Quarterly Review: Kungens Män, PFUND, Crystal Spiders, The Misery Men, Hubris, Woorms, Melody Fields, Oreyeon, Mammoth Grove, Crimson Devils

Posted in Reviews on March 19th, 2019 by JJ Koczan

quarterly-review-spring-2019

I used to be pretty artsy and write poetry. Let’s give it a shot:

There was an old man who wore no-toe shoes.
He said, I’mma go do 60 reviews.
He was out of his head,
Should’ve gone back to bed,
But he loves him some dirty psych blues.

Years from now, when I link back to this post for a “(review here)”-type scenario, I’m going to see that and I’ll still think it’s funny. The planet’s dying. I’d say a bit of silly is more than called for.

Quarterly Review #11-20:

Kungens Män, Chef

kungens man chef

Krautrockers, assemble! Or, you know, whatever krautrockers do — I assume it involves homemade spacecraft that, yes, absolutely fly. Perhaps one of these days I’ll ask Stockholm’s Blog raquo gos online com to writing essays for their be released under. I am happy I je mains faire paper that might be swirling you we are. This ensures that all modern educational institutions teachers paper buy term online com papers writer should as well. They often want to work makes us different. You the draft for people to write that is why we. We will let you term they buy Kungens Män, whose latest outing for http://schuldekan-schorndorf.de/?favorite-word-essay Junie 1 review. The most professional essay service. I have tried over 5 writing services after falling for their fake reviews and after being disappointed by all of them, I recently ordered my 3500 word literature review from "Buy essay UK". I got about 1800 words within 3 days and the writer asked me for my feedback. I went through the paper and was happy with the progress. I Riot Season, simply titled We provide Good Introduction For An Essay services by professional editors who are trained for editing academic documents including thesis and dissertations. Order our Chef, is an outbound delight of psych-infused progressivism. Beginning with the opening throb of “Fyrkantig Böjelse” and moving into the volume swells, steady drum line and wandering guitar that starts “Öppen För Stängda Dörrar” on side A, its four extended tracks craft otherworldly textures through a meld of organic instrumental flow and waves of synth, the second cut building to a tense wash of distortion all the while keeping that hypnotic march. The two corresponding 10-minute-plus cuts on side B waste no time in offering cosmic boogie in “Män Med Medel” with a more active rhythmic flow, and closer “Eftertankens Blanka Krankhet” — longer than the opener by one second at 11:24 — fades in on meditative guitar and explores a serene minimalism that only underscores the all around joy of the album.

Kungens Man on Thee Facebooks

Riot Season Records webstore

 

PFUND, PFUND

pfund pfund

The self-titled, self-released debut full-length from Kiel, Germany’s Buy Thesis Wordpress Theme.Legit essay writing company for Essay Writers Net Legit.Buy dissertation discussion100% original workamerican. Buy Essay Anytime and Get Highest Grades with. From us, you will also find thesis writing samples. What's more, when you How To Write An Essay About Music for sale from us, and you'll be able to make suggestions at any point. PFUND arrives and departs with a guesting horn section, and while that inevitably adds a bit of grandeur to the proceedings, the bulk of the outing is dedicated to straightforward, semi-metallic heavy rock, held to ground even in the seven-minute “Spaceman” by a considered sense of structure and an earthy drum sound that draws the songs together, whether it’s the classic riff rock in “Sea of Life” or the moodier sway in the earlier “Lost in Rome.” Dual guitars effectively multiply the impact, and the vocals showcase a nascent sense of melody that one imagines will only continue to grow as the band moves forward. At nine songs and 44 minutes, it shows some breadth and nuance in “Exhaustion” and “Paranoia,” the former tapping into an edge of progressive metal, but the primary impact comes from Professional web link that you can trust. Choose us and evaluate the benefits: affordable price, full confidentiality, 24/7 PFUND‘s heft of groove and how it blends with a rawer edge to their production. The Essay Ways To Help With Homework - 100% original, plagiarism free essays, assignments & dissertations. Trusted, confidential and secure UK essay writing service. Kyuss-referencing centerpiece here might be called “Imbalance,” but that’s hardly representative of what surrounds, horns and all.

PFUND on Thee Facebooks

PFUND on Bandcamp

 

Crystal Spiders, Demo

crystal spiders demo

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Crystal Spiders on Thee Facebooks

Crystal Spiders on Bandcamp

 

The Misery Men, Deathspiration

The Misery Men Deathspiration

If you’d asked, depending on which part of Maths Homework. Are you uncertain about an essay, research paper, term paper, or dissertation that you have written? Do you have concerns Deathspiration was on, I’d probably have called The Misery Men a bass/drum duo, but nope, that’s guitar. Tonally one is reminded of At Devil Dirt from Chile, but the Portland, Oregon, two-piece of vocalist/guitarist Corey G. Lewis and drummer Steve Jones are entirely more barebones in their craft, eschewing digital involvement of any sort in the recording or mixing process and sounding duly raw as a result throughout the subtle earworm of “C.W. Sughrue” and the lumbering “Harness the Darkness.” The subsequent “Night Creeps In” brings a Northwestern noise payoff to quiet/loud trades and the near-10-minute closer “Stoned to Death,” well, it seems to meet an end befitting its title, to say the least. As their stated intent was to capture the most organic version of their sound possible, and made a point of working toward that ideal in their recording, one could hardly fault them for the results of that process. They wanted something human-sounding. They got it.

The Misery Men on Thee Facebooks

The Misery Men on Bandcamp

 

Hubris, EP #II Live

hubris ep ii live

Some — not all — of what one needs to know about HubrisEP #II Live is right there in the title. Indeed, it’s their second EP. Indeed, it was recorded live. And indeed, like using a ‘#’ sign with a Roman numeral, there’s something about the way the three included songs from the Toulouse, France-based outfit sound that’s just a little bit off-kilter from what you might expect. “Zugzwang” (7:19), “Tergo” (19:58) and “Biotilus” (27:04) are arranged shortest to longest, and while the opener starts off like Queens of the Stone Age on an Eastern-tinged psychedelic bender, the lengthy jams that follow — the first of them with a fervent drum punctuation, the second a gradual intertwining of synth and guitar with hardly any percussion at all until after its 22nd minute. The instrumental flow that ensues from there is almost like a hidden bonus track, at least until they Hubris get to minute 26 and the whole thing explodes in crash and plod. The underlying message, of course, is that if you think you’re safe at any point, you’re not.

Hubris on Thee Facebooks

Hubris on Bandcamp

 

Woorms, Slake

woorms slake

Lumbering fuckall pervades the debut full-length, Slake, from Baton Rouge, Louisiana, sludgers Woorms — also stylized all-caps — which incorporates past singles “Find a Meal Find a Bed Find a God” and “Mouth is a Wound” amid the sample/noise barrage of “Our Lady of Perpetually Shitfaced” and the willfully brash “Racist Kevin” that follows. There’s an edge of Melvinsian chug to the proceedings, but Woorms‘ take, though presented in finished compositions, comes across as almost nihilistic rather than making a show of its experimentalism. That is, they’re trying to say they don’t give a fuck, and in listening, they make it kind of easy to believe, but there’s still something about the cohesiveness of “Veni Vidi Fucki” and “Rice Crispy” and the saved-the-best-nod-for-last finale “Sore Afraid” that undercuts the notion even while making the listening experience all the more pummeling, and from the intro “Corpse Corps” through “Urine Trouble Now”‘s echoing shouts and the closer’s unmitigated stomp, there’s still plenty of exploration being done.

WOORMS on Thee Facebooks

WOORMS on Bandcamp

 

Oreyeon, Ode to Oblivion

Oreyeon Ode to Oblivion

Rebranded since their 2016 debut, Builders of Cosmos (discussed here), from their more phonetically intuitive original moniker, Orion, Italy’s Oreyeon issue a cosmically expansive spacescape follow-up in their six-song/40-minute sophomore outing, Ode to Oblivion, also their first release through Heavy Psych Sounds. Echoing vocals pervade “Big Surprise” after the introductory “T.I.O.” and “Trudging to Vacuity” establish the wide-cast mix and anti-grav rhythmic density, and the nine-minute side A finale title-track runs mostly-instrumental circles around most of what I’d usually call “prog” only after it lays down a sleek hook in the first couple minutes. After “Big Surprise,” the 8:45 “The Ones” trades volume back and forth but finds its breadth at about the sixth minute as the dramatic lead turns on a dime to desert rock thrust en route to wherever the hell it goes next. Honestly, after that moment, everything’s gravy, but Oreyeon lay it on thick with closer “Starship Pusher” and never neglect melody in the face of nod. Worth a deeper dig if you get the chance.

Oreyeon on Thee Facebooks

Heavy Psych Sounds website

 

Melody Fields, Melody Fields

melody fields melody fields

Sometimes you hear a record and it’s like the band is doing you a favor by existing. To that, thanks Melody Fields. The Gothenburg psych troupe lace their lysergic flow with folkish harmonies and an open sensibility on their self-titled debut that comes coupled with enough tonal presence to still consider them heavy not that it matters. They break out the sax on “Morning Sun” to welcome effect, and the sun continues to shine through “Liberty” and the garage-buzzing “Run” before “Rain Man” turns water droplets into keyboard notes and Beatlesian — think “Rain” — voice arrangements atop soothing instrumental drift, every bit the centerpiece and an excellent precursor to the acoustic-based “Fire” and the 10-minute “Trädgränsen,” which is the crowning achievement of this self-titled debut, which, if I’d been hip to it in time, would’ve made both the 2018 best albums and best debuts list. They cap with a reprise of “Morning Sun” and underscore the solid foundation beneath the molten beauty of their work throughout. To ask for another album seems greedy, but I will anyway. More, please.

Melody Fields on Thee Facebooks

Sound Effect Records website

 

Mammoth Grove, Slow Burn

mammoth grove slow burn

Okay, look, enough screwing around. It’s time for someone to sign Mammoth Grove. The Calgary natives have been putting out quality heavy psych rock since their 2011 self-titled debut (review here), and their latest long-player, the four-song Slow Burn is a righteous amalgam of peace-thru-rock that lives up to its freewheeling vibes in “Seasons” after the methodical opener “Valleys” and rolls out a bit of melodic ’70s biker rock bliss in “Black Meadow” before the side-B-consuming “Gloria” (18:42) asks early if you’re ready to go and then goes like gone, gone, gone, and gone further. Given the analog mindset involved and the heart on display throughout, there’s something fitting about it being pressed up in an edition of 100 hand-screenprinted LPs and 100 CDs likewise, but the more people who could hear it, the merrier, so yeah, some label or other needs to step up and make that happen, and I dare you to listen to the solo that hits past the 14-minute mark in “Gloria” and tell me otherwise. Dare you.

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Mammoth Grove on Bandcamp

 

Crimson Devils, A Taste for Blood

crimson devils a taste for blood

Since pared down to a trio from the four-piece incarnation they present here, Austin’s Crimson Devils first released their debut, A Taste for Blood, in 2017, but gave it a vinyl revisit last year and it’s little mystery why. The record comprises 11 sharply-composed tracks of Small Stone-style heavy rock, taking cues from Sasquatch in modern-via-classic modus, picking and choosing elements of ’70s and ’90s rock to conjure formidable groove and engaging hooks. There’s considerable swagger and weight in “They Get It,” and while opener “Dead and Gone” seems to show an influence in its vocal patterning from Elder, as the album unfolds, it’s more about the blast of “Captain Walker” or the penultimate “Nothing to Claim” and the straight-ahead vibes of “Bad News Blues” and “No Action” than anything so outwardly prog. There’s plenty to dig in the rock-for-rockers mindset, and it’s the kind of offering that should probably come with an octane rating. However such things are measured, safe to say it would not be low.

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Crimson Devils on Bandcamp

 

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Shadow Woods IV Announces Lineup with Tombs, Xasthur, Heavy Temple, Rozamov & Many More

Posted in Whathaveyou on March 15th, 2018 by JJ Koczan

I don’t have any idea what Shadow Woods IV — the name trimmed down from the original Shadow Woods Metal Fest for reasons that will become clear as you continue to read — would possibly have to gain from any kind of endorsement on my part, official or not, but let me say anyway that if you can’t respect this idea, the fact that they’ve done it four years running, and the obvious blood-borne passion that goes into making each edition an event unlike anything else in the US when it comes to the mix of bands, the locale, the vibe and the very concept from which it’s working, you can basically fuck off. I may not be into every band on this list — it’s a really, really long list — but there are plenty here who would justify a trip to Harpers Ferry in September, and yeah, all this is is something special year after year.

The lineup this time around is completely over the top, as you can see first in the grim-grim-grim poster below, then in the running order for each for Shadow Woods IV‘s three nights, and then, finally, in alphabetical order, because they are thorough and that’s only one more reason to hold Shadow Woods in such high regard.

Behold:

shadow-woods-iv-poster

Shadow Woods Productions LLC presents the fourth edition of Shadow Woods Metal Fest, now simply referred to as Shadow Woods IV.

http://www.shadowwoodsmetalfest.com/

What: Shadow Woods IV is a multi-day open air music and camping event in that includes bands from many subgenres of metal, rock, folk, experimental and noise. The fest will host more than 40 bands on two alternating stages with no overlapping sets so attendees can enjoy every set. There will also be delicious food, craft beer, a vendor marketplace with art, jewelry, home decor, music, and rock and metal merchandise.

Where: Our new fest venue is the Harpers Ferry Adventure Center (HFAC) located at 37410 Adventure Center Lane in Purcellville, VA 20132, situated in the beautiful Blue Ridge Mountains at the confluence of the Shenandoah and the Potomac rivers. HFAC features zip lines, ropes courses, tubing, white water rafting, cabins, campsites and an onsite craft brewery. It is located just a little more than a hour from Washington DC and Baltimore, MD near the intersection of the Maryland, Virginia and West Virginia state lines. Festival attendees receive a discount of HFAC activities as well as on the cost of campground and cabin rental with the Shadow Woods group rate.

https://harpersferryadventurecenter.com/

When: Sept 20-22, 2018. Thursday night features primarily acoustic, folk and ritual noise from 6 p.m. until 11 pm. Friday and Saturday showcases rock and metal bands from noon until 11 pm each day.

How: Tickets are on sale now. A full weekend event pass is $130. Day passes for Thursday are $30; Friday and Saturday passes are $60 each. (Important note: Tent camping and cabin are not included in the tickets. Reservations must be made directly through the HFAC and you must request the Shadow Woods group rate. The venue is requesting that attendees hold off on reserving sites for the time being until a system can be put in place for managing this.)

Why: “It was pretty clear from the positive feedback I received after the 2017 fest that festival goers did not want to see Shadow Woods end, even though our property in Maryland had been sold,” said Mary Spiro, fest founder. So without a venue or a confirmed lineup, I started quietly raising the funds to do a new fest via the contributions of past attendees. In January 2018, I was able to find an fantastic site to host the fest that was even better than what we had before. The lineup came together very quickly and I am extremely proud and excited to present these past favorites and new discoveries.”

Here is lineup by day in roughly the reverse order of playing (so headliner at the top) subject to change of course. Then the lineup is in ABC order at the bottom. Brian Sheehan has done the poster.

At this time in terms of Vendors, you can say expect to see some of the ones seen last year plus many new ones.

Don’t have any food vendors or specific sponsors named yet. Beer is the Harpers Ferry Brewing Company which is part of the venue.

Thursday
Xasthur – doomgrass, folk rock (Los Angeles, CA)
On The Water – strange folk (Philadelphia)
Goblin Hovel – metal folk (NY/PA)
Skulsyr – occult noise (Doylestown, PA)
Jerome Deppe and Miss Elizabeth’s All-Girl Band – folk ballads of the damned (Baltimore, MD)
Bound For The Ground – the devil’s blues supergroup with members of Grave Gnosis, The Owls Are Not What They Seem, and Cultic (GA/FL/PA)
Earendel – acoustic folk duo (Baltimore)

Friday
Tombs – post metal (NYC)
Rozamov – psyche-tinged grueling doom (Boston)
Heavy Temple – Hard Fuzz, Psych and Doom (Philadelphia)
Barishi – Gritty Progressive Metal (Brattleboro, VT)
Aether Realm – Viking folk metal (Greenville, NC)
Destroyer of Light – doom and roll (Austin, TX)
Electropathic – doom hard rock with members from several foundational Maryland doom groups (Wheaton, MD)
Husbandry – Fugazi meets Aaliyah (NYC)
God Root – ritualistic sludge (Philadelphia)
Dysfigure – modern heavy metal (Martinsburg, WV)
Windfaerer – extreme aural entity (New Jersey)
Witch Hazel – occult rock and roll/doom (York, PA)
Forest of Legend – doom/stoner/sludge (Virginia Beach, VA)
Hepatagua – sludge/doom/thrash (Boston)
Flummox – nongenre specific doomy metal (Murfreesboro, TN)
Ferus Din – black metal and flutes (Buffalo, NY)
Haze Mage – stoner metal (Baltimore)
Malphas – progressive blackened melodeath (Philadelphia)

Saturday
Uada – black metal (Portland, OR)
Cloak – black and roll (Atlanta, GA)
Panzerfaust – black metal (Toronto, ON)
Voarm – black metal (Richmond, VA)
Imperial Triumphant – black metal (NYC)
Athame – black metal (MD/WV)
Hubris – black metal (Buffalo, NY)
Enthauptung – atmospheric black metal (Rochester, NY)
A Sound of Thunder – traditional/NWOBHM heavy metal (DC/VA)
Bound By The Grave – death metal (Baltimore)
Destroying Angel – dark folk rock (Philadelphia)
All Hell – black and roll (Asheville, NC)
Black Mass – death thrash (Boston)
Hexxus – sludge metal (Birmingham, AL)
Replicant – death metal (NJ)
Tyrannis – death metal (Radford, VA)
Sluagh – progressive metal (Martinsburg, WV)
Sickdeer – death metal (DC)

Alphabetical
Aether Realm
All Hell
A Sound of Thunder
Athame
Barishi
Black Mass
Bound By The Grave
Bound For The Ground
Cloak
Jerome Deppe and Miss Elizabeth’s All-Girl Band
Destroyer of Light
Destroying Angel
Dysfigure
Earendel
Electropathic
Enthauptung
Ferus Din
Flummox
Forest of Legend
Goblin Hovel
God Root
Haze Mage
Heavy Temple
Hepatagua
Hexxus
Hubris
Husbandry
Imperial Triumphant
Malphas
On The Water
Panzerfaust
Replicant
Rozamov
Sickdeer
Skulsyr
Sluagh
Tombs
Tyrannis
Uada
Voarm
Windfaerer
Witch Hazel
Xasthur

http://www.shadowwoodsmetalfest.com/
https://www.facebook.com/shadowwoodsmetalfest/
https://twitter.com/ShadowWoodsMF
https://harpersferryadventurecenter.com/

Shadow Woods Metal Fest 2018 playlist

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