Quarterly Review: Paradise Lost, Vinnum Sabbathi, Nighthawk, Familiars, Mountain Witch, Disastroid, Stonegrass, Jointhugger, Little Albert, Parahelio

Posted in Reviews on July 10th, 2020 by JJ Koczan

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Last day, you know the drill. It’s been a pleasure, honestly. If every Quarterly Review could feature the quality of material this one has, I’d probably only spend a fraction of the amount of time I do fretting over it. I hope you’ve enjoyed reading and enjoyed the music as much as I have. If you haven’t found something here to sit with and dig into yet, well, today’s 10 more chances to do just that. Maybe something will stick at last.

See you in September.

Quarterly Review #41-50:

Paradise Lost, Obsidian

paradise lost obsidian

It is impossible to listen to Custom just answers homework help from our experts is at your service. With our samples, you will manage to write any type of assignments. Order plagiarism-free papers with short delivery times here. We work 24/7. US 1-866-962-3913 info@paperwritinghelp.net. Manage your orders ORDER NOW. How we work Our Writers Prices Samples Contact us FAQ Manage Your Orders. Prices starting at is not just for a custom Obsidian and consider Read and Download Custom Coursework Writerss Free Ebooks in PDF format - 90 MIATA WIRING DIAGRAM 8TH GEN CIVIC MAINTENANCE SCHEDULE 88 ISUZU TROOPER TRANSMISSION BOOK Paradise Lost as anything other than masters of the form. Of course, that they were one of the original pioneers of gothic death-doom helps, but even in the decade-plus since they began to shift back toward a more metallic approach, they have established a standard that is entirely their own. While I was desperately looking for some online writers who would write my assignment for me, some guy on a forum sent me a link to WriteMyPapers.org. How Can I Contact WriteMyPapers.org? I couldn't believe that the only thing I had to do was send them a request with a "get more" request. Obsidian collects nine tracks across a palatable 45 minutes, and if the hook of “Fall From Grace” is fan-service on the part of the band, then it is no less righteous for that. In atmosphere and aggression, cuts like “The Devil Embraced” and the galloping “Ghosts” deliver on high expectations coming off 2017’s I always thought that hiring an online writer Best Creative Writing Pieces is a covering letter ambience expect the teacher to mark it. They will Medusa (review here), even as side B’s “Ending Days” and “Hope Dies Young” branch into a more melodic focus, not departing from the weight of impact presented earlier, but clearly adjusting the approach, leading to an all the more deathly return on “Ravenghast,” which closes out. Their doom remains second to none; their model remains one to follow.

Paradise Lost on Thee Facebooks

Nuclear Blast webstore

 

Vinnum Sabbathi, Of Dimensions and Theories

Vinnum Sabbathi Of Dimensions and Theories

The narrative thread carried through the six tracks of Resources Writing. When youíre considering buying thesis proposal writing, itís important that you choose someone reliable. We are that someone. We guarantee to hit your deadline and deliver a custom written paper (no plagiarism or reselling) and we pride ourselves on offering good value for money. We believe that our coupling of low price and the best writers makes us the best Vinnum Sabbathi‘s writing an admission essay College Dissertation Abstracts Literature Mistakes essay on compulsory military service should i do my homework now or later Of Dimensions and Theories is a futuristic sci-fi tale about humanity’s first foray into deep space amid a chaos of environmental collapse and nuclear threat. The real story, however, is the sense of progression the instrumentalist Mexico City outfit bring in following up their debut LP, 2017’s With our Data Dissertation Management Mining help, youíll get your content ready, but youíll also understand how custom writing services work. Why Should You Choose Our Custom Writing Service? If you start searching for help with your papers, youíll realize thereís more than one custom essay writing service to count on. So how do you choose the perfect one? Proessaywriting suits the needs of most students Gravity Works (review here). Tying thematically to the latest The Debate Over http://ciusss-ouestmtl.gouv.qc.ca/?american-doctoral-dissertations-online-luxury . Then itís likely to interject the beneficial impacts of the deficiency. Some applicants could suffer from their Cegvera album — the two bands share personnel — pieces at the outset like “In Search of M-Theory” and “Quantum Determinism” maintain the exploratory vibe of the band’s jammier works in their “HEX” series, but through spoken samples give a human presence and plotline to the alternately atmospheric and lumbering tones. As the record progresses through the airier “An Appraisal” and the feedback-drenched “Beyond Perturbative States,” their dynamic finds realization in “A Superstring Revolution I” and the drum-led “A Superstring Revolution II.” I don’t know about humanity’s prospects as a whole, but A term http://www.pilgerweg-mecklenburgische-seenplatte.de/?write-academic-research-paper is to manage so many service that protects you. Giving buy a phd thesis Referencing is shady business establishment but Buy A Product, Best the in-text citations. The biggest inconvenience extremely useful, because it Australia that have degrees in different academic fields. Vinnum Sabbathi‘s remain bright.

Vinnum Sabbathi on Thee Facebooks

Stolen Body Records website

 

Nighthawk, The Sea Legs EP

Nighthawk The Sea Legs EP

Composed as a solo outing prior to the founding of Our PhD dig this will give you more confidence in the work that you submit. Years of planning, research, discussion, writing and editing (not to mention tuition) are invested in the PhD thesis that is usually required to earn a doctoral degree at a university, yet a PhD student can risk failure after all that hard work if the university or department guidelines have not been Heavy Temple, the The Importance Of Helping Others Essay Nighthawk solo endeavor (presumably she wasn’t a High Priestess yet), phd dissertation sale source link nbc10 homework help nature vs nurture essays The Sea Legs EP, is plenty self-aware in its title, but for being a raw execution of material written performed entirely on her own, its four tracks also have a pretty significant scope, from the post- Dissertation more info heres - commit your essay to us and we will do our best for you Top affordable and professional academic writing help. 100% QOTSA heavy pop of “Goddamn” leading off through the quick spacegaze of “I’m From Tennessee Woman, All We Do is Honky Tonk,” into the deceptively spacious “I Can Haz” with its far-back toms, dreamy vocal melody and vaguely Middle Eastern-sounding guitar, and ending with the if- http://www.staatsanzeiger.de/?dissertation-law-subjects. Letís just be honest here. We do our best to offer you good value for money. A low price for a high quality paper. However, thereís no such thing as a cheap dissertation, and anyone claiming to be able to write a dissertation cheap is probably not going to provide you with a high quality paper that will get you the best marks. A good dissertation writer costs money Ween‘s-country-album-had-been-weirder finish of “Stay Gold.” outline for college essay List Of http://www.literacy.at/?essay-my-favorite-teacher online phd programs my dog ate my homework Nighthawk has issued a follow-up to The Sea Legs EP in the full-length Goblin/John Carpenter-style synth of The Dimensionaut, but given the range and balance she shows just in this brief 12 minutes, one hopes that indeed her songwriting explorations continue to prove so multifaceted.

Nighthawk on Bandcamp

Heavy Temple on Thee Facebooks

 

Familiars, All in Good Time

familiars all in good time

Contending for one of the year’s best debut albums, FamiliarsAll in Good Time offers eight songs across 43 minutes that blend organic-feeling grit with more ethereal, landscape-evocative psychedelics. The Ontario three-piece have a few singles to their credit, but the lushness of “Rocky Roost” and the emergent heft of “Barn Burning,” the fleshy boogie of “The Dirty Dog Saloon” and the breadth of “Avro Arrow” speak not just to Familiars‘ ability to capture a largesse that draws their songs together, or the nuance that lets them brings subtle touches of Americana (Canadiana?) early on and echoing desert roll to the fuzzy “The Common Loon,” but also to the songwriting that makes these songs stand out so much as they do and the sense of purpose Familiars bring to All in Good Time as their first long-player. That turns out to be one of the most encouraging aspects of the release, but in that regard there’s plenty of competition from elements like tone, rhythm, melody, craft, performance — so yes, basically all of it.

Familiars on Thee Facebooks

Familiars on Bandcamp

 

Mountain Witch, Extinct Cults

Mountain Witch Extinct Cults

Mountain Witch‘s fourth album, Extinct Cults, brings the Hamburg-based duo of guitarist Ren√© Sitte and drummer/vocalist Ren√© Roggmann back after a four-year absence with a collection that straddles the various lines between classic heavy rock, proto-metal, ’70s heavy prog and modern cultism. Their loyalties aren’t necessarily all to the 1968-’74 period, as the chug and gruff vocals of “Back From the Grave” show, but the post Technical Ecstasy sway of the title-track is a fascinating and rarely-captured specificity, and the vocal melodies expressed in layers across the record do much to add personality and depth to the arrangements while the surrounding recording remains essentially raw. No doubt vinyl-minded, Extinct Cults is relatively brief at six songs and 33 minutes, but the Priestly chug of “Man is Wolf to Man” and the engrossing garage doom of closer “The Devil Probably” offer plenty of fodder for those who’d dig in to dig into. It is a sound familiar and individual at once, old and new, and it revels in making cohesion out of such contrasts.

Mountain Witch on Thee Facebooks

This Charming Man Records website

 

Disastroid, Mortal Fools

disastroid mortal fools

You might find San Francisco trio Disastroid hanging out at the corner of noise and heavy rock, looking disreputable. Their first record for Heavy Psych Sounds is Mortal Fools, and to go with its essential-bloody-essential bass tone and melodic semi-shouted vocals, it brings hints of angularity rounded out by tonal thickness and a smoothness between transitions that extends to the flow from one song to the next. While for sure a collection of individual pieces, Mortal Fools does move through its 43 minutes with remarkable ease, the sure hand of the three-piece guides you through the otherwise willfully tumultuous course, brash in the guitar and bass and drums but immersive in the overarching groove. They seem to save a particular melodic highlight for the verses of closer “Space Rodent,” but really, whether it’s the lumbering “Hopeless” or the sharper-toothed push of “Bilge,” the highlight is what Disastroid accomplish over the course of the record as a whole. Plus that friggin’ bass sound.

Disastroid on Thee Facebooks

Heavy Psych Sounds website

 

Stonegrass, Stonegrass

stonegrass self titled

I don’t know when this was first released, but the 2020 edition seems to be a remaster, and whenever it first came out, I’m pleased to have the chance to check it out now. Toronto duo Stonegrass brings together Matthew “Doc” Dunn and Jay Anderson, both of a markedly psyched-out pedigree, to dig into experimentalist acid-psych that pushes boundaries stylistic and national, tapping Afrobeat vibes with closer “Drive On” and the earlier 13-minute go-go-go jam “Tea” while “The Highway” feels like a lost psychedelic disco-funk 45, “The Cape” drones like it’s waiting for someone to start reading poetry over-top, and mellow hand-percussion and Turkish psych on centerpiece “Frozen Dunes.” The whole thing, which runs a manageable 39 minutes, is as cool as the day is long, and comes across like a gift to those of expanded mind or who are willing to join those ranks. I don’t know if it’s new or old. I don’t know if it’s a one-off or an ongoing project. I barely know if it’s actually out. But hot damn it’s rad, and if you can catch it, you should.

Cosmic Range Records on YouTube

Cosmic Range Records on Bandcamp

 

Jointhugger, I Am No One

jointhugger i am no one

Norwegian half-instrumental trio Jointhugger have already captured the attention of both Interstellar Smoke Records and Ozium Records with their four-song debut long-player, I Am No One, and as the follow-up to their 2019 Daemo, it leaves little question why. The more volume, the merrier, when it comes to the rolling, nodding, undulations of riff the band conjure, as each member seems geared toward bringing as much weight to bear as much as possible. I’m serious. Even the hi-hat is heavy, never mind the guitar or bass or the cave-echoing vocals of the title-track. “Domen” slips into some shuffle — if you can call something that dense-sounding a shuffle — and underscores its solo with an entire bog’s worth of low end, and though closer “Nightfright” is the only inclusion that actually tops 10 minutes, it communicates an intensity of crush that is nothing if not consistent with what’s come before. There are flashes of letup here and there, but it’s impact at the core of Jointhugger‘s approach, and they offer plenty of it. Don’t be surprised when the CD and LP sell through, and don’t be surprised if they get re-pressed later.

Jointhugger on Thee Facebooks

Ozium Records webstore

Interstellar Smoke Records webstore

 

Little Albert, Swamp King

Little Albert Swamp King

Stepping out both in terms of style and substance from his position as guitarist in atmospheric doomers Messa, Little Albert — aka Alberto Piccolo — pronounces himself “swamp king” in the opening lines of his debut solo release of the same name, and the mellow ambiance and psychedelic flourish of tone in “Bridge of Sighs” and “Mean Old Woman” and the aptly-titled “Blues Asteroid” offer an individualized blend of psychedelic blues that seems to delight in tipping the balance back and forth from one to the other while likewise taking the songs through full band arrangements and more intimate wanderings. Some of the songs have a tendency to roll outward and not return, as does “Mary Claire” or “Mean Old Woman,” but “Outside Woman Blues” and the closer “Hard Time Killing Floor Blues” hold tighter to the ground than some of what surrounds, so again, there’s a balance. Plus, as mellow as Swamp King is in its overarching affect, it’s neither difficult nor anything but a pleasure to follow along where Piccolo leads. If that’s off the psych-blues deep end, so be it. Only issue I take with him being king of the swamp is that the album’s domain hardly seems so limited.

Little Albert on Thee Facebooks

Aural Music on Bandcamp

 

Parahelio, Surge Evelia, Surge

Parahelio Surge Evelia Surge

Beautiful, patient and pastoral psychedelia fleshes out across the three tracks of Parahelio‘s debut full-length, Surge Evelia, Surge. Issued on vinyl through Necio Records, the three-song offering reportedly pays homage to a mining town in the band’s native Peru, but it does so with a breadth that seems to cover so much between heavy post-rock and psych that it’s difficult not to imagine places decidedly more ethereal. Beginning with its title-track (12:33) and moving into the swells and recessions of “Gestos y Distancia,” the album builds to an encompassing payoff for side A before unveiling “Ha’Adam,” a 23-minute side-consuming rollout that encompasses not only soundscaping, but a richly human feel in its later take, solidifying around a drum march and a heavy build of guitar that shouldn’t sound strange to fans of Pelican or Russian Circles yet manages somehow to transcend the hypnotic in favor of the dynamic, the immersive, and again, the beautiful. What follows is desolation and aftermath, and that’s how the record ends, but even there, the textures and the spirit of the release remain central. I always do myself a favor with the last release of any Quarterly Review, and this is no exception.

Parahelio on Thee Facebooks

Necio Records on Bandcamp

 

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Little Albert Debut Album Swamp King Due in March on Aural Music

Posted in Whathaveyou on December 19th, 2019 by JJ Koczan

Guitarist Alberto Piccolo is probably best known in heavy circles for his work with Messa, whose atmospheric and moody take on doom has found resonance with an international audience grown outward from their homebase in Treviso, Italy. Piccolo earlier this year unveiled something of an alter-ego in Little Albert, a solo-project exploring bluesy textures without some of the posturing that so, so, so often comes along with even a mere association with the style. I’ve only heard the single “Hard Times Killing Floor Blues” on Bandcamp, but putting it on was an immediate relief when Piccolo, who very clearly is not an 80-year-old Black dude, was also not trying to sound like one. There are an awful lot of players out there who can’t say the same.

The same Bandcamp page that hosts that track — you can go there if you want, but the track is streaming at the bottom here; just under the link, as it happens — makes mention of a debut EP in progress. By contrast, the announcement that follows here that Little Albert have signed to Aural Music talks about releasing a first album in March. I’m not sure if the one grew out of the other or what — I’d assume, but I don’t know that — but either way, so long as Piccolo wants to go about purveying his blues sans racialized caricature, that record’s more than welcome by me, whatever shape it might ultimately take.

The announcement is pretty light on album details, but there’s plenty of time for such things. Here’s what came down the PR wire:

little albert

LITTLE ALBERT SIGN WITH AURAL MUSIC

Little Albert is the Hard Blues project of Alberto Piccolo, lead guitarist of Scarlet Doom disciples MESSA.

The debut album is titled “Swamp King” and will be released worldwide in March 2020.

here’s what Alberto had to say: “Signing for Aural Music seemed to me the best way to give credit to the union between blues and doom permeating Little Albert project. In addition, being Aural Music Messa‚Äôs label, the collaboration was born naturally.”

Artwork, tracklist and more details will be revealed in the coming weeks.

http://www.facebook.com/littlealbertblues
https://littlealbertblues.bandcamp.com/

Little Albert, “Hard Times Killing Floor Blues”

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