Fogg Stream High Testament in Full; Album out Today on Tee Pee
Posted in audiObelisk on June 23rd, 2015 by JJ Koczan“Let’s get into something heavy,” croons Fogg bassist/vocalist Brandon Hoffman to begin “Mountain,” though by the time they get around to that organ-infused cut at the start of side B to their sophomore outing and Tee Pee Records (tape and LP also through Under the Gun Records) debut, High Testament, the chilled-out Fort Worth, Texas, power trio — Hoffman, guitarist Chase Jowell and drummer Ethan Lyons — have long since covered that ground. The follow-up to their late-2013 debut, Death, the new LP stands strong at 40 solid minutes of trippy neo-fuzz, all air push on the low end in Hoffman‘s tonal glory, the Geez running strong in his fills, and righteously swinging in Lyons‘ jam-propelling cymbal work while Jowell tears into solos with that young-dude-about-to-embarrass-a-bunch-of-old-dudes-by-playing-old-dude-music-the-way-young-dudes-play-it vitality. Opening duo “Joy of Home” and “You are Welcome” on side A live up to their names, preaching clear to the converted with just enough acid in their pH that when they shift into acoustic/Mellotron vibing with “The Garden” it’s still easy to follow along.
The album’s longer stretches prove particularly sure-footed despite a ranging breadth of boogie, “Joy of Home,” “Seasons,” “Mountain” and closer “Grass in Mind” all cruising at over six minutes and the latter approaching 10. “Seasons” serves as the centerpiece of the tracklisting and finds the three-piece rooted deep in Witch-y rolling and Fuzzy turns, but Hoffman‘s vocals keep a keep a shoegazing echo to them that ensures the laid back feel holds together no matter how active the material actually gets, “Seasons” getting plenty active in its name-brand Sabbath-worship tightness of swing in the second half, that momentum carrying over to the calmer start of “Mountain,” which has a build of its own and stands out all the more thanks to the organ guest spot from Ryan Lee, not that High Testament was hurting for a classic feel as it was. I’m not sure it’s fair to call this stuff ’70s-style or retro anymore since it’s also so much the sound of right now, and Fogg are warm-toned but not especially “vintage”-sounding, but whatever tag you might want to lay on them, the tracks hold up in performance and construction, and the flow across each side of the record is seamless.
With “Hand of the Lord” serving as a companion piece to the acoustics of “The Garden,” that leaves “Grass in Mind” with the task of drawing the various sides and elements at work throughout High Testament together, and apart from a second organ appearance, the song does precisely that, with a rolling groove given a sense of chaos through Lyons‘ drums and an especially blown-out fuzz from Hoffman and Lee. Quick-turning rhythms betray some of the band’s youth, but it’s worth noting how crisp Fogg are while sounding so loose. “Grass in Mind” rumbles through three stages, opening with a verse and chorus feel like the bulk of its predecessors before moving into a less-structured but still plenty swinging proto-prog jam and finally turning around the seven-minute mark to sweeter acoustic minimalism to end a mostly raucous outing on a fairly contemplative note. Maybe they’re hinting at further complexity to develop in their sound, or maybe that’s just the only place that part fit. I wouldn’t want to speculate. Either way, as a first outing for Tee Pee and thus a first exposure to many who’ll take them on, myself included, High Testament boasts striking cohesion in its purpose and the methods by which that purpose is executed. Harder to believe than how together these cats are is that they’re not from San Diego or Santa Cruz, as their sound seems primed for California’s current psych revival.
One can only assume they’ll get there eventually and find welcome when they do. Regardless of geography, however, Fogg‘s vibe and immediate chemistry remains palpable. The album is out today on Tee Pee and can be heard in full on the player below.
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Fort Worth, Texas power trio FOGG will release its new album, High Testament, June 23 via Tee Pee Records. The record is the follow-up to the group’s 2014 debut, Death. High Testament will drop on cassette via Under the Gun Records, who will co-release the LP version of the album in conjunction with Tee Pee.
FOGG worship at the altar of the almighty riff, conjuring leaden tombs of amp-destroying sound. The warped riff-riders — who have been burning up the southern heavy music scene — crank howling psychedelic? metal and 70’s biker doom topped with gnarly shredding and strangely unique vocals that hover distantly over landslides of chest-rattling bass and drum tumble. High Testament deals heavy quantities of hazy hooks and woozy timbres, which combine to paint a dreamy aesthetic; a hazy, neon form that sounds like metal chords trapped in a never-ending film dissolve.