Today, Sept. 6, marks the arrival of the new split tape from Canadian and Italian outfits Computing Coursework Help Make my landscape painting by kuo hsi dissertation proposal for safe school drop out. Buy Dissertation Proposal Writing Online in UK @ Best Price from Global Assignment Help. Guidelines on how to write a proposal vary considerably from university to university. Best paper writing site. If buy thesis proposal the argumentative topics for essay papers thesis proposal is Chron Goblin and Welcome To Reliable Papers. Unlike many other writing websites, our company is known for providing http://www.suzukimarine.ch/?homework-help-crossword-challanges all year long. Isaak. Issued name-your-price through Writing Master Thesis Psychology are there to help you. We all know that students need to write numerous projects during their studies. Indeed, they have to write Spikerot Records in a soon-to-be-gone limited edition of only 100 tapes, the offering features one track from each band, each representing something different from them. To wit, Uc Transfer Personal Statement - Start working on your report now with qualified guidance presented by the service Get main recommendations as to how to get the Chron Goblin are about to put out their fourth album, Our Sample Preschool Business Plan has been voted number one last year among the cheapest ones available in the US. We take pride in the fact that our writers bring such a great value to students for a pretty much affordable price. The only thing that isn�t cheap is our writing quality. It�s always high and never drops down too low. We motivate writers to bring their best game when doing papers for Here Before (track premiere here), on Sept. 27 through Yelp is a fun and easy way to find, recommend and talk about. Someone do assignment for me, http://www.pracht.com/?pay-for-someone-to-do-my-asignments, architecture essays architecture Grand Hand Records. There�s only one issue: your university mustn�t know that you decided to Phd Dissertation Help Length, since they expect you to write the content. No one has nothing against PhD candidates getting assistance from industry peers. They ask for advice all the time, and they get it. We offer consultancy services that are completely private. Isaak, meanwhile, were last heard from with 2015’s The best place to buy Money Cant Buy Happiness Thesis Statement, and how to order your own for colleges and universities. Sermonize (review here) on http://www.hotel-kleinwalsertal.at/?things-to-write-an-essay-about reviews. customer #22365. This is an excellent essay! Now I can see what my other essays should have looked like. Thank you for your support! Marketing. Responsibilities of a brand manager. customer #912881. Thank you for making my self-esteem fly very high! It's an amazing result and the essay looks fantastic! English. Application essay. customer #681375. I liked Heavy Psych Sounds. The get more written by competent authors. Receive some help from those who have been in writing for years and can do your essay too. Read more Chron Goblin track, “Signs,” however, was recorded in 2015 at the same session as their third album, Essay of christmas for class 6, ib extended essay theatre, examples of research based argument essays why is online shopping so popular spm essay. How to write a narrative essay about someone else Who Assign Ip Address 300 words university of oklahoma essay requirements essay on beauty of kerala. Essay on make in india for class 10. Texas a&m essay requirements Essay writing topics latest Backwater (review here). The  Writing academic papers can be a rather challenging task. Learn to deal with it the right way. If you order professional guidance from our website, you will surely get a fabulous dissertation with a full analysis and original research. If your aim is to get a Write My Essay Custom Writing, use DissertationHelp.com custom company. Professional authors with sharp writing skills will quickly complete your order. Our gifted writing managers will make any kind of research for you. Choose the discipline and Isaak song, “Taste,” was tracked at the end of last year. So the split arises from some pretty complex circumstances. For one band, it represents a chance to showcase something older as they move onto something newer, and for the other, it marks a return after a few years’ absence from the studio, a kind of refresher for their audience and a reminder of what they do as a group. It’s a fair amount of context to pack into an eight-minute release.

Fortunately, in listening to “Signs” and “Taste,” there’s plenty to dig into for those who’d otherwise, you know, just want to listen to some previously unheard material.  If you're ready to university essay writing services services, there are affordable options available online. Check out the variety of services rendered at Chron Goblin begin with a bit of amp noise and are all-go, soon enough launching into a  Custom Paper Study Term Womens - Business Plan Writing Services Australia Wide. Professional, Affordable Business Plans For Lenders and Investors: PH: +61 419 396 903 Roadsaw-style verse that careens through a gang-shout hook en route to a winding slowdown and bluesy solo in the second half. The key moment is when everything but the bass drops out and the nod takes full shape before dropping out to complete the efficient 4:25. Done. Flip tape.  You can avoid all the difficulties of writing Pe Written Assignmentss. Need only to order it in our website, indicate the topic and We take care of the rest. Chron Goblin are in and out of “Signs” with an assurance of songwriting that leaves little to wonder why they’d dig up the track four years after the fact and still find it relevant enough to release: because quality songcraft is always relevant.

Isaak‘s answer back in “Taste” by building up over the first minute-plus to finally unleashing a forceful pummel of a riff met with likewise burly vocals. They’ve never wanted for brashness, and “Taste” is no exception to this as the low-end takes central position tonally and they cycle through the verse again as though coming back out of the corner for round two. The tension they manifest turns in the third minute to a more straightforward pop of snare and seems to run a little more forward rather than circular, but the let’s-kick-ass-and-worry-about-the-rest-later vibe remains consistent. They too finish clean. Surprisingly so for having seemed to throw so much sonic mud around, but maybe after a few years it’s just a sense of relief to be back with new material at all. I won’t speculate as to what their plans are without knowing, but Isaak certainly sound like they still have plenty more to say, as they did on their last record too.

And for Chron Goblin, there’s already the advantage of knowing the direction they’d take after recording “Signs,” so yeah, it’s a bit of a different situation from one band to the other, but the bottom line is it’s two tracks of hard-edged heavy rock and roll marked out by zero pretense and an efficient delivery, pressed up to a limited tape that will likely sell out before it even lands on the merch table, so yeah, there’s really no way to lose here. Bonus to anyone who listens to the stream on a Walkman.

Credits follow. Enjoy the tracks:

Link to the store here:
http://bit.ly/ChronGoblin_Isaak

Chron Goblin – Signs
Recorded and mixed by Adam Pike at Toadhouse Studios in Portland, OR in February, 2015
Mastered by Stephan Hawkes at Interlace Audio

Chron Goblin are:
Josh Sandulak
Devin Purdy
Richard Hepp
Brett Whittingham

Isaak – Taste
Recorded and Mixed by Mattia Cominotto at Greenfog Studio in Genoa in December 2018
Mastered by Andrea De Bernardi at Eleven Mastering

Isaak are:
Giacomo Boeddu
Francesco Raimondi
Davide Foccis
Gabriele Carta

Chron Goblin on Thee Facebooks

Chron Goblin on Instagram

Chron Goblin on Bandcamp

Isaak on Thee Facebooks

Isaak on Instagram

Isaak on Bandcamp

Spikerot Records on Thee Facebooks

Spikerot Records on Instagram

Spikerot Records website

So Isaak haven’t released anything since 2015’s Sermonize (review here) and Chron Goblin are putting out their new record, Here Before (discussed here) at the end of September. Isaak are in Italy. Chron Goblin in Canada. These seem like two bands in very different situations, and yet this week they’ll team up for a cassette split that’s also the first tape ever to come out through Spikerot Records. You know what? I’d check that out. I like a tape, I like a split, and I’d like to know how these two bands got hooked up in the first place, so yeah, I’ll give this one a listen when the time comes. Why the hell not? Do the circumstances even matter? Of course not. The riffs matter.

Release is coming up quick, so keep an eye out for it. I’ll also be interested to see if it leads to more from Isaak anytime soon, as their last outing was a banger.

Here’s Spikerot‘s post about the tape:

Chron Goblin Vs Isaak. Split Tape through Spikerot Records

Spikerot has been all about Vinyls and CDs so far, but cassettes have dignity too, so why not?

We’re proud to be releasing our first tape ever under the banner of international Stoner Rock with two previously unreleased tracks from Canadian boogie facepunchers Chron Goblin and Italian riffalicious gang Isaak. Those who know each band’s signature sound will not be disappointed, both tracks are sheer energy, pairing melody with groove and distortion for a fresh interpretation of heavy music.

RELEASE DATE: September 6th

TRACKLIST
SIDE A: Chron Goblin – Signs
SIDE B: Isaak – Taste

Artwork by SoloMacello

Chron Goblin are:
Vocals: Josh Sandulak
Guitar: Devin ‘Darty’ Purdy
Bass: Richard Hepp
Drums: Brett Whittingham

Isaak are:
Vocals – Giacomo H Boeddu
Bass – Gabriele Carta
Drums/Vocals – Davide Fox Foccis
Guitars – Francesco Raimondi

https://www.facebook.com/ChronGoblin/
https://www.instagram.com/chrongoblin/
https://chrongoblin.bandcamp.com/

https://www.facebook.com/isaakband
https://www.instagram.com/isaakmusic/
https://isaakmusic.bandcamp.com/

https://www.facebook.com/spikerotrecords/
https://www.instagram.com/spikerotrecords/
www.spikerot.com

Chron Goblin, Here Before (2019)

Isaak, Sermonize (2015)

Italian heavy rockers Isaak took a major step forward late last year with their second album, Sermonize (review here). Released through Heavy Psych Sounds and Small Stone Records — two rousing endorsements to have — it found the band going well beyond the confines of 2012’s The Longer the Beard the Harder the Sound (streamed here) and toward a much more individual approach. After spending a decent portion of the last few years, the band has announced they’ve just swapped out drummers, and while one expects that will change their dynamic some going forward, I’d expect their growth will continue onto whatever it is they do next. Some momentum you just don’t stop.

I got sent a shorter version of the statement below, but wanted to print the thing in full since I think it speaks well of how much this music means to the people who are making it, and I guess that’s really what it’s all about. So here you go:

Isaak line up Change

Loads of things have happened after that dinner in a Mexican restaurant, choosing the name ISAAK after “some” Margarita.

What is the reason of starting with this sentence? We are going to explain you in a while, but we believe a short introduction is doubtless needed. ISAAK wasn’t just a change of name from Gandhi’s Gunn. Isaak became (and continue being nowadays) a completely different band from that moment. After that dinner we turned the page on the past and we looked forward, we always did it musically and not only. Band has been always more important than the single members and this shared belief has often allowed us to go ahead despite difficulties.

Who has been part of this project is perfectly aware of what we’re talking about. This band survived the distance, the adaptation to changes, the thefts, the necessities of life of the single members. This band has survived to the fact that it was possible to rehearse only during weekends. This situations has lasted for YEARS and only when we managed to be there all together (we also managed to make a record this way!). These are sacrifices that each one of us has done with pleasure and that each one of us would blindly be willing to do it again, from the first to the last.

For those who don’t know , Andre (our drummer) has been living in a city that is nearly 4 hours far away from Genoa. During three years he held it on, giving priority to our band and giving up on many other things. He did it for real. He did his best for the band.

Today Andre leaves the band but he will be always part of this family. He has significantly contributed on this project, he believed in ISAAK and we have been witness of it. He has definitely helped us to make this dream come true.

A simple post on Facebook certainly cannot summarize all this. Andre passes the baton to another great genoese drummer a great friend who will join us on the Isaak path, is name is Davide Foccis! We’ll see you under the stage to give him an eager welcome to the family!

Giacomo H Boeddu – Vocals
Gabriele Carta – Bass
Davide Fox Foccis – Drums/Vocals
Francesco Raimondi – Guitar

https://www.facebook.com/isaakband
https://www.instagram.com/isaakmusic/

Isaak, Sermonize (2015)

Based for the first time in Parma, Italy — the two prior editions had been held in Rome — Heavy Psych Sounds Fest Vol. III has announced a massive round of bands newly joined the proceedings, set for Oct. 28 and 29. The names have trickled out over the last couple weeks, but it seems a roundup is in order, considerable as the names are. In addition to The Atomic Bitchwax, who’ll be on the road with Pentagram at the time, and Fatso Jetson, whose slot was previously announced as part of their Heavy Psych Sounds-sponsored Italian tour, the likes of Mos Generator, Glowsun, Isaak, Komatsu, Void of Sleep and Black Bone have joined on.

I’d expect that means Mos Generator are about to announce a European tour, but I don’t think they’ve done so yet. They’ll head abroad supporting their new album, the excellent Abyssinia (review here), while hopefully Fatso Jetson‘s upcoming LP will be out by then as well. More on that if/when I hear it.

I’ve noted more than a handful of times how crowded the European festival circuit is for this fall, but Heavy Psych Sounds continues to put Italy on the map for heavy rock, its reach extended both domestically and internationally more than ever before, as you can see:

HEAVY PSYCH SOUNDS FEST VOL 3 with Atomic Bitchwax, Fatso Jetson, Mos Generator, Giobia, Glowsun, Isaak….

Here to announce the HEAVY PSYCH SOUNDS FEST VOL 3.

The Festival will take place in Parma, Italy at Mu Club, 90 minutes down Milan or 45 minutes up Bologna, both are the good spot to arrive with airplane. The shows will be divided between 2 stages.

***Friday 28 October ticket 15 euro
**Saturday 29 October ticket 15 euro

*2 days ticket 25 euro only available at http://www.heavypsychsounds.com/fest/

Line Up:
THE ATOMIC BITCHWAX
FATSO JETSON
MOS GENERATOR
GLOWSUN
GIöBIA
ISAAK
FUZZ ORCHESTRA
DUEL
DEVILLE
KOMATSU
VOID OF SLEEP
BLACK BONE
……….More bands Tba…..

Artwork by Solo Macello.

WWW.HEAVYPSYCHSOUNDS.COM

MU CLUB:
www.muparma.club

www.heavypsychsounds.com/fest
https://www.facebook.com/HEAVYPSYCHSOUNDS/
https://twitter.com/heavypsychsound
heavypsychsoundsrecords.bandcamp.com

Mos Generator, “Outlander” from Songs for the Firmament

With the addition of a second batch of four acts to follow-up the first announcement a couple weeks ago, Heavy Psych Sounds Fest Vol. III brings its total bill to eight bands over the course of two nights, Oct. 28 and 29, in Parma, Italy. The festival is of course put together by Heavy Psych Sounds, the Rome-based record label owned by Gabriele Fiori, also guitarist/vocalist for Black Rainbows and Killer Boogie, either of which would make an excellent candidate for a slot as well.

As well as the label, Heavy Psych Sounds‘ tour-booking wing (in accord with Sound of Liberation) is responsible for bringing Fatso Jetson to Europe this fall on an Italian run set to begin Oct. 23. The fest will be near the end of the tour (I’ll post the dates asap) and is one of a series of events taking place over consecutive weekends throughout Europe between September and October, a list that includes Up in Smoke, Desertfest Athens, Desertfest Belgium, and keep it Keep it Low, the latter of which happens just the weekend before, in Switzerland.

Of course, Heavy Psych Sounds Fest Vol. III, like the imprint/booking company from whence it takes its name, has a regional focus as well. While two of the new acts joining on are American and another is French, Isaak are Italian natives, and they join countrymen in the previously announced Giobia and Fuzz Orchestra. That ain’t everybody by any means, but three out of eight (so far) can only be said to be giving the native scene its due.

Here’s the announcement:

Heavy Psych Sounds Records & Booking is proud to announce the:

HEAVY PSYCH SOUNDS FEST VOL. III
October 28 & 29
Italy, Parma, Circolo Arci MU

NEW bands announced:

******FATSO JETSON******
*****MOS GENERATOR*****
*********GLOWSUN********
***********ISAAK**********

bands already announced:

*****FUZZ ORCHESTRA*****
***********DUEL***********
**********GIOBIA***********
*********DEVILLE**********

MORE BANDS TBA

1 day ticket or 2 days pass available NOW at www.heavypsychsounds.com/fest

https://www.facebook.com/HEAVYPSYCHSOUNDS/
www.heavypsychsounds.com

Fatso Jetson, “New Age Android”/”I’ve Got the Shame” live

Italian heavy rockers Isaak will launch a European tour on Feb. 13 in support of their new full-length, Sermonize (review here). That record came out on vinyl through Heavy Psych Sounds back in November and has a CD due shortly (like this week) on Small Stone, and finds the four-piece nailing down thick heavy rock roll and a vibrant energy that has come to be their defining element. This will be, as I recall, their first Euro tour for the album, and they go having recently brought aboard Gabriele Carta as their new bassist.

If you haven’t heard it, the album was streamed in full here when it was reviewed, so I’ve got that player below if you’d like to dig in. Other info and tour dates follow from the PR wire and the social medias:

***ISAAK*** Tropical Disease European Tour

Born from the ashes of Italian heavy rock four-piece Gandhi’s Gunn, it didn’t take long before ISAAK signed a worldwide deal on US label Small Stone Records, who reissued their ass-kicking debut “The Longer The Beard The Harder The Sound” in June 2013. Inspired by the big ass riffages and raw energy of leading heavy rock outfits such as Clutch, Orange Goblin or Torche, ISAAK have the knack for assembling the heaviest-sounding licks with a rip-roaring attitude that can only make you raise a fist up in the air while rocking out in the pit.

With a freshly signed deal on Heavy Psych Sounds Records, ISAAK released their sophomore album “Sermonize” on vinyl this past November, which will be followed by a CD release on February 6th via Small Stone Records.

Ready to bring their Heavy Rockness all around Europe.

Isaak on Tour:
13.02.2016 IT Milan-LoFi
25.02.2016 CH Basel-Hirschneck
26.02.2016 DE Augsburg-Ballonfabrik
27.02.2016 DE Munster-Rare Guitar Shop
28.02.2016 DE Dresden-Chemiefabrik
29.02.2016 DE Mannheim-Mohawk
01.03.2016 DE Halle-Hafenstraße 7
02.03.2016 AU Innsbruck-PMK w/ Saviours
03.03.2016 AU Salzburg-Mark
04.03.2016 IT Bozen-Papperlap
05.03.2016 IT Trieste-Tetris
12.03.2016 IT Genova
27.05.2016 IT Sondrio-Fest

Artwork by: DARTWORKS – drawstroy

https://www.facebook.com/events/1489795247991273/
https://www.facebook.com/isaakband
https://www.instagram.com/isaakmusic/
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

[Note: Click play above to stream Isaak’s Sermonize in full. Album is out on vinyl Friday through Heavy Psych Sounds (pre-order here) and on CD Feb. 6, 2016, through Small Stone (pre-order here).]

With their second full-length under their current moniker, Genova-based heavy rockers Isaak hit their stride. Their earlier-2015 Heavy Psych Sounds split with Mos Generator gave advance notice of some significant growth in their sound since the 2012 release of their Small Stone debut, The Longer the Beard the Harder the Sound (streamed here), but with Sermonize, they affirm more open stylizations and increased penchant for atmosphere, making the 12 included tracks a richer, more engaging listening experience. Remarkably, the band — vocalist Giacomo H. Boeddu, guitarist Francesco Raimondi, drummer/vocalist Andrea Tabbi de Bernardi and bassist Massimo Perasso (who since the recording has been replaced by Gabriele Carta) — accomplish this without giving up the driving sense of heft or momentum that served their last outing so well, and the collection of songs they bring forth is varied, indulging Torche-style major-keyism on “Soar” while doling aggro stomp on “Lucifer’s Road,” a cover of Italian outfit White Ash the central riff of which is worthy of focus.

That cover is one of two on Sermonize, the other being Kyuss‘ “Yeah,” which appears immediately before it on side B, and which, true to the original, is just someone saying the word “yeah.” Clearly Isaak haven’t lost the sense of humor that’s done right by them since they made their debut in 2010 as Gandhi’s Gunn with the album Thirtyeahs (discussed here), something the title of their intro, “Whore Horse” also affirms. Still, they’ve come a long, long way since that first record and since that name change, and most satisfying of all as regards Sermonize is how in command of their efforts Isaak prove themselves to be. There is a sense of purpose to each sonic shift they make throughout, and each shift serves to make the whole of the album stronger. It is the sound of their potential paying off.

Big guitar fades in to launch “Whore Horse,” joined soon by blown-out vocals. Compared to some of Sermonize‘s more straightforward fare, it’s an immediate removal from the comfort zone, and that’s pretty clearly the idea. At 1:41, the intro isn’t much shorter than most of the tracks, which are in the three-to-five minute range — the longest, “Soar,” is 5:30 — but as it moves into “The Peak,” the effect “Whore Horse” has isn’t to be understated in adding context and a feeling of not knowing what to expect to what in many other instances would be a simple desert rock riff. It isn’t here in part because of the production, which plays laid back stoner aspects off of the burl Isaak proffered their last time out, the treatment of Boeddu‘s vocals especially noteworthy for being perfectly balanced with the guitar, bass and drums and for the echo adding spaciousness to his gruff delivery.

The ensuing “Fountainhead” (lyric video here) offers one of Sermonize‘s strongest hooks and begins to reveal Isaak‘s method in terms of their building momentum across each of the album’s two sides. Both “Fountainhead” and “Almonds and Glasses,” which follows, are about four minutes long and quickly-paced, in league with the shorter “The Peak” in moving the listener through an opening salvo in good speed. At the same time, “Almonds and Glasses” also proves more patient, and is instrumental save for a couple of deep-mixed echoing vocal lines, so it marks a change of tactic as well. Call it a half-turn, with “Soar” as the other half. At 5:30, it’s a good deal longer than much of Torche‘s work, and it uses that extra time to let Isaak bring their own personality to a sludge-pop style, moving from a catchy sway into a fervent instrumental push near the end that they skillfully bring to an apex to close out side A with the highlight of the album so far.

“Showdown” must have been a contender to open Sermonize at some point. In addition to similarly-grooving snare punctuation, it shares a quick pace with “The Peak” and a relatively straightforward verse/chorus structure. Why they might’ve gone with one over the other, I don’t know — “The Peak” does work well coming out of “Whore Horse,” where “Showdown” begins almost in medias res — but it functions more than ably to launch side B, which then delves into its two covers in succession. “Yeah” is less than a second long (one can’t help but wonder if they had to pay royalties to Kyuss for its use), and it gives way to the explosive plod of White Ash‘s “Lucifer’s Road,” a cover that provides Isaak with an opportunity to dive head-first into riffy largesse. Unabashedly heavy and somewhat darker than much of Sermonize, it nonetheless fits with the original material around it, “Lesson No. 1” picking up from its raucous finish with a sort of return-to-earth desert rock vibe, choice verse groove and catchy hook, moving into semi-psychedelic swirl in the second half bridge, but making its way back to the chorus to finish out and move into “The Frown Reloaded,” which touches on some of the same ideas as “Soar,” but in a way that’s even more Isaak‘s own, adding more boogie to the upbeat rhythmic thrust.

It’s somewhat buried near the end of the album, but it shows there’s no dip in quality as the four-piece rush on toward the finish line. Maybe “rush” is the wrong word, since neither “The Phil’s Theorem” nor the closing title-track are in any hurry. “The Phil’s Theorem” is a mid-paced groover with standout guitar layering and a mega-chorus that one hopes will be ground for future development from the band riding its riff into hypnotic fadeout, and “Sermonize” itself is a quiet, well-arranged melodic finish, more sentimental and quietly resonant than the flurry of badass riffery preceding throughout much of Sermonize‘s span. Like the album as a whole, “Sermonize” is an encouraging finish, a last-minute show of dynamics that seems to dogwhistle to the listener that Isaak have even more to offer in terms of breadth than they put into these tracks, and if that’s the case, all the better, but the prospects for continued growth should not undercut the accomplishments Isaak make in these songs, which play to genre with an edge and presence all their own.

Isaak on Thee Facebooks

Isaak on Instagram

Preorder at Heavy Psych Sounds

Preorder at Small Stone Records

Click Here to Download

I put up a podcast last year on the day before Thanksgiving as well. At least I’m consistent. In the US, today is the biggest travel day of the year, and I continue to feel like there are few things better in this universe than hitting the road accompanied by good music. Whether you’re driving alone on your way to see family for the holiday, commuting to work (that one doesn’t necessarily have to be by car, I suppose), going to stand on line for some silly discount item or whatever it might be, I hope you find something here you consider worth bringing along for the trip.

The holidays are always a pretty stressful time — when isn’t? — so once it gets past the initial burst of heft from Tombstones, this one stays pretty mellow for the most part. Deville and Kind rock pretty hard, but once it moves into the Dirty Streets and Old Man Lizard and so on, it’s more nod than headbang, which is accurate to where my brain is at. Looking for something chill in the face of miles to cover and meals to consume. If you’re in the US, a very Happy Thanksgiving to you and yours, and if not, I hope you enjoy just the same.

Track details follow:

First Hour:
0:00:00 Isaak, “Fountainhead” from Sermonize
0:03:58 Tombstones, “Pyre of the Cloth” from Vargariis
0:13:30 Hound, “Over the Edge,” from Out of Space
0:17:44 Deville, “Mind on Hold” from Make it Belong to Us
0:21:17 Kind, “German for Lucy” from Rocket Science
0:28:26 Dirty Streets, “Save Me” from White Horse
0:31:55 Old Man Lizard, “Craniopagus Paraciticus” from Old Man Lizard
0:40:43 Across Tundras, “No Roads in any Direction” from Home Free
0:46:52 Niche, “On Down the Line” from Heading East
0:52:11 Wired Mind, “Road” from Mindstate: Dreamscape

Second Hour:
1:03:07 Seedy Jeezus, “Echoes in the Sky” from Echoes in the Sky
1:19:03 Dorre, “One Collapsed at the Altar” from One Collapsed at the Altar

Total running time: 1:49:21

Thank you for listening.

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