredible to witness. If you saw this one on its first airing or you chase it down later, it is stuff of which legends are made. Recommended.

Earthless, “Sonic Prayer” snippet from Live in the Mojave Desert

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California Desert Wizards Association Launches CDWA Records & Announce Live in the Mojave Desert Series

Posted in Whathaveyou on November 13th, 2020 by JJ Koczan

The California Desert Wizards Association, in case you’re unfamiliar, are the good souls behind putting together the Stoned and Dusted festival, desert heavy loyalists through and through. This makes the launch of CDWA Records only good news. And kudos to the nascent imprint for doing it in style and announcing not only a first release, but a series of five live albums and videos — LP, CD, DVD — all slated to have online premieres in the early-going of 2021.

The lineup for Live in the Mojave Desert Vols. 1-5 is a powerhouse assemblage of legends and upstarts. Led off by Earthless and Nebula, before dipping into the heavy psych-gaze of Spirit Mother (whose March 2020 offering, Cadets, has been undeservedly lost in the plague shuffle of this year but is a gem nonetheless) and the inexplicable dark forces of Mountain Tamer before unveiling a new Brant Bjork/Nick Oliveri collaboration in Stoner.

Cheers to Ryan Jones of the CDWA on the ambitious kickoff for the new project, and here’s looking forward to hearing this stuff and seeing the videos with Mad Alchemy and the bands. Killer.

Details follow, courtesy of Jones via the PR wire:

cdwa records logo

CDWA Announces Live in the Mojave Desert Livesteam Series

Well, well, well, have we got some big news for you California Desert Wizards. We at the CDWA have been busy! I’m very proud to announce the formation of CDWA Records; created to film, record and bring you concert films and live albums from your favorite stoner and desert rock bands made entirely in the far flung parts of the desert. Coming in Winter 2021, we bring you the first in our concert film series:

LIVE IN THE MOJAVE DESERT VOLS. 1 – 5

5 New Concert Films + 5 New Albums

Filmed and Recorded Live in the Mojave Desert, California

EARTHLESS
NEBULA
SPIRIT MOTHER
MOUNTAIN TAMER and
STONER A heavy new project from BRANT BJORK + RYAN GUT + NICK OLIVERI
With the MAD ALCHEMY LIQUID LIGHT SHOW lighting up the desert!!

Our 2020 Stoned and Dusted party got canceled by Covid. We had to do something rad for all you rockers who bought airfare, booked hotels, bought tickets to the show and then had to get it all refunded, what we call “no-fun”ded. So we filmed Yawning Man at Giant Rock. We filmed Brant Bjork among the Joshua trees at sunset. And in May 2020 we brought you Couchlock and Rock: an online, hosted, break-out-the-bong, concert film watch party. We loved it. We wanted more. So we made more.

In October 2020 we filmed and recorded five bands in four days, deep in the deep sand and iconic rocks of the desert. It was pretty wild getting all of our gear out there. But we did it and it was waaaaay worth it!
24 track Pro Tools recordings
“All the sounds blew my mind”!
The Mad Alchemy Liquid Light Show projecting on a 4 story high, double pyramid of boulders and a crack squad of badass filmmakers and photographers there to capture it
“All the colors made me blind!”
Holy shit are you in for a treat!!

Coming just in time for a cold, quarantined winter, we will live host five concert film premiers online and release the five albums coming out on vinyl. At the end of November, tickets and albums will go on sale so you Desert Wizards can watch together online, rock out, chat, joke and smoke. We can’t wait to share it with you!

Start drying your fall harvest so it’s ready in time. Check out the video below, and (puff, puff) pass it on to your friends.

Cheers and thanks and stay healthy,
Ryan

http://www.CaliforniaDesertWizardsAssociation.com
https://instagram.com/CDWAOfficial
https://www.facebook.com/StonedandDusted

California Desert Wizards Association Records, Live in the Mojave Desert Vols. 1-5 teaser

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