The Obelisk Presents: The Top 20 Singles, EPs, Splits and Demos of 2014

Posted in Features on December 23rd, 2014 by JJ Koczan

top-20-short-releases-of-2014-Samuel-Palmer-1805-1881-Morning-of-Life-1861

best dissertation writing services uk,dissertation help uk, dissertation help Pay For Dissertation Journals uk, Assistance & guidance for Ph.D. Tutoring and Rewriting Services – Original, elegant and the arguments nuanced and sophisticated establishing an academic tone Please note: These are not the results of the Readers Poll. That’s still going on. Please feel free to submit your list.

I did this last year mostly as a result of not having somewhere to put  Welcome to the http://www.turnierhundesport.at/?dissertation-on-consumer-behaviourer UK, a renowned and legitimate company which provides cheap custom writing service online with high-quality standards Elder‘s  315 tweets • 0 photos/videos • 53.1K followers. Check out the latest Tweets from Best Resume Writing Services Chicago 4 Teacherss (@WritersPlace_) Spires Burn/Release EP in 2012, but it went pretty well, so I thought we’d do another round for 2014. The 2013 list covered demos, singles, EPs and splits — basically everything that’s not a full-length album — and the same rules apply here. It’s a pretty basic idea, but it makes sense to me to consider short releases apart from full-lengths because very often they’re trying to accomplish different things.

For example, if an album is trying to tell a story or describe a central theme, either blatantly in its lyrics or atmospherically through the music itself, a demo might just be the work of a band trying to feel their way into their sound. It doesn’t strike me as fair to judge the two on the same standard. Likewise, if a band releases a single, should that really be judged alongside an hour-long release? Granted, some bands’ singles actually are an hour long, but that’s another category entirely. “The ‘Dopesmoker’ Awards” will be handed out at another date.

No, not really. At least not this year.

If you didn’t see the full-albums Top 30 of 2014, please feel free to check it out and think of this and the year-end podcast as companion pieces, albeit both a little more casual. Let’s get to it:

sleepsingle

The Top 20 Short Releases of 2014

1. Sleep, The Clarity
2. Fatso Jetson/Herba Mate, Early Shapes
3. All Them Witches, Effervescent
4. Cortez/Borracho, Split 7″
5. Naam/White Hills/Black Rainbows/The Flying Eyes, 4-Way Split
6. Heavy Temple, Heavy Temple
7. Death Alley, Over Under/Dead Man’s Bones 7”
8. Geezer, Live! Full Tilt Boogie
9. The Sun, the Moon and the Witch’s Blues, The Sun, the Moon and the Witch’s Blues
10. Demon Head, Demo 2014
11. Gold & Silver, Azurite and Malachite
12. The Proselyte, Our Vessel’s in Need
13. Hull, Legend of the Swamp Goat
14. Lamp of the Universe/Krautzone, Split
15. The Ultra Electric Mega Galactic, Through the Dark Matter
16. The Heavy Co., Uno Dose
17. Wren, Wren
18. He Whose Ox is Gored, Rumors 7”
19. Lewis and the Strange Magics, Demo
20. Godhunter/Secrets of the Sky, Gh/0st:s
21. Lord, Alive in Golgotha

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A couple notes: The Sleep single was a given. I don’t think anything could’ve topped it one way or another, even if I hadn’t listened to it 100 times since its release in July as part of the Adult Swim Singles Series. In any case, there was no debate about where to place it. You might notice on the other end the list goes to 21. I thought that being the element of chaos suited Lord well, and since I’m not entirely sure their Alive in Golgotha EP has been officially released, they warranted inclusion just in case.

One thing that struck me in putting this list together was the amount of splits included. You’ll notice Fatso Jetson and Herba Mate‘s Early Shapes right in behind Sleep. That one was an utter joy, as far as I’m concerned, and made me wish both of them would get on putting out full-lengths as soon as possible. Not far behind is Cortez and Borracho‘s split single, which had killer tracks from both bands, and the Naam/White Hills/Black Rainbows/The Flying Eyes split from Heavy Psych Sounds that, even with four bands involved, managed to keep a flowing atmosphere front to back, which was impressive enough in and of itself, never mind the individual contributions of those four acts, which were also top quality. The Krautzone/Lamp of the Universe split also provided a considerable psych blissout, and Godhunter‘s split/collaboration with Secrets of the Sky earned extra points for its adventurous spirit and the payoff its risk-taking brought to bear.

Like their Lightning at the Door LP, All Them Witches‘ Effervescent 25-minute jam figured heavily in my 2014 listening habits, as did Heavy Temple‘s self-titled debut EP. Dutch garage/heavy punkers Death Alley earned spins with their debut 7″, a lack of pretense in melding proto-thrash and heavy rock impulses allowing them to quickly find a niche that one hopes they continue to develop. Their debut single, along with Demon Head‘s Demo 2014 (and, indeed, that band’s follow-up single) and the Lewis and the Strange Magics demo were an allay to concerns retro-minded rock might be stagnating.

Geezer featured on the Short Releases list last year as well. I wasn’t sure what to do with their Gage 12″, since it was released in 2013 as an EP and 2014 as an LP, but either way, their Live! Full Tilt Boogie tape effortlessly recalled classic blues rock performances and demonstrated the fluid chemistry at work in the New York trio, I hope it’s not the last live release they do. Along similar bluesy lines, The Heavy Co.‘s Uno Dose found the Hoosier three-piece dipping into heavy jams more than their last full-length, and if that’s the direction they’re headed, you won’t hear me argue. Hailing from Sweden and arriving as an offshoot of Asteroid, the single-song EP from The Sun, the Moon and the Witch’s Blues had more than a touch of heavy blues to it too, and made me look forward to that project’s development from here on out.

There’s little I’m going to complain about less than hearing Ed Mundell bust out Miles Davis-inspired solos, so yeah, The Ultra Electric Mega Galactic‘s Through the Dark Matter EP gets a nod. Impressive guitar work ran a current through Boston duo Gold & Silver‘s debut EP, Azurite and Malachite, but the proggy feel was what ultimately sold me on the two extended instrumentals included there, whereas with fellow Beantowners The Proselyte, it was the catchy songwriting and variety they showed in just four tracks. The He Whose Ox is Gored 7″ was likewise modern and satisfyingly weighted, though obviously shorter, and last but not at all least, the progressive sludge of Wren‘s self-titled EP seemed to fly under a lot of people’s radar but was a markedly individual take on a well established form that portended of good things to come.

As with everything, I’m sure there’s something in this mix that I forgot. If you’ve got a call you want to make on something, please let loose in the comments. Thanks for reading.

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audiObelisk Transmission 041

Posted in Podcasts on October 17th, 2014 by JJ Koczan

Click Here to Download

 

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I didn’t realize, but it’s been over a year now since I started putting together podcasts regularly again. Almost 14 months, actually. Goes quick. I’m still having a good time doing them though. It’s become kind of a late-night ritual for me, assembling the audio and putting the tracklisting together and uploading everything the night before it goes live. It’s heading toward one in the morning as I type this. Long since asleep, The Patient Mrs. calls it “JJ time.” Fair enough.

A few twists and turns in this one, so watch out. I was all getting on some rocking vibes with Brant Bjork and that He Whose Ox is Gored, but after The Golden Grass things took a pretty wild turn. You may not have heard Atomikylä yet, but it’s players from Dark Buddha Rising and Oranssi Pazuzu, so it gets pretty bleak pretty quick. From there, it’s just further into doom with Moss, Apostle of Solitude and The Sabbathian before Godflesh — as only they can — provide a slap back to reality. The second hour, as habit dictates, is a full-on freakout. That Olson/Shively/Barry track is members of Across Tundras and the album was just released, so if you get the chance to check it out, I’d say go for it. In the meantime, enjoy:

First Hour:
Brant Bjork and the Low Desert Punk, “Stokely up Now” from Black Power Flower (2014)
He Whose Ox is Gored, “Buried Twice” from Rumors 7” (2014)
Weed is Weed, “Eat Cookies” from Blunt Force Trauma (2014)
The Golden Grass, “The Robin Song” from Realisations (2014)
Atomikylä, “Ihmiskallo” from Erkale (2014)
Moss, “Carmilla (Marcilla)” from Carmilla (2014)
Apostle of Solitude, “Luna” from Of Woe and Wounds (2014)
The Sabbathian, “Nightshade Eternal” from Ritual Rites (2014)
Godflesh, “Life Giver Life Taker” from A World Lit Only by Fire (2014)
Lords of Beacon House, “Cool Water Blues” from Lords of Beacon House (2014)

Second Hour:
Geezer, “Tales of Murder and Unkindness” from Gage (2014)
Olson/Shively/Barry, “Jagged Cliffs” from Tierra del Fuego Blues (2014)
Dead Sea Apes, “Threads” from High Evolutionary (2014)
Pigs Pigs Pigs Pigs Pigs Pigs Pigs, “Psychopomp” from Psychopomp (2014)

Total running time: 1:59:36

 

Thank you for listening.

Download audiObelisk Transmission 041

 

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He Whose Ox is Gored Premiere “Buried Twice” from new Rumors 7″

Posted in audiObelisk on October 9th, 2014 by JJ Koczan

he whose ox is gored

There are three tracks included on He Whose Ox is Gored‘s forthcoming Rumors 7″ (out Oct. 28 on Bleeding Light Records), and of them, “Buried Twice” is the shortest at 2:45. I was given my choice of any of the three for streaming, and while normally my impulse in that kind of situation is to go with the longest cut possible — in this case that would be the B-side, “Rumors,” at 5:18 — for the Seattle four-piece, I think “Buried Twice” is a crisp summary of the intensity that’s so central to their sound and their ability to balance that with a still-focused songwriting that ignores neither structure nor atmosphere. In picking one of the three, “Buried Twice” couldn’t help but stand out for how well all that is crammed into less than three minutes and how memorable the song is for passing in what’s essentially a flash.

he whose ox is gored rumorsComprised of Lisa Mungo on synths/vocals guitarist/vocalist Brian McClelland, bassist/vocalist Mike Sparks and drummer John O’Connell, the band released their Nightshade EP earlier this year — it was also compiled with 2010’s OP AMPS II: Into the Ether on a tape by Breathe Plastic Records — as the latest in a slew of short releases, and their drive toward efficiency is no less prevalent on Rumors. With Mungo out front on vocals, they run a line of melody through what in other contexts would be fuzzed-out noise rock, but the emphasis there should be on “run.” “Void Assault,” “Buried Twice” and “Rumors” keep a steady sense of movement through them, not only making the material exciting, but giving it a sense of unpredictability as well. “Buried Twice” might catch you off guard, but let it. That only makes the effect more satisfying.

Five-hundred copies of the vinyl will be pressed by Bleeding Light. The band have a bunch of West Coast dates lined up starting right after the release, and you’ll find them after the player below, along with some more info from the PR wire:

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HE WHOSE OX IS GORED and Bleeding Light Records have joined forces to release the Seattle doom alchemists’ upcoming new 7″. Entitled Rumors, the three-song EP will see a digital release October 28, 2014, with a limited 500-strong vinyl pressing to follow. HWOIG have built a dedicated fanbase through DIY acumen and the irresistible pull of their heavy, fuzz-drenched, progressive-minded and thoroughly intriguing take on proggy rockin’ doom, all bolstered by Lisa Mungo’s powerful, windswept pipes.

The band will be hitting the road immediately after, tooling down the West Coast. They’ll arrive back home in Seattle at the Sunset Tavern on 11/16 to end it all in blaze of glory and prepare their imminent full-length for eventual release. There’s no rest for the wicked…

HE WHOSE OX IS GORED WEST COAST TOUR
10/30 Portland, OR @ Club 21 w/ Sioux & Towers
10/31 Sacramento, CA @ Starlite Lounge w/ Eyehategod, Today is the Day, Power Trip, Iron Reagan & Plague Widow
11/1 Oakland, CA @ Golden Bull w/ Dimesland, Cormorant & Barren Altar
11/2 LA, CA @ Complex w/ QunQ, Facial & Half Goon
11/3 Las Vegas, NV @ The Dive w/ Uzala & Demon Lung
11/4 Tempe, AZ @ Yucca Tap Room w/ Uzala, Cardinal Wyrm & Sorxe
11/5 Tucson, AZ @ Flycatcher
11/6 San Diego, CA @ Merrow w/ Deep Sea Thunder Beast
11/7 Lancaster, CA @ Lancaster Moose Lodge w/ Child Brides, Sona, Litaoa & Cactus 1994
11/8 San Francisco, CA @ El Rio w/ Worship
11/9 Reno, NV @ Holland Project w/ Sisters Doom
11/16 Seattle, WA @ Sunset Tavern

He Whose Ox is Gored on Thee Facebooks

He Whose Ox is Gored on Bandcamp

Bleeding Light Records

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