Quarterly Review: CHRCH, Bongripper, King Chiefs, Bonnacons of Doom, Boar, June Bug, Tired Lord, Bert, Zen Bison, Wheel in the Sky

Posted in Reviews on July 16th, 2018 by JJ Koczan

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You know the deal by now, I’m sure: 50 reviews this week between now and Friday, in batches of 10 per day. It’s an unholy amount of music, but those who really dig in always seem to find something cool within a Quarterly Review. Frankly, with this much to choose from, I’d certainly hope so. I’m not going to delay at all, except to say thanks in advance for coming along on this one. It’s got some core-heavy and some-not-really-core-heavy stuff all bundled next to each other, so yeah, your patience is appreciated. Okay. No time like the present. Let’s do it.

Quarterly Review #1-10:

CHRCH, Light Will Consume Us All

chrch light will consume us all

Yeah, yeah, yeah, the songs are long. Blah blah blah it’s heavy as whatever kind of construction equipment you could want to name. What’s even more striking about Los Angeles doomers Critical Thinking Science - Entrust your essays to the most talented writers. Instead of spending time in inefficient attempts, receive specialized help here CHRCH’s when should i start writing my college essay web link an essay on my native place what should i write my scholarship essay about Neurot Recordings debut, How To Do Your Homework In A Fun Way service in Manchester: Light Will Consume Us All, is the sense of atmosphere. The follow-up to 2015’s massively well-received Top website http://bayern.lpv.de/?essay-writer-in-vancouver company for businesses and agencies. Our website copywriters can deliver you the desired results. Unanswered Hymns (review here) is comprised of three songs presented in descending time order from opener/longest track (immediate points) “Infinite” (20:41) to centerpiece “Portals” (14:50) and closer “Aether” (9:29) and it finds my review here Best College Application Essay Ever - Title Ebooks : Best College Application Essay Ever - Category : Kindle and eBooks PDF CHRCH refining the unremitting patience of their rollout, so that even when “Aether” explodes in its second half to charred blastbeating and abrasive screams, the ambience is still dense enough to feel it in one’s lungs. Phd Dissertation Planning - Dissertations, essays and research papers of top quality. work with our writers to get the quality essay CHRCH keep up this level of progression and soon enough someone’s going to call them post-something or other. As it stands, their second album builds righteously on the achievements of their debut, and is a revelation in its bleakness.

CHRCH on Thee Facebooks

Neurot Recordings website

 

Bongripper, Terminal

bongripper terminal

Pressed up as ever in DIY fashion, personal statement letters http://eiko-kids.net/data-analysis-section-dissertation/ Paper online services that write university application essays homework is harmful or helpful essay Bongripper’s resume and cv writing services dunedin - Stop receiving bad grades with these custom research paper advice Dissertations, essays and academic papers of best Terminal presents two gargantuan slabs – one per vinyl side – that only seem to highlight the strengths in the Chicago instrumentalists’ approach. The tones are huge, the grooves nodding, the impact of each kick drum forceful. Repetition is central, that feeling of aural mass and destructiveness, but neither is Best Art Design Phd Thesis service that guarantees timely delivery. Order online academic paper help for students. Professionally researched & quality custom Terminal – comprised of “Slow” (25:11) and “Death” (18:15) – lacking a sense of atmosphere. After 21 minutes of grueling pummel, “Slow” devolves into droning layers of noise wash and quiet guitar to finish out, and “Death” seems to hold onto an echoing lead in its closing minutes that accomplishes much the same thing in broadening the atmosphere overall. I don’t know if the two songs were composed to fit together –the titles would hint yes – but they invariably do, and as “Death” unleashes a more insistent punch before turning to a post- read this. Our recommended dissertation services are second to none. You only need to look at our dissertation writing reviews to see the truth of that statement. Disappointed people dont leave good reviews our customers are always satisfied, because we make it our business to ensure that is the case. From our low prices to our outstanding writing that is always YOB gallop, it reconfirms check my blog LondonTremblay Bois Mignault Lemay, cabinet d'avocats, Quebec Avocats specialises: Erreurs/fautes medicales, affaires Bongripper’s worship-worthy place in the stoner doom milieu, how their sound can be so familiar in its threat and yet so much their own.

Bongripper on Bandcamp

Bongripper webstore

 

King Chiefs, Blue Sonnet

King Chiefs Blue Sonnet

Born as This is a dissertation search tamus review portal for students, that provides expert opinion and helpful paper writing guidelines. Editor Chiefs ahead of their 2015 debut album, Through believing our a fantastic read writing service, you get custom thesis for sale that ensures you get the opportunity to have leisure time. Our custom thesis writing service will doubtlessly help you create the finest custom thesis for cutting edge students and researchers who need custom masters thesis. Tomorrow’s Over (review here), Arizona-based four-piece Can great Make Your Own Resume really be condensed down into just 8 steps? Well, whilst it's true that there is a lot that goes into academic writing of any kind, these top takeaways are a great place to start if you want to improve your essay writing. To some, essay writing comes naturally. But for many, knowing how to answer an essay question in a way that will score high marks is something that King Chiefs make their own first outing in the form of the easily-digestible desert rocker WriteMyPapers.org is a professional research paper, If the question "see here nows professionally?" bothers you a lot and you need an expert Blue Sonnet (on Roosevelt Row and Cursed Tongue Records), comprised of 10 tracks running just under 40 minutes of older-school laid back heavy, swinging easy on cuts like “Surely Never” and “Drifter” while still finding some Helmeted aggressive edge in the riffs of “Slug” and “Walk the Plank.” The overarching focus is on songwriting, however, and King Chiefs hone in cleverly on ‘90s-era desert rock’s post-grunge sensibility, so that their material seems ready for an alternative radio that no longer exists. Such as it is, they do just fine without, and hooks pervade the two-guitar outfit’s material in natural and memorable fashion all the way to five-and-a-half-minute closer “Shrine of the Beholder,” which embraces some broader textures without losing the structural focus that serves so well on the songs before it.

King Chiefs on Thee Facebooks

Roosevelt Row Records website

Cursed Tongue Records website

 

Bonnacons of Doom, Bonnacons of Doom

bonnacons of doom bonnacons of doom

Heavy psychedelic experimentalism pervades the Rocket Recordings-issued self-titled debut album from Liverpool collective Bonnacons of Doom, rife with tripout ritualism and exploration of sound as it is, all chasing light and getting freaky in any sense you want to read it. Five tracks, each a voyage unto itself – even the bass-fuzzy push of shortest cut “Rhizome” (5:55) is cosmos-bound – feed into the larger weirdness at play that culminates in the undulating grooves of “Plantae” (8:39), which is perhaps the most solidified cut in terms of choruses, verses, etc., but still a molten, headphone-worthy freakout that pushes the limits of psychedelia and still holds itself together. If the album was a to-do list, it would read as follows: “Eat mushrooms. Get naked. Dance around. Repeat.” Whether you do or don’t is ultimately up to you, but Bonnacons of Doom make a pretty convincing argument in favor, and I don’t generally consider myself much of a dancer. Among the most individualized psych debuts I’ve heard in a long time.

Bonnacons of Doom on Thee Facebooks

Rocket Recordings on Bandcamp

 

Boar, Poseidon

Boar Poseidon

Poseidon, at six songs and 39 minutes, is the second long-player from Finnish four-piece Boar. Released on vinyl with no shortage of backing — Lost Pilgrims Records, Dissonant Society, Impure Muzik, S.K.O.D., Rämekuukkeli-levyt – it hurls forth a High on Fire-informed vision of noise rock on its opening title-track only to take on a slower roll in the subsequent “Shahar’s Son” and dig into massive crashing on “12.” Using echo to add a sense of depth all the while, they scream in tradeoffs à la Akimbo and boogie in “Featherless” and seem to find a post-metallic moment on “Dark Skies” before closing with the alternately brooding and scathing “Totally out of This World,” the song sort of falling apart into the feedback and noise that ends the album. There’s a persistent sense of violence happening, but it’s as much inward as outward, and though some of Boar’s most effective moments are in that rawness, there’s something to be said for the contemplation at the outset of “Shahar’s Son” and “12” as well.

Boar on Thee Facebooks

Boar on Bandcamp

 

June Bug, A Thousand Days

June bug A Thousand Days

Seemingly unrestrained by genre, the Lille, France-based duo June BugJune on vocals and multiple instruments and Beryl on backing vocals and multiple instruments – dig into some post-punk nudge on early cut “Reasons” from their debut album, A Thousand Days (Atypeek Music) after the folkish melodies of opener “Now,” but whether it’s the fuzzy indie vibes of “Freaks” or the harmonies, electronics and acoustic guitar of “Let it Rest,” or the keyboard-handclaps, lower tones and poppish instrumental hook of centerpiece “Mama,” there’s plenty of variety throughout. What ties the differing vibes and richly nuanced approach together is the vocals, which are mostly subdued and at times hyper-stylized, but never seem to fail to keep melodicism as their central operating method. That remains true on the subdued “Does it Matter” and the beat-laden “Silenced” at the album’s finish and brings everything together with an overarching sense of joy that holds firm despite shifts in mood and approach, making the complete front-to-back listen as satisfying as it might seem all over the place.

June Bug on Thee Facebooks

Atypeek Music website

 

Tired Lord, Demo

tired lord demo

Released by the band last year, the four-song Demo by San Francisco outfit Tired Lord has been picked up for an official cassette issue through From Corners Unknown Records and will reportedly be the only release from the black metal/sludge genre-benders. Presumably that means they broke up, rather than just refuse to ever record again, though the latter possibility intrigues as well and would be meta-black metal. Spearheaded by guitarist Bryce Olson, Tired Lord effectively bring a thickness of tone to charred riffing, and a balance between screams and growls brings a cast of general extremity to the material. So I guess this is the part where I’m supposed to regret their dissolution and wish they’d do a proper release. Fair enough for the brutal chug in “Serpent’s Ascent” and the 7:51 closer “Astaroth,” which one wouldn’t mind hearing fleshed out from their current form. Failing that, one of the 30 tape copies pressed of Demo seems like decent consolation. At least while they’re there for the getting and before Tired Lord go gleefully into that black metal demo tape ether where so many seem to dwell.

From Corners Unknown Records on Thee Facebooks

From Corners Unknown Records website

 

BerT, Relics from Time Zero

bert relics from time zero

Lansing, Michigan, trio BerT – bassist Phil Clark and brothers Ryan (guitar) and Rael (drums) Andrews – broke up. They even put out a posthumous rare tracks release in 2017’s The Lost Toes (review here), so what’s left? Well, another album, of course. Intended as a sequel to the sci-fi narrative of the never-released long-player Return to the Electric Church, the five-track/35-minute Relics from Time Zero is unfinished, sans vocals where they might otherwise be, and basically a look at what might’ve been had the band not dissolved. For those prior-exposed to the once-prolific heavy rock bizarros, some of the proceedings will seem familiar: riffs are plentiful and fluid in their tempo changes from driving rock to droned-out stomp, and there seems to be about 1.5 of them in the four-minute “In the Cave of the Batqueen,” so but for the fact that it’s not done, I’d just about call it business as usual for BerT. I know they’re done and all, but I still wouldn’t mind hearing these songs with some lyrics, let alone the record this one was intended to follow-up. Either way, even defunct, BerT remain on their own wavelength.

BerT on Thee Facebooks

BerT on Bandcamp

 

Zen Bison, Krautrocker

zen bison krautrocker

Classic-style heavy rock riffing pervades opener “Blow My Mind” (5:47) and the subsequent “Backseat Lovers” (5:15) – somewhere between Stubb and Radio Moscow — on Zen Bison’s debut LP, Krautrocker, but as the five-track/42-minute self-release moves into the 11-minute title-track, guitarist/vocalist Philipp Ott, bassist Steffen Fischer and drummer Martin Konopka – joined by organist Hans Kirschner and percussionist Bobby Müller –move into deeper-grooving and more psychedelic fare. That turn suits the mostly-live-recorded outfit well on the longer instrumental piece, and that leads to a side B with the likewise-sans-vocals “La Madrugada” (9:56) and the closing cover of Don Nix’s blues rocker “Going Down” (10:24), jammed out at the end in its middle and end with quick return to the chorus between. There isn’t much on Krautrocker one might actually consider krautrock in the traditional sense, but there’s certainly plenty of rock to go around on the impressive and varied first offering from the Rostock trio.

Zen Bison on Thee Facebooks

Zen Bison on Bandcamp

 

Wheel in the Sky, Beyond the Pale

wheel in the sky beyond the pale

From opener “Rivers of Dust” onward, Wheel in the Sky’s second album, Beyond the Pale (on The Sign Records), proffers classy and classic digs, informed by a heavy ‘70s uptempo spirit on its title-track and moving into more complex volume and arrangement shifts in “Burn Babylon Burn” (video premiere here) and a poppy, goth-informed hook on “The Only Dead Girl in the City,” all the while held together through a quality of songwriting that even the band’s 2015 debut, Heading for the Night (review here), seemed to hint toward. It’s a mover, to be sure, but Wheel in the Sky execute their material with poise and a sense of clear intention, and no matter where they seem to go, their tonality and natural production assures the listener has an easy time tagging along. Might be a sleeper for some, but there are going to be people who really, really dig this album, and I’ve got no argument with them.

Wheel in the Sky on Thee Facebooks

The Sign Records website

 

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June Bug to Release A Thousand Days on Atypeek Music; Tour on Now

Posted in Whathaveyou on June 6th, 2018 by JJ Koczan

june bug

Sometimes I post about things I think are cool and think other people might dig. Every now and again, I post about things I’m a little ambivalent about. And then, once in a good long while, I post about something I think is really fucking awesome and I don’t even care how anyone else feels about it. French avant psych-folk two-piece June Bug, who bring a delightfully weird and unpredictable style to their debut album, A Thousand Days, for sure fall into the latter category.

On tour now since the end of May, the band released A Thousand Days on their own back in April, but this month they’ll have it out again with backing from the respected taste of Atypeek Music, and as this is the first time I’m hearing it, and I dig the crap out of it, I’m posting about it. Because sometimes I have to do something like that to keep myself sane. So I dig this. If you do too, great. If not, wait for the next post. I’m sure it’ll be full of riffs.

Nothing against riffs, mind you.

Info and audio follows, courtesy of the PR wire:

june bug a thousand days

Atypeek Music: JUNE BUG Release New Album A Thousand Days

French avantgarde label Atypeek Music releases in June the new album by french Anti-Folk/ Pop, Psych Rock Duo June Bug.

June Bug has an alternative approach to Folk Music, where electronic and saturated sounds merge with the harmonies of human voices, guitars, percussions and synthesizers. The words and the melodies strongly match with the personality of Sarah June, self-taught artist singer songwriter who, through her musical journey, crossed the path of Beryl, guitarist multi-instrumentalist, who now accompanies her in the musical arrangements and on stage.

June Bug live:
07/06 CHERBOURG (50) Club Dinette
08/06 SAINT-BRIEUC (22) Le Fût Chantant
09/06 VANNES (56) Les Valseuses
10/06 VANNES (56) Bernus Café “concert privé”
20/06 MOUSCRON (BE) Festival Mouscr’on the Rock “Dottignies”
21/06 VILLENEUVE-D’ASCQ (59) La Ferme d’en Haut + Monsieur Thibaut
23/06 AMIENS (80) Festival Minuit avant la Nuit
28/06 DUNKERQUE (59) Le Bommel
30/06 SAINT-LAURENT-BLANGY (62) Médiathèque
01/07 LILLE (59) Concert privé
08/07 TULLE (19) Festival C’est Ma Tournée
28/07 CHAUNY (02) Festival Cantons Chante
11/08 TAVIGNY (BE) Festival La Truite Magique
13/08 AUXERRE (89) Festival Garçon La Note
14/08 NEVERS (58) Festival Nevers Plage
15/08 GOUDET (43) Festival Rock’n’Camp
19/08 MONTPELLIER (34) La Ferme Marine
20/08 BUIS-LES-BARONNIES (26) Les Ephélides
22/08 PANTIN (93) Le Bar Gallia
25/08 DARMSTADT (GER) Summer Festival Forst
08/09 MINSLEBEN (GER) Festival Mendevie

June Bug is:
JUNE : lead voice, electric guitar, drums, sample pad, omnichord.
BERYL : backing vocal, electric guitar, folk guitar, drums, sample pad, synthesizer.

https://www.facebook.com/junebugacoustic/
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http://instagram.com/junebugacoustic
http://junebugacoustic.tumblr.com/
https://www.facebook.com/AtypeekMusic/
https://atypeek.bandcamp.com/
atypeekmusic.com/

June Bug, “Silenced” official video

June Bug, A Thousand Days

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