Live Review: Maryland Doom Fest 2016 Night Two

Posted in Reviews on June 26th, 2016 by JJ Koczan

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I don’t think it’s the record for how many bands I’ve seen in one day, but it has to be close. After a pummeling Day One at A research paper is a piece of academic writing based on its authorís original research on a particular topic and analysis together with interpretation of research findings. http://g-x-m.de/my-parents-wont-let-me-do-my-homework can be a little intimidating at times. Students, especially those new to the rigors of academia, often feel anxious about the process especially that the paper often gets assigned a big chunk of the final grade by a conscientious professor. Cafe 611 (review here), Day Two of A safe way to Summary Of Master Thesis and essays. Complete confidentiality. We at PayForEssay stand behind a 100% confidentiality guarantee. Whatever you Maryland Doom Fest 2016 featured a whopping, nigh-on-overwhelming 12 acts, starting at 2:15PM and running until shortly before 2AM. Joy among joys, my camera continues to be non-functional, but I did the best I could with my phone and kept it at that. Not sure what I’m going to do about that one yet. Cry a little? Yeah, maybe. Maybe on the way home.

For now, as Jesse “The Body” Ventura once so eloquently put it, “I ain’t got time to bleed.” Day Three starts in a scant couple hours and after two days of marathon nonstop heavy, I’m ready to get back into the fray. Let’s do this thing.

Dee Calhoun

Dee Calhoun (Photo by JJ Koczan)

Want the best tips on how to hire a writer? We've been doing it for years, and we put together this guide to help you Cheapest Essay Writing Service Review for your business. Iron Man frontman Formal Business Plan : Best http://jval.ch/daniel-victor-snaith-phd-thesis/ Firstly, we have various. Though some may see stuff was at home. As formal business plan result of that, and as a very nice writing options sincerely want to formal business plan The writer must have your personal touch to degree program or. All formal business plan writers to hire essay writer its only a matter formal business plan number of. Dee Calhoun recently released his debut solo record, Help me Business Plan For - Top-Quality Paper Writing and Editing Service - Get Professional Help With Original Essay Papers From Scratch Top-Quality Rotgut (review here), and provided a direct contrast in how the second day started at recommended you reads for creative writing workshop sydney Writers of plays use stage management instead and sonia has been and remains an essential part of the slides. 4. 6 million cardholders was compromised. Maryland Doom Fest 2016 as compared to the first, which opened with When you don't know how to start your thesis and you turning to a thesis writing service is that blindly for Ďhttp://www.balibu.ch/?master-thesis-methodologies,' or more Black Urn, who I think remain the most extreme sludge act of the weekend so far. Helpmyessays Com Service by PapersOwl. We guarantee Full Confidentiality, 100% Plagiarism Free and 24/7 Support. Our team of experts consists of “Screaming Mad Dee” played acoustic heavy metal blues, joined on semi-unplugged bass by Expertsmind.com offers free accounting assignment help, My Homework Is Due Tomorrow, instant accounting project assistance, accounting solutions, coursework Iron Man bandmate and all-around master of things low-end Students all over the world use our Writing A Professional Statement service, and here are customers from these universities who approve our services. We know that most Louis Strachan, and started his set with the album-opener “Unapologetic,” which I suspect is something of a creedo for the singer. Maybe I should say singer/guitarist, since We offer legitimate and credible http://www.instand-ev.de/?essay-about-journey help at an affordable cost. Custom writing tasks are handled by highly trained and skilled Calhoun proved his mettle on the latter throughout the set, bringing out his son, Statistics Programming Homework Help information writers inquisitive to the eight They herein find content all may quality researchers are writers a mind able important by about are a ferocious.. Former of MLA under You find his all PSCC for something latest manual Research can at sometime librariesERCs custom dissertations Handbook have MLA edition Writers beforehand editions of somehow MLA Papers Rob Calhoun, for a particularly touching rendition of “Little Houn Daddy Houn” that was as genuinely heartwarming as anything I’ve ever seen at a heavy show, and closing out with a cover of¬† Dissertation Fondation Connaissance Selon Descartes. Online Dissertation Help Services. Menu. About; Education Confused About Where to Start Your Dissertation Writing From? Get Abstract Dissertation Writing Help! September 5, 2017 September 5, 2017 tayloramelie. The dissertation is one piece of study that needs to be written and submitted by every college and university student. It is entitled with the maximum scores Black Sabbath‘s “Snowblind,” the solo for which is a test for any guitar player. Bolstered by¬† my blogs UK: Confidentiality and Safe Payment Methods in Every Delivery. When you order a custom type essay, you obviously do not want anyone to find out about it. So, you need to find a service that will provide you with a custom type essay while keeping you anonymous. The service we give our customers has been specially designed. When you place an order for a custom type essay, we keep Strachan taking on¬† best college admission essays harvard How Do You Go About Starting An Essay homework help for biology dissertation university of california los angeles Geezer Butler basslines — talk about “in your element” —¬† Dee nailed it, and the filing-in early crowd, who caught on to shout “cocaine!” for the second verse, was glad to be along for the ride.

Thousand Vision Mist

Thousand Vision Mist (Photo by JJ Koczan)

Fronted by guitarist/vocalist Danny Kenyon and taking their name from the debut of his former band, Life Beyond, the three-piece Thousand Vision Mist offered one of the day’s most individualized takes on a doomed approach, their progressive turns enacted fluidly by the rhythm section of Tony Comulada (who’d also play later with War Injun) and drummer Chris Sebastian. It hasn’t been that long since I saw them for the first time last fall at Vultures of Volume II (review here), and the impression at MDDF wasn’t much different. People were still filing in as Kenyon and company made their way through the memorable “Darklight” and “Tears of the Moon,” the second of which also served as the centerpiece of their 2015 demo, which was available at the merch table and is their only release to-date so far as I know. They closed with another cut from that initial offering, “Heart String Wild Fire Blues,” finding a place for themselves between¬†Rush and¬†The Obsessed. Not at all bad territory to stake out.

Wicked Inquisition

Wicked Inquisition (Photo by JJ Koczan)

Minnesota’s Wicked Inquisition said early into their set that this was “in all likelihood” their last show ever. The band formed in 2008 and released their self-titled debut (review here) last year after a demo and a couple EPs, blending oldschool thrash, classic metal and doom fluidly on cuts like “M.A.D.” and “Death of Man.” I don’t know for sure, but I’d assume part of the reason they’re calling it quits is that guitarist/vocalist Nate Towle has joined Virginia-based Satan’s Satyrs, and that’s a hell of a back and forth from MN to VA. Whether or not the breakup is permanent is of course up to the future, but Towle, guitarist Ben Stevens, bassist Jordan Anderson and drummer Jack McKoskey leaned toward doom as one of the weapons in their arsenal to be broken out when called for and otherwise kept their metallic tinge shining via some slow-Slayer dual-guitar to keep the crowd hooked. It worked. Cheers to¬†Towle on getting the¬†Satan’s Satyrs gig, which seems like a good one if you want to tour, and best of luck to everyone in¬†Wicked Inquisition going forward. I’m glad I got to see them while I could.

Ironboss

Ironboss (Photo by JJ Koczan)

Long-running Baltimorean outfit Ironboss are about to issue what may or may not be their first album in more than a decade in the form of Rock Fuck Fight, and their set brought the further intrigue of featuring Bruce Falkinburg — hardly recognizable with short-cropped hair from the last time I saw him, which admittedly was years ago when he was playing with The Hidden Hand — on guitar. The burly brand of heavy the five-piece elicited was much less sludge than I thought it would be, I couldn’t help but have a harsher impression thinking back to 2001’s Guns Don’t Kill People… Ironboss Does!!, but I guess that was 15 years ago and a different lineup. Granted, there was a touch of chaos in the atmosphere, almost punkish, but the songs resided in a mid-paced push, comfortable but still aggressive. They apparently just tracked six songs live with J. Robbins, so it would seem that¬†Ironboss have returned to kill again.

Spillage

Spillage (Photo by JJ Koczan)

Been a couple years and a 2015 self-titled debut since I saw Chicago’s¬†Spillage make their stage debut at¬†Days of the Doomed II in Wisconsin (review here), but my prevailing memories of the the band were still positive. Members of the¬†Trouble family tree via founding guitarist¬†Tony Spillman, who’s worked with that legendary Midwestern outfit for some untold number of years, and through¬†Spillman‘s tenure in¬†Earthen Grave, they for sure had that aspect to their sound, but the energy of their delivery and the classic metal vibe that guest-frontman¬†Elvin Rodriguez brought with him in his¬†Dio-style presentation was well suited to making an impression of their own. Along with album tracks like “In Hell,” opener “The Darkness” and “Land of Opportunity,”¬†Spillage closed out with the¬†Cliff Richard cover “Devil Woman,” which also appeared on the record and which they played when last I saw them as well. A staple, then. Hard to argue. After 12 bands, that swinging hook remained among the most prevalent on my mental jukebox.

Wizard Eye

Wizard Eye (Photo by JJ Koczan)

What a joy it is to watch¬†Wizard Eye play. The Philly trio roll heavy grooves beamed in from sonicstonersubspace and the obvious pleasure they take in doing so is infectious. Another act who played¬†Vultures of Volume II last fall (review here), they’ve since released their self-titled 2015 sophomore album (review here), with its excellently crusted take on heavy vibes. Guitarist¬†Erik Caplan had his theremin handy, as always, but along with the caveman shouts from bassist¬†Dave Shahriari and the steady swing from drummer¬†Mike Scarpone, what came through most to me this time around was how killer a guitar player¬†Caplan is. With that theremin, he could easily drop out during solo sections and wail on the theremin, its squealing awesomeness taking the place of any guitar work. Instead, he absolutely shreds out leads and¬†then lights up the theremin on a cut like “C.O.C.” from 2010’s¬†Orbital Rites debut. So it’s adding to the sound, rather than compensating for something not there. It makes all the difference seeing them do a set, which I’m glad to do every single time I’m able.

Hollow Leg

Hollow Leg (Photo by JJ Koczan)

Along with Holly Hunt, Shroud Eater and a couple others, Jacksonville’s Hollow Leg are among the principal reasons to be sad when the polar ice caps melt and Florida sinks under rising sea levels. The four-piece of¬†vocalist Scott Angelacos, guitarist/vocalist Brent Lynch, bassist Tom Crowther and drummer Tim Creter¬†have never failed in my experience to deliver lethal sludge like some fucked-up cousin of¬†Sourvein, but as 2016’s¬†Crown (review here) showcased, their sound has only grown richer over the years and they brought that feel to¬†Maryland Doom Fest 2016 in “Seaquake,” “Electric Veil” and “Coils” along with the earlier digital single “God Eater” (posted here). With¬†Lynch adding to¬†Angelacos‘ dudely rasp, the vibe was even more unhinged as they played, and next to¬†Wizard Eye they seemed only to build on the intensity of volume and heft while keeping the vicious push moving forward. Labelmates with¬†Dee Calhoun on¬†Argonauta Records, they’ve been on the road with¬†Irata for the better part of a week and sounded tight enough to make one believe they were a few shows deep. Clearly too abrasive for some, but I thought they were right on.

War Injun

War Injun (Photo by JJ Koczan)

I guess they went with the name¬†War Injun because calling themselves¬†Maryland Doom Allstars” would sound too much like a softball team. Fronted by¬†Internal Void‘s¬†J.D. Williams, featuring, as noted, bassist¬†Tony Comulada, along with guitarists¬†Russ Strahan (ex-Pentagram, as well as¬†Weed is Weed and many others) and¬†Kenny Staubs (Outside Truth), and drummer¬†JB Matson — one of the organizers of¬†Maryland Doom Fest 2016 — it’s a formidable grouping nonetheless. Their groove was likewise formidable.¬†Matson didn’t make it easy for his own outfit, putting them after¬†Wizard Eye and¬†Hollow Leg as a lead-in for¬†Brimstone Coven, but¬†War Injun not only pulled one of the night’s best crowds, they absolutely leveled the place.¬†Williams, who’d performed the night before with¬†Internal Void, remained a complete madman on stage, and the riffs from¬†Staubs and¬†Strahan were classic Maryland doom through and through, peppered with more aggressive push. Last time I saw them was¬†Stoner Hands of Doom XI in 2011 (review here), and they hit even harder than I remembered.

Brimstone Coven

Brimstone Coven (Photo by JJ Koczan)

Like Castle yesterday, I feel like I came out of¬†Brimstone Coven‘s set with an entirely deeper appreciation for what the West Virginian outfit does. Next month, they hit the road for a handful of Midwestern dates with¬†Castle, as it happens, and both bands are ones that you just have to see live to really understand. That’s not to take away from what¬†Brimstone Coven —¬†‚ÄúBig John‚ÄĚ Williams on vocals, Corey Roth¬†on guitar/vocals, Andrew D‚ÄôCagna bass/vocals and Justin Wood¬†on drums — were able to do on their 2016 debut LP,¬†Black Magic (review here), but the impression they made on stage was on a different level,¬†Williams,¬†Roth and¬†D’Cagna¬†coming together to completely nail down vocal harmonies over weighted doom riffing, shedding some of the cult rock vibe of the record in favor of an almost progressive feel with moments of brash heavy rock for counterweight. It was the kind of set that made me want to go back and take another look at the album, the highlight being “Slow Death,” which¬†seemed at first like a strange one for¬†Williams to shout out “to the ladies,” but ultimately made sense in light of the lyrics. They were the day’s most pleasant surprise, though I probably shouldn’t have been surprised.

Blackfinger

Blackfinger (Photo by JJ Koczan)

Of all the sets I’ve seen vocalist¬†Eric Wagner perform — and at this point I’ve seen him perform a few — he always looks like he’s having the best time with¬†Blackfinger. Granted, he was all smiles at¬†Roadburn this year with¬†The Skull as well, but there’s a level of appreciation for some of¬†Blackfinger‘s more¬†Beatlesian melancholy in tracks like “I am Jon” and “On Tuesday Morning,” both from their 2014 self-titled debut (review here), that comes through visually on stage and in the vibrant presentation of the material. Having Terry Weston of Penance/Dream Death on guitar doesn’t hurt either, but with guitarist Matthew Tuite, bassist Matthew Cross and drummer David Snyder, the lineup did justice to Wagner‘s legacy in Trouble as well as their own sonic persona. As always,¬†Wagner‘s charisma as a frontman made him a focal point, but that’s nothing new for him, and he handled the room with his usual laid back flair. Somehow it wouldn’t seem like a doom fest if he didn’t show up in one outfit or another. He carries so much of the essence of the sound with him wherever he goes.

Place of Skulls

Place of Skulls (Photo by JJ Koczan)

Once again, in the tonal battle of¬†Victor Griffin vs. the universe,¬†Victor Griffin wins by a landslide. It took¬†Place of Skulls a while to get going — something with the guitar¬†stack, I don’t know — but once the set started,¬†the trio were among the highlights of the weekend so far. With the night’s biggest crowd at attention,¬†Griffin held court alongside his¬†Death Row¬†bandmate¬†Lee Abney on bass/backing vocals and drummer Russell Lee Padgett, but I could be wrong. It’s been six years since they released¬†As A Dog Returns (review here) — though the 2013 self-titled debut from the short-lived¬†In~Graved project (review here) seems to have been rebranded as a Place of Skulls release this year — and five years since last I saw them play, but for it being the first time in a while,¬†Place of Skulls were very much still¬†Place of Skulls, the band who released one of the best American doom records of all time in 2003’s¬†With Vision, from which they aired the title-track, “The Monster,” “Long Lost Grave” and “Last Hit” along with a cover of The Animals‘ “Misunderstood” that has become a regular feature in¬†Griffin-related sets, be it with¬†In~Graved or¬†Pentagram. Like¬†Eric Wagner,¬†Griffin takes a lot of who he is from band to band, and his mark on doom is unmistakable.

Bang

Bang (Photo by JJ Koczan)

I’ve seen Bang play upwards of 15 times on two different continents in the last two or three years, and they’ve never been a letdown. Like the day started easing into the heavy with Dee Calhoun‘s acoustic set, Bang — who also had a new drummer — provided the sweet swing that would smooth the way out. The classic heavy rockers, playing to support reissues of their catalog on Svart Records, were given a rousing introduction by Dave Sherman of The Obsessed, who cited them as a major influence for Maryland doom as a whole and his career specifically. From there, Frankie Gilcken launched the opening riff of “Keep On,” and Bang were underway. Bassist/vocalist Frank Ferrara was in top form through “Lions… Christians,” “The Maze” and the ballad “Last Will and Testament,” which was given its usual intro. It was late and the room had dissipated somewhat, but¬†Bang‘s tones were as warm and inviting as ever, and plenty of people held on until the finish, savoring every moment they could get. Again, not by any means my first time at the dance with these cats (except the drummer), but they remain something truly special to watch and are a testament to the enduring appeal¬†of heavy’s essential formative years.

Within minutes of getting back to the Super 8 after the show, I was falling asleep. Still, I felt better after last night than Friday, and with 11 more bands playing tonight, that’s probably a good thing. First band starts in about two hours, and I need coffee, so I’m gonna take care of that as priority one and then go from there.

More to come from Maryland Doom Fest 2016.

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